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Want to know how to be a unit stills photographer and how to get work in the film industry? What about how much unit stills photographers charge and what equipment you need to start a photography career? This article answers some of the most commonly asked questions about working as a unit stills photographer as well as personal stories and experiences from set photographer, Aimee Spinks.

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how to become a unit stills photographer Archives - Aimee Spinks Photography

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Want to know how to be a unit stills photographer and how to get work in the film industry? What about how much unit stills photographers charge and what equipment you need to start a photography career?

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Foxtrot One, One (2014) - A teaser trailer for a Television Series Pitch - This was a great little shoot. Experienced crew, 1960's costume design and period cars. A perfect addition to the portfolio and at the time I needed to work on getting more cast group shots into my portfolio. The actors were great and we had time doing some on set portraits. Win, win!
2. Editing, refining and building a solid unit stills portfolio that resembles your competition

So now, you will have been doing short films for a few years. Hurrah. Somehow you are still able to house yourself and eat more than just porridge. From all those headshots and weddings you are doing on the side!!!

You will start to build a body of work that resembles what your competition are shooting and presenting to the networks and publicists. You won't have those unit stills of a blockbuster explosion or a photo of Brad Pitt, but it is incredible what content you can achieve on a low budget film set.

And honestly, it's all in the edit. Please, please only showcase YOUR BEST WORK!! I really think, having looked back, you have to keep refining your top images. You have to be super honest with yourself and say, is this image going to get me hired? Is this the type of image that would be printed in Empire magazine? Have you ever seen a budget camera BTS photo printed in a magazine for a big production? No? So don't put this in your portfolio. It just looks like you've been on a student film. The rule to editing your images is deceiving the viewer into thinking you are way more experienced than what you actually are!!! It's all about perception!

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Advice to becoming a movie still photographer - Your Site Title

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Foxtrot One, One (2014) - A teaser trailer for a Television Series Pitch - This was a great little shoot. Experienced crew, 1960's costume design and period cars. A perfect addition to the portfolio and at the time I needed to work on getting more cast group shots into my portfolio.

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How To Start a Photography Business: 9 Things You Need To Know

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Discover the steps you can take for starting your own photography business, including how to create a business plan and obtain official documentation.

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Working on a movie set can be a rewarding experience that allows professionals to explore their interests and develop professional skills. When a movie is in production, there are a variety of jobs available for professionals with varying skill sets, including the role of a unit still photographer. If you're interested in seeking a position as a unit still photographer, it may be helpful to learn more about the role. In this article, we define unit still photography, describe how to become a unit still photographer and list what skills may be beneficial for this career path.

Related: 10 Jobs in Photography That Pay High Salaries

What is unit still photography?

A unit still is an image captured during the filming of a movie that production companies use to advertise or promote that film. Photographers typically take u nit stills while a primary camera is rolling so they can capture the same moments that viewers can see in the final version of the film. These images may include ones of a cast acting or images of the movie set itself. Photographers may also edit unit stills so they offer an audience a sense of what the overall mood or atmosphere might be for the film.

Because they shoot while the camera is rolling, unit still photographers use special equipment called sound blimps to muffle the noise of their camera. With the use of sound blimps, photographers can ensure that shutter sounds remain out of the film's final version. Accommodating special requirements like using a sound blimp is a key distinction between unit still photography and more traditional photography.

Related: Cinematographer vs. Director of Photography: What's the Difference?

How to become a unit still photographer

Here are six steps you can follow to become a unit still photographer:

1. Earn a degree

Earning a degree can be a useful way to develop the skills necessary to become a successful photographer. While many employers may not require you to possess a degree to work as a photographer, a fine arts degree with a focus on photography can be a useful credential when applying to a new position. Not only will the degree distinguish you from other candidates, but the skills that you can learn while earning the degree can help you build your portfolio and increase your knowledge about photographic techniques.

2. Develop your portfolio

A photographer's portfolio is a collection of work that highlights their artistic style by showcasing previous projects. When applying for photographer positions, one of the most common documents that employers request is a copy of your portfolio. Even if you don't possess extensive experience with photographer jobs, an effective professional portfolio may help you secure a position.

If you already work as a professional photographer and are trying to shift your career toward unit still photography, you may already have a portfolio. However, if you want to begin your career as a unit still photographer, it may be helpful to start developing your portfolio. Some of your options to accomplish this include seeking freelance jobs or spending your free time taking photos.

3. Learn how to edit photos

In the photography industry, taking pictures is usually only one step in the photographing process. Once a photographer feels they've captured enough images, they usually begin to edit their photos. Depending on the type of work, the editing process can include simply cropping images to highlight subjects or using advanced computer software to digitally render the image under ideal lighting conditions. Regardless of the editing requirements, becoming familiar with editing software might help you become more prepared to succeed in a variety of roles.

4. Develop professional connections

Movie set roles can be competitive, so it can be beneficial to develop a network of industry professionals. Contacting employees at production companies and attending conferences can be a useful way to become acquainted with people who can help you achieve your career goals. Networking with production company employees can also help you learn about unit still photographer positions before they become available online or otherwise made public. Being an early candidate for a unit still photography position can be helpful, as a production company may be trying to expedite the production process as much as possible.

5. Continue to develop your photography skills

Regardless of your advancement goals, continuously developing your photography skills can be an important component of securing roles in this field. Taking classes or researching new techniques online may help you improve your skills. Many successful professionals strive to continue developing new skills even after they've secured advanced roles, as the field of photography changes as technology rapidly improves.

6. Update your portfolio each time you complete a new job

Each time you complete a job as a photographer, it can be useful to update your portfolio with the pictures you took. This is a beneficial way to keep your portfolio updated and showcase how your skills are developing. Keeping an updated portfolio can be important because many employers want to see recent work from candidates. Additionally, having unit still photos in your portfolio might help you become an appealing candidate for future unit still photography positions.

Related: How To Start a Photography Business: 9 Things You Need To Know

Salary and career outlook for unit still photographers

The average annual salary for photographers is $39,908 per year. This number varies based on several factors. Many photographers complete freelance work, so their income can depend on how many jobs they work, as well as the type of jobs they complete. Other photographers work professionally for publications such as newspapers and magazines, so their salaries might be more consistent.

