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Very interesting to see other views :)

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A speculative script is an unsolicited script written to display the writer's abilities.

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Take as many opportunities you can, even if there is a chance of failure. Somebody might pick up the show, they liked your writing, etc. A lot of TV shows fail, but that doesn't mean you can't keep going.

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An industry term describing the person(s) responsible for overseeing all areas of writing & production on a TV series and ensuring that each episode is delivered on time and on a budget for both the studio that produces the show and the network that airs it.

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Don't treat people like your enemy. It is always good to make friends and you'll have a good reputation in addition.

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Involve the set in your story. What is possible with budget and time?

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There can be a lot more creative freedom with premium cable. The trade-off if you went with a network is the larger amount of money you can receive off of a series.

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"Novelized" and serialized type writing is very important. You want to keep the story going.

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There is no show that goes on air where there is no general consensus between the writer, showrunner, lead actors, and the network. There needs to be consensus.

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Your type/style of writing can somewhat reflect on your life and the difficulties you've faced.

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"The more episodes you write, the more stories you've told and can't tell again. This becomes harder with every episode."

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"It seems to not matter how often you can conquer a writing problem, the next time that there's a writing problem, that becomes the one that will kill you"

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A showrunner needs to be able to create unique ideas and write within a certain amount of money and a certain period of time.

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A large percentage of the audience does not know how the "soup is made" when it comes to writing for TV. Basically, most of the audience doesn't think about the screenwriters.

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A team or "family" of writers is almost always necessary for a TV show. It is way easier to modify and add to a script when there is a bigger flow of ideas involved.

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Screen writing for TV definitely is a HUGE process. They have to go through draft after draft all the while on a timed schedule. An example being that they have to write and have a finished episode every 10 days.

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"Quality scripts, on time."
Even if it is a really great script, if it is late, the show will be off air. Not to mention, it inconveniences a lot of other people when you have a late script.

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"Writing is the heart of a TV show."

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Once you arrive to the office, there is usually more talking/collaborating than writing and you know you are doing well when at least most of the people you talk with are "somewhat annoyed" with you.

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Being a showrunner is very difficult. Having to write and collaborate every week in a timed-manner can be very arduous, but the end result can be very rewarding sometimes too.