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Musée Champollion des Ecritures du Monde |

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Exposition 2018. Île de Pâques - Les bois parlants Du 30 juin au 4 novembre 2018 Musée Champollion - Les Écritures du Monde Le muséum d'histoire naturelle de Toulouse, le musée Fenaille de Rodez et le musée Champollion - Les Écritures du Monde de Figeac se sont associés pour proposer trois expositions complémentaires qui rassemblent [...]

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Founded in 1881, the Art Gallery of South Australia is home to one of Australia's great art collections. This outstanding collection of over 38,000 works of art comprises Australian, European, North American and Asian works and includes one of the most important collections of Indigenous art as well as the only dedicated Islamic gallery space in Australia. The collection spans the period from ancient Rome to the present day, and includes paintings, sculptures, prints, drawings, photographs, textiles, ceramics, glass, metalwork and jewellery, and furniture. Works of art are displayed by both culture and medium, providing visitors with an historical and cultural framework with which to view them. The mission of the Gallery is to serve the South Australian and wider communities by providing access to original works of art of the highest quality. Through its permanent collections, temporary exhibitions and other public programs, the Art Gallery seeks to foster, promote and enhance understanding and enjoyment of the visual arts.

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Art Gallery of South Australia, Adelaide, Australia - Google Arts & Culture

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Founded in 1881, the Art Gallery of South Australia is home to one of Australia's great art collections. This outstanding collection of over 38,000 works of art comprises Australian, European, North American and Asian works and includes one of the most important collections of Indigenous art as well as the only dedicated Islamic gallery space in Australia.

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Founded in 1861, the National Gallery of Victoria is Australia's oldest public art museum with a rich history and world class Collection of over 70,000 works. There are many treasures to be found on the walls of both the Gallery's sites - NGV International on St. Kilda Road and The Ian Potter Centre: NGV Australia at Federation Square.

NGV International houses the Gallery's encyclopaedic Collection of International art while The Ian Potter Centre: NGV Australia is home to the Gallery's comprehensive Australian art Collection, including works by the Aboriginal and Torres Strait Island communities.

The NGV's marvellous Collection represents the world's most important art movements across many centuries and cultures. The majority of the Collection has been generously gifted to the NGV by members of the community for everyone to enjoy.

The NGV offers an extraordinary visual arts experience with a diverse range of temporary exhibitions, Collection displays, talks, tours, programs for kids, films, late-night openings and performances.

In 2010 over 1.5 million people visited the NGV.

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National Gallery of Victoria, Melbourne, Australia - Google Arts & Culture

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Founded in 1861, the National Gallery of Victoria is Australia's oldest public art museum with a rich history and world class Collection of over 70,000 works. There are many treasures to be found on the walls of both the Gallery's sites - NGV International on St.

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Museus da Literatura Russa

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Russian Literature Museums - Google Arts & Culture

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The history and authors of Russian literature.

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Yasnaya Polyana, Moscovo, região, Rússia

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The Yasnaya Polyana estate is located in the very center of Middle Russia, with its quiet but strikingly moving nature, and is likewise modest, but beautiful and noble in its simplicity.
The great Russian writer Leo Tolstoy was born and lived most of his life at Yasnaya Polyana. It is here that the world began for him, and it is here that the world of his literary works and characters came into being. For Tolstoy, Yasnaya Polyana was the only home he really loved, the ancestral seat of his family. But the history of the Yasnaya Polyana estate goes back to the more distant past.

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Museum-estate of Leo Tolstoy "Yasnaya Polyana", Tula region, Russia - Google Arts & Culture

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The Yasnaya Polyana estate is located in the very center of Middle Russia, with its quiet but strikingly moving nature, and is likewise modest, but beautiful and noble in its simplicity.The great Russian writer Leo Tolstoy was born and lived most of his life at Yasnaya Polyana.

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Ivan Honchar Museum (National Centre of Folk Culture) is a museum in Kiev, Ukraine showcasing the culture of Ukraine and preserving Ukrainian folk art. The museum was founded on a private collection of Ivan Makarovych Honchar shortly after his death in 1993. During the Soviet period, Ivan was accused of nationalism. Each individual showing an interest in his private collection was registered with the KGB. The collection consists of over 30,000 items from the 16th to the early 20th centuries. A good example is a painting of the Ukrainian folklore hero Cossack Mamay. Other items include over 800 icons from the 16th century, more than 100 paintings by famous Ukrainian artists, an impressive collection of nearly 4000 items of textiles from the 18th and 19th centuries, pottery, toys, Easter eggs, wood carvings and Ukrainian folk music instruments. Another part of the museum consists of Honchar's private library with books containing material that had the possessor sent to prison during Soviet times.
The Museum is an institution, not only a collection of exhibits. There are folk art studios, shops, a theatre of folk songs and folklore, Ukrainian cuisine hands-on classes and other courses.

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National Center of Folk Culture "Ivan Honchar Museum", Kyiv, Ukraine - Google Arts & Culture

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Ivan Honchar Museum (National Centre of Folk Culture) is a museum in Kiev, Ukraine showcasing the culture of Ukraine and preserving Ukrainian folk art. The museum was founded on a private collection of Ivan Makarovych Honchar shortly after his death in 1993. During the Soviet period, Ivan was accused of nationalism.

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The National Museum of Art of Ukraine is the oldest museum in Kyiv, opened in 1899, with the best collection of works of Ukrainian art from the 12th century to the present. The museum was founded through the efforts of Ukrainian intellectuals in the late 19th century as the first public museum in Kiev. The building itself is a monument of art, the work of the famous Kiev architect Vladislav Gorodetsky. The sculptural decoration of the facade was made by Elio Salia. The sculptures of the lions in front of the building have become so iconic that NAMU is often called the Museum of Lions.

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National Art Museum of Ukraine, Kyiv, Ukraine - Google Arts & Culture

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The National Museum of Art of Ukraine is the oldest museum in Kyiv, opened in 1899, with the best collection of works of Ukrainian art from the 12th centur...

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National
Conservation Area "St. Sophia of Kyiv" is a leading museum institution of
Ukraine. Its history dates back to 1934. The conservation area includes 6
museums and its storage collections number circa 90 thousand depository units.
Among them are the archaeological materials, arts and crafts, architectural
construction materials and unique architectural drawings etc.

The
activity of the National Conservation Area "St. Sophia of Kyiv" was recognized
by the international community. In 1987, the International Hamburg Foundation
Jury (Germany)
awarded the European Gold Medal for the preservation of historical monuments.
In 1990, St.
Sophia Cathedral of the 11th c. and its
ensemble of the 18th century monastic buildings were inscribed on
the UNESCO World Heritage List.

In 1994, by Decree of the President of Ukraine St.
Sophia Reserve acquired national status.

National
Conservation Area "St. Sophia of Kyiv" is the largest museum complex in
Ukraine, the monuments of which are included into tour itineraries of Kyiv -
St. Sophia Cathedral of the 11th c., The Golden Gate of the 11th
c., St. Cyril's Church of the 12th c., St. Andrew's Church of the 18th c. and Autonomous Republic of Crimea - The Sudak
Fortress of the 3d -18th c.

St. Sophia
Cathedral of the 11th c. is the most outstanding monument of
architecture among the properties of the conservation area. Traditionally,
visitors begin their discovery of Kyiv and Ukraine with St. Sophia Cathedral. The
cathedral is a combination of the best artistic achievements of the Byzantine Empire and Kyivan Rus.

St. Sophia
Cathedral is the main church of Kyivan Rus. It was a political and cultural centre of
the state. Thus it was a place of the
enthronement of princes, consecrations to metropolitanate, receptions of foreign
ambassadors and conclusions of political pacts. The first library and
scriptorium of Kyivan Rus were founded in the cathedral. The name of the
cathedral comes from Greek word "sophia", which means "wisdom", i.e. wisdom of
Christianity.

Saint
Sophia Cathedral has preserved its ancient architecture and ensemble of mosaic
(260 sq.m.) and fresco (3000 sq.m.) paintings of the 11th c., which is a unique collection concerning its integrity. A majestic
mosaic portrayal of the Virgin Orans in the apse of the high altar is a focus
of attention. The image of Orans is called "the Unbreakable Wall". From ancient
times it is believed that as long as the image of the Virgin Orans is in St.
Sophia so long the city of Kyiv
stands.

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St. Sophia of Kyiv, Kyiv, Ukraine - Google Arts & Culture

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NationalConservation Area "St. Sophia of Kyiv" is a leading museum institution ofUkraine. Its history dates back to 1934. The conservation area includes 6museums and its storage collections number circa 90 thousand depository units.Among them are the archaeological materials, arts and crafts, architecturalconstruction materials and unique architectural drawings etc.

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L'histoire des collections du Musée d'ethnographie de Neuchâtel (MEN) remonte au XVIIIe siècle, les premières pièces étant issues du Cabinet d'histoire naturelle du général Charles Daniel de Meuron donné à la Ville en 1795. Après plusieurs déménagements et partages, le fonds ethnographique fut transféré sur la colline de Saint-Nicolas dans la villa offerte par James-Ferdinand de Pury pour y installer le MEN, inauguré le 14 juillet 1904. En 1954-55 fut construit un bâtiment destiné aux expositions temporaires, décoré au nord d'une peinture murale de Hans Erni Les conquêtes de l'homme. En 1986, une nouvelle construction s'intercalait entre les deux précédentes afin de permettre l'extension de l'Institut d'ethnologie de l'Université. Financièrement séparées, les deux institutions n'en sont pas moins complémentaires. Elles partagent la même bibliothèque et s'engagent à l'occasion dans des entreprises communes. Aujourd'hui, le MEN abrite quelque 30000 objets dont plus de la moitié est représentée par les collections africaines: Afrique orientale et du Sud; Angola des années 30; Sahara et Sahel (Touaregs et Maures); Gabon. Il conserve aussi des fonds asiatique, esquimau et océanien, des instruments de musique extra-européens et des pièces d'Egypte ancienne.

Le MEN
contribue à l'essor des musées ouverts sur le quotidien. Largement reconnues comme novatrices, stimulantes, voire provocantes, ses expositions proposent aux visiteurs une réflexion originale autour d'une thématique étroitement liée à l'actualité et mise en perspective par le regard à la fois impliqué et éloigné de l'ethnologie. Elles font intervenir indifféremment l'ici et l'ailleurs, le prestigieux et le banal, l'artisanal et l'industriel comme autant de signes d'une réalité complexe et culturellement orientée. Dans un tel cadre, les objets ne sont pas exposés pour eux-mêmes mais parce qu'ils s'insèrent dans un discours, parce qu'ils deviennent les arguments d'une histoire qui met en perspective l'une ou l'autre de leurs caractéristiques, que celles-ci soient esthétiques, fonctionnelles ou symboliques. Qualifiée parfois de critique ou de déstabilisatrice, une telle démarche vise à permettre aux visiteurs de relativiser leurs perceptions, de déconstruire leurs savoirs et d'interroger leurs certitudes afin de les amener à repenser leur réalité.

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Musée d'ethnographie de Neuchâtel, Neuchâtel, Switzerland - Google Arts & Culture

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L'histoire des collections du Musée d'ethnographie de Neuchâtel (MEN) remonte au XVIIIe siècle, les premières pièces étant issues du Cabinet d'histoire naturelle du général Charles Daniel de Meuron donné à la Ville en 1795.

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Cotroceni is the only residence all over the Romanian land which has been continuously inhabited since the late 17th century up to now. Consequently, in 1991, in the old wing of the Palace, the Cotroceni National Museum was opened to the public. Ten years later, the Museum was placed under the authority of Presidential Administration of Romania.

The Museum operates inside the Cotroceni Palace, a historical monument representative of the late 19th century Romanian architecture that remarkably embodied part of the architectural features of the monastery established by Şerban Cantacuzino, Prince of Wallachia, in the late 17th century.

Its uniqueness is granted by the interfusion of a 350 year history memorial site, with that of an art museum. Its halls and apartments have a tremendous evocative power, as the focus is put not only upon the inherent value of the various artefacts, but especially on their connection with the personalities that have lived in the palace throughout the years.

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Cotroceni National Museum, Bucharest, Romania - Google Arts & Culture

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Cotroceni is the only residence all over the Romanian land which has been continuously inhabited since the late 17th century up to now. Consequently, in 1991, in the old wing of the Palace, the Cotroceni National Museum was opened to the public. Ten years later, the Museum was placed under the authority of Presidential Administration of Romania.

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The Romanian Peasant Museum is part of the European family of Museums of Popular Art and Traditions. It is a national museum, under the Ministry of Culture's patronage. In possession of an especially rich collection of objects, hosted in a Neo-Romanian style historical monument-building, our Museum developed a highly original museography honored in 1996 by receiving the EMYA - European Museum of the Year Award. The originality of the exhibiting style is continued in the Museum's publications, in actions such as the Missionary Museum, the Village School, concerts, conferences and exhibition openings.

The history of The Romanian Peasant Museum begins in 1906, as a result of many personalities' endeavours to found an autonomous museum of peasant art: The Museum of Ethnography, National Art, Decorative and Industrial Art. By 1941 the museum has moved to its new building, later to become an architectural monument. In the communist time the museum's existence was rather agitated and its importance minimized by the regime. The museum, under the present name and form, was founded on the 5th of February 1990.

The building is an illustration of the Neo-Romanian style, inspired from the Brancovean tradition, following the structure of the monastic buildings. It's construction has begun in 1912, under the regency of King Carol I. The apparent red brick walls, the large windows joining one another under arches, the columns of the loggia, as well as the hand-rail, the carved-in elements and the elegant silhouette of the central tower with its top balcony recalling the bell-towers of old monasteries, bestow upon this building the well-pondered sumptuousness of a real palace of the arts.

Museum's collections. The Romanian Peasant Museum owns the richest collection of peasant objects, at present. The almost 90,000 pieces that are part of its patrimony are as many witnesses to the village spirituality. This treasure of national and international importance is stored and preserved according to rigorous scientific criteria and it has been systematically catalogued, having scientific files, even from the moment when the collection was started. From practical reasons associated with modern legal requirements of protecting the patrimony, the collection is structured in some categories: costume, ceramics, interior tapestry, wood objects, religious objects, but also a visual archive of about 60,000 items, which are glass sheets (negatives and transparency), old photography, slides (film negatives and transparencies), graphics (peasant woodcuts, surveys, engravings), videotapes.

European Museum Of The Year Award, 1996-1997

In 1996, 64 museums from 21 countries hoped to obtain this award. After long analyses, the Committee decided to give the award to the Romanian Peasant Museum from Bucharest. According to the board, the museum has reached the highest European level with respect to the aesthetic presentation, and by its conception it proves a very rare imaginative quality. The collections were also evaluated and the way they were protected during the Communist regime was considered commendable. The Committee also mentioned that the managing curator Horia Bernea is one of the eminent personalities of the museum world, whom people would certainly talk about in the future.
On the 18th of May 1996, in the "100 persons' Hall" in Barcelona town hall, the diploma and the trophy were given to Horia Bernea by the Queen Fabiola of Belgium. With the same occasion, Kenneth Hudson stressed the fact that the manager of the Romanian Peasant Museum is loved and respected by his colleagues and his artistic honours list is priceless for the creation of a museum, which rises above the traditional levels of presentations.
Thus, founded on the 5th of February 1990, the Romanian Peasant Museum was the first institution of this kind, in the Central and Eastern Europe, which was given EMYA after only 6 years of existence. In the halls of the Romanian Peasant Museum, the visitor is not told how our forefathers lived. One is only given the landmarks of a discourse about the peasants' world, which is later on understood and even completed by oneself. One is helped by the fact that the themes are structured according to two main ideas, which actually represent the two segments of the permanent exhibition: The Christian Law and The Canon of Daily Life.

