# data[].attributes.body
During the Renaissance, many features of the medieval persisted, including the heritage of the artistic techniques used in books, manuscripts, precious objects and oil painting.

# data[].attributes.attachment_link.readable_text
Contents

1. Origins of Renaissance Art

2. Early Renaissance Art (1401-1490s)

3. Florence in the Renaissance

4. High Renaissance Art (1490s-1527)

5. Renaissance Art in Practice

6. Expansion and Decline

Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Against a backdrop of political stability and growing prosperity, the development of new technologies-including the printing press, a new system of astronomy and the discovery and exploration of new continents-was accompanied by a flowering of philosophy, literature and especially art. The style of painting, sculpture and decorative arts identified with the Renaissance emerged in Italy in the late 14th century; it reached its zenith in the late 15th and early 16th centuries, in the work of Italian masters such as Leonardo da Vinci, Michelangelo and Raphael. In addition to its expression of classical Greco-Roman traditions, Renaissance art sought to capture the experience of the individual and the beauty and mystery of the natural world.

Origins of Renaissance Art

The origins of Renaissance art can be traced to Italy in the late 13th and early 14th centuries. During this so-called "proto-Renaissance" period (1280-1400), Italian scholars and artists saw themselves as reawakening to the ideals and achievements of classical Roman culture. Writers such as Petrarch (1304-1374) and Giovanni Boccaccio (1313-1375) looked back to ancient Greece and Rome and sought to revive the languages, values and intellectual traditions of those cultures after the long period of stagnation that had followed the fall of the Roman Empire in the sixth century.

Did you know? Leonardo da Vinci, the ultimate "Renaissance man," practiced all the visual arts and studied a wide range of topics, including anatomy, geology, botany, hydraulics and flight. His formidable reputation is based on relatively few completed paintings, including "Mona Lisa," "The Virgin of the Rocks" and "The Last Supper."

The Florentine painter Giotto (1267?-1337), the most famous artist of the proto-Renaissance, made enormous advances in the technique of representing the human body realistically. His frescoes were said to have decorated cathedrals at Assisi, Rome, Padua, Florence and Naples, though there has been difficulty attributing such works with certainty.

Early Renaissance Art (1401-1490s)

In the later 14th century, the proto-Renaissance was stifled by plague and war, and its influences did not emerge again until the first years of the next century. In 1401, the sculptor Lorenzo Ghiberti (c. 1378-1455) won a major competition to design a new set of bronze doors for the Baptistery of the cathedral of Florence, beating out contemporaries such as the architect Filippo Brunelleschi (1377-1446) and the young Donatello (c. 1386- 1466), who would later emerge as the master of early Renaissance sculpture.

The other major artist working during this period was the painter Masaccio (1401-1428), known for his frescoes of the Trinity in the Church of Santa Maria Novella (c. 1426) and in the Brancacci Chapel of the Church of Santa Maria del Carmine (c. 1427), both in Florence. Masaccio painted for less than six years but was highly influential in the early Renaissance for the intellectual nature of his work, as well as its degree of naturalism.

Florence in the Renaissance

Though the Catholic Church remained a major patron of the arts during the Renaissance-from popes and other prelates to convents, monasteries and other religious organizations-works of art were increasingly commissioned by civil government, courts and wealthy individuals. Much of the art produced during the early Renaissance was commissioned by the wealthy merchant families of Florence, most notably the Medici.

From 1434 until 1492, when Lorenzo de' Medici-known as "the Magnificent" for his strong leadership as well as his support of the arts-died, the powerful family presided over a golden age for the city of Florence. Pushed from power by a republican coalition in 1494, the Medici family spent years in exile but returned in 1512 to preside over another flowering of Florentine art, including the array of sculptures that now decorates the city's Piazza della Signoria.

High Renaissance Art (1490s-1527)

By the end of the 15th century, Rome had displaced Florence as the principal center of Renaissance art, reaching a high point under the powerful and ambitious Pope Leo X (a son of Lorenzo de' Medici). Three great masters- Leonardo da Vinci, Michelangelo and Raphael-dominated the period known as the High Renaissance, which lasted roughly from the early 1490s until the sack of Rome by the troops of the Holy Roman Emperor Charles V of Spain in 1527. Leonardo (1452-1519) was the ultimate "Renaissance man" for the breadth of his intellect, interest and talent and his expression of humanist and classical values. Leonardo's best-known works, including the "Mona Lisa" (1503-05), "The Virgin of the Rocks" (1485) and the fresco "The Last Supper" (1495-98), showcase his unparalleled ability to portray light and shadow, as well as the physical relationship between figures-humans, animals and objects alike-and the landscape around them.