According to the United States Bureau of Labor Statistics (BLS), photographer jobs might grow by 17% from 2020 to 2030, which is a faster rate of growth compared to all professions. The BLS attributes this expected growth to the increased demand for photography work from online platforms, such as blogs and business websites.

Related: 15 Tips To Create High-Quality Product Photography

Essential skills for unit still photographers

Here are some skills that help unit still photographers complete their tasks effectively:

Discretion

Unit still photographers create images that production companies use as public relations material, so it's essential that they don't share their work before the production company has publicly promoted the film. These professionals also work on the sets of movies that companies haven't even announced yet, so it can be important for them not to discuss their daily work in detail. Maintaining a film's confidentiality can be a critical component of working as a unit still photographer because an employing production company trusts you to not release anything without their consent.

Efficiency

Unit still photographers often take photos while a primary camera is rolling, so capturing pictures quickly without disrupting actors or other crew members is essential. An effective unit still photographer can take pictures without making noise or disrupting other staff members on set. If you work in this industry, being able to complete your duties without making it difficult for other people to complete theirs is a valuable skill.

Stamina

Depending on the job, a unit still photographer might work long hours to capture the events that occur in one day of shooting on a movie set. If you want to work as a unit still photographer, it can be helpful to have stamina that ensures you can endure long days of shooting. Remaining focused for several hours can help these professionals perform their tasks optimally.

Technology proficiency

Unit still photographers use a variety of computer software to edit their pictures. If you want to work as a unit still photographer, it can be helpful to familiarize yourself with the editing software commonly used by production companies. You might spend a lot of time at a computer editing your shots, so being able to work efficiently with technology can be an asset.

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How To Become a Unit Still Photographer in 6 Steps (With Salary Info)

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Working on a movie set can be a rewarding experience that allows professionals to explore their interests and develop professional skills. When a movie is in production, there are a variety of jobs available for professionals with varying skill sets, including the role of a unit still photographer.

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He’s worked on top shows Killing Eve, Victoria and the new Red Dwarf. Gareth Gatrell talks about life as a Unit Stills Photographer.

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The Best Ways To Network As A Filmmaker - The Film Fund

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You've likely heard the famous saying: "It's not what you know, it's who you know." Although many experienced filmmakers argue it's more about what you know, it is no lie how important film networking is to aspiring and hopeful filmmakers looking to get their foot in the door. Filmmaking is [...]

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I know you've heard the saying before: In Hollywood (and in life, really), "it's all about who you know."

Your network is everything! Being surrounded by an uplifting, motivating network of people who believe in you and support you is crucial to your success in the film industry. In addition to training at a top acting studio, it is very important to know how to network in the film industry. As such, here are seven tips to help you get started.

1. Attend events that filmmakers, writers, and casting directors attend.
You should definitely fill your life with creative actor friends but actors often get so comfortable in their "actor" groups that they spend less time connecting with the people who are actually making casting decisions. Seek out events you know directors, writers, producers, and casting directors will attend. Q&As are great. Screenings are great. Charity events are great. Be strategic. Do your research and expand your network to include a diverse range of players in the film industry.

2. Engage with industry professionals online.
Social media is such an effective tool for connecting with industry peers. There are so many casting directors on Twitter! Follow them, engage with them, stay on the pulse of what's happening around you. We know many actors who have begun significant career relationships-and even directly booked work-through social media.

3. Make friends in non-industry settings.
You never know who is doing a downward dog next to you in yoga class or walking her dog next to yours in the park. Do you know what your three closest neighbors do for a living? Do you even know their names? In Los Angeles especially, it's almost better to meet film industry professionals in a relaxed, unstructured, non-industry setting. This feels more authentic and organic for all parties. So start getting genuinely interested in the world around you. Start making new friends!

4. Become genuinely interested in other people.
In Dale Carnegie's 1936 book, "How to Win Friends and Influence People," one of the central messages is that the best way to get people to like you is to become genuinely interested in other people.

Focus out! Ask people questions about themselves. Become genuinely curious about other people's lives, interests, and passions. Make people feel special and appreciated by truly caring about who they are and what they love. Do this and you'll make new friends left and right!

5. Add value to people's lives.
In the vein of focusing out, you always want to look for ways to add value to people's lives. Do you know of an actor who fits a role your casting director friend is looking for? Make an introduction. Is your agent looking for a new nanny for her daughter? Send out a blast on Facebook. Figure out creative ways to support people in your network. You will build a reputation as a standout, reliable industry professional who makes things happen.

6. Follow up!
Once you meet and connect with someone, be in touch regularly-not just when you need something. Be on the pulse of industry publications, and know when people in your network have been promoted, have released a film, or have received any kind of award or accolade. Reach out to congratulate people on their wins!

Schedule coffee meetings, hikes, movie screening dates, and karaoke nights out just for the sole purpose of connecting and getting to know people. You can even set up notifications on your calendar to remind you to reach out to certain individuals on a regular basis.

7. Be consistent.
Again, following up just once is not enough. Stay in touch with your network. At the very, very least, you should be contacting everyone in your network at least once a year. But I say every four to six months. You can set yourself reminders on your Google calendar so that you are reaching out to people on a regular basis. Again, add value to other people's lives. Reach out for the sake of saying hello and checking in! You can always have a photo or graphic attached to the footer of your email that markets any recent career wins. No need to announce them in every single networking email.

Have fun creating and expanding your network! Enjoy the process of meeting and getting to know new people. It truly does take a village to move someone up the ranks of this industry. Have fun building yours!

The views expressed in this article are solely that of the individual(s) providing them,
and do not necessarily reflect the opinions of Backstage or its staff.

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7 Tips for Networking in the Film Industry, According to an L.A. Acting Coach

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I know you've heard the saying before: In Hollywood (and in life, really), "it's all about who you know." Your network is everything! Being surrounded by an uplifting, motivating network of people who believe in you and support you is crucial to your success in the film industry.

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London, United Kingdom Film Networking Events | Eventbrite

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Lining up plans in London? Whether you're a local, new in town, or just passing through, you'll be sure to find something on Eventbrite that piques your interest.

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How to Network in the Film Industry: 9 Networking Tips - 2022 - MasterClass

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Networking is an essential skill that every person in the film industry must hone. In a business that is all about who you know, networking is how you can contact the people who can have the most impact or influence on your career.

