# data[].attributes.body
Definition: The intense feeling that an audience goes through while waiting for the outcome of certain events.
Example: Never Stop on the Motorway. When the young driver in the van started following Diana, us readers were thinking that he was the killer that had recently surfaced and had killed a woman who stopped on the motorway. The amount of time and pages that were dedicated to the chase, created a lot of suspense.

# data[].attributes.body
Definition: A warning or indication of a future event.
Example: Never Stop on the Motorway. The main character, Diana, mentions a killing that happened not too long ago about a woman who stopped on the motorway and she believes that the killer is chasing her. This foreshadows that the killer does play a part in the story, it may not be a big role but it did create the whole car chase.

# data[].attributes.body
Definition: An interruption of the chronological sequence of an event of earlier occurrence.
Example: Borders. The mother and son stop at a convenience store just like when they were driving with the daughter who wanted to move, it refers back to when the son drank an orange crush soda. "Last time we stopped here, you had an orange crush. You remember that?"

# data[].attributes.body
Definition: Using an object or a word to represent an abstract idea. An action, person, place, word, or object can have a symbolic meaning.
Example: To Build a Fire. The fire symbolizes life and death. The man builds a fire because he needs it to survive unlike the dog's natural defense to the harsh climate. The man tries everything to start the spark but nothing works and he failed to protect himself and wound up dead.

# data[].attributes.body
Definition: A person in a novel, play, or movie.
Example: The Necklace. Monsieur Loisel demonstrates a unique character. He is loyal, compassionate, caring. As well as a pushover. He is easily persuaded by his wife to do the cleaning up of her messes to being dragged into a decade's worth of hard labour and hardships because of her.

# data[].attributes.body
Definition: The pervading tone or mood of a place, situation, or work of art.
Example: To Build a Fire. London uses a variety to explain the mood of the man's journey. How isolated he was from civilization, how vast the plains were with just feet of snow on it. In the man's case, he was left alone and experienced a terrible death all by himself basically.

# data[].attributes.body
Definition: An expression designed to call something to mind without mentioning it explicitly; an indirect or passing reference.
Example: Fatty Legs. Going down the rabbit hole was mentioned in the book which refers to Alice in Wonderland. Olemaun wanted to hear the rest of the story but she had to learn how to read first which prompted her want to go to school

# data[].attributes.body
Definition: The narrator's position in relation to a story being told.
Example: Two Islands. The story is told in 3rd person Objective because the story is talking about islands, not people. There isn't a way to go inside an island's mind.

# data[].attributes.attachment_link.readable_text
When you're using Third Person Objective Point of View, it's a case of giving just the facts. The reader is never allowed into any of the characters' minds, nor given any of their feelings or emotions. The reader has to judge what the character is thinking or feeling by what they say, what they do, and their facial expressions - much like real life, in fact.

So, to clarify:

In Objective Point of View the reader has access to nobody's thoughts.

In Third Person Limited Point of View the reader has access to one person's thoughts at a time.

In Third Person Omniscient Point of View the reader has access to everybody's thoughts at the same time.

The advantage of Objective Point of View is that it's a good discipline for you as the writer. It absolutely forces you to show-not-tell.

If you're attracted to this style of writing, then make sure to observe people. (Well, all writers should be doing this, as a matter of course, but it's essential in this case.)

Watch how people act and react, analyse their facial expressions and their body language. Make a note of how they move when they walk, of how they sit, of how they gesture. Observe how people's style of dress, their cars and their houses reflect who they are.

As already said, you still need to get it across to the reader what the characters are thinking and feeling. But you have to it rather than it. Here's an example, albeit one that's a bit over-done:
John laughed hollowly. "You're joking," he said. The neon light flickered on his face, turning it a ghastly yellow. Veronica shook her head slowly. Her fingers were busy shredding her tear-stained paper tissue. "I'm not joking. It's all true." John stood up and banged his fist against the wall, hard, once. He was shaking his head in disbelief. "I'll have to leave now," he said, his voice terse.
As I say, it's hard writing, but done well, it's a very powerful form of writing.