Michelangelo Buonarroti (1475-1564) drew on the human body for inspiration and created works on a vast scale. He was the dominant sculptor of the High Renaissance, producing pieces such as the Pietà in St. Peter's Cathedral (1499) and the David in his native Florence (1501-04). He carved the latter by hand from an enormous marble block; the famous statue measures five meters high including its base. Though Michelangelo considered himself a sculptor first and foremost, he achieved greatness as a painter as well, notably with his giant fresco covering the ceiling of the Sistine Chapel, completed over four years (1508-12) and depicting various scenes from Genesis.

Raphael Sanzio, the youngest of the three great High Renaissance masters, learned from both da Vinci and Michelangelo. His paintings-most notably "The School of Athens" (1508-11), painted in the Vatican at the same time that Michelangelo was working on the Sistine Chapel-skillfully expressed the classical ideals of beauty, serenity and harmony. Among the other great Italian artists working during this period were Bramante, Giorgione, Titian and Correggio.

Renaissance Art in Practice

Many works of Renaissance art depicted religious images, including subjects such as the Virgin Mary, or Madonna, and were encountered by contemporary audiences of the period in the context of religious rituals. Today, they are viewed as great works of art, but at the time they were seen and used mostly as devotional objects. Many Renaissance works were painted as altarpieces for incorporation into rituals associated with Catholic Mass and donated by patrons who sponsored the Mass itself.

Renaissance artists came from all strata of society; they usually studied as apprentices before being admitted to a professional guild and working under the tutelage of an older master. Far from being starving bohemians, these artists worked on commission and were hired by patrons of the arts because they were steady and reliable. Italy's rising middle class sought to imitate the aristocracy and elevate their own status by purchasing art for their homes. In addition to sacred images, many of these works portrayed domestic themes such as marriage, birth and the everyday life of the family.

Expansion and Decline

Over the course of the 15th and 16th centuries, the spirit of the Renaissance spread throughout Italy and into France, northern Europe and Spain. In Venice, artists such as Giorgione (1477/78-1510) and Titian (1488/90-1576) further developed a method of painting in oil directly on canvas; this technique of oil painting allowed the artist to rework an image-as fresco painting (on plaster) did not-and it would dominate Western art to the present day. Oil painting during the Renaissance can be traced back even further, however, to the Flemish painter Jan van Eyck (died 1441), who painted a masterful altarpiece in the cathedral at Ghent (c. 1432). Van Eyck was one of the most important artists of the Northern Renaissance; later masters included the German painters Albrecht Durer (1471-1528) and Hans Holbein the Younger (1497/98-1543).

By the later 1500s, the Mannerist style, with its emphasis on artificiality, had developed in opposition to the idealized naturalism of High Renaissance art, and Mannerism spread from Florence and Rome to become the dominant style in Europe. Renaissance art continued to be celebrated, however: The 16th-century Florentine artist and art historian Giorgio Vasari, author of the famous work "Lives of the Most Eminent Painters, Sculptors and Architects" (1550), would write of the High Renaissance as the culmination of all Italian art, a process that began with Giotto in the late 13th century.

# data[].attributes.attachment_link.description
Origins of Renaissance Art Early Renaissance Art (1401-1490s) Florence in the Renaissance High Renaissance Art (1490s-1527) Renaissance Art in Practice Expansion and Decline Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome.

# data[].attributes.body
Netherlands and Hans Holbein in England specialized in more secular subjects, such as landscape and portraiture.

# data[].attributes.attachment_link.readable_text
Contents

1. Origins of Renaissance Art

2. Early Renaissance Art (1401-1490s)

3. Florence in the Renaissance

4. High Renaissance Art (1490s-1527)

5. Renaissance Art in Practice

6. Expansion and Decline

Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Against a backdrop of political stability and growing prosperity, the development of new technologies-including the printing press, a new system of astronomy and the discovery and exploration of new continents-was accompanied by a flowering of philosophy, literature and especially art.

The style of painting, sculpture and decorative arts identified with the Renaissance emerged in Italy in the late 14th century; it reached its zenith in the late 15th and early 16th centuries, in the work of Italian masters such as Leonardo da Vinci, Michelangelo and Raphael. In addition to its expression of classical Greco-Roman traditions, Renaissance art sought to capture the experience of the individual and the beauty and mystery of the natural world.

Origins of Renaissance Art

The origins of Renaissance art can be traced to Italy in the late 13th and early 14th centuries. During this so-called "proto-Renaissance" period (1280-1400), Italian scholars and artists saw themselves as reawakening to the ideals and achievements of classical Roman culture. Writers such as Petrarch (1304-1374) and Giovanni Boccaccio (1313-1375) looked back to ancient Greece and Rome and sought to revive the languages, values and intellectual traditions of those cultures after the long period of stagnation that had followed the fall of the Roman Empire in the sixth century.