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While making a living from artistic endeavors isn't new, the concept and growth of the creative entrepreneur definitely is. The Internet, in particular, has created the resources and opportunities for people to tap into their knowledge and innate abilities to make a living. If you'd like to build a business around your talent and join the ranks of the growing number of creative entrepreneurs, here's what you need to know and do.

What is a Creative Entrepreneur?

At first, you might think a creative entrepreneur is someone who makes a living from their creative endeavors, such as artists or photographers. While these types of entrepreneurs certainly fall into the category, artists are not the only creative entrepreneurs.

A creative entrepreneur is someone who uses their creative or intellectual knowledge and skills to earn a living, usually in a business or as a freelancer. This differs from traditional entrepreneurship that has mainly focused on manufacturing and industrial products.

Who are Some Famous Creative Entrepreneurs?

History, especially in the twentieth century, is littered with people who turned their knowledge and creativity into a thriving business. Many of them started their businesses from home.

Walt Disney

Walt has many great quotes, but one that sums up creative entrepreneurship is, "I only hope that we never lose sight of one thing - that it was all started by a mouse." From the movies to the theme parks to the Mickey Mouse and Disney products, all of it came from Walt's creation of Mickey Mouse on a train trip home from New York after he'd lost rights to his most profitable cartoon. Walt used his imagination and artistry to build an empire that started with a cartoon mouse.

Inventors Including Thomas Edison

All inventors who are able to capitalize on their inventions and ideas can be considered creative entrepreneurs. This includes Nikola Tesla, Alexander Graham Bell, and even more modern day inventors such as Joy Mangano, who started her empire with a self-wringing mop. While these inventors may have created products that were mass produced, their business was built on ideas.

One of the most famous and prolific of these inventors is Thomas Edison, who invented moving pictures, the electric light and more. He had 1,093 patents for his ideas and inventions in the United States alone.

Most people don't equate artistry and computer programming, but most people aren't Steve Jobs. Along with Steve Wozniak, Job developed technology that was accessible to everyday people, but he also considered the aesthetics of the devices he created. His creativity was truly unique in his ability to develop products and services people didn't know they needed, such as the ability to carry thousands of songs on a tiny device or turn a portable phone into a computer and entertainment center.

Ree Drummond

While Ree many not be as famous to the general public as the creative entrepreneurs listed above, anyone who watches The Food Network, shops at Wal-Mart, or loves reading lifestyle blogs will likely know of her, at least by her more famous moniker; The Pioneer Woman. As a wife and mother living on a cattle ranch in Oklahoma, Drummond started a blog sharing her photographs and recipes in May 2006. By 2009, her blog was receiving 13 million page views a month. Along with income earned from her blog, Drummond has been able to parlay her creative success into writing a memoir and cookbooks, a cooking show on the Food Network, and line of cookware sold at Wal-Mart.

Less Famous Creative Entrepreneurs

While you may have heard of the creative entrepreneurs listed above, today there are millions of people that haven't heard of who are turning their talents into thriving businesses. These people are bloggers, Etsy sellers, YouTubers, freelancers and more.

Creative Entrepreneur Home Business Ideas

The hallmark of a creative entrepreneur business is that you tap into your intellectual or creative assets to make money. There are hundreds of different ways to do this depending on your skills, knowledge, and creativity. Here are some ways other entrepreneurs have done it:

The list goes on and on. If you have the knowledge or a skill others will pay you for, you can become a creative entrepreneur. In fact, Fiverr has many people selling skills such as writing or singing a jingle.

How to Become a Creative Entrepreneur

Today, it's easier and more affordable than ever to turn your knowledge and talents into income. There are many great reasons to become a creative entrepreneur including:

Get paid to do something you love

Control over your work

Flexibility

Designing a career that fits your lifestyle goals

With that said, there can be some downsides to becoming a creative entrepreneur, including:

Business tasks can feel boring and uncreative

Inconsistent income

Difficulty in finding a paying market

Turning your creative passion into a "job" could ruin the fun of it

Get Started as a Creative Entrepreneur

If you've decided you'd like to turn your intellectual and creative assets into income, here's how to get started:

1. Figure out what you can offer. Make a list of things you know, love, and do, such as doodling, singing, playing an instrument, etc. Remember, your idea doesn't need to be artistic to be considered creative. It just needs to tap into your knowledge base or skill set.

2. Determine how your knowledge or skill can make money. Can you create something to sell? Can you freelance your talent? Can you teach or inform people about it (i.e. blogging, info products, online course, etc)? You may have an idea that has several ways to make money, and down the road, it might be a good idea to develop several incomes around your idea. But starting out, choose one, and focus on that until it's up and running.

3. Research your idea to make sure there is a market that will want (and will pay) for what you have to offer. Underwater basket weaving may be your passion, but if there's no one who wants to buy underwater baskets or learn about underwater basket weaving, it's not going to be a viable business. In market research, you want to discover if there are people who are ready, willing, and able to buy, as well as determine who these people are (demographics, wants, needs, interests, etc). Note, that even if you're starting a blog and offering your ideas for free, to make money, people will need to click on ads or affiliate offers, which means they need to want and be able to buy stuff.

4. Write a business plan. If your idea is viable, it's time to start planning and implementing your business. That starts with a business plan that outlines what your business will offer, what is unique about your business, how your business will benefit clients/customers, what you'll charge, your current and forecasted financial situation, your target market and more.

5. Decide on a business name. Depending on your business, you might use your given name or you can create a business name that describes what you offer.

6. Create your business structure. Many beginning creative entrepreneurs start out as a sole proprietorship, which is fast and easy. However, if you stick with your business, you should consider forming an LLC, which isn't that hard or expensive and offers some protection if you get sued.

7. Get a business license. Check with your city or county government office about required licenses or permits. You should also check the zoning department to make sure it's okay that you work from home.

8. Protect your creative assets. If you're creating something, consider protecting your intellectual property from thieves. There are three types of protection depending on what you create: 1) Patent for inventions, designs or formulas, 2) Copyright for created works such as writing and art, and 3) Trademark usually for a name, logo or tagline.

9. Set up your distribution system. In your business plan, you should have outlined how you're going to deliver your products or services. If you make digital planners, will you sell them on Etsy or on your own website? If you're freelancing your services, will you market them through freelance sites, or through your own website? Whatever you decide, now is the time to set it up.

