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used to illustrate the visual weight of an image

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a category in photography characterized by a particular style, form, or content

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a film gauge used in filmmaking, and the film standard.

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a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.

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a camera which records images in a format larger than 4 x 5 inches.

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the photographic process used with currently available black-and-white films and printing papers. A suspension of silver salts in gelatin is coated onto a support such as glass, flexible plastic or film, baryta paper, or resin-coated paper.

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a person that collects, exhibits, researches, and maintains a photo collection

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an organized presentation and display of photos

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the presentation of visual elements in an image, especially the placement of the subject in relation to other objects

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room or building for the display or sale of photos

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a type of intellectual property that gives the photographer the exclusive right to make copies of a photo.

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a recognizable path created by a point moving in space. It is one-dimensional and can vary in thickness, direction, and length.

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shapes have two-dimensions, length and width, and they can be geometric or organic.

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describes the brightness or darkness of color. A gradient is a series of values from lightest to darkness.
Tint - White added to a color will make it lighter.
Shade - Black added to color will make it darker.

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Form exists in three dimensions, length, width, and height.
Shape and form define objects in space.

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a feeling of three dimensions. It can also refer to the artist's use of the area within the picture.
Positive space is described as the areas in a work of art that are the subjects, or areas of interest. Negative space is area around the subjects, or the areas of interest.

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the surface quality of an object.
Actual Texture: you can feel it
Implied Texture: no actual texture

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Reflected light. Organized on a color wheel with 3 primary colors, 3 secondary colors and 6 intermediate colors.
Intensity refers to the brightness in color
Dull colors are muted.

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varying elements and objects in your image

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makes sense of the visual world through regularity.

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the comparative harmonious relationship between two or more elements in a composition with respect to size, colour, quantity, degree, setting, etc

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the recurring or organized/disorganized distribution of visual elements throughout an image.

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the visual relationship between elements in a photograph.

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elements that spread out from a central point.

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when each half of the artwork is identical or very similar.

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when you have two dissimilar sides of a design and have positioned visual weight unequally, and yet you've still achieved a sense of balance.

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placing two or more things side-by-side, often with the intention of comparing or contrasting the elements.

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all the colors of a single hue

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art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect.

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the art of making a specific element stand out or draw attention to the eye.

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used to describe any color that is calm or soothing in nature. Cool colors are not overpowering and tend to recede in space.

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Used to describe any color that is vivid or bold in nature. Warm colors are those that tend to advance in space and can be overwhelming.

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the opposite hues on the color wheel

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appear to be without color, but in many applications these hues often have undertones.

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aligning a subject with the guide lines and their intersection points, placing the horizon on the top or bottom line, or allowing linear features in the image to flow from section to section.

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a ratio of approximately 1.618 to 1. This proportion creates a sense of harmony and balance.

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lines that appear in a photograph that have been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest

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any part of the photo that jumps out from its surroundings.

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parts of an image that don't attract as much attention, surrounding the positive space and giving it a buffer.

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one that focuses on the object's physical characteristics as the main source of information

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how different people can respond to a work of art in different ways

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giving feedback that provides specific, actionable suggestions.

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the practice of taking someone else's work or ideas and passing them off as one's own.

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a symbol, word, or words legally registered or established by use as representing a company or product.

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relating to moral principles or the branch of knowledge dealing with these.

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a group of two pictures

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a group of three pictures

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the smallest controllable element of a picture represented on a screen

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the period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the Sun is higher in the sky.

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the period of twilight when the Sun is at a significant depth below the horizon and residual, indirect sunlight takes on a predominantly blue shade

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a standard way that information is encoded for storage in a computer file.

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a commonly used method of lossy compression for digital images, particularly for those images produced by digital photography.

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contains minimally processed data from the image sensor of a digital camera, a motion picture film scanner, or other image scanner.

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a computer file format for storing raster graphics images

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an image file format native to Adobe's Photoshop Application

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a monochrome image rendered in brown tones rather than the greyscale tones used in a traditional black and white image.

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the middle 50% of the total tonal depth of an image

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the brightest parts of a photo

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the darkest parts of an image.

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process of editing the data captured by camera while taking the photo to enhance the image

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using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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the photographing on motion-picture film of a slow and continuous process, at regular intervals, especially by exposing a single frame at a time, for projection at a higher speed.

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photographic technique where light is “painted” or “drawn” into the photograph using a hand held light source during a long exposure.

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swivelling a still or video camera horizontally from a fixed position.

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the size of the digital image the camera produces, and is usually expressed in terms of "megapixels" or how many million pixels it can record in a single image.

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involves positioning the main light source for a photograph behind the primary subject.

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light that is essentially going through a filter that spreads the light out and makes it fall on your subjects evenly and without very much contrast.

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refers to any form of light that the photographer did not add to their image

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the use of contrast in light and shading across an entire image composition.

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a view of an object or a scene consisting of the outline and a featureless interior

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a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor.

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a set of data describing and providing information about rights and administration of an image.

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a small image that represents a larger one

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refers to the absence of post-processing with an image editing program.

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Tropical and subtropical coniferous forests

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an image stabilization technology that minimizes blur caused by camera shake

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when the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot.

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the camera still sets the exposure for you. It chooses the correct aperture and shutter speed for the light available, so your shot is correctly exposed.

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a camera mode in which you manually set your aperture, while the camera automatically selects a shutter speed.

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a setting on some cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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requires the photographer to make all the decisions that determine an image's exposure

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an arbitrary rating of film speed; that is, the sensitivity of the film to light.

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a sensor's (or film's) sensitivity to light.

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the random optical texture of processed photographic film due to the presence of small particles of a metallic silver, or dye clouds, developed from silver halide that have received enough photons.

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random variation of brightness or color information in images, and is usually an aspect of electronic noise.

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a sensor that detects and conveys information used to make an image.

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the opening of a lens's diaphragm through which light passes.

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a camera setting that specifies the aperture of the lens on a particular photograph

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the effect of a soft out-of-focus background that you get when shooting a subject, using a fast lens, at the widest aperture, such as f/2.8 or wider.

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the distance between the nearest and the farthest objects that are in acceptably sharp focus in an image.

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measures the distance, in millimetres, between the optical centre of the lens and the camera’s sensor

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the length of time when the film or digital sensor inside the camera is exposed to light, also when a camera's shutter is open when taking a photograph.

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allows the photographer to take a picture for as long as the shutter is depressed

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the apparent streaking of moving objects in a photograph or a sequence of frames

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the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images.

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An adjustable and usually collapsible three-legged stand to which a camera, etc, can be attached to hold it steady

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a digital single-lens reflex camera with a 35 mm image sensor format.

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a film format that was developed back in 1996 but was discontinued.

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the ratio of the dimensions of a camera's imaging area compared to a reference format

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a fixed focal length lens that does not allow you to zoom in or out.

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a long-focus lens that allows photographers to utilize a focal length that is in fact shorter than the lens' physical length.