Did you know? Leonardo da Vinci, the ultimate "Renaissance man," practiced all the visual arts and studied a wide range of topics, including anatomy, geology, botany, hydraulics and flight. His formidable reputation is based on relatively few completed paintings, including "Mona Lisa," "The Virgin of the Rocks" and "The Last Supper."

The Florentine painter Giotto (1267?-1337), the most famous artist of the proto-Renaissance, made enormous advances in the technique of representing the human body realistically. His frescoes were said to have decorated cathedrals at Assisi, Rome, Padua, Florence and Naples, though there has been difficulty attributing such works with certainty.

Early Renaissance Art (1401-1490s)

In the later 14th century, the proto-Renaissance was stifled by plague and war, and its influences did not emerge again until the first years of the next century. In 1401, the sculptor Lorenzo Ghiberti (c. 1378-1455) won a major competition to design a new set of bronze doors for the Baptistery of the cathedral of Florence, beating out contemporaries such as the architect Filippo Brunelleschi (1377-1446) and the young Donatello (c. 1386- 1466), who would later emerge as the master of early Renaissance sculpture.

The other major artist working during this period was the painter Masaccio (1401-1428), known for his frescoes of the Trinity in the Church of Santa Maria Novella (c. 1426) and in the Brancacci Chapel of the Church of Santa Maria del Carmine (c. 1427), both in Florence. Masaccio painted for less than six years but was highly influential in the early Renaissance for the intellectual nature of his work, as well as its degree of naturalism.

Florence in the Renaissance

Though the Catholic Church remained a major patron of the arts during the Renaissance-from popes and other prelates to convents, monasteries and other religious organizations-works of art were increasingly commissioned by civil government, courts and wealthy individuals. Much of the art produced during the early Renaissance was commissioned by the wealthy merchant families of Florence, most notably the Medici family.

From 1434 until 1492, when Lorenzo de' Medici-known as "the Magnificent" for his strong leadership as well as his support of the arts-died, the powerful family presided over a golden age for the city of Florence. Pushed from power by a republican coalition in 1494, the Medici family spent years in exile but returned in 1512 to preside over another flowering of Florentine art, including the array of sculptures that now decorates the city's Piazza della Signoria.

High Renaissance Art (1490s-1527)

By the end of the 15th century, Rome had displaced Florence as the principal center of Renaissance art, reaching a high point under the powerful and ambitious Pope Leo X (a son of Lorenzo de' Medici). Three great masters- Leonardo da Vinci, Michelangelo and Raphael-dominated the period known as the High Renaissance, which lasted roughly from the early 1490s until the sack of Rome by the troops of the Holy Roman Emperor Charles V of Spain in 1527.

Leonardo (1452-1519) was the ultimate "Renaissance man" for the breadth of his intellect, interest and talent and his expression of humanist and classical values. Leonardo's best-known works, including the "Mona Lisa" (1503-05), "The Virgin of the Rocks" (1485) and the fresco "The Last Supper" (1495-98), showcase his unparalleled ability to portray light and shadow, as well as the physical relationship between figures-humans, animals and objects alike-and the landscape around them.

Michelangelo Buonarroti (1475-1564) drew on the human body for inspiration and created works on a vast scale. He was the dominant sculptor of the High Renaissance, producing pieces such as the Pietà in St. Peter's Cathedral (1499) and the David in his native Florence (1501-04). He carved the latter by hand from an enormous marble block; the famous statue measures five meters high including its base. Though Michelangelo considered himself a sculptor first and foremost, he achieved greatness as a painter as well, notably with his giant fresco covering the ceiling of the Sistine Chapel, completed over four years (1508-12) and depicting various scenes from Genesis.

Raphael Sanzio, the youngest of the three great High Renaissance masters, learned from both da Vinci and Michelangelo. His paintings-most notably "The School of Athens" (1508-11), painted in the Vatican at the same time that Michelangelo was working on the Sistine Chapel -skillfully expressed the classical ideals of beauty, serenity and harmony. Among the other great Italian artists working during this period were Sandro Botticelli, Bramante, Giorgione, Titian and Correggio.

Renaissance Art in Practice

Many works of Renaissance art depicted religious images, including subjects such as the Virgin Mary, or Madonna, and were encountered by contemporary audiences of the period in the context of religious rituals. Today, they are viewed as great works of art, but at the time they were seen and used mostly as devotional objects. Many Renaissance works were painted as altarpieces for incorporation into rituals associated with Catholic Mass and donated by patrons who sponsored the Mass itself.