10. Market your business. Once you've got everything in place, it's time to let your market know about it. Marketing is one place many creative entrepreneurs struggle, and yet, your creativity and ingenuity can be an asset. The key things to remember in marketing are 1) Who is your target market? 2 )Where can they be found (what do they read online, what sites do the visit, where do they congregate online and off, etc)? and 3) How can you put your information in front of them so that they'll want to know more about you (articles, ads, videos, social media, etc)?

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Become and Succeed as a Creative Entrepreneur

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While making a living from artistic endeavors isn't new, the concept and growth of the creative entrepreneur definitely is. The Internet, in particular, has created the resources and opportunities for people to tap into their knowledge and innate abilities to make a living.

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Transform your freelance business by getting your personal branding right

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Branding is a great way to define your freelancing business. Follow our helpful personal branding tips to build your successful freelance business.

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The freelance market is a tough one. Some of us succeed, and some of struggle. One of the key differentiators between those groups is branding.

Branding for freelancers encompasses many elements. Your logo, design, bio, and tone of voice are all distinct characteristics that make your business unique. In this article, I'll show you how to make your freelance business stand out.

Whether you're just starting, or already established, prepare to build an awesome freelance brand.

1. Decide on your name

A strong name is easily recognizable, and that's important for good branding. The dilemma for many freelancers is whether to name their business after themselves or create a brand name.

Here are your freelance branding options:

Create a brand name and matching brand persona

Creating a brand name can provide a little distance between the "real" you and the professional you. Some find this to be a good thing.

If you want to register your company name, create a logo, build an on-brand website and maybe even register your brand as a company, you'll have an easier time if you have a brand name.

The other advantage is that you don't need to be a "one-man band" forever. With a brand name, you have more potential to grow into an agency that employs freelancers later on.

Use your own name and personality as your trademark

Using your own name is easiest, as you're creating a brand around yourself. If you choose this option, you need to understand that everything you do will be linked to your professional persona.

That means no drunken Twitter selfies and no angry political rants. If your name is long or difficult to spell, this option might not be the best idea-especially if you're looking for international freelancing work.

You'll also need to grab a URL and matching social profiles. Check out social media legend Mari Smith for inspiration.

Create both and link them together

I went for option three and created www.charlisays.com, which is linked to www.charliday.com.

This was the easiest way for me to manage my freelance business. I'm also linking my name with my brand and making it easier to check out my credentials on sites like LinkedIn.

Another freelancer who does a cool job of this is Graham Smith (@thelogosmith). Graham cleverly combines his name and his profession for an easily identifiable profile and website.

If you're serious about freelancing, it's a good idea to purchase your name as a URL, even if you don't plan on using it it.

Make It Happen

Even if you're an established freelancer, it's not too late to review your name and decide if it's working out for you. Think about what your potential clients will be searching for.

For example, if you're a designer, you'll want to show up in search results when people search for "design a logo," "have logo designed," or "custom logo development."

If your brand name isn't hitting the keywords searched by your audience, you could be missing out on valuable clients. If your URL is CindyJohnstonWrites.com, for example, it probably won't help you show up in searches.

2. Choose a Great Avatar

Being easily identifiable is an essential part of your branding strategy. This applies whether you're using a brand name or your own. The most important thing here is to choose an avatar and use it consistently on all your channels.

You have two choices:

Use a photo of yourself

Your photo is a great way to establish yourself as a living, breathing human being. If you're a photographer, artist, or designer, it's also an opportunity to show off your creative side.

Clients like to know who they're in business with, and using your own photo can make you seem more personable. My advice here is to spend a bit of cash to get your photo taken professionally in a studio. Think about the clothes you're wearing, the background, the lighting, and the way you want to appear to clients.

Are you knowledgeable and assertive or quirky and creative? A professional photo speaks volumes and can sometimes say more than your entire bio. If you're a cartoonist or artist, why not turn yourself into a cartoon avatar? There are tons of gigs on Fiverr if you don't want to make it yourself.

Check out Jeff Bullas for inspiration:

Use a logo

If you're using a brand name instead of your own, you'll want to use a logo. And it needs to be a good one. Your logo design and placement should be consistent throughout your website, blog, and profiles.

Even if you already have a logo, it's never too late to make a better one.

Check out 99Designs, which connects you to talented logo designers for as little as $299. Unless you're a graphic designer, chances are you won't be able to create a memorable logo for your brand. Spend the cash and get one that works for you.

Make it happen

One great way to ensure photo consistency across the web is to use a free program like Gravatar.

Gravatar stands for "globally recognized avatar," and millions of people and WordPress websites use it. Whenever you blog or leave a comment online, Gravatar will automatically populate your photo and bio. This is an especially cool tool for bloggers.

You can check out mine below:

3. Know your brand's voice

This is where it can all go wrong for freelancers who are stuck in a bit of a Norman Bates situation.

Are you speaking as you or as your brand? What's the difference? Are you adjusting your message depending on who you're speaking to?

Some freelancers mistakenly modify their brand message depending on their audience. For example, a freelancer may be very professional and serious on their website, then adopt a playful or cheeky tone on Twitter.

This approach is ultimately ineffective and confusing for clients. To maintain a strong brand, you must be consistent in presenting it.

This also means your brand shouldn't be too far from your actual personality. If it is, you'll have difficulty keeping up the persona. Your name, logo design, blog, and social media accounts all need to represent you in an honest way.

Make it happen
Want to establish a strong brand voice for your freelance brand? Click here to download our free worksheet!
Try creating a brand style guide for yourself using Frontify. This will help you nail down your brand colors, typography, style guide and brand voice. It also makes it easy for you to convey your brand to any future employees you might want to take on.

4. Perfect your bio

Have you ever noticed how difficult it is to write your own bio? Even if you're a writer, trying to get it right can be really frustrating. Too modest and you won't get noticed, too sales-y and you turn people off.

However, perfecting your bio is essential if you want to brand your freelance business and get noticed. With millions of freelancers available for hire, employers may only glance at the first line of your bio for a few seconds. Here are the things you'll need:

A long bio

The first thing you need to do is write your long bio, because everything else will be based on this. Your long bio should include a section about you, a list of your skills, links to the projects you've worked on, contact details, and a few interesting facts about you.

A short bio

Once you have your full bio, condense it down to 200 words for your LinkedIn and Facebook profile pages. You can lose the lengthy history, but keep a few key facts and the URLs of the projects you've worked on.

