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News Next soon

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McNally Street, LASALLE College of the Arts, Singapore

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McNally Street, LASALLE College of the Arts, Singapore

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McNally Street, LASALLE College of the Arts, Singapore

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Martin Bonney
Lecturer, School of Fashion

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Margarita Benitez
Associate Professor + Fashion Technologist
TechStyleLAB Faculty Director
Kent State University

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STADIO School of Fashion, Eileen Road, Blairgowrie, Randburg, South Africa

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STADIO School of Fashion, Eileen Road, Blairgowrie, Randburg, South Africa

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STADIO School of Fashion, Eileen Road, Blairgowrie, Randburg, South Africa

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James Barrett-Poulsen
HOD Fashion Design

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The School of Fashion within the Faculty of Arts and Design is known for being the most progressive Fashion Design School and retail training provider in South Africa. We are committed to the future of fashion and retail and pride ourselves on developing and delivering curricula that are relevant, progressive and forward thinking in line with the needs of the fashion and retail industry. Intellectually and creatively, the school is vibrant, with a strong emphasis on immersive learning experiences, practical academic rigour and industry engagement.

WHY YOU CHOOSE THE STADIO SCHOOL OF FASHION?
The School of Fashion, formerly LISOF is the only South African Fashion school internationally accredited with the British Accreditation Council (BAC). Our alumni populate the world in the exciting world of fashion design, fashion media and within the dynamic fashion buying and business industries. Programmes are practical with theoretical modules too which allow students to have an immersive learning experience by giving you early access to the world of work, while gaining world-class academic teachings. Our alumni are recognised as being innovators, creative problem solvers and are sought after by fashion retailers, media houses, creative agencies and the manufacturing sector.

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The School of Fashion within the Faculty of Arts and Design is known for being the most progressive Fashion Design School and retail training provider in South Africa. We are committed to the future of fashion and retail and pride ourselves on developing and delivering curricula that are relevant, progressive and forward thinking in line with the needs of the fashion and retail industry.

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Petro Naudé
STADIO School of Fashion
HOD: Contextual Department
Programme Coordinator BA Honours in Fashion

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London College of Fashion UAL, Lime Grove, Lime Grove, London, UK

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London College of Fashion UAL, Lime Grove, Lime Grove, London, UK

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London College of Fashion UAL, Lime Grove, Lime Grove, London, UK

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Leigh Odimah Unit Leader School of Media & Communication

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Ghent University, St. Pietersnieuwstraat, Ghent, Belgium

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Maude Bass-Krueger, Ghent University, St. Pietersnieuwstraat, Ghent, Belgium

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Maude Bass-Krueger, Ghent University, St. Pietersnieuwstraat, Ghent, Belgium

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Professor, Department of Art History, Music, and Theatre Studies.

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Kent State University, East Summit Street, Kent, OH, USA

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Kent State University, East Summit Street, Kent, OH, USA

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Kent State University, East Summit Street, Kent, OH, USA

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Ja-Young Hwang
School of Fashion
Kent State University
https://www.kent.edu/fashion/ja-young-hwang-phd

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Patrícia FONSECA
Design History Professor at FAAP and Belas Artes SP
patriciahelenasf@gmail.com

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Griffith College, South Circular Road, Saint Catherine's, Dublin 8, Ireland

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Griffith College, South Circular Road, Dublin 8, Ireland

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Griffith College, South Circular Road, Dublin 8, Ireland

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Hola! un gusto saludarlos. Soy Andrés.

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Hola!!! :)
Un saludo a todos!

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LCF

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Fernando Hage Soares
FAAP - Fundação Armando Álvares Penteado - SP
Full-time Teacher
fernandohage.com

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Dominique Norman (she/her)
MA Fashion Studies Parsons School of Design '18
Part-time lecturer: Marymount Manhattan College
Student Success Advisor: Parsons School of Design

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Writer, Educator, Activist | Dominique Norman

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Dominique is a fashion, beauty, and culture writer. She is also a fashion studies instructor at both Parsons School of Design and Marymount Manhattan College. Her work has explored the intersections of race, gender, sexuality, and the body, and examined their influence on fashion media and culture.