Renaissance artists came from all strata of society; they usually studied as apprentices before being admitted to a professional guild and working under the tutelage of an older master. Far from being starving bohemians, these artists worked on commission and were hired by patrons of the arts because they were steady and reliable. Italy's rising middle class sought to imitate the aristocracy and elevate their own status by purchasing art for their homes. In addition to sacred images, many of these works portrayed domestic themes such as marriage, birth and the everyday life of the family.

Expansion and Decline

Over the course of the 15th and 16th centuries, the spirit of the Renaissance spread throughout Italy and into France, northern Europe and Spain. In Venice, artists such as Giorgione (1477/78-1510) and Titian (1488/90-1576) further developed a method of painting in oil directly on canvas; this technique of oil painting allowed the artist to rework an image-as fresco painting (on plaster) did not-and it would dominate Western art to the present day.

Oil painting during the Renaissance can be traced back even further, however, to the Flemish painter Jan van Eyck (died 1441), who painted a masterful altarpiece in the cathedral at Ghent (c. 1432). Van Eyck was one of the most important artists of the Northern Renaissance; later masters included the German painters Albrecht Durer (1471-1528) and Hans Holbein the Younger (1497/98-1543).

By the later 1500s, the Mannerist style, with its emphasis on artificiality, had developed in opposition to the idealized naturalism of High Renaissance art, and Mannerism spread from Florence and Rome to become the dominant style in Europe. Renaissance art continued to be celebrated, however: The 16th-century Florentine artist and art historian Giorgio Vasari, author of the famous work "Lives of the Most Eminent Painters, Sculptors and Architects" (1550), would write of the High Renaissance as the culmination of all Italian art, a process that began with Giotto in the late 13th century.

vault

# data[].attributes.attachment_link.description
Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Its style and characteristics emerged in Italy in the late 14th century and persisted through the early16th century.

# data[].attributes.body
Renaissance art, painting, sculpture, architecture, music, and literature produced during the 14th, 15th, and 16th centuries in Europe under the combined influences of an increased awareness of nature, a revival of classical learning, and a more individualistic view of man.

# data[].attributes.attachment_link.readable_text
Contents

1. Origins of Renaissance Art

2. Early Renaissance Art (1401-1490s)

3. Florence in the Renaissance

4. High Renaissance Art (1490s-1527)

5. Renaissance Art in Practice

6. Expansion and Decline

Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Against a backdrop of political stability and growing prosperity, the development of new technologies-including the printing press, a new system of astronomy and the discovery and exploration of new continents-was accompanied by a flowering of philosophy, literature and especially art.

The style of painting, sculpture and decorative arts identified with the Renaissance emerged in Italy in the late 14th century; it reached its zenith in the late 15th and early 16th centuries, in the work of Italian masters such as Leonardo da Vinci, Michelangelo and Raphael. In addition to its expression of classical Greco-Roman traditions, Renaissance art sought to capture the experience of the individual and the beauty and mystery of the natural world.

Origins of Renaissance Art

The origins of Renaissance art can be traced to Italy in the late 13th and early 14th centuries. During this so-called "proto-Renaissance" period (1280-1400), Italian scholars and artists saw themselves as reawakening to the ideals and achievements of classical Roman culture. Writers such as Petrarch (1304-1374) and Giovanni Boccaccio (1313-1375) looked back to ancient Greece and Rome and sought to revive the languages, values and intellectual traditions of those cultures after the long period of stagnation that had followed the fall of the Roman Empire in the sixth century.

Did you know? Leonardo da Vinci, the ultimate "Renaissance man," practiced all the visual arts and studied a wide range of topics, including anatomy, geology, botany, hydraulics and flight. His formidable reputation is based on relatively few completed paintings, including "Mona Lisa," "The Virgin of the Rocks" and "The Last Supper."

The Florentine painter Giotto (1267?-1337), the most famous artist of the proto-Renaissance, made enormous advances in the technique of representing the human body realistically. His frescoes were said to have decorated cathedrals at Assisi, Rome, Padua, Florence and Naples, though there has been difficulty attributing such works with certainty.

Early Renaissance Art (1401-1490s)

In the later 14th century, the proto-Renaissance was stifled by plague and war, and its influences did not emerge again until the first years of the next century. In 1401, the sculptor Lorenzo Ghiberti (c. 1378-1455) won a major competition to design a new set of bronze doors for the Baptistery of the cathedral of Florence, beating out contemporaries such as the architect Filippo Brunelleschi (1377-1446) and the young Donatello (c. 1386- 1466), who would later emerge as the master of early Renaissance sculpture.