A tagline

This can be difficult. Ideally, a tagline summarizes what you do in a catchy way while also hitting those SEO sweet spots. Keep it short-ideally under 10 words. For example, "Number 1 British finance and forex writer in Cyprus" or "Freelance Drupal site developer based in Dallas" may not be glamorous, but they'll get you noticed.

An elevator pitch

Your elevator pitch should be client-focused and summarize what you do in one or two sentences. For example,"I create logos and graphics that are completely original and help define your brand." For your Twitter profile, you can condense it down even further and make it a little more fun.

For example, "#graphic designer #logo maker and #photoshop guru. Likes frolicking in yellow meadows." You get the idea.

(You should already have an elevator pitch as part of your professional networking preparation; if you don't, do this as soon as you can!)

Make it happen

Keeping your bio consistent across all channels is an important part of self-branding. Remember that hashtags in your social media bios can help you stand out, too. Check out Hashtagify for a list of popular hashtags for your industry niche. Once you know them, use them in your profile.

5. Pick your social media channels

So you have your brand name, your website, your avatar and your bio. What next?

Creating the marketing materials behind your freelance brand is just the beginning and won't be enough to get you new clients. This is where you'll have to hustle-and the best place to do that is on social media, where 37% of employers pick up their new hires.

When it comes to social media, many freelancers think they have to be everywhere. But the opposite can be true: fewer networks can have a greater impact.

When you focus your efforts, you're not diluting or duplicating your content. The idea is to identify the right social networks to create the results you want to see.

Which social media channels should you be on?

Here's a quick guide to the social media networks you could be owning as a freelancer:

Instagram-If you're a photographer, designer, artist, or travel blogger, this one's for you. If you're a coder . . . not so much.

YouTube / Vimeo-These are the biggest video sharing sites around right now. If you're a video editor, graphic designer, or social media personality and able to produce high quality videos, you should definitely have your own channel.

Twitter-There's something for everyone here, and using the right hashtags can help you connect with your niche. Freelancers of all types can find success here.

Facebook-Having a page can be beneficial for all freelancing niches. Remember, though, that Facebook's organic algorithm now shows page posts to just 6.5% of your fans. Unless you pay, of course.

LinkedIn-Having an awesome LinkedIn profile is a must for freelancers looking to stand out. Your profile needs to include all the skills your clients would want to see and examples of your work. LinkedIn is also a great place to network with influencers who can help you to get noticed.

Reddit-If you're a social media manager, writer, developer or designer who can create informative and interesting articles, you should give it a try. Competition on Reddit is fierce though, so take the time to think about a compelling story.

Pinterest-If you're a freelancer selling art, photography, or crafts then you need to be here. This is the only social network dominated by women (71%). With buyable pins, you can not only promote your work, but sell it too.

Make it happen

Branding doesn't have to be hard work. If you choose the right social media sites, you can share your passion and attract new business at the same time.

6. Start blogging

Your blog is an essential tool that will help you expand on your brand statement, promote your services, and sell yourself. But many freelancers don't take advantage.

Freelance marketplaces are great, but you still need to promote yourself independently. Plus, any business you get through your blog is commission free!

One common misconception on this issue is that only writers should have a blog. All freelancers can and should have a blog where they showcase their work.

Here are some examples of blog post ideas for a few different freelance professions:

10 Coding Mistakes Beginners Always Make

7 CSS Tools You Should Be Using

Open Source CSS Snippets For Colorful Graphics

How To Pose Like A Model In Your Next Photo

5 Mistakes Couples Make With Their Wedding Photography

My Top 10 Photographic Destinations

For developers

5 Beautiful Font Combinations

Beginner Design Mistakes

Top Graphic Designs From Last Year

Make it happen
For photographers
The key to a great blog is to provide enough information to engage your reader, but not enough for them to do the job without you! Your call to action for clients should always be to contact you for help with their project.

Branding for freelancers can be tough-but it's essential
For graphic Designers
Branding your freelance is business isn't always easy. We're often so busy working for clients that we forget to work on our own branding.

But by fostering a strong brand, you'll build a loyal following, improve your searchability, and gain more repeat business.

Even the most successful freelancers care about branding. I asked some industry leaders for their top tips, and I'll leave you with their comments.

Content marketing specialist Lisa Kalner Williams ...

Ask your clients what they specifically like about your work - you might come up with a completely new-to-you angle!

- Lisa Kalner Williams 🇺🇦 (@kalnerwilliams) May 8, 2017

SEO and digital guru Ed Leake ...

For personal branding? I'd say be the only thing you can be - be yourself - be unique. Don't give a toss what others think! ✊

- Ed Leake (@EdLeake) May 7, 2017

Top content writing hub Contentworks ...

To provide good information on your Upwork or Elance profiles so you can be found.

- contentworks (@_contentworks) May 7, 2017

Belgian design guru Veerle Pieters ...

Top tip is just to be yourself.

- Veerle Pieters (@vpieters) May 8, 2017

And last but not least, the legendary designer Heydon ...

Shave the area to which you are applying the brand first. The smell of burnt hair is horrendous.

- Heydon (@heydonworks) May 7, 2017

(And don't forget to download the free worksheet for establishing a brand voice for freelancers!)
How do you brand your freelance business? What are you going to work on to improve your branding? Share your thoughts in the comments below or tweet us (@hubstaff and @charli_says) to let us know! This post is part of Hubstaff's freelancing month 2017, where we feature insights by experienced freelancers about how they get clients, manage their workload, and more. Be sure to check out the rest of our freelancing month posts when you're done with this one!

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Branding for Freelancers: The Essential Guide

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The freelance market is a tough one. Some of us succeed, and some of struggle. One of the key differentiators between those groups is branding. Branding for freelancers encompasses many elements. Your logo, design, bio, and tone of voice are all distinct characteristics that make your business unique.

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ScreenSkills career maps showing ways into film, TV, games, animation and VFX

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Download our ever-popular career maps. They can be printed on A2 or A3 paper.

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Self Assessment tax returns - deadlines, who must send a tax return, penalties, corrections and returns for someone who has died.

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You usually pay 2 types of National Insurance if you're self-employed:

Class 2 if your profits are £6,205 or more a year

Class 4 if your profits are £8,424 or more a year

You work out your profits by deducting your expenses from your self-employed income.