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Kyunghee Pyun, Associate Professor, Fashion Institute  of Technology

Hello? I posted one at Fashion Institute of Technology. I live near Seagram Building so that I write about myself here. I have several digital humanities projects and am looking for collaborators and partners. Please visit my faculty webpage and click links. I teach History of East Asian costume every spring semester. This is also available as online course in summer.

Thank you.

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In New York City, the art industry earns yearly revenues approaching a billion dollars. Art of every variety is exhibited and sold here, in countless museums, galleries, and auction houses. FIT's campus is steps from Chelsea's bustling gallery scene, a short ride from the Metropolitan Museum of Art; renowned museums and cultural institutions are in reach. We partner with many art galleries and organizations, giving you unparalleled opportunities to engage with professionals behind the scenes. You'll explore where art meets issues of ethics, politics, social justice, and sustainability. And you'll discover the wide range of career paths in this multifaceted field.

This interdisciplinary major draws on FIT's strengths in art history, communication, business, technology, and design. With hundreds of museums, art institutions, galleries, and archives nearby, ample opportunities exist to engage with professionals in the field. You'll learn how art collides with social justice, how to interact with curators and the press, and about the many opportunities that exist in the art field-while experiencing it all firsthand in Manhattan. Students are also encouraged to apply for the George T. Dorsch Endowed Scholarship .

If you have an AAS from FIT, you are eligible to apply to the bachelor's in Art History and Museum Professions. More about eligibility for this program.

Degree Details

Arts, culture, museums, careers ... With the city serving as your extended campus, you'll gain a perspective on the subject that few others will have.

The great thing about studying art in New York City is being able to actually see, in person, so many of the works by artists I've studied in my courses.

Marissa Klein Visual Arts Management '10

Students have interned at the Museum of Modern Art, Asia Society, The Drawing Center, National Museum of the American Indian, and Alice Austen House. Graduates have worked at Sotheby's, MoMA, the Metropolitan Museum of Art, the New Museum, the Brooklyn Museum, the Grey Art Gallery at New York University, and various Chelsea contemporary art galleries. Their roles include noncuratorial positions in collections management, development, information technology, public relations, rights and reproductions, and special events.

Beyond Graduation

Video Still from Bridging Time Discussion

Our faculty members are specialists in art history, have worked in museums, and are well connected to art professionals. They are active in social commentary and understand where the arts meet culture. Meet more Art History and Museum Professions faculty.

Chair of the History of Art department, Dr. De Young specializes in the intersection of art and fashion, teaching courses on modern art and fashion history. Her research and writing interests also include 19th- and 20th-century art and literature, visual and material culture, and modernism.

Dr. Baum has been a member of the department since 2012. She is a specialist in modern and contemporary art, new media, and cultural and critical theory. Dr. Baum teaches subjects across many fields and periods, with an emphasis on social and economic history, politics, and identity.

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In New York City, the art industry earns yearly revenues approaching a billion dollars. Art of every variety is exhibited and sold here, in countless museums, galleries, and auction houses. FIT's campus is steps from Chelsea's bustling gallery scene, a short ride from the Metropolitan Museum of Art; renowned museums and cultural institutions are in reach.

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Manchester Fashion Institute, Manchester, UK

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Manchester Fashion Institute, Manchester, UK

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Manchester Fashion Institute, Manchester, UK

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Benjamin Wild

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Academic and professional qualifications

Fellow of the Royal Historical Society

Previous Employment

Conde Nast College of Fashion & Design, London

Sotheby's Institute of Art, London

Victoria & Albert Museum, London

Undergraduate teaching

Unit lead Fashion Cultures 1

Postgraduate research supervision

Available for PhD supervision

Projects and initiatives

Media appearances or involvement

Visiting and honorary positions

Editiorial Board membership

Advisory board member, Journal of Dress History.