***

The permanent exhibition of the National Museum of the Romanian Peasant is closed due to building restoration and consolidation works.

However, halls for temporary exhibitions remain opened: Tancred Bănățeanu Hall, Foaier Hall and Acvariu Hall, the Peasant Art Gallery (the museum's gift shop) and the Peasant Museum's Cinema (Studioul Horia Bernea).

The access is via Monetăriei Street, no. 3.

General information:
Tel: +40 21 317 96 60
email: info@muzeultaranuluiroman.ro
website: www.muzeultaranuluiroman.ro

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National Museum of the Romanian Peasant, Bucharest, Romania - Google Arts & Culture

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The Romanian Peasant Museum is part of the European family of Museums of Popular Art and Traditions. It is a national museum, under the Ministry of Culture's patronage. In possession of an especially rich collection of objects, hosted in a Neo-Romanian style historical monument-building, our Museum developed a highly original museography honored in 1996 by receiving the EMYA - European Museum of the Year Award.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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The Alberto Moravia Museum House is the house where the writer, critic, essayist and member of the European Parliament, Alberto Moravia (Rome, 1907-1990) lived. After having lived with Elsa Morante in via dell'Oca, the writer moved to this house on Lungotevere della Vittoria in 1963, living first with Dacia Maraini and later with Carmen Llera.

L'uomo come fine - a collection of essays on the modern human condition - and the novel L'attenzione, are some of Alberto Moravia's works completed after he moved in the early 60s to the house on Lungotevere della Vittoria, where one can still imagine him, sitting at his wooden desk carved by the sculptor Sebastian Shadhauser, writing with his Olivetti 82.

On the 103rd anniversary of the birth of the writer (Rome, November 28, 1907 - Rome, September 26, 1990). the house in Rome, overlooking the River Tiber, has now become the Alberto Moravia House Museum. It opens its doors for the first time to the public on December 1, 2010. With this new acquisition by the Cultural Policies and Communication - Superintendence of Cultural Heritage in collaboration with the Associazione Fondo Alberto Moravia and with the organizational support of Zètema Progetto Cultura, the house has become the 18th museum of the Civic Museums Network.

Many of the works written by Moravia have been published after the moved, with Dacia Maraini, to the apartment in the Roman district of the Vittorie, in the spring of 1963. To this period (the 70s and 80s) belong the following works: La rivoluzione culturale in Cina, Il paradiso, Io e lui, A quale tribù appartieni?, Boh, La vita interiore, Lettere dal Sahara, 1934, Storie della Preistoria, La cosa e altri racconti, L'uomo che guarda, L'inverno nucleare, Passeggiate africane, Il viaggio a Roma, La villa del venerdì, La donna leopardo, Diario europeo, Romildo.

The apartment - now headquarters of the Associazione Fondo Alberto Moravia - is divided into a series of rooms, connected by two corridors, which still reveal the personal style of the landlord: a lounge with a large terrace overlooking the Tiber , a Seventies-style kitchen, a bedroom and study.

Numerous paintings and portraits of the writer are hung on the walls of the house: these works testify his relationship with the protagonists of the Italian art scene: Renato Guttuso, Mario Schifano, Sergio Vacchi, Giulio Turcato, Corrado Cagli, Lorenzo Tornabuoni, Leonardo Cremonini, Onofrio Martinelli, Adriana Pincherle (Moravia's sister) and others. Noteworthy is the collection of traditional masks and objects from collected in the numerous trips to Africa, Asia and South America

The Library, one of the most interesting element of the house, contains evidence of the many and varied interests cultivated by Moravia, e.g. Italian and foreign literature, books and essays on visual arts, politics, psychoanalysis, non-European cultures; the Archive contains also about 15,000 documents including letters, manuscripts and newspapers.

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Casa Museo Alberto Moravia, Rome, Italy - Google Arts & Culture

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The Alberto Moravia Museum House is the house where the writer, critic, essayist and member of the European Parliament, Alberto Moravia (Rome, 1907-1990) lived. After having lived with Elsa Morante in via dell'Oca, the writer moved to this house on Lungotevere della Vittoria in 1963, living first with Dacia Maraini and later with Carmen Llera.

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Pera Museum, Istanbul, Türkiye - Google Arts & Culture

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Inaugurated on 8 June 2005, Pera Museum is a private museum founded by the Suna and İnan Kıraç Foundation. The aim of offering an outstanding range of dive…

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Sabancı University's Sakıp Sabancı Museum is located in Emirgan, at one of Istanbul's oldest settlements on the Bosphorus.

In 1927, Prince Mehmed Ali Hasan of the Hidiv family of Egypt commissioned the Italian architect Edouard De Nari to build the villa, now the museum's main building, and it was used as a summer house for many years by various members of the Hidiv family; for a short time it also served as the Montenegran Embassy.

After the mansion was purchased in 1950 by industrialist Hacı Ömer Sabancı from Princess Iffet, a member of the Hidiv family, as a summer residence, it came to be known as Atlı Köşk, "The Horse Mansion", because of the statue of a horse (purchased in the same year) that was installed in the garden; the statue is the 1864 work of the French sculptor Louis Doumas.

A second horse sculpture on the grounds of Atlı Köşk that gave the mansion its name is the cast of one of the four horses taken from Sultanahmet square in Istanbul when it was looted by Crusaders during the Fourth Crusade in 1204 and removed to the Basilica of San Marco in Venice.

After the death of Hacı Ömer Sabancı in 1966, Atlı Köşk began to be used permanently as a home by Sakıp Sabancı in 1974 as the eldest of the family, and for many years housed Sakıp Sabancı's rich collection of calligraphy and paintings. In 1998, together with its collection and furnishings, the mansion was allocated to Sabancı University to be transformed into a museum.

With the annex of a modern gallery, the exhibition areas of the museum opened to visitors in 2002; with a further extension of the layout in 2005, the technical level of the museum reached international standards.
Today Sabancı University Sakıp Sabancı Museum presents a versatile museological environment with its rich permanent collection, the comprehensive temporary exhibitions that it hosts, its conservation units, model educational programs and the various concerts, conferences and seminars held there.

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Sakıp Sabancı Museum, Istanbul, Turkey - Google Arts & Culture

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Sabancı University's Sakıp Sabancı Museum is located in Emirgan, at one of Istanbul's oldest settlements on the Bosphorus. In 1927, Prince Mehmed Ali Hasan of the Hidiv family of Egypt commissioned the Italian architect Edouard De Nari to build the villa, now the museum's main building, and it was used as a summer house for many years by various members of the Hidiv family; for a short time it also served as the Montenegran Embassy.

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The İstanbul Museum of Modern Art, Turkey's first private museum to organize modern and contemporary art exhibitions, was founded in 2004 and occupies an 8,000 square meter site on the shores of the Bosphorus.

İstanbul Modern embraces a global vision to collect, preserve, exhibit and document works of modern and contemporary art and make them accessible to art lovers.

As part of its commitment to sharing Turkey's artistic creativity with wide audiences and promoting its cultural identity in the international art world, İstanbul Modern hosts a broad array of interdisciplinary activities.

Apart from permanent and temporary exhibition galleries, a photography gallery, and spaces for educational and social programs, the museum offers a cinema, restaurant, design store and an extensive library.

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İstanbul Museum of Modern Art, İstanbul, Türkiye - Google Arts & Culture

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The İstanbul Museum of Modern Art, Turkey's first private museum to organize modern and contemporary art exhibitions, was founded in 2004 and occupies an 8...

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The Pergamonmuseum was designed by Alfred Messel; its construction was overseen by Ludwig Hoffmann and lasted twenty years, from 1910 to 1930. A smaller building initially stood on the same site for a just few years before being torn down. It housed the important excavation finds unearthed by the Berlin museums, such as the frieze panels from the Pergamon Altar, reclaimed from the earth in digs that lasted from 1878 to 1886. Inadequate foundations, however, soon resulted in the building becoming structurally unstable and it had to be demolished. The new, larger Pergamonmuseum was built as a three-wing complex. The museum now houses three of the Staatliche Museen zu Berlin's collections: the Antikensammlung, Vorderasiatisches Museum, and the Museum für Islamische Kunst. The impressive reconstructions of massive archaeological structures - the Pergamon Altar, Market Gate of Miletus, the Ishtar Gate and Processional Way from Babylon, and the Mshatta Facade - have made the Pergamonmuseum famous throughout the world, with the result that it is the most visited museum at the Staatliche Museen and in Germany as a whole. Since 2013, the Pergamonmuseum has been undergoing staggered renovation work, devised by the Ungers architectural practice, as part of the Master Plan Museumsinsel. During the current stage of renovations, the hall containing the Pergamon Altar is closed since 29 September 2014 and is due to remain closed to the public until 2019. The north wing and the gallery of Hellenistic art are also affected by the closure. The South Wing of the Pergamonmuseum, featuring the Market Gate of Miletus, the Ishtar Gate and Processional Way from Babylon, and the Museum of Islamic Art, remains unaffected and will be open to the public during this time.

Header image © Staatliche Museen zu Berlin / David von Becker

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Pergamonmuseum, Staatliche Museen zu Berlin, Berlin, Germany - Google Arts & Culture

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The Pergamonmuseum was designed by Alfred Messel; its construction was overseen by Ludwig Hoffmann and lasted twenty years, from 1910 to 1930. A smaller building initially stood on the same site for a just few years before being torn down.

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The Technical Museum of East Iceland was established in 1984. The museum's main focus is on the influx of modern times around 1880 to 1950. Technical innovations in areas such as mechanics, electricity, communications, telephony, commerce and architecture are interlaced with changes in lifestyle and milieu. We also serve as a museum for Seyðisfjörður local heritage. Exhibitions are animate and seek to recreate the atmosphere of the times they portray. The museum surroundings are an open air recreation area, outstanding for taking walks and enjoying each others company. We support a family-friendly policy and work progressively on producing informative settings as well as constructive and worthwhile entertainment for guests of all ages. In addition the museum serves as a research center and teaching facility for all levels of education. Staff members also carry out independent research projects relating to the museum´s area of interest.

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Technical Museum of East Iceland, Seydisfjordur, Iceland - Google Arts & Culture

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The Technical Museum of East Iceland was established in 1984. The museum's main focus is on the influx of modern times around 1880 to 1950. Technical innovations in areas such as mechanics, electricity, communications, telephony, commerce and architecture are interlaced with changes in lifestyle and milieu.

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The Benaki Museum is the largest and oldest museum
in Greece operating as a foundation under private law.
Through its extensive collections that cover several different
cultural fields and its more general range of activities the
Benaki Museum is perhaps the sole instance of a complex
structure within the broader network of museum foundations
in Greece. It was founded in 1931 by Antoni Benaki, a member of one of the leading Greek families of Alexandria. The present day structure of the museum is a decentralised model with a number of independent branches. The centre of this scheme is the neoclassical mansion that presents an evolution of Greek art from the Neolithic period to the present day. Among the autonomous buildings is the exhibition centre on Pireos street, the historical archives in the Delta house, the Nikos Hadjikyriakos-Ghika gallery and the Museum of Islamic art. The Museum of Islamic art is a renovated neoclassical building located in the historical centre of Athens in the immediate neighbourhood of the ancient Agora, the ancient Kerameikos cemetery and the Doric temple of Hephaistos. The museum opened to the public in 2004 to house the collection that was initially formed by the founder of the museum Antoni Benaki during the early of the 20th century, while he was living in Egypt. It was subsequently enriched by other donations and today it contains about 10000 objects from the Middle East, Iran, Turkey, North Africa and India. It demonstrates the evolution of Islamic art from its first appearance up to the Ottoman period and the corresponding developments leading to the middle of the 20th century. The collection includes ceramics, metalwork, jewellery, textiles, woodwork, glassware as well as ivories, funerary steles and arms and armour. Going through the galleries the visitor first comes across exhibits of the early period, from the 7th to the 12th century. Highlights are the group of lustre pottery, door panels from Iraq, Fatimid metalwork, tiraz textiles and a unique reed mat from 10th century Tiberias. The second gallery exhibits objects from the 12th to the 16th century with Seljuq ceramics, Mamluk metalwork and pottery and highlights a small brass box bearing the signature of Ismail ibn al-Ward al-Mawsili dated 1220 and the astrolabe of Ahmad ibn al-Sarraj dated 1328/29. The third gallery displays a marble-lined reception room from a 17th-century mansion in Cairo, together with its fountain, qamarriya windows and a mashrabbiya screen. Other noteworthy exhibits are the collection of Iznik pottery and a 16th century velvet saddle from Bursa. The fourth and last gallery presents arms and armour and an important collection of Qajar jewellery which was collected by Argine Salvagos, sister of the founder. Finally, during the preservation works, a large section of the ancient city wall of Athens from the 4th century BC was uncovered and remains in situ at basement level, accessible to visitors. The museum is located in the center of Athens, in the area of the ancient Kerameikos site, near Monastiraki and Thiseion.

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Benaki Museum of Islamic Art, Athens, Greece - Google Arts & Culture

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The Benaki Museum is the largest and oldest museumin Greece operating as a foundation under private law.Through its extensive collections that cover several differentcultural fields and its more general range of activities theBenaki Museum is perhaps the sole instance of a complexstructure within the broader network of museum foundationsin Greece.

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The Sorolla Museum is located in the house of the artist Joaquín Sorolla, who was born in Valencia in 1863. Sorolla had this house built when he was already a well-known artist and he lived here from 1911 with his wife and eternal muse, ClotildeGarcía del Castillo, and their three children - María Clotilde, Joaquín and Elena. After the artist's death in 1923, his family donated the house and its collections to the State and it opened as a museum in 1932. Joaquín Sorolla was working after the Impressionists and the discovery of photography, when there was an increasing interest in painting because it displays a reality continually transformed by the changing effect of the light. Sorolla attempted to capture these fleeting moments and as he does so he shows the magical transformation of a simple piece of white canvas or a reflection in water. Sorolla himself said "I always paint with my eyes", and indeed so he does. Whatever he saw is transfigured, showing us how to look through the artist's eyes to see more and see more clearly.

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Sorolla Museum, Madrid, Spain - Google Arts & Culture

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The Sorolla Museum is located in the house of the artist Joaquín Sorolla, who was born in Valencia in 1863. Sorolla had this house built when he was already a well-known artist and he lived here from 1911 with his wife and eternal muse, ClotildeGarcía del Castillo, and their three children - María Clotilde, Joaquín and Elena.

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The Museum of Goa, is a privately owned contemporary art gallery in Pilerne Industrial Estate, near Calangute, Goa, India. It has no permanent collection. At 1,500 square metres, it is India's largest private art space. It was founded by Goan artist Subodh Kerkar.
The gallery encourages experimental exhibit ideas.

