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CU Boulder is built on traditional territories of the Arapaho, Cheyenne, and Ute Nations

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CU Boulder is built on traditional territories of the Arapaho, Cheyenne, and Ute Nations

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FB event page

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Murphy's Law Or: How I Learned To Interrupt The Transition

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As a creative response to industrial e-waste, technology colonialism, and resource heavy digital infrastructures, Disaster Girl is looking for wasted or obsolete media created by contributors. The performance of the media is participatory and encourages commons. At the online event in late 2020, people can share their screen of their selected media and also take-over another's screen share. The main window will run through a video mapping template which will be projected onto Disaster Girl.

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THANK YOU

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TIME CONVERSION -
https://bit.ly/3qqHuCj

CONTRIBUTE - add media to this site!

PARTICIPATE ON ZOOM - removed

WATCH & CHAT twitch.tv/circuitboardim

youtube.com/kimberleybianca

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Kevin Sweet, fellow PhD candidate will be collaborating with me on this event. Checkout http://kevinjsweet.net

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go to channel Murphy's Law

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Check out the circuitboard community on Discord - hang out with 28 other members and enjoy free voice and text chat.

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Nov 20 pics

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While transmission is definitely interrupted technically, what’s really in between people, interactions and elements- are transitions- not transmissions. It’s a concept that opposes fatalism and conservatism. Maybe it seems like everything is bound to collapse and ‘go wrong’, especially with pandemics and personal empowerment, but let's see these moments as interruptions in transitioning.

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Lewis Smart

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This app is a recent replica I made of Larry Polansky's project he created in the 90's...full text in Discord... download the app, the first 5 squares contain presets to get you started. Press the top circle of the row labeled "all" to hear all the "critters" of each preset.

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The raging mood sweeps
A blanket of stars over a finite planet
Layered alternate dimension
To step into
And bring sickness to
In hesitance we trust
Leaving some behind
Acknowledging changed time
The fabric of space
Slit with an invisible knife
Torn open by hands
Transcendence seekers
Towering a crystal elevator
Such can be bought or lived
Pathetic composition
Filled with gas
The descent is unbearable,
And the portal shuts beneath
A star cycle phenomena
Unknown origin
Unmatched beauty
Bleeding into our atmosphere
We fear

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This link gives access to my digitized audio cassette recordings from 80s-90s. I‘ve been playing in various bands and we often rehearsed in bunkers remaining from WW2 - good aural isolation...full text in discord

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From Wolfgang's bunker sessions

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my first "a moment like this" lipsync :)

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my first "a moment like this" lipsync :)

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Murphys's Law promo

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hi hello

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Biden wikipedia article on election day

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Inductive experience

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Coffee Tree
905 8th Avenue
Seattle, WA 98104

To Whom It May Concern,

I was enthused to see your recent job openings for baristas to join the Coffee Tree team. With 4+ years of experience in customer service, mainly taking place within coffee sales and preparation, I have grown both familiar and comfortable within these customer-focused environments. My work experiences display my versatility and willingness to adapt to new work situations. I believe I would be an excellent addition to the Coffee Tree team, and would benefit from an environment that fosters my passion for service and continued learning.

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umami goddess™ x phantom_4_u - AirBnB Soundtrack

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It is also worth noting that the distinction between the liveness property of bounded bypass and the safety property of bounded overtaking is subtle. Starvation freedom together with bounded overtaking implies bounded bypass (i.e., even though bounded bypass is classified as a liveness property, in reality it is a mix of a liveness property and a safety property). Bounded overtaking means that after a tagged process declares the interest in entering the critical section, each other process will overtake the tagged process a bounded number of times before the tagged process enters the critical section. Note that if the tagged process is never granted the permission to enter its critical section, bounded overtaking may still hold. Therefore, bounded overtaking, by itself, is not a liveness property. In a deadlocked system, bounded overtaking trivially holds, as no process overtakes the other, but bounded bypass doesn't.