The other major artist working during this period was the painter Masaccio (1401-1428), known for his frescoes of the Trinity in the Church of Santa Maria Novella (c. 1426) and in the Brancacci Chapel of the Church of Santa Maria del Carmine (c. 1427), both in Florence. Masaccio painted for less than six years but was highly influential in the early Renaissance for the intellectual nature of his work, as well as its degree of naturalism.

Florence in the Renaissance

Though the Catholic Church remained a major patron of the arts during the Renaissance-from popes and other prelates to convents, monasteries and other religious organizations-works of art were increasingly commissioned by civil government, courts and wealthy individuals. Much of the art produced during the early Renaissance was commissioned by the wealthy merchant families of Florence, most notably the Medici family.

From 1434 until 1492, when Lorenzo de' Medici-known as "the Magnificent" for his strong leadership as well as his support of the arts-died, the powerful family presided over a golden age for the city of Florence. Pushed from power by a republican coalition in 1494, the Medici family spent years in exile but returned in 1512 to preside over another flowering of Florentine art, including the array of sculptures that now decorates the city's Piazza della Signoria.

High Renaissance Art (1490s-1527)

By the end of the 15th century, Rome had displaced Florence as the principal center of Renaissance art, reaching a high point under the powerful and ambitious Pope Leo X (a son of Lorenzo de' Medici). Three great masters- Leonardo da Vinci, Michelangelo and Raphael-dominated the period known as the High Renaissance, which lasted roughly from the early 1490s until the sack of Rome by the troops of the Holy Roman Emperor Charles V of Spain in 1527.

Leonardo (1452-1519) was the ultimate "Renaissance man" for the breadth of his intellect, interest and talent and his expression of humanist and classical values. Leonardo's best-known works, including the "Mona Lisa" (1503-05), "The Virgin of the Rocks" (1485) and the fresco "The Last Supper" (1495-98), showcase his unparalleled ability to portray light and shadow, as well as the physical relationship between figures-humans, animals and objects alike-and the landscape around them.

Michelangelo Buonarroti (1475-1564) drew on the human body for inspiration and created works on a vast scale. He was the dominant sculptor of the High Renaissance, producing pieces such as the Pietà in St. Peter's Cathedral (1499) and the David in his native Florence (1501-04). He carved the latter by hand from an enormous marble block; the famous statue measures five meters high including its base. Though Michelangelo considered himself a sculptor first and foremost, he achieved greatness as a painter as well, notably with his giant fresco covering the ceiling of the Sistine Chapel, completed over four years (1508-12) and depicting various scenes from Genesis.

Raphael Sanzio, the youngest of the three great High Renaissance masters, learned from both da Vinci and Michelangelo. His paintings-most notably "The School of Athens" (1508-11), painted in the Vatican at the same time that Michelangelo was working on the Sistine Chapel -skillfully expressed the classical ideals of beauty, serenity and harmony. Among the other great Italian artists working during this period were Sandro Botticelli, Bramante, Giorgione, Titian and Correggio.

Renaissance Art in Practice

Many works of Renaissance art depicted religious images, including subjects such as the Virgin Mary, or Madonna, and were encountered by contemporary audiences of the period in the context of religious rituals. Today, they are viewed as great works of art, but at the time they were seen and used mostly as devotional objects. Many Renaissance works were painted as altarpieces for incorporation into rituals associated with Catholic Mass and donated by patrons who sponsored the Mass itself.

Renaissance artists came from all strata of society; they usually studied as apprentices before being admitted to a professional guild and working under the tutelage of an older master. Far from being starving bohemians, these artists worked on commission and were hired by patrons of the arts because they were steady and reliable. Italy's rising middle class sought to imitate the aristocracy and elevate their own status by purchasing art for their homes. In addition to sacred images, many of these works portrayed domestic themes such as marriage, birth and the everyday life of the family.

Expansion and Decline

Over the course of the 15th and 16th centuries, the spirit of the Renaissance spread throughout Italy and into France, northern Europe and Spain. In Venice, artists such as Giorgione (1477/78-1510) and Titian (1488/90-1576) further developed a method of painting in oil directly on canvas; this technique of oil painting allowed the artist to rework an image-as fresco painting (on plaster) did not-and it would dominate Western art to the present day.

Oil painting during the Renaissance can be traced back even further, however, to the Flemish painter Jan van Eyck (died 1441), who painted a masterful altarpiece in the cathedral at Ghent (c. 1432). Van Eyck was one of the most important artists of the Northern Renaissance; later masters included the German painters Albrecht Durer (1471-1528) and Hans Holbein the Younger (1497/98-1543).