How much you pay

How to pay

Most people pay Class 2 and Class 4 National Insurance through Self Assessment.

Special rules for specific jobs

Some self-employed people don't pay National Insurance through Self Assessment, but may want to pay voluntary contributions. These are:

examiners, moderators, invigilators and people who set exam questions

people who run businesses involving land or property

ministers of religion who don't receive a salary or stipend

people who make investments for themselves or others - but not as a business and without getting a fee or commission

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You usually pay 2 types of National Insurance if you're self-employed: Class 2 if your profits are £6,205 or more a year Class 4 if your profits are £8,424 or more a year You work out your profits by deducting your expenses from your self-employed income.

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Simple tips for new freelancers to help you manage your tax when you're self-employed.

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Successful freelancing is about having the confidence to pitch yourself and your skills, find out more here.

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Work placements, work experience, internships, traineeships, and apprenticeships - what's the difference?

We all know work placements are invaluable in terms of getting both a better understanding of the industry, and looking great on your CV.

But nowadays there's a variety of different placement schemes on offer. Below we try to unpick what each of the labels suggests in terms of your obligations and the obligations of the employer. (Attached to this page is a 2009 guide to Work Placements produced by Creative Skillset on behalf of the industry which may still be useful).

What is work experience?

According to Creative Skillset: "Work experience is often undertaken by students as part of a further or higher education course to learn about the working environment of the creative industries. Students or others on work experience should be given the chance to try various tasks and develop skills...but they should not be relied upon to fulfill roles that are necessary for the organisation and would otherwise be undertaken by members of staff".

Typical terms: Unpaid if undertaken as part of a course and should not exceed 160 hours where undertaken full-time over a four week period; paid (at least to the level of the National Minimum Wage) where the individual is acting as a worker. Reasonable and pre-agreed expenses should apply in both cases. Written confirmation of the terms of the engagement should be provided.
So, in summary, work experience is :

Often as part of higher education

You should be given a chance to try tasks and develop skills but not as a replacement for staff

Unpaid if part of your course

Shouldn't be over 160 hours if full-time over a four week period

What's an internship?

"Individuals undertaking an internship have a duty to perform meaningful and valuable work for the organisation. Internships are therefore the next level up from work experience placements.... Individuals have already gained significant knowledge in their chosen area and are being given the opportunity to apply the skills they have obtained in the working environment. The organisation equally gains from the internship in terms of business value....".

The guidance refers to two types of internship: Student Internships carried out as part of a course and General Internships open to a broader range of individuals.

Typical terms: The guidance recommends that whilst Student Internships can be unpaid, the value which an intern brings to the organisation should be recognised by at least a basic wage. Meanwhile given that a general intern performs as a worker the National Mininimum Wage and National Living Wage regulations apply. The guidance recommends that internships should last between 3 - 6 months with a maximum 40 hour week . Written confirmation of the terms of the engagement should be provided.
So, in summary, an internship is :

When you do meaningful work for an organisation

You already have some experience and knowledge so it benefits the organisation too

Student internships are generally unpaid, otherwise you should receive at least National Minimum Wage or National Living Wage (for those 25 years +)

3-6 months, maximum 40 hours per week

What's a traineeship?

"Traineeships provide focused training in a specific (usually technical, production or managerial) role to an individual or individuals over a longer period of time, usually about 12 months full-time and can be organised by an individual employer or a training provider....Individuals should receive high quality training from an experienced member of staff and follow a structured personal development plan with regular appraisals.

Typical terms: A working week of up to 40 hours subject to a starting salary to fit the nature and location of the role. A contract of employment applies.
So, in summary, a traineeship is :

Focused, high quality training for specific roles with appraisals regularly

Usually around 12 months in length

40 hours a week with an employment contract

What's an apprenticeship?

"Apprenticeships offer a more formal, nationally recognised form of work-based training that involves the assessment of skills and knowledge and the achievement of accredited qualifications...The Frameworks contain a number of mandatory components including a competence-based element, a knowledge-based element, transferable or 'key' skills and employer rights and responsibilities. Learning takes place in the workplace and at a college or training provider, and can be assessed both on and off te job."

Typical terms: Apprentices must receive a wage for the duration of the apprenticeship and a contract of employment should be provided. Whilst 16-18 year olds are exempt from NMW regulations and apprentices over the age of 19 are not formally entitled to the NMW until year two "research shows that average apprentice wages across all sectors approximate to the age-related NMW and many employers increase wages as the apprentice develops skills". Apprenticeships can last 12-18 months.
So, in summary, an apprenticeship is :

A formal, nationally recognised qualification

It has a number of compontents which you will be assessed on

You have to be paid during an apprenticeship

Lasting 12-18 months.

Our thanks go to Creative Skillset for the above definitions!

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Work placements, work experience, internships, traineeships, and apprenticeships - what's the difference? We all know work placements are invaluable in terms of getting both a better understanding of the industry, and looking great on your CV. But nowadays there's a variety of different placement schemes on offer.

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Should you set up as a Sole Trader? - Starting a UK Business

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Business records if you’re self-employed

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Records and paperwork you must keep if you’re self-employed as a sole trader or partner in a business: income, costs, profit, how long to keep records.

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You must keep records of your business income and expenses for your tax return if you're self-employed as a:

sole trader

partner in a business partnership

You'll also need to keep records of your personal income.

If you're the nominated partner in a partnership, you must also keep records for the partnership.

Accounting methods

You'll need to choose an accounting method.

Traditional accounting

Many businesses use traditional accounting where you record income and expenses by the date you invoiced or were billed.

Example

You invoiced a customer on 28 March 2022. You record that invoice for the 2021 to 2022 tax year - even if you did not receive the money until the next tax year.

Cash basis accounting

Most small businesses with an income of £150,000 or less can use cash basis reporting.

With this method, you only record income or expenses when you receive money or pay a bill. This means you will not need to pay Income Tax on money you have not yet received in your accounting period.

Example

You invoiced someone on 15 March 2022 but did not receive the money until 30 April 2022. Record this income for the 2022 to 2023 tax year.

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Business records if you're self-employed

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Records and paperwork you must keep if you're self-employed as a sole trader or partner in a business: income, costs, profit, how long to keep records.

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https://www.gov.uk/set-up-sole-trader

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You're self-employed if you run your own business as an individual and work for yourself. This is also known as being a 'sole trader'.