Research

Research Interests

History of clothing and fashion

Fancy dress costume

Menswear and masculinities

Royal dress and appearance

A historian of the decorative arts, my research seeks to situate contemporary and historic dress and fashions within their social and cultural context. Chiefly, I am keen to understand how material objects - primarily clothing and jewellery - become imbued with meaning to convey their owner's and wearer's values. Much of my research is characterised by an interdisciplinary and diachronic approach, which I believe is most effective to identify continuities and changes in cultural history.

My research interests initially focused on the dress and appearance of a society's leaders and elite, but I have become increasingly interested in the self- and group-presentation of people marginalised by a society. Previous research inclines me to believe that what a society chooses to repudiate is often more revealing of its values than what it publicly champions; for to deny, fear and hold back often requires more conscious and sustained effort than to acquiesce and blithely accept. This thinking did much to shape my current book project on fancy dress costume, which is underpinned by Barbara Babcock's observation that the 'socially peripheral is often symbolically central, and if we ignore or minimize inversion or other forms of cultural negation we often fail to understand the dynamics of social process generally'. These ideas will be more explicitly considered in my proposed book project, Wearing Culture: Controversy, negotiation and the pursuit of fashion, which considers contemporary fashions that challenge social norms because they are thought to contravene long-standing taboos. The relevance of my research focuses will encourage me to share my work with broad audiences. For example, in May 2019, marginality was the subject of my TED talk.

Wild, BL., 2020. 'Carnival to Catwalk Global Reflections on Fancy Dress Costume', Bloomsbury Visual Arts.

Wild, B., Walker, T., 2016. 'A Life in Fashion The Wardrobe of Cecil Beaton'.

Wild, BL., 2012. 'The Wardrobe Accounts of Henry III'.

Wild, B., 2019. 'Clothing Royal Bodies: Changing attitudes to royal dress and appearance from the Middle Ages to Modernity'. In The Routledge History of Monarchy, Routledge.

Wild, B., 2019. 'Romantic Recreations: Remembering Stuart Monarchy in Nineteenth-Century Fancy Dress Entertainments'. In Remembering Kings and Queens in Early Modern England and France: Reputation, Reinterpretation, Reincarnation, Palgrave MacMillan.

Wild, B., 2019. 'Qui copier quand il n'ya plus personne à suivre? L'imitation dans la mode'. In Faut il imiter pour exister ? Tous des copieurs (et tant mieux) !, Philippe Duval.

Wild, B., 2016. 'Reasserting Medieval Kingship: King Henry III and the Dictum of Kenilworth'. In Baronial Reform and Revolution in England, 1258-1267, Boydell & Brewer.

Wild, B., 2011. 'The Empress's New Clothes: A Rotulus Pannorum of Isabella, Sister of King Henry III, Bride of Emperor Frederick II'. In Medieval Clothing and Textiles, Boydell Press.

Wild, BL., 2019. 'We Need to Talk About Fancy Dress: Connections (and Complications) Between the Catwalk and Fancy Dress Costume', Fashion Theory, pp. 1-24.

Wild, B., 2016. 'Imitation in fashion: Further reflections on the work of Thorstein Veblen and Georg Simmel', Fashion, Style & Popular Culture, 3 (3), pp. 281-294.

Wild, BL., 2015. 'To have and to hold: Masculinity and the clutch bag', Critical Studies in Men???s Fashion, 2 (1), pp. 43-54.

Wild, BL., 2014. 'Secrecy, splendour and statecraft: the jewel accounts of King Henry III of England, 1216-72', Historical Research, 83 (221), pp. 409-430.

Wild, B., 2014. 'The civilizing process and sartorial studies', Clothing Cultures, 1 (3), pp. 213-224.

Wild, BL., 2011. 'Emblems and enigmas: Revisiting the 'sword' belt of Fernando de la Cerda', Journal of Medieval History, 37 (4), pp. 378-396.

Wild, BL., 2010. 'A Gift Inventory from the Reign of Henry III', The English Historical Review, CXXV (514), pp. 529-569.

Office Location

Room C2.32
Cavendish South
Manchester Fashion Institute
Manchester Metropolitan University
Cavendish Street
Manchester M15 6BG

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Staff Profile - Manchester Fashion Institute

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Fellow of the Royal Historical Society Conde Nast College of Fashion & Design, London Sotheby's Institute of Art, London Victoria & Albert Museum, London Unit lead Fashion Cultures 1 Available for PhD supervision Advisory board member, Journal of Dress History.