By the later 1500s, the Mannerist style, with its emphasis on artificiality, had developed in opposition to the idealized naturalism of High Renaissance art, and Mannerism spread from Florence and Rome to become the dominant style in Europe. Renaissance art continued to be celebrated, however: The 16th-century Florentine artist and art historian Giorgio Vasari, author of the famous work "Lives of the Most Eminent Painters, Sculptors and Architects" (1550), would write of the High Renaissance as the culmination of all Italian art, a process that began with Giotto in the late 13th century.

vault

# data[].attributes.attachment_link.description
Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Its style and characteristics emerged in Italy in the late 14th century and persisted through the early16th century.

# data[].attributes.body
painting in the Renaissance was most commonly done as fresco, or murals painted onto plaster walls. For fresco, pigments were mixed with water and directly painted onto the wall

# data[].attributes.attachment_link.readable_text
Contents

1. Origins of Renaissance Art

2. Early Renaissance Art (1401-1490s)

3. Florence in the Renaissance

4. High Renaissance Art (1490s-1527)

5. Renaissance Art in Practice

6. Expansion and Decline

Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Against a backdrop of political stability and growing prosperity, the development of new technologies-including the printing press, a new system of astronomy and the discovery and exploration of new continents-was accompanied by a flowering of philosophy, literature and especially art.

The style of painting, sculpture and decorative arts identified with the Renaissance emerged in Italy in the late 14th century; it reached its zenith in the late 15th and early 16th centuries, in the work of Italian masters such as Leonardo da Vinci, Michelangelo and Raphael. In addition to its expression of classical Greco-Roman traditions, Renaissance art sought to capture the experience of the individual and the beauty and mystery of the natural world.

Origins of Renaissance Art

The origins of Renaissance art can be traced to Italy in the late 13th and early 14th centuries. During this so-called "proto-Renaissance" period (1280-1400), Italian scholars and artists saw themselves as reawakening to the ideals and achievements of classical Roman culture. Writers such as Petrarch (1304-1374) and Giovanni Boccaccio (1313-1375) looked back to ancient Greece and Rome and sought to revive the languages, values and intellectual traditions of those cultures after the long period of stagnation that had followed the fall of the Roman Empire in the sixth century.

Did you know? Leonardo da Vinci, the ultimate "Renaissance man," practiced all the visual arts and studied a wide range of topics, including anatomy, geology, botany, hydraulics and flight. His formidable reputation is based on relatively few completed paintings, including "Mona Lisa," "The Virgin of the Rocks" and "The Last Supper."

The Florentine painter Giotto (1267?-1337), the most famous artist of the proto-Renaissance, made enormous advances in the technique of representing the human body realistically. His frescoes were said to have decorated cathedrals at Assisi, Rome, Padua, Florence and Naples, though there has been difficulty attributing such works with certainty.

Early Renaissance Art (1401-1490s)

In the later 14th century, the proto-Renaissance was stifled by plague and war, and its influences did not emerge again until the first years of the next century. In 1401, the sculptor Lorenzo Ghiberti (c. 1378-1455) won a major competition to design a new set of bronze doors for the Baptistery of the cathedral of Florence, beating out contemporaries such as the architect Filippo Brunelleschi (1377-1446) and the young Donatello (c. 1386- 1466), who would later emerge as the master of early Renaissance sculpture.

The other major artist working during this period was the painter Masaccio (1401-1428), known for his frescoes of the Trinity in the Church of Santa Maria Novella (c. 1426) and in the Brancacci Chapel of the Church of Santa Maria del Carmine (c. 1427), both in Florence. Masaccio painted for less than six years but was highly influential in the early Renaissance for the intellectual nature of his work, as well as its degree of naturalism.

Florence in the Renaissance

Though the Catholic Church remained a major patron of the arts during the Renaissance-from popes and other prelates to convents, monasteries and other religious organizations-works of art were increasingly commissioned by civil government, courts and wealthy individuals. Much of the art produced during the early Renaissance was commissioned by the wealthy merchant families of Florence, most notably the Medici family.

From 1434 until 1492, when Lorenzo de' Medici-known as "the Magnificent" for his strong leadership as well as his support of the arts-died, the powerful family presided over a golden age for the city of Florence. Pushed from power by a republican coalition in 1494, the Medici family spent years in exile but returned in 1512 to preside over another flowering of Florentine art, including the array of sculptures that now decorates the city's Piazza della Signoria.