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The Museum of Goa, is a privately owned contemporary art gallery in Pilerne Industrial Estate, near Calangute, Goa, India. It has no permanent collection. At 1,500 square metres, it is India's largest private art space. It was founded by Goan artist Subodh Kerkar.The gallery encourages experimental exhibit ideas.

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Thought Pyramid Art Centre is an independent, non-profit, modern and contemporary art space in Abuja and Lagos, Nigeria. Its mission is to collect, conserve, and study modern and contemporary art of Africa, and the African Diaspora. We will exhibit the art of our times from a variety of perspectives while situating them with the context of a global art movement.
We are driven to to the diversity of African art practice, we will promote understanding, appreciation, and enjoyment of art and its values in an accessible, contemporary and unpretentious environment..

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Thought Pyramid Art Centre, Abuja, Lagos, Nigeria - Google Arts & Culture

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Thought Pyramid Art Centre is an independent, non-profit, modern and contemporary art space in Abuja and Lagos, Nigeria. Its mission is to collect, conserve, and study modern and contemporary art of Africa, and the African Diaspora.

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The existence of the National Museum begins with the establishment of a set of named Bataviaasch Genootschap van Kunsten en Wetenschappen, founded by the Dutch Government on 24 April 1778. At that time in central European intellectual revolution (the Age of Enlightenment), which is where people begin to develop scientific thinking and science. In 1752 in Haarlem, the Netherlands stood De Hollandsche Maatschappij der Wetenschappen (Dutch Scientific Society). This encourages the Dutch in Batavia (Indonesia) to establish a similar organization.

Bataviaasch Genootschap van Kunsten en Wetenschappen (BG) is an independent institution established for the purpose of advancing penetitian in the field of arts and sciences, especially in the areas of biological sciences, physics, archeology, literature, ethnology and history, also publish research hash. This institution has the slogan "Ten Nutte van het Algemeen" (To the Public Interest).

One of the founders of this institution, namely JCM Radermacher, donated a house he owns in Jalan Kalibesar, a Jakarta-trade zone in the City. Except that he also donated a number of collections of cultural objects and books are very useful, donations Radermacher which is the embryo of the founding of museums and libraries.

During the period of British rule in Java (1811-1816), Lieutenant Governor Sir Thomas Stamford Raffles became director of this association. Because homes in Kalibesar is full with a collection of the Raffles ordered the construction of a new building for use as a museum and meeting rooms for the Literary Society (formerly called the building "Societeit de Harmonie"). Now in this place stood the State Secretariat building complex, near the presidential palace.

The number of collections belonging to the BG continues neningkat in Jalan Majapahit museum can no longer accommodate his collection. In 1862, Dutch East Indies government decided to build a new museum building in a location that is now, namely Jalan Merdeka Barat No. 12 (also called Koningsplein West ). The land covers an area that later on it was built buildings Rechst Hogeschool or "College of the Law" (never used for Kenpetai headquarters during the Japanese occupation, and now the Ministry of Defence and Security).This new museum building opened to the public in 1868.

The museum is very well known among the Indonesian people, especially residents of Jakarta. They called it "Elephant Building" or "Elephant Museum" because the front page of the museum there is a bronze elephant statue gift from King Chulalongkorn (Rama V) from Thailand who visited the museum in 1871. Sometimes also called "Building Arca" because in the building was and still is stored various types and forms of statues from different periods.

In 1923 this association received the title of "Royal" for his services in the field of scientific and government so that the full project into the Royal Bataviaasch Genootschap van Kunsten en Wetenschappen. On January 26, 1950, the Royal Genootschap van Kunsten en Bataviaasch Wetenschappen changed its name to the Institute of Culture of Indonesia. These changes are adjusted to the conditions at that time, as reflected in his new motto: "to promote cultural sciences are useful to increase knowledge about the islands of Indonesia and surrounding countries."

Given the importance of this museum for the people of Indonesia, on 17 September 1962 the Cultural Institute of Indonesia, presented the museum management to the Indonesian government, which later became the Central Museum. Finally, based on the Decree of the Minister of Education and Culture, No.092 / 0 / 1979 dated 28 May 1979, the Museum Center upgraded to the National Museum.

Now the National Museum of shelter under the Ministry of Culture and Tourism. The National Museum has a vision that refers to the vision of the Ministry of Culture and Tourism of "The realization of the National Museum as a center of culture and tourism information are capable of the intellectual life of the nation, increases the pride of civilization and national culture, and to strengthen unity and friendship among nations".

National Museum as an institution of cultural heritage studies and cultural educational information center and recreation, has an obligation to save and preserve objects of cultural heritage of Indonesia. Until now totaling 141,899-managed collection of objects, consisting of 7 types of collections of prehistoric, archaeological, ceramics, numismtik-heraldic, history, ethnography and geography.

Rescue and preservation of this culture is essentially intended for the public interest, informed through exhibitions and publishing catalogs, brochures, audio visual website as well. The goal is that people know and participate in the preservation of national heritage.

Regarding the exhibition, the exhibition arrangement at the old building (Unit A) based on the types of collections, whether based on science, materials, and regionalism. As exhibition space Prehistory, Bronze Room, Living Textiles, Room Ethnography Sumatra region, and others.While the arrangement of the exhibition in the new building (Unit B or Arca Building) is no longer based on the type collection but rather lead to a theme based on aspects of human culture which is positioned as actors in the neighborhood.The theme of the exhibition, entitled "Cultural Diversity in Unity" is made up of several subtema among others [1] Humans and the Environment, [2] Science, Technology and Economics, [3] Social Organization and Settlement Patterns, and [4] Khasanah (Gold) and Ceramics.

Public service is an activity that focuses on efforts to increase appreciation of cultural heritage and delivery of information collection National Museum of Indonesia to the general public, especially among students and college students. This activity is carried out which include pilotage services (guiding) or guidance (counseling) to visitors, either to the special guests (guest country, researchers), as well as to general visitors (students, university students and ordinary people). Field Guidance and publications will help in that regard, if necessary, will be recommended or supported by the curator-curator who manages the collection or caring for collections.

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Museum Nasional Indonesia, Jakarta, Indonesia - Google Arts & Culture

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The existence of the National Museum begins with the establishment of a set of named Bataviaasch Genootschap van Kunsten en Wetenschappen, founded by the D...

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Mongolia's first museum was opened to the public in 1924. The collections started at that time were for a national museum, whose building no longer exists. In the socialist period, all collections of historical, ethnographical, natural history and paleontological were housed in the building of the State Central Museum, which was built in 1956. Between the late 1980s and early 1990s, Mongolia began to transform toward democratic policies and an open-market economy and as a result of those changes, the management of museums was redeveloped and some earlier museums were reopened. In 1991, the National Museum of Mongolian History was established by merging the collections of two museums: the State Central Museum and Museum of Revolution. In 2008, the National Museum of Mongolian History was elevated in status to a national museum hence our current name. The present building of the National Museum of Mongolia was built in 1971, when it was constructed as the Museum of Revolution.

A significant responsibility for preserving Mongolian cultural heritage lies with NMM. On display are historical, ethnographical and cultural objects ranging from Mongolia's ancient past, dating back to around 800 000 years ago, to the end of the 20th century, allowing the public cultural and educational opportunities to experience first-hand how Mongolians lived in historical times. The museum storage facility additionally holds over 50 000 historical and ethnographical objects.

The historical collection is subdivided into 3 areas: archaeological; medieval history of Mongolia; and modern historical objects and photography, recordings, and documents. The ethnographical collection is subdivided into jewellery and accessories; costumes; musical instruments; kitchen tools; Mongolian ger and furnishings; animal husbandry equipment; and religious items relating to Shamanism and Buddhism.

In its role as a research institute NMM reaches out to the academic community and welcomes their research contributions to our current knowledge of Mongolian culture. NMM has implemented several different projects related to scientific research projects in cooperation with domestic and foreign museums, universities, and institutions. NMM cooperates with the National Museum of Korea, the National Museum of Natural History of the Smithsonian Institute, the University of Pennsylvania's Museum of Archaeology and Anthropology and the East Tennessee University. NMM is member of the International Council of Museums and the Association of Asian National Museums.

NMM has 80 employees and is supported through admission fees and government funding from the Ministry of Education, Culture and Science. The Museum of Statehood History housed across the road in Parliament House is also under jurisdiction the of NMM. Additionally, as the leading museum of Mongolia, NMM is responsible for providing methodological training and theoretical guidance to all other government-owned museums.

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The National Museum of Mongolia, Ulaanbaatar, Mongolia - Google Arts & Culture

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Mongolia's first museum was opened to the public in 1924. The collections started at that time were for a national museum, whose building no longer exists....

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Museu do Caramulo, Caramulo, Portugal - Google Arts & Culture

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Two brothers, Abel and João de Lacerda founded in the 1950’s, a unusual museum in a small town called Caramulo, situated on a mountain in the center of Por…

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Historia

Fundado en 1947, tras aceptar el Estado la donacion del señor Gonzalez Marti, se instalo inicialmente en el domicilio del propio donante. Pocos años despues se adquirio el Palacio de Dos Aguas, que ha sido su sede desde 1954 y que ha ido creciendo segun las nuevas necesidades. En 1998 finalizo una importante reforma en la que se restauro el inmueble y se actualizo su museografia.

El lema del museo que ha acuñado, La puerta de Valencia, hace referencia tanto a su extraordinaria puerta barroca como a la ceramica, arte muy representativo de esta tierra.

El edificio

El Museo tiene su sede en el Palacio de los marqueses de Dos Aguas, edificio gotico reformado en numerosas ocasiones. Al siglo XVIII pertenece la extraordinaria portada de alabastro, obra realizada por Ignacio Vergara e Hipolito Rovira. El resto del edificio, tanto en el interior como en la fachada, pertenece a la ultima gran transformacion de 1867, excepto el cuerpo posterior que es adicion reciente.

La arquitectura interior del palacio responde al gusto del segundo imperio frances, momento en el que se lleva a cabo la ultima reforma ejecutada por el VII marques de Dos Aguas. El exterior, sin embargo, tiene una fisonomia barroca.

La planta baja y el primer piso presentan el palacio de una familia noble en el siglo XIX, con una serie de habitaciones amuebladas, en algunos casos con los elementos originales. La planta segunda está dedicada a la ceramica, y cierra el recorrido la reconstrucción de una tipica cocina valenciana.

La coleccion

El Museo Nacional de Cerámica y de las Artes Suntuarias "Gonzalez Martí" es fruto de la pasion por la ceramica y el coleccionismo de su fundador, de quien lleva su nombre. A la extensa representacion de ceramica española y extranjera, con especial relevancia de la valenciana, se unen colecciones de artes decorativas.

Planta baja

Del zaguán se accede a un patio en el que se desarrolla un programa iconográfico relativo a los intereses marquesales. Accediendo al palacio se encuentran las salas de exposiciones temporales, la carroza de gala de los marqueses de Dos Aguas, la del marqués de Llanera, una silla de manos del siglo XVIII realizada en cuero pintado y el Belén Napolitano.

Planta primera

En ella se recorren las diecisiete estancias dispuestas alrededor del patio en las que discurría el día a día de los marqueses. Están decoradas con espléndidos estucos y suelos de taracea de mármol de diferentes colores. Las salas chinesca (4), de porcelana (14), salón rojo (15) y sala de baile (17) conservan el mobiliario original. La sala de los Pinazo (9), un amplio espacio formado a partir de otros menores, muestra una colección de pintura de Ignacio Pinazo Camarlench. La visita de este piso finaliza en el salón de baile (17), que presenta las paredes cubiertas de espejos y ricamente decoradas a base de relieves, guirnaldas doradas y celosías, escondiendo una de ellas la tribuna para los músicos.

Planta segunda

Se ha dedicado toda la planta a la exhibición de la cerámica, tanto como objeto de uso o adorno, o como elemento arquitectónico, marcando un recorrido cronológico.La primera sala presenta una explicación de la técnica cerámica y su evolución, ilustrada con diferentes objetos de varias culturas (1). Las cerámicas del mundo islámico (3) sirven de inicio al recorrido para seguir con las producciones de los reinos cristianos (4 y 5), muy marcadas por el mudejarismo, que incluyen tanto piezas usadas en el servicio de mesa, en la cocina y en el ajuar doméstico, como azulejería para aplicar a suelos, zócalos, techos y aleros (6).

Del mundo medieval se pasa a las salas del Renacimiento y Barroco (7), donde las piezas valencianas se exhiben con otros referentes de la misma época, producciones españolas o europeas y chinas. En esta sala, dedicada a los siglos XVI y XVII, se puede observar parte de un alfarje de los siglos XIV al XVI rescatado en el propio Palacio de Dos Aguas.Las siguientes salas están dedicadas a la refinada producción de Alcora (8) y sus imitaciones, a las lozas populares de Manises, que en el siglo XIX (9) alcanzan más colorido y complicación técnica, así como una muestra de azulejería polícroma que, ya desde el siglo XVIII, tuvo gran importancia como elemento arquitectónico y ornamental.La cocina (12) representa variadas producciones valencianas de tres siglos. Por último hay una muestra de cerámicas de autor, entre ellas unas piezas que Picasso dedicó al Museo.

Horario

Martes a sábados de 10h00 a 14h00 y de 16h00 a 20h00Domingos y días festivos de 10h00 a 14h00Cerrado los lunes, el 1 de enero, 1 de mayo, 24, 25 y 31 de diciembre, y dos festivos locales.

Precio de entrada3 €. Tarjeta anual: 25 €

Entrada gratuita

Sábados a partir de las 16h00, domingos y los días 18 de abril (Día del Patrimonio Mundial) 18 de mayo (Día Internacional de los Museos), 12 de octubre (Fiesta Nacional de España) y 6 de diciembre (Día de la Constitución Española)

Visita en grupo

Las visitas en grupo se deben concertar con un mínimo de 15 días de antelación. Atendiendo a la seguridad de las colecciones, cada grupo estará compuesto por un número máximo de 25 personas acompañadas por un responsable.

Servicios

Biblioteca, archivo, consulta de fondos, servicio fotográfico, publicaciones, visitas guiadas, guardarropía, atención a medios de comunicación, cesión de espacios, sillas de ruedas, aseo adaptado, accesible para personas con movilidad reducida, bucle magnético en taquilla.

Programación cultural

Exposiciones temporales, actividades educativas, talleres, conciertos, conferencias, visitas guiadas.

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Museo Nacional de Ceramica y Artes suntuarias Gonzalez Marti de Valencia, Valencia, Spain - Google Arts & Culture

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Historia Fundado en 1947, tras aceptar el Estado la donacion del señor Gonzalez Marti, se instalo inicialmente en el domicilio del propio donante. Pocos años despues se adquirio el Palacio de Dos Aguas, que ha sido su sede desde 1954 y que ha ido creciendo segun las nuevas necesidades.

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National Museum of Archaeology, Lisboa, Portugal - Google Arts & Culture

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In more than a century of existence, the National Museum of Archaeology has become the reference institution of Portuguese Archeology, with regular corresp…

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The Dagestan Museum of Fine Arts was established in 1958 by order of the Council of Ministers of the RSFSR and the order of the Ministry of Culture of DASSR on the basis of the art department of the Dagestan Regional Museum (now the National Museum of the Republic of Dagestan named after A. Takho-Godi).