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Hello from Lipscomb University Fashion & Design!

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Olivia Hegarty, lecturer LCF

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Brandeis University, South Street, Waltham, MA, USA

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Brandeis University, South Street, Waltham, MA, USA

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Brandeis University, South Street, Waltham, MA, USA

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I (Kyunghee Pyun at Fashion Institute of Technology, New York City) am posting this on behalf of Professor Aida Yuen Wong at Brandeis University. Professor Wong and Professor Kyunghee Pyun wrote a book called Fashion, Identity, and Power in Modern Asia (New York: Palgrave Macmillan, 2018). This gets much attention among scholars and students of Asian studies and of fashion studies.

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East Asian Popular Culture

Editors: Pyun, Kyunghee, Wong, Aida (Eds.)

Contributes a variety of perspectives on fashion/clothing's impact on popular and industrial culture

Provides the first comparative analysis of clothing and dress in China, Japan, and Korea

Offers entry points for further research on the impact of modernity and imperialism in neglected areas such as military uniform, school uniform, women's accessories, shoe manufacturing, and textile trade

see more benefits

About this book

This edited volume on radical dress reforms in East Asia takes a fresh look at the symbols and languages of modernity in dress and body. Dress reform movements around the turn of the twentieth century in the region have received little critical attention as a multicultural discourse of labor, body, gender identity, colonialism, and government authority. With contributions by leading experts of costume/textile history of China, Korea, and Japan, this book presents up-to-date scholarship using diverse methodologies in costume history, history of consumption, and international trade.

Thematically organized into sections exploring the garments and uniforms, accessories, fabrics, and fashion styles of Asia, this edited volume offers case studies for students and scholars in an ever-expanding field of material culture including, but not limited to, economic history, visual culture, art history, history of journalism, and popular culture. Fashion, Identity, and Power in Modern Asia stimulates further research on the impact of modernity and imperialism in neglected areas such as military uniform, school uniform, women's accessories, hairstyles, and textile trade.

About the authors

Kyunghee Pyun is Assistant Professor of History of Art at Fashion Institute of Technology, SUNY, USA.

Aida Yuen Wong is Nathan Cummings and Robert B. and Beatrice C. Mayer Professor in Fine Arts at Brandeis University, USA.

"This book, in varying ways, treat the intersection of Western clothing, accessories, hair fashions, and fabrics with existing local versions of those aspects of dress and representation of the body. ... this is a very fine book. Its focus on fashion helps to modify the grand narrative of modern East Asian history." (Barbara Molony, Asia Pacific Perspectives, Vol. 16 (1), 2019)

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Fashion, Identity, and Power in Modern Asia | Kyunghee Pyun | Palgrave Macmillan

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This edited volume explores the symbols and languages of modernity in dress and body within the context of radical dress reforms in East Asia. It presents up-to-date scholarship and methodologies in costume history, history of consumption, and international trade in China, Korea, and Japan....

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Hello from Lipscomb University Fashion & Design!

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greetings from Tokyo

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Rethinking Fashion Globalization Student Work Activities
Welcome to the Global Fashion Concentration (GFC) website. This websites provides all the information about GFC, and is updated regularly with reports on activities/collaborations/... held within the course
For questions, please refer to our Contact page.

Find out more about GFC here

What's going on at GFC? Find out here

Check here the latest information about scholarships for international students in Japan.

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Welcome to the Global Fashion Concentration (GFC) website. This websites provides all the information about GFC, and is updated regularly with reports on activities/collaborations/... held within the course For questions, please refer to our Contact page. Find out more about GFC here What's going on at GFC?

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hochschule für technik und wirtschaft berlin university of applied sciences htw berlin

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Die HTW Berlin bietet Studium, Forschung und Weiterbildung in den Bereichen Wirtschaft, Ingenieurwesen, Informatik, Design, Kultur, Gesundheit, Energie & Umwelt, Recht, Bauen & Immobilien.