The disadvantage of using Objective POV is that it can lack intimacy.

For more on this, read the page on the Character's Point of View.

Also, I wouldn't recommend using this POV in First Person Point of View. You'd just have the protagonist relating what happened and what he/she did, with no commentary at all. The big advantage of first person POV is the level of intimacy between reader and character, and if you're not availing of that, there's no advantage to you in using that POV.

Now, having said all this, it would be very challenging to write a whole novel using this POV. Its just-the-facts pure reportage style does risk losing the reader's empathy with the characters, particularly with the protagonist. It would depend on the genre too - it'd be easier to for this in a thriller, say, rather than a romance.

# data[].attributes.attachment_link.title
Objective Point Of View - Fiction Writer's Mentor

# data[].attributes.attachment_link.description
When you're using Third Person Objective Point of View, it's a case of giving just the facts. The reader is never allowed into any of the characters' minds, nor given any of their feelings or emotions.

# data[].attributes.body
Definition: Visually descriptive or figurative language
Example: Fatty Legs.  "The sound of the shears severing the thick black hair drowned out the howls of the disgraced girls." This quote describes a scene that I can picture well. Nuns and priests slicing the hair off and hearing the faint screams from the children.

# data[].attributes.body
Definition: The main events of a story
Example: Borders. In the beginning of the story, the mother and her son are trying to cross the border but are not able to because the mother won't declare citizenship of Canadian or American. Soon the press are involved and both are being questioned and interviewed. Once the craze dies down, they are able to cross and visit the daughter who lives in Salt Lake City.

# data[].attributes.body
Definition: The place or type of surroundings where something is positioned or where an event takes place
Example: To Build a Fire. The story takes place in the North West of Canada, Yukon Territories where The Klondike Gold Rush was happening. Throughout the movie you see: feet of snow on the ground, tree branches about to snap from the heavy weight of snow, mountains and a vast plain of white all around.

# data[].attributes.body
Definition: Actions or events have the opposite result from what is expected or what is intended.
Example: The Necklace. After working ten years of hard labour, both Loisel's find out that the necklace that they had lost was actually a replica and they had wasted so much time, effort and money in the end.

# data[].attributes.body
Definition: The general desire or willingness of someone to do something.
Example: Fatty Legs. At the very end of the story, we discover that Olemaun decides to go back to school so she can be someone of support to her younger siblings. A way for them to have the motivation to keep up with the horrible conditions at school.

# data[].attributes.attachment_link.title
Residential school survivor talks about the electric chair at St. Anne's school

# data[].attributes.body
Definition: The attribution of a personal nature or human characteristics to something nonhuman
Example: The Necklace. "She thought of dainty dinners, of shining silverware, of tapestry that peopled the walls with ancient personages and with strange birds flying in the midst of a fairy forest". The walls make the room look like there are more people in the room than there actually are.

# data[].attributes.body
Definition: An underlying meaning or message
Example: Two Islands. The story talks about how 2 islands progress as individuals, contrasting between the two. The message is easy to read but how to connect it to our world and not the story is difficult. To me it talks about how some countries might be wanting to declare more land and create more profit but it belongs to a different side of living. It wants to stay true to its nature aspect and when being seized, karma comes into place. Everything has a price or consequence.

# data[].attributes.body
Definition: A figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable.
Example: The Necklace. The diamond necklace is a metaphor for Madame Loisel's pride. Her friend directed her to less glamour looking necklace but she insisted on taking the most fanciest looking one so she could look the fairest in the ball. This proves that her pride is bigger than everything else, she only really cares for looks and status.

# data[].attributes.body
Definition: A figure of speech involving the comparison of one thing with another thing
Example: Fatty Legs. "They were not family; they were like owls and ravens raising wrens." Wrens are small and live life very differently than owls and ravens. The nuns and priests were the owls and ravens who were trying to make the children (wrens) adapt to their lifestyle instead.