The collection of the museum consists of Russian and Western European fine art (painting, drawing, sculpture) and decorative arts, as well as applied arts of the East, transferred to the republican museum of local lore in the 1920-1930s by the State Tretyakov Gallery, the State Hermitage Museum, the Russian Museum, the State Museum Fund, the Main Committee of Museums and the Protection of Monuments of Art and Antiquities of the People's Commissariat of Education of the RSFSR.

Part of the collection of Prince Baryatinsky from the Caucasian Military History Museum "Temple of Glory" in Tiflis also arrived in Dagestan, and the Council of People's Commissars of the Georgian ASSR transferred many works of art of the 19th century on the theme of the Caucasus and Dagestan in particular. A significant part of this collection became the basis of the funds of the young museum of fine art.

In 1964, Patimat Gamzatova was appointed director of the Dagestan Museum of Fine Arts, who ran the museum until 2000. With her, the number of exhibits increased to 14000, due to the replenishment of funds with works of art of Russian fine and decorative arts, a significant part of which are the works of Dagestan authors. The uniqueness of the funds and active exhibition activities quickly helped the museum to gain fame throughout the world. Starting from the 1970s, the museum has demonstrated its collections at exhibitions in Poland, Czechoslovakia, Italy, Bulgaria, Hungary, Germany, England, Kuwait, Finland, France, and Japan. The exhibits of the museum participated in exhibitions in Azerbaijan, Austria, Venezuela, Great Britain, Greece, Spain, Germany and other countries. Since 2001, by the decision of the Government of the Republic of Dagestan, the Dagestan Museum of Fine Arts has been named after Patimat Saidovna Gamzatova.

The museum is located in the center of Makhachkala, in one of the most beautiful places of the city, not far from the entrance to the park and the embankment. In the permanent exhibition of the museum, along with Western European and Russian art (painting, sculpture, porcelain), art of the East, widely represented the art of Dagestan: painting, drawing, sculpture, ceramic products, carved wood and stone, carpets, gold embroidery, silk embroidery, copper , weapons and jewelry - various types of classical and folk art, the total chronology of objects of which is more than 40 centuries - from the II millennium BC. until today. The museum has a rich collection of Dagestan fine art, the formation of which began in the 1920s, as well as a collection of authors of the Soviet and modern period, which is constantly updated. In total, the collection contains about 20000 exhibits.

The museum is one of the richest art museums in the North Caucasus. And this fact deservedly gave another name to the Dagestan Museum of Fine Arts - the Small Hermitage.
In Google Arts & Culture only the part of the richest funds of the museum is represented. These are objects of painting, drawing and sculpture of European and Russian art of the 15th - 20th centuries, as well as decorative and applied art of Dagestan. The presented content demonstrates museum rarities from the permanent exhibition of the museum, as well as items that rarely leave the funds for demonstration.

This project has been implemented with the support of the Ziyavudin Magomedov Peri Foundation. The presented high-quality images of museum exhibits were made in the boundaries of the grant of the Head of the Republic of Dagestan for 2017. A partner of the museum in the implementation of the grant was the Peri Foundation, which provided high-tech photography equipment.

The photographer who carried out the project is Gennady Viktorov, an expert interned on the basis of the Factum Foundation (Spain) and participated in several complex projects on photo-digitization of the cultural heritage: digitization and creation of a 3D model of the village of Kala Koreysh, an ancient dead village of Dagestan, one of the Muslim pilgrimage sites (2015 year); digitization of unique frescoes of Dionysius of the XVI century in the Nativity of the Blessed Virgin Mary Cathedral, the main temple of the former Ferapontov Monastery of the Vologda Oblast (2016-2017), carried out as part of a joint international program by Peri Foundation in partnership with the Factum Foundation (Spain) and Juma Al Majid (United Arab Emirates) "Cultural Heritage 2.0".

Contacts:
Address: Russia, Republic of Dagestan, Makhachkala, Maxim Gorky st., 8
Opening hours: from 10:00 to 18:00 every day, except Monday
Phone: +7 (8722) 67-25-99
E-mail: uchaltan@mail.ru

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Dagestan Museum of Fine Arts named after P. S. Gamzatova, Makhachkala, Russia - Google Arts & Culture

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The Dagestan Museum of Fine Arts was established in 1958 by order of the Council of Ministers of the RSFSR and the order of the Ministry of Culture of DASSR on the basis of the art department of the Dagestan Regional Museum (now the National Museum of the Republic of Dagestan named after A.

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The MUSEO DE ARTES of the Universidad de los Andes, located in Santiago de Chile, was opened in 2010 and owns a collection of religious art donated by Mrs. María Loreto Marín Estévez. It consists of Russian icons from the eighteenth to the twentieth centuries, as well as south-Andean paintings, sculptures and "fanales", from colonial era. The MUSEO DE ARTES of the Universidad de los Andes is a private institutional initiative, which undertakes the challenge of preserving and displaying its collection, as well as encouraging the visitors' to discover the contexts behind an artwork that allow a better understanding of every piece. Through the permanent exhibition of its collection and the generation of educational programs, the museum establishes ties with the university community itself and generates dialogues open to the society.

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Museo de Artes Universidad de los Andes, Santiago de Chile, Chile - Google Arts & Culture

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The MUSEO DE ARTES of the Universidad de los Andes, located in Santiago de Chile, was opened in 2010 and owns a collection of religious art donated by Mrs. María Loreto Marín Estévez. It consists of Russian icons from the eighteenth to the twentieth centuries, as well as south-Andean paintings, sculptures and "fanales", from colonial era.

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El Museo a Cielo Abierto en la Pincoya, es un proyecto social de intervención muralista en las calles de la población. El objetivo principal es retratar la historia de la población con una mirada profunda de la realidad histórica popular por medio del arte mural.

El mural social tiene una historia importante en la población, ya que en los años de la dictadura cívico-militar expresaron los dolores más horribles. Desde las desapariciones y ejecuciones de sus pobladores, hasta murales de amor colectivo. De aquellos años, donde las conciencias de los pobladores pudieron ser tocadas por los colores sentimentales de obras realizadas por colectivos muralistas improvisados de pobladores, y por aquellos de estilos de la Brigada Ramona Parra, siempre tratando de amarrar los sueños que son de todos.

Nuestro proyecto busca ser una actividad de compromiso social con la población, reflejando las historias propias desde el pueblo y para el pueblo. Buscamos enviar un mensaje de igualdad, soñando una sociedad más justa para nuestros pobladores, que sufrimos de la discriminación, la exclusión en la educación y la salud, el endeudamiento hasta para alimentar a las familias, entre otros problemas. La realidad del Chile de abajo, de nuestros barrios. Los colores en los espacios de la población influyen en todos quienes pasan y ven un mensaje que busca cuestionar la realidad, para reactivar la neurona de la unidad y la lucha social, porque Chile es un país muy solidario, pero que está adormecido.

Los murales que hemos realizado buscan estar relacionados a las históricas luchas populares: la Olla Común, Colonias Urbanas, Mujer Pobladora, Los Trabajadores, Los Niños, la Educación, Pueblo mapuche, etc. Murales que están enlazados con las demandas sociales históricas y actuales. Para nosotros, el mural es una herramienta que busca la transformación social, al mismo tiempo que busca embellecer y poner alegría en lugares donde la desolación es más patente, para tocar el corazón de quien pueda cuestionar el mural, transformando las tristezas y penas de la población en rebeldía contra las políticas antisociales impuestas por los gobiernos neoliberales de centro-derecha.

Es sabido que la población la Pincoya fue un lugar de organización subversiva en los tiempos de dictadura, planificándose en sus suelos el atentado fallido al dictador Pinochet. Por lo tanto, la población antes y ahora, tiene ansias de liberación, las cuales tienen más sentido cuando cada uno de sus habitantes se hace consciente de la profunda injusticia social que nos afecta en su mayoría.

Hoy el proyecto se ha transformado en un grupo innumerable de amigos, muralistas y graffiteros. Cada día son más los artistas urbanos en distintos rincones de Latinoamérica y Chile, que quieren aportar a la causa, haciendo un mural en la pobla. Esto nos inspira más a romper las fronteras en todos los aspectos, porque el sueño es grande y tiene sentido. Algunos de los artistas que hasta ahora han participado corresponden a creadores provenientes de diversos barrios latinoamericanos (Argentina, Colombia y Perú) y de nuestro Chile, reconociéndonos como hermanos en una misma Latinoamérica subyugada a la maquinaria del capitalismo global, pero que está buscando su liberación.

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Museo a Cielo Abierto en La Pincoya, Santiago, Chile - Google Arts & Culture

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El Museo a Cielo Abierto en la Pincoya, es un proyecto social de intervención muralista en las calles de la población. El objetivo principal es retratar la historia de la población con una mirada profunda de la realidad histórica popular por medio del arte mural.

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The Museum of Central Bank of Argentina tells the story of the country's currency across more than 20 thousand pieces constituting the Nation's heritage.
Its most complete and valuable collection of Argentine coins includes from variations of currency which circulated in the territory of pre-Columbian America, the first national coins, the monetary national issues produced by the Caja de Conversión (1890 - 1935) and by the Central Bank from 1935, to the specimens of the new family of banknotes: "Argentina's Autochthonous Animals".
The Museum was inaugurated on 30 May 1941 and its headquarters are an original building constructed in 1862 which was declared Historical National Monument in 2005.

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Historical and Numismatic Museum "Héctor Carlos Janson" of the Central Bank of Argentina, Buenos Aires, Argentina - Google Arts & Culture

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The Museum of Central Bank of Argentina tells the story of the country's currency across more than 20 thousand pieces constituting the Nation's heritage.Its most complete and valuable collection of Argentine coins includes from variations of currency which circulated in the territory of pre-Columbian America, the first national coins, the

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Dedicated to expanding knowledge, creativity and awareness, the Textile Museum of Canada (TMC) plays a leading role in Canada and beyond facilitating access to material culture as well as to interdisciplinary practices that embrace art, design and fashion. As an international repository of cultural heritage with a collection encompassing more than 13,000 artifacts, archaeological to contemporary, the TMC is uniquely positioned to speak to evolving experiences in a global context as well as to our increasingly global communities. Located in Toronto's downtown core, the Museum addresses the nuances of cultures and identities through a dynamic exhibition program based on our collection as well as the work of Canadian and international contemporary artists.

Since its incorporation in 1975, the Textile Museum of Canada has garnered wide acclaim for the quality and social impact of its collections, exhibitions and programming and for its role as a renowned incubator for artistic and scholarly research and practice that provides a unique platform for the generation and exploration of new ideas. The TMC is a leader in digital heritage; at once "high touch" and "high tech," the Museum integrates traditional practices with cutting-edge innovation to create opportunities for meaningful life-long learning. Check out our most recent digital projects: Social Fabric (www.textilemuseum.ca/socialfabric) and TXTilecity (www.txtilecity.ca)!

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Textile Museum of Canada, Toronto, Canada - Google Arts & Culture

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Dedicated to expanding knowledge, creativity and awareness, the Textile Museum of Canada (TMC) plays a leading role in Canada and beyond facilitating acces...

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The Mission of the Canada Science and Technology Museum is to foster scientific and technological literacy by establishing and developing a collection of scientific and technological objects, and by demonstrating the products and processes of science and technology and their economic, social and cultural relationships with society.

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Canada Science and Technology Museum, Ottawa, Ontario, Canada - Google Arts & Culture

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The Mission of the Canada Science and Technology Museum is to foster scientific and technological literacy by establishing and developing a collection of s...

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The State Tretyakov Gallery History is the national treasury of Russian fine art and one of the greatest museums in the world. It is located in one of the oldest directs of Moscow - Zamoskvorechye, not far from the Kremlin. The Gallery's collection consists entirely of Russian art and artists who have made а contribution to the history of Russian art or been closely connected with it. The collection contains more than 180 000 works of painting, sculpture and graphics, created throughout the centuries by successive generations of Russian artists. Russian art works, ranging in date from the 11th to the early 20th century, are on the show in Gallery's historic building on Lavrushinskiy Pereulok. New building of the Tretyakov Gallery at Krymskiy Val houses a unique museum exhibition of national 20th century art. Being built up to the 150 anniversary of the Tretyakov Gallery, an exposition meets all modern requirements of showing contemporary art.The exhibition is opened by the works of Mikhail Larionov, Natalia Goncharova, the artists of the association "Bubnovy Valet", whose creativity marks the beginning of the new Avant-Garde movement in Russia. The world - known artists such as Wassily Kandinsky, Mark Chagall, Kazimir Malevich (the painter of the "Black Square") and artists of neoclassicism are also well represented. The hall with the reconstruction of the well-known exhibition of "OBMOHU" (Association of young artists) of 1921 is devoted to constructivism of the 1920th.The art works featuring "social realism" - an official style of totalitarian era in 1930-50s - are widely shown in the Gallery. Objects, installations, photographs, conceptual art created since 1950 up to now, are also represented as alternative directions of the Soviet art evolution.

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The State Tretyakov Gallery, Moscow, Russia - Google Arts & Culture

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The State Tretyakov Gallery History is the national treasury of Russian fine art and one of the greatest museums in the world. It is located in one of the oldest directs of Moscow - Zamoskvorechye, not far from the Kremlin.

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The Museum of Russian Icons was founded in 2006 as a nonprofit educational institution by Massachusetts art collector and industrialist Gordon B. Lankton. Including more than 1,000 Russian icons and artifacts, the collection is the largest of its kind in North America, and one of the largest private collections outside Russia. Spanning six centuries, the collection includes important historical paintings dating from the earliest periods of icon "writing" to the present.

Hours:
Tuesday through Friday 11:00 am to 4:00 pm
Saturday and Sunday 11:00 am to 5:00 pm
Mondays closed.

Docent tours are available during Museum hours. The Museum is accessible to people with disabilities. Museum visitors can opt to use the complimentary audio tour about select icons featured in the collection. Audio tours are available in English, Russian, Spanish, Portuguese, and French.

Admission:
Adults $10
Seniors (59 and over) $7
Students (with ID) $5
Children (3-17) $5
Children under 3 FREE

Please see Group Tours for Group rates.

HISTORY
In the 1960s, plastics engineer Gordon B. Lankton went to work at Nypro, an international injection molded plastics company, in Clinton, Massachusetts, and eventually became president. In 1989, on a business trip to Russia, Mr. Lankton purchased his first icon at an open-air market. His collection quickly grew, and eventually gave birth to the idea of starting a museum. Mr. Lankton chose Clinton for the location to give back to the community that had supported him.

The Museum is housed in a 150-year-old former mill building. A contemporary, aluminum-clad addition to the mill building accommodating the South Gallery, Library, and offices was completed in 2008. The adjacent 150-year-old former courthouse and police station with holding cells was acquired in 2010 and renovated to provide additional gallery space, a terrace with a green roof, a tea room, and performance facilities accommodating lectures and concerts. Three floors of galleries display the permanent collection. A dedicated gallery features special exhibitions ranging from contemporary Russian art to icons from other Orthodox cultures. It is the only museum in the USA dedicated to Russian icons, and the largest collection of icons outside of Russia.

VISION
The Museum of Russian Icons enhances relations between Russia and the United States through the medium of art, especially Russian icons.

MISSION
The Museum of Russian Icons inspires the appreciation and study of Russian culture by collecting and exhibiting icons and related objects; igniting the interest of national and international audiences; and offering interactive educational programs. The Museum serves as a leading center for research and scholarship through the Center for Icon Studies and other institutional collaborations.