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Desiree Smal

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Beata Wilczek, Fashion Studies lecturer at MA Sustainability in Fashion and Creative Industries, AMD Berlin / MA Social Design and Sustainable Innovation, design akademie berlin / Fashion and Design Studies, School of form, Poland / PhD student in Fashion Studies at Academy of Fine Arts Vienna / www.beatawilczek.net

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Fiona Dieffenbacher, Parsons School of Design

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Catherine Hay, SDSS

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PhD Student researching fashion and performance at School of Art, Design and Media, Nanyang Technological University (Singapore).

Fashion lecturer at School of Fashion, LASALLE College of the Arts (Singapore).

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Nottingham Trent University

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Fashion Institute of Technology, West 27th Street, New York, NY, USA

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Fashion Institute of Technology, West 27th Street, New York, NY, USA

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Fashion Institute of Technology, West 27th Street, New York, NY, USA

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This is Professor Kyunghee Pyun. I have a research project called Teaching Business History to Art and Design Students with my colleague, Daniel Levinson Wilk. We have a faculty seminar meeting twice per semester until 2021. Please check the website we developed. We are willing to add your resources on our website.

I also have two other websites. I welcome any collaboration by scholars of dress history and fashion studies.

Primary Sources in Costume/Textile Design and History (Lecture Series)
https://pscth.tumblr.com/

Bamboo Canvas: Diverse Techniques of Asian Arts and Crafts (digital humanities project)
http://bamboocanvas.org/

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Welcome to the project site for Teaching Business and Labor History to Art and Design Students, an NEH-funded project to create curriculum for art and design students in order to educate them on the history of working as an artist or designer. On this site, you can find information on the development of this project, as well as a collection of resources, curricular materials and academic studies developed for this project.

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Teaching Business and Labor History to Art and Design Students

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Welcome to the project site for Teaching Business and Labor History to Art and Design Students, an NEH-funded project to create curriculum for art and design students in order to educate them on the history of working as an artist or designer.

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Towards a multispecies sensibility...

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Adam Gefen
Senior lecturer of fashion
University of Bedfordshire

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Gundula Wolter

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Helga Behrmann

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Maureen Lehto Brewster
PhD Student, University of GA

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Shee Fun Chan, Course Leader BA FDT Womenswear LCF, UAL

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Bárbara Estreal | Museo de Moda

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Security Advisory: For security reasons, always log out and exit your web browser when you are done accessing services that require authentication.

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School of Design

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Pforzheim/Lucerne

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here

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Merve Kahveci
Freelance Lecturer in the fashion design department of some universities.
MA Student at Marmara University Fine Arts

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Sabine Lettmann, BCU

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Claudine Brignot, Professor Fakultät Creative Business, BSP Business School Berlin

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MEHR ALS KREATIV - Die Verbindung von künstlerischen Kompetenzen mit fundiertem ökonomischem Verständnis.
Die Fakultät Creative Business steht für die einzigartige Verknüpfung von betriebswirtschaftlichen Managementkompetenzen und dem tiefgehenden Verständnis der innovativen Prozesse der Kreativwirtschaft.

Bachelor

Bachelorstudiengänge zwischen Design und Marketing, Nachhaltigkeit und der Bühne.

more Information

MASTER

Mehr als Kreativ:
Die Firma gleich selber gründen.

more Information

FASHION SHOW b.a.r.e. X Haubentaucher

Fashionshow des Labels b.a.r.e. in Kombination mit einer Auswahl von Gastdesignern im Club Haubentaucher im Rahmen der Berlin Fashion Week 2019.

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MEHR ALS KREATIV - Die Verbindung von künstlerischen Kompetenzen mit fundiertem ökonomischem Verständnis.Die Fakultät Creative Business steht für die einzigartige Verknüpfung von betriebswirtschaftlichen Managementkompetenzen und dem tiefgehenden Verständnis der innovativen Prozesse der Kreativwirtschaft. Bachelorstudiengänge zwischen Design und Marketing, Nachhaltigkeit und der Bühne. more Information Mehr als Kreativ: Die Firma gleich selber gründen.