You can keep all your business's profits after you've paid tax on them. You're personally responsible for any losses your business makes. You must also follow certain rules on running and naming your business.

When you need to set up as a sole trader

You need to set up as a sole trader if any of the following apply:

you earned more than £1,000 from self-employment between 6 April 2022 and 5 April 2023

you need to prove you're self-employed, for example to claim Tax-Free Childcare

you want to make voluntary Class 2 National Insurance payments to help you qualify for benefits

How to set up as a sole trader

To set up as a sole trader, you need to tell HMRC that you pay tax through Self Assessment. You'll need to file a tax return every year.

Register for Self Assessment.

Your responsibilities

You'll need to:

You'll need to apply for a National Insurance number if you're moving to the UK to set up a business.

You must register for VAT if your turnover is over £85,000. You can register voluntarily if it suits your business, for example if you sell to other VAT-registered businesses and want to reclaim the VAT.

Working in construction industry

Register with HMRC for the Construction Industry Scheme ( CIS) if you're working in the construction industry as a subcontractor or contractor.

Naming your business

You can trade under your own name, or you can choose another name for your business. You do not need to register your name.

You must include your name and business name (if you have one) on official paperwork, for example invoices and letters.

Choosing your business name

Sole trader names must not:

include 'limited', 'Ltd', 'limited liability partnership', 'LLP', 'public limited company' or 'plc'

be offensive

You need to get permission if your name contains a 'sensitive' word or expression, or suggests a connection with government or local authorities. For example, to use 'Accredited' in your business name, you need permission from the Department for Business and Trade ( DBT).

Check which words you need permission to use, and who from.

If you choose a name or logo that's registered as a trade mark or is already being used, the owner could take legal action against you.

If you register a trade mark, it's easier to stop other businesses using your name or logo.

Help and support

You can sign up for business support emails from HMRC to help you if you're working for yourself.

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Register as a sole trader with HM Revenue and Customs and legal responsibilities if you run a business as a self-employed sole trader

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Why the Sony a7s iii is an amazing photography camera | A Unit Stills Photographer Review

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Jasin Boland Nikon Ambassador what's in the Photographers bag talkthrough.

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Movie Poster Photographer Jasin Boland with Marc Fennell I The Feed

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22 wins & 25 nominations. See more awards "

Personal Details

Other Works:

Sacred Bones Records releases "Lost Themes", his first album of original compositions not connected to a soundtrack.

Publicity Listings:

2 Biographical Movies | 4 Print Biographies | 45 Interviews | 7 Articles | 3 Magazine Cover Photos | "

Alternate Names:

Frank Armitage | Johnny Carpenter | Carpenter | James T. Chance | John T. Chance | Rip Haight | Martin Quatermass

Parents:

Carpenter (Carter), Milton Jean | Carpenter, Howard Ralph

Did You Know?

Personal Quote:

I have always had different aspects to my personality. I think I'm a long-term pessimist and a short-term optimist. I do feel a great darkness about humanity. But - simultaneously and contradictorily - I also feel that life can be pretty fabulous. I should also express some of that in my work; I don't want to limit myself as a filmmaker. I want to be true to the parameters of all films. They ... "

Trivia:

He is a big video game fan. "

Trademark:

His lead male characters are anti-heroes (e.g., Snake Plissken in the "Escape" films and Napoleon Wilson in Assault on Precinct 13 (1976)) whereas the bad guys in his films are usually depicted as zombie-like, mindless, and lacking a personality or emotion. Though many people die in his films, with few exceptions, he usually avoids showing gore. "

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John Carpenter, Writer: The Fog. John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University.

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Download the new Storm King Productions App, available now on iOS and Android, and experience a new way of connecting with all of your favorite John Carpenter media: websites, music, comics, store, event updates, and much more.

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Download the new Storm King Productions App, available now on iOS and Android, and experience a new way of connecting with all of your favorite John Carpenter media: websites, music, comics, store, event updates, and much more.

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You may not copy, duplicate, download or reproduce in any way, any of the photographs from this site without the specific written permission of the photographer.

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I love my role as unit stills photographer. What I don't love is the fact that there is very little information available on this important craft in film making. There are no specialised courses and little other available information sources, until now!

Here is a collection of my articles about how a photographer can make the most of every moment they spend on a film set.
Tech Talk Articles by Angus Young
If you have a question that you want me to address in my postings please drop me a line.
Sound Blimp Manufacturers Unit Stills Photographer Profiles Product and Service Reviews Blogs, Articles and Resources for Unit Stills Photographers
Blogs, Articles, Interviews on film marketing and publicity

Video Resources
Jasin Boland: Movie Poster Photographer SBS Australia Interview

Cnet Exposure Pro profile on Australian stills shooter Alina Gozin'a

2011 Society of Camera Operators Lifetime Achiever, David James on learning from everyone he works with and producing stunning publicity stills:

The magnificent Jasin Boland talking about his favourite gear and the joys of working alongside a talented DoP. Jasin is an amazingly engaging speaker, really knows his stuff and creates sensational movie stills. Jasin works predominantly on action films so talks about how lucky he is to often shoot without a blimp on film shoots. This interview was recorded during the making of Aeon Flux.

Baz Lurhmann and his on set photographer, James Fisher talk about the importance of the role of a photographer on a film shoot, in particular about the making of Baz's epic feature film Australia.

Torchwood: Up Close - The Photographer Adrian Rogers talks through life as the stills photographer for BBC's science fiction series Torchwood

Bruce Talamon - Stills Photographer includes demo of Jacobson sound blimp and a brief history of the product.

John Platt - Australian cinematographer turned unit still photographer talks of his unit still photography using Fujifilm's mirrorless X-T1 camera.

Know of other good resources? Drop me a comment or an email and I'll include it in my list!

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Resources for Unit Still Photographers in Motion Pictures, Film and Television

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I love my role as unit stills photographer. What I don't love is the fact that there is very little information available on this important craft in film making. There are no specialised courses and little other available information sources, until now!Here is a collection of my articles about...

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Andrew Cooper | Society of Motion Picture Still Photographers

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Andrew Cooper is known for his work on Demolition Man (1993), Apocalypto (2006) and Transformers: The Last Knight (2017).

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Rob Youngson is a Unit Stills and Key-Art Photographer based in Oxford.

