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1503–1515 | The Garden of Earthly Delights | Hieronymus Bosch, Dutch Painter

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This composition is a triptych entitled "The Garden of Earthly Delights" by the Surrealist artist, Hieronymus Bosch. The three panels of the triptych express and portray the artists' imaginative religious beliefs in Heaven and Hell, God, and the Devil.

The left panel depicts God's creation of Adam and Eve; the centre panel portrays heaven; and lastly, the right panel depicts the artists' vision of Hell.

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246–206 BC | The Qin Tomb Terracotta Warriors and Horses | Photo: O. Louis Mazzatenta / NGS Image Collection

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The Qin Tomb Terracotta Warriors and Horses

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The Qin Tomb Terracotta Warriors and Horses

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The Qin Tomb Terracotta Warriors and Horses, known as the Terracotta Army, is a creation of more than 8,000 life-size terracotta statues for the mausoleum of the first emperor of China, Qin Shihuang, c. 221-206 B.C.E.

This served to show the First Emperor Qin Shihuang's glory, and as an afterlife army, for he sought to conquer death—achieve immortality.

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Modeled 1880-1917; cast 1926-1928 | The Gates of Hell | Auguste Rodin, French Sculptor

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The Gates of Hell is a monumental sculptural group work by the French sculptor, Auguste Rodin. The doors were inspired and decorated with themes from Dante's Divine Comedy, Infero. The striking detail of the monumental sculpture is how merged the figures are into the surface of the "door", giving an illusion of struggle and constraint of being sucked into the underworld; figures constantly struggling to get out. The convulsed appearance of the many figures may depict the anguish and damnation of oneself.

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1563 | The Wedding Feast in Cana | Paolo Veronese, Italian Renaissance Painter

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The following piece is an artwork by Paolo Veronese, entitled "The Wedding at Cana." This painting illustrates a story that comes from the New Testament, wherein Christ enacts his first miracle of turning water into wine. The religious depiction of Jesus’ first miracle unfolds in a wedding, which can be correlated with a resemblance of a new beginning.

In particular, this artwork was chosen for its grandeur banquet of a celebration, its use of Renaissance colours, Greco-Roman architecture, and its eminent intricate details; showing social  opulence of those beneath the balcony. Above however, is rather chaotic and the people can be assumed as mere spectators. Despite the many scenarios occurring and figures present, Jesus can be seen as rather "illuminated" and is the only one looking directly straight—making Christ the central figure that can be seen; this however is something off as it should be the bride and broom for it is a marriage.

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166 to 156 BCE | The Pergamon Altar | Eumenes II, King of Pergamum (197–159 BC) | Photo: Carole Raddato

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The Pergamon Altar is one of the greatest and widely known Hellenistic Greek sculpture, built by King Eumenes II (197–159 BC).

The frieze thematically depicts a battle between divinity; Gods and Giants (Gigantomachy) derived from Greek mythology– portraying the God's victory over Giants.