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Prof. Carol Garcia, PhD
Centro Universitário Belas Artes de São Paulo
PPGAUD - Graduate Program Vice Coordinator

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Co-Director African Fashion Research Institute

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Kathy McGee
Co-founder of Digitoile
Lecturer in Design: FDT WW @ London College of Fashion

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Gayle Cantrell, Northumbria University

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Villioti Fashion Institute

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Noorin Khamisani

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Salmena Carvalho
Lecturer in Fashion & Textile Design
Gray's School of Art

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koninklijke academie voor schone kunsten

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Koninklijke Academie voor Schone Kunsten Antwerpen

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De Koninklijke Academie voor Schone Kunsten biedt bachelor- en masteropleidingen in de beeldende kunsten aan, met een ruime keuze aan afstudeerrichtingen: Fotografie, Grafisch Ontwerp, Juweelontwerp, Mode, Theaterkostuum, Schilderkunst, Beeldhouwkunst, In Situ en Vrije Grafiek.

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Villioti Fashion Institute

# data[].attributes.body
Leslie Whittaker

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Arnold Gevers
Professor of Fashion Design

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HEAD – Genève, Haute école d'art et de design, Boulevard James-Fazy, Genève, Suisse

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HEAD – Genève, Haute école d'art et de design, Boulevard James-Fazy, Genève, Suisse

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HEAD – Genève, Haute école d'art et de design, Boulevard James-Fazy, Genève, Suisse

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Sara Idacavage, PhD student, University of Georgia

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Heather Clark, Program Chair - Fashion and Technology
Wilson School of Design at Kwantlen Polytechnic University

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Applications for the Fall 2021 intake will open on October 1st. Have questions? Contact our Future Students' Office at 604-599-3030/ study@kpu.ca

Want to turn your talent for design into a successful career? If you have an eye for design, a head for business, and a sketchbook full of ideas, the Wilson School of Design is for you. At our new cutting-edge facility, we'll push you to your creative limits to fully prepare you for an exciting, dynamic future in modern graphic design, fashion, product design, technical apparel, fashion marketing, and interior design.

We support our students to take risks and innovate in small, personalized classes offering intensive hands-on learning experiences and state-of-the-art equipment. Our well-connected faculty bring strong professional connections and real-world experience to help you grow your professional network, perhaps even launch your own start-up before graduation. There are international exchange opportunities as well for gaining global perspective. Design your future with KPU, where thought meets action.
To celebrate the work of our graduating students, we developed a website featuring our 2020 grads. Check out this exciting online showcase: https://thisiswilson.design/

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Applications for the Fall 2021 intake will open on October 1st. Have questions? Contact our Future Students' Office at 604-599-3030/study@kpu.ca Want to turn your talent for design into a successful career? If you have an eye for design, a head for business, and a sketchbook full of ideas, the Wilson School of Design is for you.

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Elif Kavakci, Assistant Professor of Retailing and Consumer Sciences, Fashion Minor

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Royal College of Art, Kensington Gore, London, Vereinigtes Königreich

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Silke Hofmann, Royal College of Art, London, UK

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Silke Hofmann, Royal College of Art, London, UK

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clothing design PhD researcher https://www.rca.ac.uk/students/silke-hofmann/

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HTW Berlin - Campus Wilhelminenhof, Wilhelminenhofstraße, Berlin, Deutschland

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HTW Berlin - Campus Wilhelminenhof, Wilhelminenhofstraße, Berlin, Deutschland

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HTW Berlin - Campus Wilhelminenhof, Wilhelminenhofstraße, Berlin, Deutschland

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School of Culture and Design

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Dorothea Mink
Professor of Fashion Design
The Faculty of Art & Design
University of the Arts Bremen

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Shawana Khalil
Associate Professor
Pakistan Institute of Fashion and Design

Fashion is an important part of creative industries leading to creative economy, influenced by culture and migrations. Fashion education plays a pivotal role in bringing forth unique concepts and ideas, influenced by culture and environment, later to be   materialized into products which are functional yet aesthetically unique.