Rob's client's include: Fox, Disney, Channel Four, The BBC, Fred Films, Lionsgate and Verizon.

Recent credits include: Belfast, Call My Agent UK (including key art), Atlanta S3 (UK Unit), Allelujah (Pathè), Death On The Nile, Blithe Spirit, Artemis Fowl (Additional Stills), All Is True and Fisherman's Friends. A full list of credits can be found on his IMDB profile.

Actors shot by Rob include: Gal Gadot | Annette Bening | Sir John Hurt | Sir Kenneth Branagh | Dame Judi Dench | Sir Ian McKellen | Sir Derek Jacobi | Russell Brand | Hugh Bonneville | Dame Joan Collins | Timothy Spall | Sam Claflin | Tuppence Middleton | Noel Clarke | Daniel Mays | David Oyelowo | Dan Stevens | Leslie Mann | Isla Fisher

Rob is respected for his unobtrusiveness on set and his ability to put subjects at ease. Rob confidently captures unit still photography/key art and behind-the-scenes coverage that represents each production's unique character.

When not on set or in the studio Rob can often be found rowing Cornish pilot gig boats (on the Thames or in Cornwall), learning the lap steel guitar, or taking landscape photos.

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Rob Youngson - Unit Stills Photographer - Rob Youngson Photography | LinkedIn

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Rob Youngson is a Unit Stills and Key-Art Photographer based in Oxford. Rob's client's include: Fox, Disney, Channel Four, The BBC, Fred Films, Lionsgate and Verizon. Recent credits include: Belfast, Call My Agent UK (including key art), Atlanta S3 (UK Unit), Allelujah (Pathè), Death On The Nile, Blithe Spirit, Artemis Fowl (Additional Stills), All Is True and Fisherman's Friends.

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Film Stills Photographer - What's In My Bag with Rob Youngson (ft. Fuji/Nikon/Peak Design)

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BFI Film Academy: opportunities for young creatives

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Belgian sleuth Hercule Poirot's vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple's idyllic honeymoon is tragically cut short. Set against an epic landscape of sweeping Egyptian desert vistas and the majestic Giza pyramids, this tale of unbridled passion and incapacitating jealousy features a cosmopolitan group of impeccably dressed travelers, and enough wicked twists and turns to leave audiences guessing until the final, shocking denouement. - jesusblack-91294

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Belgian sleuth Hercule Poirot's vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple's idyllic honeymoon is tragically cut short.

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Pokémon Detective Pikachu: Directed by Rob Letterman. With Ryan Reynolds, Justice Smith, Kathryn Newton, Bill Nighy. In a world where people collect Pokémon to do battle, a boy comes across an intelligent talking Pikachu who seeks to be a detective.

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Belfast: Directed by Kenneth Branagh. With Jude Hill, Lewis McAskie, Caitriona Balfe, Jamie Dornan. A young boy and his working-class Belfast family experience the tumultuous late 1960s.

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CHANEL | GABRIELLE | ANDREW COOPER PHOTOGRAPHY | United States

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Chanel,
Gabrielle, Kristin Stewart,
Lucia Pica,
Ringan Ledwidge,
Andrew Cooper Photography,

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ANDREW COOPER PHOTOGRAPHY | TIBET | EDITORIAL

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Tibet, Lhasa, Morrocco, Sahara Desert, Rome, Andrew Cooper Photography, Photograph By Andrew Cooper Andrew Cooper Photography,

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In 1954, up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he thinks he's been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity. - alfiehitchie

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In 1954, up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he thinks he's been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister.

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William Wallace is a Scottish rebel who leads an uprising against the cruel English ruler Edward the Longshanks, who wishes to inherit the crown of Scotland for himself. When he was a young boy, William Wallace's father and brother, along with many others, lost their lives trying to free Scotland. Once he loses another of his loved ones, William Wallace begins his long quest to make Scotland free once and for all, along with the assistance of Robert the Bruce. - Anonymous

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William Wallace is a Scottish rebel who leads an uprising against the cruel English ruler Edward the Longshanks, who wishes to inherit the crown of Scotland for himself. When he was a young boy, William Wallace's father and brother, along with many others, lost their lives trying to free Scotland.

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Videos12

The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer. She fled to Texas, met a young man, who, on the day of their wedding rehearsal was gunned down by an angry and jealous Bill (with the assistance of the Deadly Viper Assassination Squad). Four years later, 'The Bride' wakes from a coma, and discovers her baby is gone. She, then, decides to seek revenge upon the five people who destroyed her life and killed her baby. The saga of Kill Bill Volume I begins. - JD

What is the streaming release date of Kill Bill: Vol. 1 (2003) in India?

Answer

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Videos12 The lead character, called 'The Bride,' was a member of the Deadly Viper Assassination Squad, led by her lover 'Bill.' Upon realizing she was pregnant with Bill's child, 'The Bride' decided to escape her life as a killer.

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Quentin Tarantino's Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood's golden age.

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Once Upon a Time... In Hollywood (2019) - IMDb

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Once Upon a Time... In Hollywood: Directed by Quentin Tarantino. With Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch. A faded television actor and his stunt double strive to achieve fame and success in the final years of Hollywood's Golden Age in 1969 Los Angeles.

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Rob Youngson, Camera Department: Pokémon: Detective Pikachu

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Rob Youngson is a Unit Stills and Key-Art Photographer based in Oxford. Rob's client's include: Fox, Disney, Channel Four, The BBC, Fred Films, Lionsgate and Verizon. Recent credits include: Belfast, Call My Agent UK, Heartstopper, Death On The Nile, Blithe Spirit, Artemis Fowl (Additional Stills)

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Andrew Cooper, Camera Department: Once Upon a Time in... Hollywood. Andrew Cooper is known for his work on Once Upon a Time... In Hollywood (2019), The Departed (2006) and Kill Bill: Vol. 1 (2003).

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UNIT PHOTOGRAPHY | Andrew Cooper Photography | United States

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Andrew Cooper Photography, Once Upon A Time In Hollywood, Quentin Tarantino, Martin Scorsese, Steven Spielberg, Chanel, Leonardo DiCaprio, Brad Pitt, Margot Robbie, Jack Nicholson, Mel Gibson, Al Pacino, Uma Thurman, Samuel Jackson, Michael Bay, Transformers, Keira Knightley, Kristen Stewart,