High Renaissance Art (1490s-1527)

By the end of the 15th century, Rome had displaced Florence as the principal center of Renaissance art, reaching a high point under the powerful and ambitious Pope Leo X (a son of Lorenzo de' Medici). Three great masters- Leonardo da Vinci, Michelangelo and Raphael-dominated the period known as the High Renaissance, which lasted roughly from the early 1490s until the sack of Rome by the troops of the Holy Roman Emperor Charles V of Spain in 1527.

Leonardo (1452-1519) was the ultimate "Renaissance man" for the breadth of his intellect, interest and talent and his expression of humanist and classical values. Leonardo's best-known works, including the "Mona Lisa" (1503-05), "The Virgin of the Rocks" (1485) and the fresco "The Last Supper" (1495-98), showcase his unparalleled ability to portray light and shadow, as well as the physical relationship between figures-humans, animals and objects alike-and the landscape around them.

Michelangelo Buonarroti (1475-1564) drew on the human body for inspiration and created works on a vast scale. He was the dominant sculptor of the High Renaissance, producing pieces such as the Pietà in St. Peter's Cathedral (1499) and the David in his native Florence (1501-04). He carved the latter by hand from an enormous marble block; the famous statue measures five meters high including its base. Though Michelangelo considered himself a sculptor first and foremost, he achieved greatness as a painter as well, notably with his giant fresco covering the ceiling of the Sistine Chapel, completed over four years (1508-12) and depicting various scenes from Genesis.

Raphael Sanzio, the youngest of the three great High Renaissance masters, learned from both da Vinci and Michelangelo. His paintings-most notably "The School of Athens" (1508-11), painted in the Vatican at the same time that Michelangelo was working on the Sistine Chapel -skillfully expressed the classical ideals of beauty, serenity and harmony. Among the other great Italian artists working during this period were Sandro Botticelli, Bramante, Giorgione, Titian and Correggio.

Renaissance Art in Practice

Many works of Renaissance art depicted religious images, including subjects such as the Virgin Mary, or Madonna, and were encountered by contemporary audiences of the period in the context of religious rituals. Today, they are viewed as great works of art, but at the time they were seen and used mostly as devotional objects. Many Renaissance works were painted as altarpieces for incorporation into rituals associated with Catholic Mass and donated by patrons who sponsored the Mass itself.

Renaissance artists came from all strata of society; they usually studied as apprentices before being admitted to a professional guild and working under the tutelage of an older master. Far from being starving bohemians, these artists worked on commission and were hired by patrons of the arts because they were steady and reliable. Italy's rising middle class sought to imitate the aristocracy and elevate their own status by purchasing art for their homes. In addition to sacred images, many of these works portrayed domestic themes such as marriage, birth and the everyday life of the family.

Expansion and Decline

Over the course of the 15th and 16th centuries, the spirit of the Renaissance spread throughout Italy and into France, northern Europe and Spain. In Venice, artists such as Giorgione (1477/78-1510) and Titian (1488/90-1576) further developed a method of painting in oil directly on canvas; this technique of oil painting allowed the artist to rework an image-as fresco painting (on plaster) did not-and it would dominate Western art to the present day.

Oil painting during the Renaissance can be traced back even further, however, to the Flemish painter Jan van Eyck (died 1441), who painted a masterful altarpiece in the cathedral at Ghent (c. 1432). Van Eyck was one of the most important artists of the Northern Renaissance; later masters included the German painters Albrecht Durer (1471-1528) and Hans Holbein the Younger (1497/98-1543).

By the later 1500s, the Mannerist style, with its emphasis on artificiality, had developed in opposition to the idealized naturalism of High Renaissance art, and Mannerism spread from Florence and Rome to become the dominant style in Europe. Renaissance art continued to be celebrated, however: The 16th-century Florentine artist and art historian Giorgio Vasari, author of the famous work "Lives of the Most Eminent Painters, Sculptors and Architects" (1550), would write of the High Renaissance as the culmination of all Italian art, a process that began with Giotto in the late 13th century.

vault

# data[].attributes.attachment_link.description
Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Its style and characteristics emerged in Italy in the late 14th century and persisted through the early16th century.

# data[].attributes.body
Da Vinci is widely regarded as one of the greatest minds the world has ever produced. He was interested in everything from music to art and science.

# data[].attributes.attachment_link.description
Start studying Important People in the Renaissance. Learn vocabulary, terms, and more with flashcards, games, and other study tools.

# data[].attributes.body
Titian was a member of the 16th Century Venetian school. He was a prolific and versatile artist who experimented with new forms of art, such as subtle variations in colour.

# data[].attributes.attachment_link.description
Start studying Important People in the Renaissance. Learn vocabulary, terms, and more with flashcards, games, and other study tools.

