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SCND Quotes:
1) "Blanche waltzes to the music with romantic gestures. Mitch is delighted..."

2) "Her eyes go blind with tenderness as she catches his head and raises him level with her. He snatches the screen door open and lifts her off her feet and bears her into the dark flat."

3) "Has anyone ever told you that you look like a young Prince out of the Arabian Nights? Well you do, honey lamb! Come here. I want to kiss you, just once, softly and sweetly on your mouth!"

DOAS Quotes
1)

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“It’s only paper moon!”

"In this part of New Orleans you are practically always just around the corner, or a few doors down the street, from a tinny piano being played with the infatuated fluency of brown fingers. This "Blue Piano" expresses the spirit of the life which goes on here."

"The "Varaouviana"! The polka tune they were playing when Allan--Wait!"

"Polka music sounds. In a minor key faint with distance.

We danced the Varsouviana! Suddenly in the middle of the dance the boy I had married broke away from me and ran out of the casino. A few moments later--a shot!

[The polka stops abruptly.]

[Blanche rises stiffly. Then, the polka resumes in a major key.]"

"A locomotive is heard approaching outside. She claps her hands to her ears and crouches over. The headlight of the locomotive glares into the room as it thunders past. As the noise recedes she straightens slowly and continues speaking."

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DOAS Quotes:

ASND Quotes:
'The darkness is comforting to me'

'And when I die, I'm going to die on the sea'

'I couldn't believe her story and go on living with Stanley'

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A Streetcar Named Desire

BLANCHE:  He returned with a box of roses to beg for forgiveness! He implored my forgiveness.

BLANCHE: Sometimes - there's God - so quickly!

BLANCHE: after all, a woman's charm is 50% illusion

Explanation: all these quotes show how out of touch with reality she is. The desperation and longing in the tone of dialogue for something more.

Death Of A Salesman

WILLY:  Because he thinks I’m nothing, see, and so he spites me. But the funeral – [Straightening up] Ben, that funeral will be massive!

WILLY: Oh, Biff! (staring wildly) He cried! Cried to me. (he is choking with his love, and now cries out his promise) That boy - that boy is going to be magnificent

WILLY: And they know me, boys, they know me up and down New England.

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"WILLY: No, Ben! Please tell about Dad. I want my boys to hear. I want them to know the kind of stock they spring from. All I remember is a man with a big beard, and I was in Mamma’s lap, sitting around a fire, and some kind of high music."

"WILLY [longingly]: Can’t you stay a few days? You’re just what I need, Ben, because I—I have a fine position here, but I—well, Dad left when I was such a baby and I never had a chance to talk to him and I still feel—kind of temporary about myself."

"WILLY: No, Ben! Please tell about Dad. I want my boys to hear. I want them to know the kind of stock they spring from. All I remember is a man with a big beard, and I was in Mamma’s lap, sitting around a fire, and some kind of high music."

“BLANCHE: In the bathroom the water goes on loud; little breathless cries and peals of laughter are heard as if a child were frolicking in the tub."

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Death of a Salesman
WILLY: "You can't see nothing here! They boxed in the whole god damn neighbourhood"

A Streetcar Named Desire
BLANCHE: " …I want to be near you, got to be with somebody, I can’t be alone! Because - as you must have noticed - I’m – not very well… "

EUNICE: [describing Belle Reve] " A great big place with white columns."

STAGE DIRECTION: "He takes a step towards her, biting his tongue which protrudes between his lips." // "He takes another step

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Internal Conflict + External Manifestation - Ameerah

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Internal Conflict + External Manifestation - Ameerah

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SND
BLANCHE: "One cup is my limit!"
Later in the play: "Two is my limit - no, three!"

BLANCHE: "Turn that over-light off! Turn that off! I won’t be looked at in this merciless glare!”

BLANCHE: "Never inside...I never lied in my heart..."

Explanation: all these quotes indicate Blanche's internal proclivity towards presenting herself as a demure Southern Belle. Her apparent failure to do so is an external manifestation of this conflict, which only becomes progressively worse throughout the play.

DOAS

“WILLY: Between [Charlie] and his son Bernard, they can’t hammer a nail.”

“WILLY: A man who can't handle tools is not a man. You're disgusting."

"BIFF: To devote your whole life to keeping stock, or making phone calls, or selling or buying. To suffer fifty weeks of the year

(…) And still—that’s how you build a future "

Explanation: the first two quotes suggest Willy's internal jealousy for his successful neighbours, this internal conflict manifesting as attacks on the only flaw he sees in them - their lack of physical strength. Ironically though, none of Charlie, Bernard, and Willy's jobs require practical work. Biff's internal conflict is different, focused on his desire to work on the field vs his responsibility towards his father - this manifests as regretful acceptance.

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DOAS Quotes:
1) "The man knew what he wanted and went out and got it! Walked into a jungle, and comes out, the age of twenty-one, and he's rich! "
Explanation:

Metaphor - Signifies Willy’s desperation for success. Ironic as he has been through the "jungle" but he has not garnered any success.

Sub themes: Futility of dreams, Reality vs. Expectations

2) "And they know me, boys, they know me up and down New England. The finest people. And when I bring you fellas up , there'll be open sesame for all of us, 'cause one thing, boys: I have friends."

Explanation: Highlights the deterioration of Willy as a character and it signifies his desperation and delusional state of mind.

Sub themes: Reality vs. Appearances, Delusion

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"After all, a woman's charm is 50% illusion"
"I don't want realism, I want magic"
"I won't be looked at in this merciless glare"
"Tell her she's looking wonderful. That's important with Blanche. Her little weakness."
Fatma

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DOAS:

[Linda]
"His blue suit. He’s so handsome in that suit. He could be a—anything in that suit!"
(Represents the societal expectations from men and Linda's fixation with appearing 'successful' in reference to Biff)

[Willy]
"A man is not a piece of fruit!"

[Biff]
"Why am I trying to become what I don’t want to be . . . when all I want is out there, waiting for me the minute I say I know who I am."

Streetcar:

[Blanche's description]
She is daintily dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district.

[Eunice]
"A great big place with white columns."

[Blanche]
"We are French by extraction. Our first American ancestors were French Huguenots."

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ASND:
"Blanche you saw him at his worst last night/ On the contrary I saw him at his best"

"Pig—Polak—disgusting—vulgar—greasy!—them kind of words have been on your [Stella's] tongue and your sister's too much around here! What do you two think you are? A pair of queens?"

"He throws his head like a baying hound and bellows his wife’s name."

“He sizes women up at a glance, with sexual classification, crude images flashing into his mind and determining the way he smiles at them”

DOAS:

"You know how honest I am, but it's like this girl, see. I hate myself for it. Because I don't want the girl, and, still, I take it and - I love it!"

“Strudel’s comin"

“Linda: Willy, darling, you're the handsomest man in the world— Willy: Oh, no, Linda. Linda: To me you are. The handsomest.”

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Appearance vs Reality (Death of a Salesman) - Sarp

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Appearance vs Reality (Death of a Salesman) - Sarp

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Stage direction: "flute"

Willy: '"Bernard can get the best marks in school, y'understand, but when he gets out in the business world you are going to five times ahead of him."

Biff: "Because I know he's a fake and he doesn't like anybody around who knows!"

Willy: "God Almighty, he'll be great yet. A star like that, magnificent, can never really fade away!"