©2020 Museum of Russian Icons https://www.museumofrussianicons.org/photography-policy/

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Museum of Russian Icons, Clinton, United States - Google Arts & Culture

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The Museum of Russian Icons was founded in 2006 as a nonprofit educational institution by Massachusetts art collector and industrialist Gordon B. Lankton. Including more than 1,000 Russian icons and artifacts, the collection is the largest of its kind in North America, and one of the largest private collections outside Russia.

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Film Archive Phutthamonthon Sai 5 Road, Salaya, Phutthamonthon District, Nakhon Pathom, Tailândia

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Film Archive Phutthamonthon Sai 5 Road, Salaya, Phutthamonthon District, Nakhon Pathom, Tailândia

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Film Archive Phutthamonthon Sai 5 Road, Salaya, Phutthamonthon District, Nakhon Pathom, Tailândia

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Thai Film Archive is an agency responsible for preserving Thai film heritage and promoting cinema as an educational tool. Established as a sub-section of the Fine Arts Department in 1984, the archive has been granted the status of Public Organisation in 2009. Besides preserving film and digital media, the Archive also runs the Thai Film Museum and a cinematheque on the premise.

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Thai Film Archive, Nakornpathom, Thailand - Google Arts & Culture

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Thai Film Archive is an agency responsible for preserving Thai film heritage and promoting cinema as an educational tool. Established as a sub-section of the Fine Arts Department in 1984, the archive has been granted the status of Public Organisation in 2009.

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Queen Sirikit Museum of Textiles, พระบรมมหาราชวัง Na Phra Lan Road, Phra Borom Maha Ratchawang, Phra Nakhon, Bangkok, Tailândia

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Queen Sirikit Museum of Textiles, พระบรมมหาราชวัง Na Phra Lan Road, Phra Borom Maha Ratchawang, Phra Nakhon, Bangkok, Tailândia

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Queen Sirikit Museum of Textiles, พระบรมมหาราชวัง Na Phra Lan Road, Phra Borom Maha Ratchawang, Phra Nakhon, Bangkok, Tailândia

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Queen Sirikit Museum of Textiles is the gift of Her Majesty Queen Sirikit and Her SUPPORT Foundation to the people of Thailand. In 1976, Her Majesty created SUPPORT to further encourage the production of traditional Thai handicrafts.
The establishment of the Queen Sirikit Museum of Textiles embodies Her Majesty's efforts to assure the preservation of Thailand's textile arts for future generations.

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Queen Sirikit Museum of Textiles, Bangkok, Thailand - Google Arts & Culture

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Queen Sirikit Museum of Textiles is the gift of Her Majesty Queen Sirikit and Her SUPPORT Foundation to the people of Thailand. In 1976, Her Majesty created SUPPORT to further encourage the production of traditional Thai handicrafts. The establishment of the Queen Sirikit Museum of Textiles embodies Her Majesty's efforts to assure the preservation of Thailand's textile arts for future generations.

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MOCA Bangkok (Museum Contemporary Art) is situated on the easily accessible KampangPethch 6th Road. It contains a large collection of valuable paintings and sculptures, created by famous Thai artists. The Museum's key concept was to communicate, promote and transfer the authentic Thai art and culture to the Thai people and people from all over the world, particularly the future generations...endlessly.
The highlight or focal point of this museum is the special layout and lighting that will maximize your appreciation and happiness, from the start of the journey at the entrance to the end of the last gallery. This could be an inspiration for many art students, art professors, young artists, connoisseurs, tourists, or ordinary people who have just started to appreciate Thai art.
The collections are unique and rare pieces. These have been created during the past 6-8 decades (post-WW era, post-democracy era, baby boomers era), with emerging new competent Thai artists such as Professor Emeritus Chalood Nimsamer, Professor Paitun Muangsomboon and many others National and Great Artists admired and respected by Thai, Asian and international art-lovers.

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Museum of Contemporary Art (MOCA BANGKOK), Bangkok, Thailand - Google Arts & Culture

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MOCA Bangkok (Museum Contemporary Art) is situated on the easily accessible KampangPethch 6th Road. It contains a large collection of valuable paintings and sculptures, created by famous Thai artists.

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The Guggenheim Museum Bilbao's mission is to collect, preserve, and research into modern and contemporary works of art and to present them in their historical context, offering audiences of every age and type a chance to discover the art of our time. The Museum's art program, which includes presentations from the permanent collection and special exhibitions, is presented in the building designed by Frank Gehry, an extraordinary architectural landmark on a par with the art treasures it houses. Conceived as part of an ambitious plan to completely transform the city of Bilbao, the Museum is the product of an exceptional partnership between the Basque Institutions and the Solomon R. Guggenheim Foundation. Since it first opened to the public on October 19, 1997, the Guggenheim Bilbao has been part of the international constellation of Guggenheim Museums, renowned for its iconic buildings and innovative approach to museum model that allows members to share resources, projects, and initiatives.

Images: © The Willem de Kooning Foundation, New York /VEGAP, Bilbao, 2017; © Collection: Estate of Jean-Michel Basquiat; Jorge Oteiza © Pilar Oteiza, A+V Agencia de Creadores Visuales, 2017; © Andy Warhol Foundation for the Visual Arts, ARS, New York, VEGAP, Bilbao, 2017; © Fundació Antoni Tàpies, Barcelona/VEGAP, Bilbao, 2017; authorized reproductions © VEGAP, Bilbao, 2017; © FMGB Guggenheim Bilbao Museoa, 2017.

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Guggenheim Bilbao, Bilbao, Spain - Google Arts & Culture

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The Guggenheim Museum Bilbao's mission is to collect, preserve, and research into modern and contemporary works of art and to present them in their historical context, offering audiences of every age and type a chance to discover the art of our time.

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The origins of the present day museum lie in the original Fine Arts Museum founded in 1908 and opened to the public in 1914, and in the Museum of Modern Art inaugurated in 1924. Both museums were definitively merged, with their respective collections, in 1945, when what is now the old building was constructed. The modern building was added in 1970 and in 2001 a major refit gave the museum its present profile. Over the last one hundred years, the museum has been moulded by local people, artists and authorities, with major acquisitions and donations of artworks adding gradually to the collection and providing the core for the museum's steady, uninterrupted growth.

Today, the outstanding Bilbao Fine Arts Museum collection has nearly 10.000 works, including paintings, sculptures, works on paper and the applied arts ranging in time from the 13th century to the present day. Besides many major early and Old Master works, it also has a broad sampling of modern and contemporary art, placing particular emphasis on paintings from the Spanish and Flemish schools, together with a major collection of works by Basque artists.

Must-see exhibits in the museum galleries include remarkable works by Bermejo, Gossaert, Benson, Mandijn, Vredeman de Vries, De Vos, Mor, Sánchez Coello, El Greco, Pourbus, Gentileschi, Ribera, Zurbarán, Van Dyck, Murillo, Arellano, Meléndez, Bellotto, Goya, Paret, Villaamil, Ribot, Zamacois, Madrazo, Gauguin, Cassatt, Sorolla, Guiard, Iturrino, Ensor, Regoyos, Romero de Torres, Zuloaga, Sunyer, Arteta, Gutiérrez Solana, Vázquez Díaz, Lipchitz, Delaunay, González, Gargallo, Bacon, Palazuelo, Oteiza, Appel, Chillida, Caro, Millares, Tàpies, Saura, Lüpertz, Kitaj, Blake, Arroyo and Barceló.

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Museo de Bellas Artes de Bilbao, Bilbao, Spain - Google Arts & Culture

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The origins of the present day museum lie in the original Fine Arts Museum founded in 1908 and opened to the public in 1914, and in the Museum of Modern Art inaugurated in 1924. Both museums were definitively merged, with their respective collections, in 1945, when what is now the old building was constructed.

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Insect Museum of West China, Chengdu, China - Google Arts & Culture

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The insect is loved for its colorful and ever-changing appearance by human beings. Located in Mountain Qingcheng near Chengdu City, Sichuan Province, Insec...

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Minzu University of China, Zhongguancun South Street, Haidian District, Pequim, China

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Minzu University of China, Zhongguancun South Street, Haidian District, Pequim, China

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Minzu University of China, Zhongguancun South Street, Haidian District, Pequim, China

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Founded in 1951, the Museum covers a building area of 4800 m2 with the exhibition area of 1800 m2. It is a museum of ethnology specializing in preservation, display and study of ethnic cultural relics of 56 ethnic groups in China. Preserved in it are 14 types, more than 40,000 pieces of cultural relics including production tools, daily articles, religious utensils, costumes, ancient relics, documents and musical instruments. Among them, there are a large number of excellent exhibits of costumes and ornaments that reflect Chinese unparalleled talent and excellent craftsmanship of spinning, dyeing, tanning and embroidering. In addition, there is no lack of treasures of high historical and artistic values such as prehistoric pottery jar, bronze drum in the Eastern Han Dynasty and Buddha statue, Thangka, the Ancestor Image, Dongba Scripture , Pattra-leaf Scripture in the Ming and Qing Dynasty. The presents to Chinese party and state leaders given by the ethnic groups during the early days of the nation are also of high political and historical values. It's worth mentioning that our museum preserves a large amount of religious utensils and cultural relics of ethnic groups in Taiwan, occupying the leading position in both quality and quantity among similar museums. Adhering to the purpose of serving for education, scientific research and the society. Museum of Ethnic Cultures has held dozens of exhibitions in various forms at home and abroad, actively showing our collections of cultural relics. In particular, the various exhibitions in the museum have been the second class for a large number of students and the public to receive patriotic and traditional ethnic education. In 2006, the museum was confirmed as "National Unity and Progress Education Base" by the State Ethnic Affairs Commission; "Patriotism Education Base in Haidian District, Beijing" and "Adolescent Out-school Education in Haidian District, Beijing" by the Beijing Municipal Education Committee.

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Museum of Ethnic Cultures, Minzu University of China, Beijing, China - Google Arts & Culture

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Founded in 1951, the Museum covers a building area of 4800 m2 with the exhibition area of 1800 m2. It is a museum of ethnology specializing in preservation, display and study of ethnic cultural relics of 56 ethnic groups in China.

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China National Silk Museum, Hangzhou, Zhejiang Province, China - Google Arts & Culture

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China National Silk Museum is one of the first state-level museums in China and the largest silk museum in the world. It is also the largest center for tex...

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The Hunt Museum exhibits one of Ireland's greatest private collections of Art and Antiquities, dating from the Neolithic Period to the 20th century. As well as Egyptian gods and Viking swords, the museum holds art of Picasso, Renoir, Gauguin and the Irish artists: Roderic O'Conor, Jack B Yeates and Paul Henry. Generously donated by John and Gertrude Hunt to the people of Ireland, this diverse collection is now housed in Limerick's 18th Century Palladian style building, formerly The Custom House. It promotes the use of all its objects in education and for creative reuse and has strong programmes for schools and the community.
Watch our Strategic Plan here: Hunt Strategy 2025

View our collection online: The Collection
Explore past and upcoming exhibitions: Exhibitions
Plan your visit: Plan Your Visit

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The Hunt Museum, Limerick, Ireland - Google Arts & Culture

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The Hunt Museum exhibits one of Ireland's greatest private collections of Art and Antiquities, dating from the Neolithic Period to the 20th century. As well as Egyptian gods and Viking swords, the museum holds art of Picasso, Renoir, Gauguin and the Irish artists: Roderic O'Conor, Jack B Yeates and Paul Henry.

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When Munch died in January 1944, it transpired that he had unconditionally bequeathed all his remaining works to the City of Oslo. Edvard Munch's art is the most significant Norwegian contribution to the history of art, and he is the only Norwegian artist who has exercised a decisive influence on European art trends, above all as a pioneer of Expressionism in Germany and the Nordic countries.

The Munch Museum opened in 1963 and has a unique collection of approximately 1100 paintings, 4500 drawings and 18 000 prints. Major works will always be on display in the museum. The selection is changed regularly. In 1994, expansion and rehabilitation of the museum was financed by the Japanese company Idemitsu Kosan Ltd. The museum was partly rebuilt in 2005 to upgrade security.

The museum's programme also comprises film screenings, audioguides, concerts, guided tours and lectures. The museum has a shop with catalogues and souvenirs and a cafe that serves salads, pastries, sandwiches etc. The museum's library houses literature on Edvard Munch and other artists.

On youtube:
http://www.youtube.com/user/themunchmuseum/featured

facebook:
https://www.facebook.com/edvard.munch

Our Audio Guide for the current exhibition:
http://audiomunch.no/

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The Munch Museum, Oslo, Oslo, Norway - Google Arts & Culture

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When Munch died in January 1944, it transpired that he had unconditionally bequeathed all his remaining works to the City of Oslo. Edvard Munch's art is th...

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The National Museum of Ethnology / Popular Art Museum holds in its collections the most relevant ethnographic heritage in Portugal. It is responsible for the safeguarding and management of nearly half a million items.

The museum's ethnographic collections are divided into two separate groups. There is the collection assembled by the National Museum of Ethnology's staff dating from the museum's launch in 1962, created by the team who introduced the field of modern anthropology to Portugal. These collections, totaling 42,000 objects, are representative of 80 countries and 5 continents, with greater emphasis on cultures from Africa, Asia and South America, and traditional Portuguese culture.

Many of these collections were exhaustively documented through field research, and are inseparable from the important photographic, film, sound and drawing archives that constituting a significant part of the nearly half a million items that make the Museum's movable heritage.

The second set of the museum's collection consists of 11.600 objects from the Popular Art Museum, largely assembled in the 1930s and early 1940s for the propaganda exhibitions promoted by the regime of Estado Novo. They differ significantly from their matching parts of the collections of the National Museum of Ethnology due to the lesser amount of information available, if any, about their origin.

Following the transfer of the collections of the Museum of Popular Art in 2007 to the building of the National Museum of Ethnology, both museums were merged in 2012 into a single museum - National Museum of Ethnology / Popular Art Museum.

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Museum of Ethnology & Museum of Popular Art, Lisboa, Portugal - Google Arts & Culture

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The National Museum of Ethnology / Popular Art Museum holds in its collections the most relevant ethnographic heritage in Portugal. It is responsible for the safeguarding and management of nearly half a million items. The museum's ethnographic collections are divided into two separate groups.

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Preocupado com a forma como o vírus do tédio pode afetar os seus visitantes, amigos e seguidores, o Museu Bordalo Pinheiro tem investido na divulgação digital da obra bordaliana para que todos possam aceder a ela facilmente. Através do site, do Facebook ou do Instagram poderá descobrir a imensa obra

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Museu Bordalo Pinheiro, Campo Grande, Lisboa, Portugal

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Museu Bordalo Pinheiro, Campo Grande, Lisboa, Portugal

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Museu Bordalo Pinheiro, Campo Grande, Lisboa, Portugal

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Preocupado com a forma como o vírus do tédio pode afetar os seus visitantes, amigos e seguidores, o Museu Bordalo Pinheiro tem investido na divulgação digital da obra bordaliana para que todos possam aceder a ela facilmente. Através do site, do Facebook ou do Instagram poderá descobrir a imensa obra

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Museu Nacional da Música, Rua João de Freitas Branco, Lisboa, Portugal

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Museu Nacional da Música, Rua João de Freitas Branco, Lisboa, Portugal

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Museu Nacional da Música, Rua João de Freitas Branco, Lisboa, Portugal

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Install the Google Arts & Culture app to explore virtual reality tours from Museu Nacional de Machado de Castro.