# data[].attributes.body
Galileo revolutionized our understanding of the world supporting the work of Copernicus. His work Two New Sciences laid the groundwork for the science of Kinetics and strength of materials.

# data[].attributes.attachment_link.description
Start studying Important People in the Renaissance. Learn vocabulary, terms, and more with flashcards, games, and other study tools.

# data[].attributes.body
Martin Luther wrote 95 theses attacking the church, such as criticizing the belief sin could be mitigated by paying money to the church.

# data[].attributes.attachment_link.description
Start studying Important People in the Renaissance. Learn vocabulary, terms, and more with flashcards, games, and other study tools.

# data[].attributes.body
Lower classes, such as laborers and apprentices would wear linen, a light, cool fabric derived from the flax plant, wool, or sheepskin. Cotton had been in production since antiquity, but its import and manufacture was prohibited in Elizabethan England in order to protect the wool industry, one of England's chief exports.

# data[].attributes.attachment_link.readable_text
I shall never forget, while staying in Paris, the day a friend's husband returned home from a business trip. She and I were having coffee in a huge sunny living room overlooking the Seine. His key turned in the door. Next, a pair of beautiful, shiny black shoes flew down the corridor. Finally the man himself appeared. 'My feet are killing me!' he exclaimed. The shoes were by Gucci.

We might think that these are the modern follies of fashion, which now beset men as much as women. My friend certainly valued herself partly in terms of the wardrobe she had assembled and her accessories of bags, sunglasses, stilettoes and shoes. She had modest breast implants and a slim, sportive body. They were moving to Dubai. In her spare time when she was not looking after children, going shopping, walking the dog, or jogging, she would write poems and cry.

To read this article in full you need to be either a print + archive subscriber, or else have purchased access to the online archive.

If you are already a subscriber, please ensure you are logged in.

If you are logged in and still cannot read the article, please email digital@historytoday.com.

# data[].attributes.attachment_link.title
Renaissance Fashion: The Birth of Power Dressing

# data[].attributes.attachment_link.description
I shall never forget, while staying in Paris, the day a friend's husband returned home from a business trip. She and I were having coffee in a huge sunny living room overlooking the Seine. His key turned in the door. Next, a pair of beautiful, shiny black shoes flew down the corridor.

# data[].attributes.body
Due to laws prohibiting who was allowed to wear what, and the cost of materials, there was a vast difference in attire between the classes. Not only did materials vary, but styles as well,

# data[].attributes.attachment_link.readable_text
I shall never forget, while staying in Paris, the day a friend's husband returned home from a business trip. She and I were having coffee in a huge sunny living room overlooking the Seine. His key turned in the door. Next, a pair of beautiful, shiny black shoes flew down the corridor. Finally the man himself appeared. 'My feet are killing me!' he exclaimed. The shoes were by Gucci.

We might think that these are the modern follies of fashion, which now beset men as much as women. My friend certainly valued herself partly in terms of the wardrobe she had assembled and her accessories of bags, sunglasses, stilettoes and shoes. She had modest breast implants and a slim, sportive body. They were moving to Dubai. In her spare time when she was not looking after children, going shopping, walking the dog, or jogging, she would write poems and cry.

To read this article in full you need to be either a print + archive subscriber, or else have purchased access to the online archive.

If you are already a subscriber, please ensure you are logged in.

If you are logged in and still cannot read the article, please email digital@historytoday.com.

# data[].attributes.attachment_link.title
Renaissance Fashion: The Birth of Power Dressing

# data[].attributes.attachment_link.description
I shall never forget, while staying in Paris, the day a friend's husband returned home from a business trip. She and I were having coffee in a huge sunny living room overlooking the Seine. His key turned in the door. Next, a pair of beautiful, shiny black shoes flew down the corridor.

# data[].attributes.body
Flowing skirts, extended corsets, and decorated hair became very popular with European women. Men sported hose and low-necked tunics. Rich velvet, brocade, and linen were the most popular fabric choices for men and women.

# data[].attributes.attachment_link.description
The Fashion History Timeline is a project by FIT's History of Art Department. The Timeline offers scholarly contributions to the public knowledge of the history of fashion and design. Consistent with this mission, the Timeline's written commentary, research, and analysis provided by FIT students, faculty, and other members of the community is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

# data[].attributes.body
men wore fitting jacket with or without sleeves. After that came the skirt, hose, and shoes.

# data[].attributes.attachment_link.description
The Fashion History Timeline is a project by FIT's History of Art Department. The Timeline offers scholarly contributions to the public knowledge of the history of fashion and design. Consistent with this mission, the Timeline's written commentary, research, and analysis provided by FIT students, faculty, and other members of the community is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.