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Youtube Link

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2. Differences in generations

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A 'layered' projecton

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- String/thread
- Pictures
- Paper ; different forms of paper ( tracing paper, transparent etc)
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Got some string

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Stitched the center with black string

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transparent drawing over hand drawing uwu

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got more strings!

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wow!!

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Kasaan ka= where are are
Umuwi= come home/return

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some letters

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Got some translucent paper

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A personal take on my experience with these differences

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I cut

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Using different coloured threads / other ways of manipulating the threads

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Lying down looking up, with moving the light around

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View from the lying down ,looking up

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incorporating a different element into the work

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CONCERT EXPERIENCE
Covid has made countless restrictions all around the world. However, people still need to push on and find alternative ways to make a living. This is the case for artists/singers. As the digital age is booming, they are holding concerts online to kill two birds with one stone, going forward with their concert, making money, and still meeting the covid restrictions.

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PERSPECTIVE
" agree to disagree"
To what extent is the saying true or just ignorant

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RED STRING OF FATE

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Touch,Taste,Smell,Sight,Hearing

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I like your way of showing your relationship and having it layers to show but I think like what Dilshad said, I think showing that this layers is one big picture will be a nice narrative.

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I like the idea of using layered images/videos that represents the generational gaps between parents and children. It's a pretty poetic take on the situation where all these different views clash against each other, creating a mess between the chemistry of parents and their children. Perhaps the ending could be the images/footages forging into one giant "painting" where all the clashing ideologies create one massive blend, to show that in the end, despite your differences, you love each other regardless.

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THE DIFFERENCES IN GENERATIONS
Kids are always saying " my parents just don't understand me " but maybe it's in the way of thinking.
Generations change but mindsets don't change with them, maybe if we take a step back and look more openly at it, the past is past, and now is now. If we could just put ourselves in the shoes of others.

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got some red film

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Different placements of elements

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view from top looking down

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WHAT MADE ME was designed by Dorota Grabkowska for the Birmingham Made Me Design Expo (15-22 June 2012) at the Mailbox, Birmingham. Commissioned by the Idea Birmingham and Birmingham City University, the installation was created to provide an interactive experience for visiting members of the public.

The project was based around a concept of information visualisation in a form of a large scale, complex data map, generated by visitors themselves.

The aim of the project was to explore what shapes the people of Birmingham by asking them these five simple questions:

What made you Think?
What made you Create?
What made you Angry?
What made you Happy?
What made you Change?

Each question was assigned to a different colour and could be answered by connecting relevant words together with a coloured thread. Almost a hundred words were displayed alphabetically in a grid, giving the participants a wide choice of possible answers.

Through this visual language, the participants were able to share their feelings, influences, thoughts and inspirations, which made them who they are today.

Over the course of the week, a multi-layered visual data map has been created, concluding the Birmingham Made Me Design Expo.

The project has won the Most Original Exhibit Award at the Birmingham Made Me Design Awards 2012.

If you are interested in commissioning this work please drop me an email at dorota@grabkowska.com

PLEASE DON'T COPY MY WORK WITHOUT MY PERMISSION.

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WHAT MADE ME Interactive Public Installation

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WHAT MADE ME was designed by Dorota Grabkowska for the Birmingham Made Me Design Expo (15-22 June 2012) at the Mailbox, Birmingham. Commissioned by the Idea Birmingham and Birmingham City University, the installation was created to provide an interactive experience for visiting members of the public.

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Floor Six

Matana Roberts, sound experimentalist, will address No Title, 1969-70 by Eva Hesse.

Named in honor of the Whitney's new address, 99 Gansevoort Street, 99 Objects is a series of in-gallery programs focusing on individual works of art from the Museum's collection on view in America Is Hard to See. Speakers include artists, writers, Whitney curators and educators, and an interdisciplinary group of scholars. Programs take place daily.
Free with Museum admission.

The Museum building is accessible and has elevator access to all floors. Service animals are welcome. Learn more about access services and amenities.

Eva Hesse (1936-1970). No Title, (1969-1970). Latex, rope, string, and wire, dimensions variable. Whitney Museum of American Art, New York; purchase, with funds from Eli and Edythe L. Broad, the Mrs. Percy Uris Purchase Fund, and the Painting and Sculpture Committee 88.17a-b © The Estate of Eva Hesse, courtesy Hauser & Wirth

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99 Objects: Matana Roberts on No Title by Eva Hesse

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Floor Six Matana Roberts, sound experimentalist, will address No Title, 1969-70 by Eva Hesse. Named in honor of the Whitney's new address, 99 Gansevoort Street, 99 Objects is a series of in-gallery programs focusing on individual works of art from the Museum's collection on view in America Is Hard to See .

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Using different materials to get different mixed media effects

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Pictures/paper hanging and overlap each other

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https://pin.it/114G8um