Museu Nacional de Machado de Castro

Welcome to the Machado de Castro National Museum!
We are in a space whose history goes back two thousands of years. The Museum is located in a national monument, which has witnessed several architectural developments. It was a Roman Forum during the early years of the Christian era, an Episcopal Palace after Portugal was established and a Museum after the founding of the Portuguese Republic. The name chosen for this Museum was a deserved tribute to Joaquim Machado de Castro, an important Portuguese sculptor who was originally from Coimbra. Nearly a century after its creation, the Museum has been renovated and expanded, according to a project designed by architect Gonçalo Byrne. We hope you enjoy your visit!

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Museu Nacional de Machado de Castro, Coimbra, Portugal - Google Arts & Culture

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Install the Google Arts & Culture app to explore virtual reality tours from Museu Nacional de Machado de Castro. Museu Nacional de Machado de Castro Welcome to the Machado de Castro National Museum!We are in a space whose history goes back two thousands of years.

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The mission of the museum is to protect the ruins of Conimbriga, promote their exhibition and conduct archaeological research; its collection is exclusively composed of archaeological material found in the city. The current exhibition displays everyday objects organised by theme and evokes the monumental forum, the rich domus, the vigour of Roman trade, the religion and creeds of the Romanized population and the Sueve and Visigothic presence. The mosaics, which have been preserved in situ, form a vast and invaluable collection that is highly appreciated by visitors. The Casa dos Repuxos (Fountain House) boasts a mosaic floor of around 569 m2, important vestiges of mural painting, and a unique central peristyle garden with a lake and jets of water.

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Conimbriga Monographic Museum - Google Arts & Culture

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The mission of the museum is to protect the ruins of Conimbriga, promote their exhibition and conduct archaeological research; its collection is exclusivel...

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National Museum Soares dos Reis, Porto, Portugal - Google Arts & Culture

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The Nacional Museum Soares dos Reis, the former Museu Portuense and Portugal’s first art museum, was founded in 1833 when Pedro IV decided to establish a M…

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Vasco Fernandes, celebrated in the course of centuries with the epithet Grão Vasco, is the greatest reference, in the designation and contents, of the museum of Viseu.
The main collection of the Museum is made up of a remarkable collection of altarpiece paintings, from the Cathedral, local churches and other museum deposits, by Vasco Fernandes (c. 1475-1542), Grão Vasco, collaborators and contemporaries. The collection also includes figurative objects and supports originally intended for liturgical practices (painting, sculpture, goldsmiths and ivories, from the Romanesque to the Baroque), mostly from the Cathedral and churches in the region, plus pieces of archeology, an important collection of Portuguese paintings from the 19th and 20th centuries, examples of Portuguese faience, goldsmithery, oriental porcelain and furniture.

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Grão Vasco National Museum , Viseu, Portugal - Google Arts & Culture

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Vasco Fernandes, celebrated in the course of centuries with the epithet Grão Vasco, is the greatest reference, in the designation and contents, of the museum of Viseu.The main collection of the Museum is made up of a remarkable collection of altarpiece paintings, from the Cathedral, local churches and other museum deposits, by Vasco Fernandes (c.

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O Museu Virtual da Lusofonia é uma plataforma de cooperação académica, em ciência, ensino e artes, no espaço dos países de língua portuguesa e das suas diásporas, disponível na Google Arts & Culture

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Visita virtual 360º al Museo Sorolla de Madrid. La mayor colección de obras, más de 1.200 piezas, pintadas por del artísta Joaquín Sorolla.

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Museo Nacional Centro de Arte Reina Sofía

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Sitio web del Museo Reina Sofía. Información y programación de exposiciones, colección, actividades y proyectos de investigación en red.

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Página web oficial del Museo Nacional del Prado (Madrid, España)

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Presentació
El Museu Picasso de Barcelona roman tancat però tot i això us volem convidar a fer una passejada virtual per la nostra col·lecció.
Per aquest motiu, hem demanat al cap de seguretat, una de les poques persones que hi pot accedir en aquests moments, que enregistri algunes de les sales del Museu per tal de poder-vos-les mostrar.

El passeig us portarà per les principals obres del Museu. Una mirada íntima i alhora espontània i informal de la col·lecció, tot compartint amb vosaltres el plaer de retrobar-nos amb el llegat de l'artista a la ciutat de Barcelona.

A Barcelona, Pablo continua el seu aprenentatge a l'Escola de Belles Arts de la Llotja. Un conjunt de dibuixos i olis mostren l'activitat acadèmica, dominada pel dibuix al natural i per la còpia de models escultòrics i pictòrics. Paral.lelament, un seguit d'aspectes urbans relacionats amb el seu entorn immediat centren la seva atenció, que li serveixen per exercitar la pintura a l'aire lliure i evadir-se de la rigidesa de la Llotja.

A partir del 1896 intensifica la pràctica del retrat i del paisatge, esforçant-se per copsar l'essència de la figura humana. Conrea també el gènere religiós i històric, tan representatius del programa acadèmic de l'escola. Presenta el seu primer oli important, Primera comunió, a la III Exposició de Belles Arts i Indústries Artístiques de Barcelona, en competició amb artistes ja consagrats.

Picasso estiueja a Màlaga, on du a terme un reportatge exhaustiu dels voltants de la ciutat mitjançant un conjunt d'olis d'una gran frescor descriptiva.

L'any 1897 inicia la realització d'una tela que reforçarà la seva presència en els mitjans artístics nacionals: Ciència i Caritat. Seguint les línies del realisme social tan en voga en aquell moment i dins d'una línia absolutament acadèmica, aquesta obra marca el coronament del primer període de joventut. Amb aquesta obra Picasso obté una de les 125 mencions honorífiques a l'Exposición General de Bellas Artes de Madrid.

Madrid, 1897-1898

Picasso passa el curs acadèmic 1897-1898 a Madrid. Impulsat per la família, decideix consolidar el seu aprenentatge artístic a la Real Academia de Bellas Artes de San Fernando de Madrid, però ben aviat, convençut que no hi aprèn res de nou, rebutja el sistema d'ensenyament vigent. Durant aquesta estada a Madrid, l'activitat artística del jove Picasso, a part dels exercicis acadèmics, es concentra en les escenes de la vida quotidiana i la còpia dels grans mestres de la pintura presents al Museu del Prado.

Horta de Sant Joan, juny de 1898 - gener de 1899

El juny de 1898, Picasso torna a Barcelona, convalescent de l'escarlatina. Poc després se'n va a Horta de Sant Joan convidat pel seu amic Manuel Pallarès. Fins al gener de 1899, viu de ple l'ambient rural de la muntanya. El seu pas per Horta és tan important que en el futur no es cansarà de repetir: "Tot el que sé, ho he après al poble d'en Pallarès".

Les obres d'aquest període són una descripció de l'ambient rural, dels habitants i del paisatge de la contrada. Els dibuixos i les pintures que treballa a Horta són un referent en la seva evolució artística pel seu caràcter directe, l'espontaneïtat i la claror. Les pintures manifesten una tonalitat nova i una gran llibertat de traç, de pinzellada i de lluminositat.

La tardor del 1900 Picasso, acompanyat per Casagemas, fa el seu primer viatge a París, on per primera vegada estableix un contacte directe amb els corrents avantguardistes. Aquest període està bàsicament dominat pel descobriment profund dels impressionistes, neoimpressionistes, nabís i puntillistes. L'observació de la realitat que l'envolta, la plasmació del París nocturn, dels personatges i de l'ambient són el leitmotiv de les pintures d'aquesta primera estada a París.

Pere Mañach organitza el mes de juny de 1901 una exposició d'obres de Picasso i de Francisco Iturrino a la galeria Vollard. L'obra d'aquest moment està molt marcada per la de Toulouse-Lautrec. Tanmateix, al contrari que en aquest darrer, en els olis de Picasso hi ha molt poc dibuix; l'aplicació de la pinzellada és aspra, els colors són càlids i vehements; molt sovint, la pintura està disposada en pinzellades mitges i lleugeres.

Sala 8
Períodes blau i rosa, 1901-1905

A la policromia rutilant de les pintures de 1900 i 1901 la segueix una monocromia de tonalitats subtils. El blau esdevé el color dominant en la seva obra. La influència de factors culturals, socials i personals determinen el pas d'una pintura mundana a una altra de marcat caràcter simbòlic.

Amb el pas del temps, el blau monopolitzarà les composicions i al mateix temps una atmosfera de misteri, tristesa i melancolia envairà la majoria de les seves pintures. El blau implica associacions literàries amb la decadència i és considerat un color molt espiritual. Amb aquesta correlació entre tristesa i sinceritat, el món dels marginats adquireix una destacada rellevància.

Una de les circumstàncies decisives en el naixement d'aquest període blau és l'amistat que Picasso estableix amb Max Jacob, que és qui l'introdueix en la lectura de Baudelaire, Rimbaud i especialment Verlaine.

El pas de 1904 a 1905 correspon a un canvi molt gradual en l'obra de Picasso. El manierisme encara present a les obres de començaments de 1905 va desapareixent, al mateix temps que el color és cada cop més variat, per mitjà de combinacions subtils i delicades, i que augmenta l'interès de l'artista per la matèria i el volum.

Entre l'agost i el desembre de 1957, Picasso va dur a terme una anàlisi exhaustiva de Las Meninas de Velázquez. La suite de les cinquanta-vuit obres que Picasso va donar al Museu el 1968 està formada per quaranta-cinc interpretacions inspirades en la pintura de Velázquez, nou que descriuen el colomar que tenia instal·lat al seu estudi de la vil·la La Californie a Canes ( Els colomins), tres paisatges i el Retrat de Jacqueline.

Partim de les paraules de l'artista, recollides per Sabartés al llibre L'atelier de Picasso, per fixar les bases d'anàlisi d'aquesta sèrie: "Posem que algú fes una còpia, de bona fe, de Las Meninas. Si fos jo, arribaria un moment en què pensaria entre mi: i si desplaço aquesta una mica a la dreta o una mica a l'esquerra? Si es donés el cas, ho faria a la meva manera, oblidant Velázquez. És quasi segur que em sentiria temptat de modificar la llum o de fer-la diferent arran d'haver canviat de lloc un personatge. De mica en mica, acabaria creant un quadre de Las Meninas que segur que esgarrifaria el copista d'ofici; no serien les que ell creuria haver vist a la tela de Velázquez, però serien les meves Meninas."

La interpretació picassiana d'aquesta pintura constitueix un intens estudi de ritme, color i moviment i un constant joc d'imaginació en què el pintor va metamorfosar les personalitats de diversos personatges de l'obra. Tot i això, la fidelitat i el respecte a l'atmosfera de la tela de Velázquez són evidents al llarg de totes les composicions. El tractament de la llum, del volum, de l'espai i de la perspectiva desenvolupat pel pintor sevillà es conserva al llarg de totes les anàlisis de conjunt, encara que per fer-ho Picasso recorregués a procediments ben diversos.

Del 6 a 14 de setembre de 1957, Picasso va fer una pausa en l'anàlisi i la interpretació de Las Meninas i es va centrar en el colomar que hi havia al balcó del seu estudi i en la vista llunyana de la badia de Canes. Aquest grup d'obres sempre va ser considerat per l'artista com una part del conjunt de Las Meninas.

Un passeig pel Museu Picasso
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Crèdits

Edició i producció: Fundació Museu Picasso, Barcelona © de les reproduccions: Sucesión Picasso.VEGAP 2020

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Visita virtual pel Museu Picasso de Barcelona

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El Museu Picasso de Barcelona roman tancat però tot i això us volem convidar a fer una passejada virtual per la nostra col·lecció. Per aquest motiu, hem demanat al cap de seguretat, una de les poques persones que hi pot accedir en aquests moments, que enregistri algunes de les sales del Museu per tal de poder-vos-les mostrar.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Offerts par le peintre Claude Monet à la France le lendemain même de l'armistice du 11 novembre 1918 comme symbole de la paix, les Nymphéas sont installés selon ses plans au musée de l'Orangerie en 1927, quelques mois après sa mort.

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The Hall of mirrors, Versailles, France - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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These rooms offer a chronological display of Britain's greatest artists, taken from the collection. Instead of designated themes or movements, the display is is arranged by decade, so you can see an array of art made at any one moment.

Over the course of this year, we're updating the Tate Britain collection displays. Different galleries will be closed at different times while this takes place. If you'd like to see a favourite work of art, please contact us before you visit. The work will be fully completed in 2023.

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Walk Through British Art - Display at Tate Britain | Tate

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These rooms offer a chronological display of Britain's greatest artists, taken from the collection. Instead of designated themes or movements, the display is is arranged by decade, so you can see an array of art made at any one moment. Over the course of this year, we're updating the Tate Britain collection displays.

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These rooms offer a chronological display of Britain's greatest artists, taken from the collection. Instead of designated themes or movements, the display is is arranged by decade, so you can see an array of art made at any one moment.

Over the course of this year, we're updating the Tate Britain collection displays. Different galleries will be closed at different times while this takes place. If you'd like to see a favourite work of art, please contact us before you visit. The work will be fully completed in 2023.

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Walk Through British Art - Display at Tate Britain | Tate

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These rooms offer a chronological display of Britain's greatest artists, taken from the collection. Instead of designated themes or movements, the display is is arranged by decade, so you can see an array of art made at any one moment. Over the course of this year, we're updating the Tate Britain collection displays.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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The National Galleries of Scotland cares for, develops, researches and displays the national collection of Scottish and international art and, with a lively and innovative programme of activities, exhibitions, education and publications, aims to engage, inform and inspire the...

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Explore the British Museum collection and journey through two million years of human history.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Siirry sisältöön

OPENING HOURS

Tue, Fri 10-18
Wed, Thu 10-20
Sat, Sun 10-17
Mon closed

Ticket sales end half an hour before the museum closes.

Exceptional opening hours

Info

Contact

Kaivokatu 2, 00100 Helsinki, Finland
+358 (0) 294 500 401
ainfo@ateneum.fi

Main corporate partner

OPENING HOURS

Tue, Fri 10-18
Wed, Thu 10-20
Sat, Sun 10-17
Mon closed

Ticket sales end half an hour before the museum closes.

Exceptional opening hours

Entrance fees

Standard entry fee - 17 €
Reduced entry fee - 15 €
0 € Under 18 year-olds

Ticket sales end half an hour before the museum closes.

Discounts and payment methods

Contact

Kaivokatu 2, 00100 Helsinki, Finland +358 (0) 294 500 401 ainfo@ateneum.fi

Accessibility

Accessible entrance with a lift on the Ateneuminkuja side of the museum.

Guided Tours / Sales

Mon - Fri 10-14 +358 (0) 294 500 500

Ateneum shop

Ateneum's museum shop is located on the ground floor. You can also buy products from the webshop.

Webshop

ATENEUM BISTRO

Ateneum Bistro offers classic Finnish bistro cuisine with a modern twist. Lunch is served from Tuesday to Friday from 11:00 to 14:00. Cafeteria products are also available.