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Rosario

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Choele choel

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Live recording

+ Panasonic SA-AK770 5-disc changer
+ Creative 2.1 THX speaker system
+ Bad CD (?)
+ Oppo F1S smartphone
+ Sound Recorder app

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Live recording

+ Panasonic SA-AK770 5-disc changer
+ Creative 2.1 THX speaker system
+ Bad CD (?)
+ Oppo F1S smartphone
+ Sound Recorder app

No Junos were harmed in the making of this recording.

Filename: REC20200627205416.mp3

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This is a small tool I made in 2009 as a way to have better control over audio-reactive parameters in Neon v2 VJ software. At sporadic times I have tinkered with the algorithm, added features such as being able to select the audio input device, and migrated it to a couple of new versions of Processing. It had some major tweaks in 2020 and is now better than ever (or maybe it is the same, but a better experience on a faster laptop...). I have used it for 10 years for almost every gig and home lab experimentation. It is free to use and the source available for you to tweak and/or incorporate into your own projects.

https://subpixels.com/processing/spxlAudioToMidi/

Also on GitHub, but not the latest version...

https://github.com/spxl/spxlAudioToMidi

I have had a long-put-off idea to remake this using OpenFrameworks or some other compiled (non-Java) option. One day, one day.

- subpixel / SPXL

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Death and disability vs shaming. Take your pick, and have another softdrink with that.

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I found a lost poem in a facebook memory

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I found a lost poem in a facebook memory

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What is blacker

The water through this land

Or blood in the moonlight

What is light

When it is but up

For a short time

There's no time left

To ring the bells

The churches gone

Leased to arms dealers

All feelers

Better turn your heads

As you won't feel it

Work into your skin

Worms in the river

Digging tunnels

All materials drained

The resources spent

On holy hate

Yet we are told on our waste

Those filthy fuckers

Like fighting lovers

You try to climb the rocks

So wet with moss and slime

You realise you cannot climb

Will never get out of this valley

Trapped inside your insanity

A superficial tragedy

Humanitarian catastrophe

Maybe we're safe here

While the industrialists melt the world

And the fascists crunch your life

The racists eat each other

And capitalists screw our future

Authority closes in

So terrorists can begin

Fuck it!

No metaphor can explain

Just

Dive into the black water

And disappear into deep space

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VJ in your browser

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AVsync.LIVE - Live Music Visuals for All

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Captivate your audience with automated camera-based visuals that let your music do the work.

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Voice recording of insecurities

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Weird dancing in all-night computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune - say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical manuscripts. Later they will come to realize that for a few moments they believed in something extraordinary, & will perhaps be driven as a result to seek out some more intense mode of existence.

Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc.

Go naked for a sign.

Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty.

GraffitiGrafitti-art loaned some grace to ugly subways & rigid public monuments - PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement…

The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror - powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst - no matter whether the PT is aimed at one person or many, no matter whether it is “signed” or anonymous, if it does not change someone's life (aside from the artist) it fails.

PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerrilla Situationist tactics of street theater are perhaps too well known & expected now.

An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life - may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but change.

Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives - but don't be spontaneous unless the PT Muse has possessed you.

Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught.

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Sweep the colour palette of life
Over the terrain of mass murder
Mans disguise and inspiration
Pushed together as a current

Neon rivers flow backwards
Pressure to get out of the city
Only through a sunset camera
Are we able to appreciate the glow

The pain strikes my body and earth
I’m mother nature, I’m mans design
A biomechanical system
Programmed to save and hurt

Darkness comes as does every days night
But this time it’s different- am I blind?

How can we value natural splendour
Over our political agendas

We must move in sync to earths beat
Until our ideals fall like rain
They wash away
Leaving residues of the past

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I hold it too close for anyone
any dark blue soul
but it
to understand
The risk welcomed by a hot pink vision
morphing into my hot pink heart
as it's
the perfect fit
for a perfect colour
and splatter that neoness over our bodies
into all creases, creators and stars
An absolute hot pink bliss forever
A bliss that's all ours!