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I see 4 principles more or less, but not a 5th. And I am not sure I really understand the principles. Could use a definition for each.
EC 5 Dec

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Lipstick Monument for Yale University (1969)

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Lipstick Monument for Yale University (1969)

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Oldenburg

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Marcel Duchamp

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Hannah Hoch

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Giacomo Balla

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In late 1912 to early 1913 Giacomo Balla turned from a depiction of the splintering of light to the exploration of movement and, more specifically, the speed of racing automobiles. This led to an important series of studies in 1913-14. The choice of automobile as symbol of abstract speed recalls Filippo Tommaso Marinetti's notorious statement...

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Georges Braque

Papier collé

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Georges Braque

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Sunday Afternoon on the Island of la Grande Jatte (1886)

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Sunday Afternoon on the Island of la Grande Jatte (1886)

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Georges Seurat

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Claude Monet

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Jackson Pollock

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Salvador Dali

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Pablo Picasso

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Marcel Duchamp

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You have an impressive overview of the art history of Modernism, but I am not at all clear what your "5 principles" are. And which works illustrate them. You 4 points listed but you have not really completed this assignment.
EC 13 Nov

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4. Reflects political and societal landscape of the time

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4. Reflects political and societal landscape of the time

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1. Edvard Munch (1863-1944)

2. James Ensor (1860-1949)

3. Hannah Hoch (1889-1978)

4. Marcel Duchamp (1887-1968)

5. Oldenburg (1929-present)

symbolism

main themes of sex and psychology, during the time of the femme fatale and the suffragette movement and birth control

Dada

inspired by the wild, chaos

Dada shaped by bruitism (noise-music), simultaneity, and chance. (inspired by war)

Pop art

civil rights movement, Vietnam, consumerism, US capitalism

Ivy League schools open to women 1969

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Alphonse Mucha

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Henri de Toulouse Lautrec

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Gustav Klimt

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The Scream by Edvard Much

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A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat

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Starry Night by Vincent Van Gogh

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Bridge over a Pond of Water Lilies 1899 by Claude Monet

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Boulevard Montmartre la nuit, 1898 by Camille Pissarro

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Pablo Picasso,

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Gustav Klimt, Henri de Toulouse-Lautrec, Alphonse Mucha,

Eiffel Tower by Gustave Eiffel

Statue of Liberty

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19th century -20

Not literal, metaphor

saying/depicting one thing but MEANING another

femme fatale

sex and death

objectifying an idea instead of objects seen through a temperament

Gustave Kahn, James Ensor, Edvard Munch, Auguste Rodin

The Scream by Edvard Much

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Pointilists or the Divisionists

analytical color theory and study

evoke mood, political radicalism

Paul Signac, divionists

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Paul Gauguin, Vincent van Gogh, Paul Cézanne and Georges Seurat

"expressive imaginative, conceptual"

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still realism, light hitting retina

color

"painterly"

artist presence begins to emerge

capturing a single moment or moment in time

MONET, PISSARRO, CEZANNE

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3. visually simplified from earlier art movements

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3. visually simplified from earlier art movements

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Manet's flatness is beginning of technical change

1. Claude Monet (1840-1926)

2. Georges Seurat (1859-1891)

3. Geores Braque (1882-1963)

4. Jackson Pollock (1912-1956)

Classical- Impressionism

airbrush perfectness- painterly brush strokes

Impresionism- Neo-Impressionism

brush strokes-pointillism

Primitivism

Cubism- fUTURISM

simplified blocks and masses- expressive line work

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no more smooth airbrushed quality of paint.

textured paint or flatness.

overall less "perfect" looking

1. Marcel Duchamp (1887-1968)

2. Pablo Picasso (1881-1973)

3. Hannah Hoch (1889-1978)

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Academic content was very historical, about history, religion, mythology

Made a point to rebel against Academic ideology: showed real people in real life situations,

ie: Impressionism

1. Edouard Manet (1832-1883)

2. Salvador Dali (1904-1989

Olympia by Édouard Manet

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Olympia by Édouard Manet Jan. 231832- Apr. 30 1883 MANET EARLY MODERN ARTIST

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Olympia by Édouard Manet Jan. 231832- Apr. 30 1883 MANET EARLY MODERN ARTIST

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start oF modern art?

rebellion against academy.

portrait of a prostitute and her servant

direct reference to the reclining nude of the Academy

real woman

looks directly at viewer with confidence in SEXUALITY

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supposed to be "realistic" looking.

zero abstraction

extreme smoothness in value and color

no evidence of painter or process

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very straight laced.

Content usually consisted of Greek or Roman (can't remember which) mythology. i.e. gods, goddesses, other beings.

The Academy: The Reclining Nude

based on the goddess Venus, the symbol of beauty and sexuality.

only allowed to be gods and goddesses. NOT REAL PEOPLE

goddesses looking away product of male gaze but seen as "beauty"

women can't look directly at the viewer because then it becomes the female embracing sexuality and confidence.

seen as vulgar

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breaks classical and traditional form.

rebels against the Academy in content and technique and later experiments with abstraction.

about living in the moment?

capturing a specific moment in time?