Ateneum Bistro's website

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The Ateneum is Finland's best-known art museum and the home of Finnish art. The images held by the Ateneum are ingrained in the collective memory of the Finnish people: the beloved works in our collections date from the period from the 19th century to the modern age.

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Museum of Far Eastern Antiquities, Stockholm

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

# data[].attributes.attachment_link.description
Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Possagno is the village where the great Neoclassical sculptor, Antonio Canova, was born. The most important evidence of his art (sculptures, reliefs, sketches and paintings) is now located in his Birthplace and in the near Gypsotheca, where, in 1829, his brother Giovanni Battista Sartori decided to reunite all the plaster cast models that were found in the Roman workshop of the artist after his death.

The Museum of Possagno, one of the first Museums of the Veneto region, offers a complete overview on the life and work of Antonio Canova. In fact, the Museum not only comprises the plaster cast models (that is, the original statues of which many marble copies, the replicas, are disseminated around the world), but also oil and tempera paintings, drawings, memories, clothes, tools and books.

All these Canovian works are kept inside beautiful buildings that create the perfect atmosphere to admire them. These architectural jewels are: the 18th-century House, built by the expert stonemasons and stonecutters of the area, the 19th-century Gypsotheca by Francesco Lazzari, the 20th-century structure added by Carlo Scarpa and Luciano Gemin and the great Temple a few meters away from Canova's birthplace, designed by the artist to serve as the local church.

The Museo Antonio Canova in Possagno is not a mere collection of statues, but an entire "Canovian complex" that comprises museums, archives and research centers.

It is a lively and innovative place where everyone can discover the genius of Canova and dive into culture through workshops, re-imaginings, guides, journeys, virtual tours, publications and much more.

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Museum Gipsoteca Antonio Canova, Possagno, Italy - Google Arts & Culture

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Possagno is the village where the great Neoclassical sculptor, Antonio Canova, was born. The most important evidence of his art (sculptures, reliefs, sketches and paintings) is now located in his Birthplace and in the near Gypsotheca, where, in 1829, his brother Giovanni Battista Sartori decided to reunite all the plaster cast models that were found in the Roman workshop of the artist after his death.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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The Old Masters Museum will be the first museum to reopen to the public on Tuesday 19 May 2020. Find all prevention measures and practical information here. The other collections of the RMFAB will reopen at a later stage. In the meantime, keep following us @FineArtsBelgium #FineArtsAtHome and discover our latest videos, creative workshops, virtual exhibitions and other exclusive contents here!

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4. Analyse Tools und Werbung

Google Analytics

Diese Website nutzt Funktionen des Webanalysedienstes Google Analytics. Anbieter ist die Google Inc., 1600 Amphitheatre Parkway, Mountain View, CA 94043, USA.

Google Analytics verwendet so genannte "Cookies". Das sind Textdateien, die auf Ihrem Computer gespeichert werden und die eine Analyse der Benutzung der Website durch Sie ermöglichen. Die durch den Cookie erzeugten Informationen über Ihre Benutzung dieser Website werden in der Regel an einen Server von Google in den USA übertragen und dort gespeichert.

Die Speicherung von Google-Analytics-Cookies erfolgt auf Grundlage von Art. 6 Abs. 1 lit. f DSGVO. Der Websitebetreiber hat ein berechtigtes Interesse an der Analyse des Nutzerverhaltens, um sowohl sein Webangebot als auch seine Werbung zu optimieren.
IP Anonymisierung
Wir haben auf dieser Website die Funktion IP-Anonymisierung aktiviert. Dadurch wird Ihre IP-Adresse von Google innerhalb von Mitgliedstaaten der Europäischen Union oder in anderen Vertragsstaaten des Abkommens über den Europäischen Wirtschaftsraum vor der Übermittlung in die USA gekürzt. Nur in Ausnahmefällen wird die volle IP-Adresse an einen Server von Google in den USA übertragen und dort gekürzt. Im Auftrag des Betreibers dieser Website wird Google diese Informationen benutzen, um Ihre Nutzung der Website auszuwerten, um Reports über die Websiteaktivitäten zusammenzustellen und um weitere mit der Websitenutzung und der Internetnutzung verbundene Dienstleistungen gegenüber dem Websitebetreiber zu erbringen. Die im Rahmen von Google Analytics von Ihrem Browser übermittelte IP-Adresse wird nicht mit anderen Daten von Google zusammengeführt.
Browser Plugin
Sie können die Speicherung der Cookies durch eine entsprechende Einstellung Ihrer Browser-Software verhindern; wir weisen Sie jedoch darauf hin, dass Sie in diesem Fall gegebenenfalls nicht sämtliche Funktionen dieser Website vollumfänglich werden nutzen können. Sie können darüber hinaus die Erfassung der durch den Cookie erzeugten und auf Ihre Nutzung der Website bezogenen Daten (inkl. Ihrer IP-Adresse) an Google sowie die Verarbeitung dieser Daten durch Google verhindern, indem Sie das unter dem folgenden Link verfügbare Browser-Plugin herunterladen und installieren: https://tools.google.com/dlpage/gaoptout?hl=de.
Widerspruch gegen Datenerfassung
Sie können die Erfassung Ihrer Daten durch Google Analytics verhindern, indem Sie auf folgenden Link klicken. Es wird ein Opt-Out-Cookie gesetzt, der die Erfassung Ihrer Daten bei zukünftigen Besuchen dieser Website verhindert: Google Analytics deaktivieren.

Mehr Informationen zum Umgang mit Nutzerdaten bei Google Analytics finden Sie in der Datenschutzerklärung von Google: https://support.google.com/analytics/answer/6004245?hl=de.
Auftragsdatenverarbeitung
Wir haben mit Google einen Vertrag zur Auftragsdatenverarbeitung abgeschlossen und setzen die strengen Vorgaben der deutschen Datenschutzbehörden bei der Nutzung von Google Analytics vollständig um.
Demografische Merkmale bei Google Analytics
Diese Website nutzt die Funktion "demografische Merkmale" von Google Analytics. Dadurch können Berichte erstellt werden, die Aussagen zu Alter, Geschlecht und Interessen der Seitenbesucher enthalten. Diese Daten stammen aus interessenbezogener Werbung von Google sowie aus Besucherdaten von Drittanbietern. Diese Daten können keiner bestimmten Person zugeordnet werden. Sie können diese Funktion jederzeit über die Anzeigeneinstellungen in Ihrem Google-Konto deaktivieren oder die Erfassung Ihrer Daten durch Google Analytics wie im Punkt "Widerspruch gegen Datenerfassung" dargestellt generell untersagen.

5. Newsletter

Newsletterdaten

Wenn Sie den auf der Website angebotenen Newsletter beziehen möchten, benötigen wir von Ihnen eine E-Mail-Adresse sowie Informationen, welche uns die Überprüfung gestatten, dass Sie der Inhaber der angegebenen E-Mail-Adresse sind und mit dem Empfang des Newsletters einverstanden sind. Weitere Daten werden nicht bzw. nur auf freiwilliger Basis erhoben. Diese Daten verwenden wir ausschließlich für den Versand der angeforderten Informationen und geben diese nicht an Dritte weiter.

Die Verarbeitung der in das Newsletteranmeldeformular eingegebenen Daten erfolgt ausschließlich auf Grundlage Ihrer Einwilligung (Art. 6 Abs. 1 lit. a DSGVO). Die erteilte Einwilligung zur Speicherung der Daten, der E-Mail-Adresse sowie deren Nutzung zum Versand des Newsletters können Sie jederzeit widerrufen, etwa über den "Austragen"-Link im Newsletter. Die Rechtmäßigkeit der bereits erfolgten Datenverarbeitungsvorgänge bleibt vom Widerruf unberührt.

Die von Ihnen zum Zwecke des Newsletter-Bezugs bei uns hinterlegten Daten werden von uns bis zu Ihrer Austragung aus dem Newsletter gespeichert und nach der Abbestellung des Newsletters gelöscht. Daten, die zu anderen Zwecken bei uns gespeichert wurden (z.B. E-Mail-Adressen für den Mitgliederbereich) bleiben hiervon unberührt.

MailChimp

Diese Website nutzt die Dienste von MailChimp für den Versand von Newslettern. Anbieter ist die Rocket Science Group LLC, 675 Ponce De Leon Ave NE, Suite 5000, Atlanta, GA 30308, USA.

MailChimp ist ein Dienst, mit dem u.a. der Versand von Newslettern organisiert und analysiert werden kann. Wenn Sie Daten zum Zwecke des Newsletterbezugs eingeben (z.B. E-Mail-Adresse), werden diese auf den Servern von MailChimp in den USA gespeichert.

MailChimp verfügt über eine Zertifizierung nach dem "EU-US-Privacy-Shield". Der "Privacy-Shield" ist ein Übereinkommen zwischen der Europäischen Union (EU) und den USA, das die Einhaltung europäischer Datenschutzstandards in den USA gewährleisten soll.

Mit Hilfe von MailChimp können wir unsere Newsletterkampagnen analysieren. Wenn Sie eine mit MailChimp versandte E-Mail öffnen, verbindet sich eine in der E-Mail enthaltene Datei (sog. web-beacon) mit den Servern von MailChimp in den USA. So kann festgestellt werden, ob eine Newsletter-Nachricht geöffnet und welche Links ggf. angeklickt wurden. Außerdem werden technische Informationen erfasst (z.B. Zeitpunkt des Abrufs, IP-Adresse, Browsertyp und Betriebssystem). Diese Informationen können nicht dem jeweiligen Newsletter-Empfänger zugeordnet werden. Sie dienen ausschließlich der statistischen Analyse von Newsletterkampagnen. Die Ergebnisse dieser Analysen können genutzt werden, um künftige Newsletter besser an die Interessen der Empfänger anzupassen.

Wenn Sie keine Analyse durch MailChimp wollen, müssen Sie den Newsletter abbestellen. Hierfür stellen wir in jeder Newsletternachricht einen entsprechenden Link zur Verfügung. Des Weiteren können Sie den Newsletter auch direkt auf der Website abbestellen.

Die Datenverarbeitung erfolgt auf Grundlage Ihrer Einwilligung (Art. 6 Abs. 1 lit. a DSGVO). Sie können diese Einwilligung jederzeit widerrufen, indem Sie den Newsletter abbestellen. Die Rechtmäßigkeit der bereits erfolgten Datenverarbeitungsvorgänge bleibt vom Widerruf unberührt.

Die von Ihnen zum Zwecke des Newsletter-Bezugs bei uns hinterlegten Daten werden von uns bis zu Ihrer Austragung aus dem Newsletter gespeichert und nach der Abbestellung des Newsletters sowohl von unseren Servern als auch von den Servern von MailChimp gelöscht. Daten, die zu anderen Zwecken bei uns gespeichert wurden (z.B. E-Mail-Adressen für den Mitgliederbereich) bleiben hiervon unberührt.

Näheres entnehmen Sie den Datenschutzbestimmungen von MailChimp unter: https://mailchimp.com/legal/terms/.
Abschluss eines Data-Processing-Agreements
Wir haben ein sog. „Data-Processing-Agreement" mit MailChimp abgeschlossen, in dem wir MailChimp verpflichten, die Daten unserer Kunden zu schützen und sie nicht an Dritte weiterzugeben. Dieser Vertrag kann unter folgendem Link eingesehen werden: https://mailchimp.com/legal/forms/data-processing-agreement/sample-agreement/.

CleverReach

Diese Website nutzt CleverReach für den Versand von Newslettern. Anbieter ist die CleverReach GmbH & Co. KG, Mühlenstr. 43, 26180 Rastede. CleverReach ist ein Dienst, mit dem der Newsletterversand organisiert und analysiert werden kann. Die von Ihnen zwecks Newsletterbezug eingegebenen Daten (z.B. E-Mail-Adresse) werden auf den Servern von CleverReach in Deutschland bzw. Irland gespeichert.

Unsere mit CleverReach versandten Newsletter ermöglichen uns die Analyse des Verhaltens der Newsletterempfänger. Hierbei kann u. a. analysiert werden, wie viele Empfänger die Newsletternachricht geöffnet haben und wie oft welcher Link im Newsletter angeklickt wurde. Mit Hilfe des sogenannten Conversion-Trackings kann außerdem analysiert werden, ob nach Anklicken des Links im Newsletter eine vorab definierte Aktion (z.B. Kauf eines Produkts auf unserer Website) erfolgt ist. Weitere Informationen zur Datenanalyse durch CleverReach-Newsletter erhalten Sie unter: https://www.cleverreach.com/de/funktionen/reporting-und-tracking/.

Die Datenverarbeitung erfolgt auf Grundlage Ihrer Einwilligung (Art. 6 Abs. 1 lit. a DSGVO). Sie können diese Einwilligung jederzeit widerrufen, indem Sie den Newsletter abbestellen. Die Rechtmäßigkeit der bereits erfolgten Datenverarbeitungsvorgänge bleibt vom Widerruf unberührt.

Wenn Sie keine Analyse durch CleverReach wollen, müssen Sie den Newsletter abbestellen. Hierfür stellen wir in jeder Newsletternachricht einen entsprechenden Link zur Verfügung. Des Weiteren können Sie den Newsletter auch direkt auf der Website abbestellen.

Die von Ihnen zum Zwecke des Newsletter-Bezugs bei uns hinterlegten Daten werden von uns bis zu Ihrer Austragung aus dem Newsletter gespeichert und nach der Abbestellung des Newsletters sowohl von unseren Servern als auch von den Servern von CleverReach gelöscht. Daten, die zu anderen Zwecken bei uns gespeichert wurden (z.B. E-Mail-Adressen für den Mitgliederbereich) bleiben hiervon unberührt.

Näheres entnehmen Sie den Datenschutzbestimmungen von CleverReach unter: https://www.cleverreach.com/de/datenschutz/.
Abschluss eines Vertrags über Auftragsdatenverarbeitung
Wir haben mit CleverReach einen Vertrag zur Auftragsdatenverarbeitung abgeschlossen und setzen die strengen Vorgaben der deutschen Datenschutzbehörden bei der Nutzung von CleverReach vollständig um.

6. Plugins und Tools

YouTube

Unsere Website nutzt Plugins der von Google betriebenen Seite YouTube. Betreiber der Seiten ist die YouTube, LLC, 901 Cherry Ave., San Bruno, CA 94066, USA.

Wenn Sie eine unserer mit einem YouTube-Plugin ausgestatteten Seiten besuchen, wird eine Verbindung zu den Servern von YouTube hergestellt. Dabei wird dem YouTube-Server mitgeteilt, welche unserer Seiten Sie besucht haben.

Wenn Sie in Ihrem YouTube-Account eingeloggt sind, ermöglichen Sie YouTube, Ihr Surfverhalten direkt Ihrem persönlichen Profil zuzuordnen. Dies können Sie verhindern, indem Sie sich aus Ihrem YouTube-Account ausloggen.

Die Nutzung von YouTube erfolgt im Interesse einer ansprechenden Darstellung unserer Online-Angebote. Dies stellt ein berechtigtes Interesse im Sinne von Art. 6 Abs. 1 lit. f DSGVO dar.

Weitere Informationen zum Umgang mit Nutzerdaten finden Sie in der Datenschutzerklärung von YouTube unter: https://www.google.de/intl/de/policies/privacy.

