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This was my first draft, I wanted to add all my paragraphs exactly how I imagined and my layout according to the grid I had constructed.
I had to fix the paragraph in the second row to ensure it was comfortable to read. My bullet points on the right hand worked really well and I liked the navy colour I had picked so I wouldn't need to change this.
I think Futura worked for the title of the spread; it gave it a more contemporary look. I wanted more interest in the title, so I decided to put emphasis on the word truth. I also had to adjust the 'T' and the 'H' in the word 'the' so that they weren't touching.

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I made a few changes to my final grid to incorporate the experimental jet set, I didnt have this in my iterations of my grid. I also made sure I included my gutters for each column.

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Sample of 'Franklin Gothic' Typeface from 'Typographic graphic design: form and communication 6th edition (multiple authors)'

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Sample of 'Franklin Gothic' Typeface from 'Typographic graphic design: form and communication 6th edition (multiple authors)'

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I wanted to have an extra option for my headline type  just to compare and see how they would work. I knew franklin gothic would be a viable option to look at but I prefer futura as it would bring a more modern look to the article with its stroke being consistent throughout.

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I did a search for a suitable typeface to go with futura and I found that playfair display pairs well. Its a reasonably large family so I will have the opportunity to incorporate emphasis within my design.
It a serif typeface which will bring the mystical element to the text, I believe this would be a great choice for my  body text.
I want to do most of my experimenting using my layout rather than experimenting with the fonts

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At this point I didn't have a firm concept for my magazine layout so I had another look at the sheet of text I had played with and one of my initial thoughts was 'mystical' when I was reading it.
I realised it would be a very important element of my magazine but I also wanted the magazine to have tourist elements directed at a younger audience.
I decided to combine the two by using futura for my heading ( sans serif ) and I will using another different type of font for the body text instead of futura.
I had a look at the work of experimental jetset as they have plenty of examples of contemporary use of type. I really liked this piece of work as I would bring a contemporary edge to my mystical concept.
I was thinking of displaying my headline like this, it would give my spread a significant amount of personality.

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Sample of 'Futura' a typeface from 'Typographic graphic design: form and communication 6th edition (multiple authors)

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Sample of 'Futura' a typeface from 'Typographic graphic design: form and communication 6th edition (multiple authors)

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I heard about Paul Renner and how he designed more modern and functional typeface during the swiss era of typography. My first thought of a suitable typeface was 'Futura'. It was used in my previous research project where we had to analyse a magazine spread, Futura was used in this spread. As Futura is a large family it altered many times to give emphasis within the design. Using Futura would me plenty of opportunities to create the emphasis I want. Futura is also a sans serif typeface and I believe this would be suitable for the younger audience I'm directing at.

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On this page the combination of the images and the text make the page look extremely full and awkward to read;
I would have to keep white space in mind to ensure my reader has a much more enjoyable reading experience.
The point size in the type was 10 points and I would definitely chose a 12 point which would make reading the article less tiresome.
I liked how the information is broken down into bite sized parts with bold subheadings,  but I would have to utilize white space in order for this to work.
From looking at the 3 page and my own experience I would have to ensure that my page numbers are small but legible.

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I really loved this page as I felt It would fit in the body text well with the 5 columns that stretch from one page to the next.
I would also be able to put in my information that I intended to have as bullet points on the far right where  the woman's elbow is in the image.
I would also have the opportunity to play with white space which would allow the reader to have a break and have an easier time with engaging with the text.

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This was a page from a magazine targeted to women in their twenties, I have 3 pages from this magazine I will examine.
This page had drawn in my interest as it was 4 column grid and the body text was split into 2 columns on either end.
I'm not sure if it would work in the case of a two page spread but I wanted to keep it in mind.
I also liked how the designer used the same typeface for the heading but used it in variations and also used a green. This could definitely be a possible option for my heading.

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Page from ' Stop stealing sheep and find out how type works'  3rd edition by Erik Spiekermann

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Page from ' Stop stealing sheep and find out how type works'  3rd edition by Erik Spiekermann

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I  liked how the designer used red italics for the information on the right, this was the same for the magazine spread I had researched. I would want to consider the colour of my type but I believe this piece of text will be suitable for the points of information.  ( Unit Rounded - red type)

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Grid example from 'Grid Systems' by Kimberly Elam

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Grid example from 'Grid Systems' by Kimberly Elam

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I came across this grid and it was one of the few I found in this book that were designated to a magazine spread, I will have to ensure my margins are large enough so my content isn't crushed into the page and I have to also keep in mind of the positive and negative space within my spread.

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Page from 'Know your Onions' by Drew De Soto

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Page from 'Know your Onions' by Drew De Soto

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I  thought the subheadings in this piece of text worked really well and also the grey of the background ( Traditional Arabic Regular - body text)

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Initial research using the raw text ( 2 pages)

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Initial research using the raw text ( 2 pages)