Vimeo

Unsere Website nutzt Plugins des Videoportals Vimeo. Anbieter ist die Vimeo Inc., 555 West 18th Street, New York, New York 10011, USA.

Wenn Sie eine unserer mit einem Vimeo-Plugin ausgestatteten Seiten besuchen, wird eine Verbindung zu den Servern von Vimeo hergestellt. Dabei wird dem Vimeo-Server mitgeteilt, welche unserer Seiten Sie besucht haben. Zudem erlangt Vimeo Ihre IP-Adresse. Dies gilt auch dann, wenn Sie nicht bei Vimeo eingeloggt sind oder keinen Account bei Vimeo besitzen. Die von Vimeo erfassten Informationen werden an den Vimeo-Server in den USA übermittelt.

Wenn Sie in Ihrem Vimeo-Account eingeloggt sind, ermöglichen Sie Vimeo, Ihr Surfverhalten direkt Ihrem persönlichen Profil zuzuordnen. Dies können Sie verhindern, indem Sie sich aus Ihrem Vimeo-Account ausloggen.

Weitere Informationen zum Umgang mit Nutzerdaten finden Sie in der Datenschutzerklärung von Vimeo unter: https://vimeo.com/privacy.

Google Web Fonts

Diese Seite nutzt zur einheitlichen Darstellung von Schriftarten so genannte Web Fonts, die von Google bereitgestellt werden. Beim Aufruf einer Seite lädt Ihr Browser die benötigten Web Fonts in ihren Browsercache, um Texte und Schriftarten korrekt anzuzeigen.

Zu diesem Zweck muss der von Ihnen verwendete Browser Verbindung zu den Servern von Google aufnehmen. Hierdurch erlangt Google Kenntnis darüber, dass über Ihre IP-Adresse unsere Website aufgerufen wurde. Die Nutzung von Google Web Fonts erfolgt im Interesse einer einheitlichen und ansprechenden Darstellung unserer Online-Angebote. Dies stellt ein berechtigtes Interesse im Sinne von Art. 6 Abs. 1 lit. f DSGVO dar.

Wenn Ihr Browser Web Fonts nicht unterstützt, wird eine Standardschrift von Ihrem Computer genutzt.

Weitere Informationen zu Google Web Fonts finden Sie unter https://developers.google.com/fonts/faq und in der Datenschutzerklärung von Google: https://www.google.com/policies/privacy/.

Google Maps

Diese Seite nutzt über eine API den Kartendienst Google Maps. Anbieter ist die Google Inc., 1600 Amphitheatre Parkway, Mountain View, CA 94043, USA.

Zur Nutzung der Funktionen von Google Maps ist es notwendig, Ihre IP Adresse zu speichern. Diese Informationen werden in der Regel an einen Server von Google in den USA übertragen und dort gespeichert. Der Anbieter dieser Seite hat keinen Einfluss auf diese Datenübertragung.

Die Nutzung von Google Maps erfolgt im Interesse einer ansprechenden Darstellung unserer Online-Angebote und an einer leichten Auffindbarkeit der von uns auf der Website angegebenen Orte. Dies stellt ein berechtigtes Interesse im Sinne von Art. 6 Abs. 1 lit. f DSGVO dar.

Mehr Informationen zum Umgang mit Nutzerdaten finden Sie in der Datenschutzerklärung von Google: https://www.google.de/intl/de/policies/privacy/.

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Die folgenden Hinweise geben einen einfachen Überblick darüber, was mit Ihren personenbezogenen Daten passiert, wenn Sie unsere Website besuchen. Personenbezogene Daten sind alle Daten, mit denen Sie persönlich identifiziert werden können. Ausführliche Informationen zum Thema Datenschutz entnehmen Sie unserer unter diesem Text aufgeführten Datenschutzerklärung. Wer ist verantwortlich für die Datenerfassung auf dieser Website?

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Museu dos Instrumentos Musicais

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In a beautifully restored complex in Brussels, of which one part is Art Nouveau and the other, neoclassical in design, the 1200 most interesting instruments are assembled in 4 galleries, enhanced by images, sound and text panels. No wonder that, since its opening in 2000, the MIM has become a first…

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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From 2015 onwards the Rijksmuseum will publish all upcoming collection catalogue projects online, offering a growing amount of substantive scientific supplements to present online object details.

Early Netherlandish Paintings

The Rijksmuseum has launched its series of online collection catalogues with the project Early Netherlandish Paintings, adding catalogue entries to some 165 works by artists born before 1500.

The works included in this project can be found here.

Each entry can be found by scrolling down on the artwork page and clicking on 'Catalogue entry' below the image.

Early Netherlandish Paintings project details and guidelines can be downloaded here:

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Online Collection Catalogue - Research - Rijksmuseum

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From 2015 onwards the Rijksmuseum will publish all upcoming collection catalogue projects online, offering a growing amount of substantive scientific supplements to present online object details. Early Netherlandish Paintings The Rijksmuseum has launched its series of online collection catalogues with the project Early Netherlandish Paintings, adding catalogue entries to some 165 works by artists born before 1500.

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Anne Frank's family home - Entry, Amsterdam, Netherlands - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Visit the museum about Vincent van Gogh in Amsterdam - The Netherlands - Van Gogh Museum

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The Van Gogh Museum is temporarily closed to the public until 6 April 2020 due to national policy relating to the corona virus (covid-19)

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Early Netherlandish and Early German Painting, München, Germany - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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The Erazm Ciołek Palace - Art of Old Poland. The 12th - 18th century, Kraków, Poland - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Museu da Acrópole

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Museu da Cultura Grega

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360° Virtual Visits by Panomedia.gr © 2005-2014

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Museu de Arte Islâmica

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360° Virtual Visits by Panomedia.gr © 2005-2014

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Museu Arqueológico Nacional

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Eθνικό Αρχαιολογικό Μουσείο

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Αρχική | Eθνικό Αρχαιολογικό Μουσείο

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Σας καλωσορίζουμε στην επίσημη ιστοσελίδα του Εθνικού Αρχαιολογικού Μουσείου της Αθήνας. Το Εθνικό Αρχαιολογικό Μουσείο είναι το μεγαλύτερο μουσείο της Ελλάδας και ένα από τα σημαντικότερα του κόσμου.

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Museu Afro Brasil - subsolo, Sao Paulo, Brazil - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Experience past ARCE conservation projects from anywhere in the world

Support ARCE Today

Donate to support research into Egypt's rich history and the preservation of its cultural heritage.

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Experience past ARCE conservation projects from anywhere in the world Support ARCE Today

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Nairobi National Museum, Nairobi, Kenya - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Find local businesses, view maps and get driving directions in Google Maps.

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The Museo de Arte de Lima is a private, non-profit cultural organization devoted to the promotion of the visual arts in Peru. It houses the only representative survey collection of Peruvian art, consisting of over twelve thousand works. This vast permanent collection, witness to several centuries of cultural transformations, includes pre-Columbian and colonial objects as well as republican and contemporary works. The development of the collections has gone hand in hand with a program of conservation and restoration which contributes to the preservation of the nation's cultural patrimony. The museum has directed its efforts to opening up new perspectives in Peruvian art history, through academic research, and its dissemination through exhibitions, publications and public programs. Its education department contributes to the formation of thousands of pupils who seek to develop their artistic ability and broaden their knowledge. The museum's library and archive constitutes one of the most important documentation centers for art history in the country.

The MALI's activities are made possible through funds generated by the institution's programs, generous contributions from the public and private sectors as well as donations by individuals committed to the development of art and culture in Peru. The museum is currently culminating the second stage of an ambitious renovation project, the first stage of which was concluded by April 2010. Thanks to the contribution of the Plan Copesco Nacional of the Ministry of Foreign Commerce and Tourism, the museum worked on the renovation of its permanent exhibition galleries. The opening of these galleries, located on the second floor of the historic Palacio de la Exposición, was in September 2015.

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El Museo de Arte de Lima es una organización sin fines de lucro que tiene como objetivo la promoción del arte y la cultura en el Perú. Ubicado en el histórico Palacio de la Exposición, alberga más de doce mil obras, que constituye el acervo más representativo de la historia del arte peruano. Esta vasta colección permanente, testimonio de varios siglos de transformaciones culturales, incluye piezas precolombinas y coloniales, así como obras republicanas y contemporáneas. El desarrollo de las colecciones ha ido de la mano de un programa de conservación y restauración que contribuye a la preservación del patrimonio cultural de la nación. El museo ha dirigido sus esfuerzos a abrir nuevas perspectivas en la historia del arte peruano mediante la investigación académica y su difusión a través de exposiciones, publicaciones y una intensa programación de auditorio. Su programa educativo contribuye a la formación de miles de alumnos que buscan desarrollar su capacidad artística y ampliar sus conocimientos. La biblioteca y el archivo de arte, que constituyen uno de los más importantes centros de documentación de la historia del arte en el país, contribuyen a enriquecer esta labor educativa.

Los proyectos del MALI se hacen posibles gracias a fondos gestionados por la propia institución, donaciones del sector público y de la empresa privada y la contribución de personas comprometidas con el arte y la cultura. Luego de un intenso proceso de remodelación de la segunda planta del Palacio de la Exposición gracias al financiamiento del Plan COPESCO Nacional del Mincetur, en setiembre de 2015 reabrimos nuestras salas de exposición permanente presentando más de 1,200 piezas de una colección conformada por más de 17 mil obras que narran 3 mil años de historia del arte peruano. Los visitantes nacionales y extranjeros pueden recorrer las renovadas salas que abarcan un área de 4,500 m2.

History
In 1954 a group of businessmen and intellectuals, concerned with promoting culture and
the arts in Peru, formed an association called the Patronato de las Artes. Its main objective was to found an art museum in Lima. In support of this initiative, the Municipality of Lima offered the Palacio de la Exposición to house the future Museum. With the help of UNESCO, architect Hans Asplund and the museologist Alfred Westholm formulated the first modern project for a Peruvian museum. The initial restoration of the building, undertaken with support of the Peruvian and the French Governments, was inaugurated in 1957, on the occasion of a large French industrial and cultural exposition. Once this exhibition was over, the basic work of adapting the building for a museum was begun. The Museo de Arte de Lima's permanent exhibition galleries were officially inaugurated on 10th March 1961. President Manuel Prado presented on behalf of the Prado and Peña Prado families, the collection which had been formed at the beginning of the century by the writer Javier Prado y Ugarteche. This donation inspired the idea of creating a panoramic museum that could show a representative survey of art in Peru, from the pre-Columbian period to the present, and forms until today the base of the museum's collections.

The Building
The building that houses the museum and its collections, known as the Palacio de la Exposición, is doubtless one of the outstanding examples of nineteenth century iron architecture in Latin America. Set in a public park located at the entrance to Lima's historic downtown area, it was originally built to house Peru's National Exhibition in 1872. This pioneering building was the first in the region built specially to hold large-scale exhibitions and to make use of the new technique of iron construction. The building encompasses, on its two floors, about 10.000 m2 of exhibition space, surrounding a central patio. The cast-iron columns, which define the modern spirit of the building, contrasts with the classic character of its façade, designed by Antonio Leonardi, an Italian architect residing in Lima. Dressed in a Renaissance-style architecture, the building is one of the first to display the influence of French eclecticism in Peru. After the closing of the exhibition, the building was operated by the Society of Fine Arts as a museum and as a cultural centre until 1879, when the War of the Pacific forced a change of functions. The building was first used as a Peruvian military hospital and later as barracks for the occupation army. During the first half of the twentieth century, the Museum of National History was installed on the second floor (1905-1937), while the rest of the space was used by government offices. In 1954 it was assigned by the City of Lima to house the future Museo de Arte de Lima, thus returning the building to the function closest to that for which it was originally intended.

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Historia
En 1954 un grupo de empresarios e intelectuales peruanos, preocupados por impulsar la cultura y el arte en el Perú, formaron una asociación con el nombre de Patronato de las Artes. Su principal objetivo era la fundación de un museo de arte en el país. En apoyo a esta iniciativa, La Municipalidad de Lima cedió el antiguo Palacio de la Exposición para albergar el futuro museo. Con el apoyo de la UNESCO, el arquitecto Hans Asplund y el museólogo Alfred Westholm formularon el primer proyecto moderno para un museo peruano, contando con la colaboración de los arquitectos Héctor Velarde y José García Bryce. La etapa inicial de restauración del edificio, respaldada por el Estado peruano y el gobierno de Francia, se inauguró en 1957, con ocasión de una gran exposición sobre la industria y la cultura francesa. Tras la clausura de este evento, se iniciaron los trabajos de instalación y adaptación del edificio para albergar el museo. Finalmente, el 10 de marzo de 1961 se inauguró oficialmente el Museo de Arte de Lima. El presidente Manuel Prado, en nombre de las familias Prado y Peña Prado, hizo entrega al Patronato de la valiosa donación que constituye la Memoria Prado, formada a inicios de siglo por el ilustre intelectual Javier Prado y Ugarteche. Este legado permitió al Patronato imaginar la posibilidad de formar un panorama del arte en el Perú, desde la época precolombina hasta inicios de siglo XX, y continúa formando hasta hoy el núcleo de las colecciones del museo.

El Palacio de la Exposición
El edifico que alberga al Museo de Arte de Lima y sus colecciones, conocido como el Palacio de la Exposición, es uno de los más bellos ejemplos de la arquitectura en hierro del siglo XIX. Localizado a la entrada al centro histórico de la ciudad de Lima, y a un extremo del Parque de la Exposición, el edificio se adecúa fácilmente para las funciones de un museo moderno, pues fue concebido inicialmente como sede de la primera gran exposición pública organizada en el Perú. Fue una de las primeras construcciones dedicadas a exposiciones en gran escala, pero también una de las más tempranas e importantes obras hechas con la nueva técnica de construcción en hierro. El edificio inaugurado en 1872 abarcaba, en sus dos plantas, cerca de 10,000 m2 de área de exposición distribuidos en torno a un hermoso patio central. Esta estructura permitió la creación de espacios amplios y versátiles, de gran altura y de proporciones generosas. El espíritu moderno del edificio contrastaba con el diseño clásico de la fachada, diseñada por Antonio Leonardi, arquitecto italiano radicado en Lima. Revestido por una arquitectura de corte renacentista, el edificio fue una de las primeras manifestaciones del eclecticismo en la arquitectura peruana del siglo XIX. Tras el cierre de la exposición de 1872, el local pasó a manos de la Sociedad de Bellas Artes, que lo mantuvo como museo y centro cultural hasta 1879, cuando la Guerra del Pacífico (1879-1881) obligó a convertirlo en hospital de sangre primero y luego en guarnición del ejército de ocupación. Durante la primera mitad del siglo XX se instaló el Museo Nacional (1906-1937) en la segunda planta, mientras en la primera funcionaba el Ministerio de Fomento. En adelante, el Palacio de la Exposición albergaría diversas oficinas gubernamentales. En 1954, al ser cedido por la Municipalidad Metropolitana de Lima al Patronato de las Artes para servir de sede al Museo de Arte de Lima, encuentra finalmente una función más cercana a aquella que le fuera dada inicialmente.

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MALI, Museo de Arte de Lima, Lima, Peru - Google Arts & Culture

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The Museo de Arte de Lima is a private, non-profit cultural organization devoted to the promotion of the visual arts in Peru. It houses the only representa...

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