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Box containing books and postcards

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Small pebble images + bigger prints

Still need to experiment with fabric?

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Set of images in petri dishes + circle books and fishing wire + a set of abstract prints presented in frames like above

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Triptych onto paper or fabric + book of all experimental pieces.

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Published book and coursework sheets

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Images inside boxes - peering through

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Gilt frames - like renaissance paintings

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Frames (see below). This replicates the way you have peered into spaces. Explain in you Weebly.

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Large A1 scale prints at least 3

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Images onto fabric or in frames?

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Images printed onto tea-stained paper in simple black frames (A4 size)

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Images under Bell Jars

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Set of little texture books and prints.

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Book and a set of prints.

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Take images of the picture on fabric in nature eg. trees & water

take small videos or live photos where the subject moves slightly

hope for the sun and when sunny do the sunlight water shoot with Phoebe

If its predicted to stay sunny drive to the lake and do the water shoots there

If it's not sunny re do masculin shoot with better lighting to make better shadows

Try and do shoot with Phoebe without sun?

Complete all annotations

Could do a water shoot on holiday in the sea?

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I'd edit it to be B&W

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Photographs to be arranged in a way that isnt organised in specific rows and columns but still look slightly organised and neat.

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I think something like this would be good for my final piece. Telling a story would be interesting.

Maybe starting off with a picture of 'before' then showing the warm-up, then the fight, the result, then the after. This way I could tell a story

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- Bring salt for cyanotypes
- Research wet cyanotypes

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Warped and Waterlogged, links to overlayed photographs

Handmade Artist Books/Scrapbooks

Making a box

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"Anywhere you go, when you see disasters, people grab the pictures," says documentary photographer Keith Calhoun from his neighbor's front porch last August. "I didn't value my photos until after [Hurricane] Katrina. Now every moment is of value to me because I see how quickly things can change, how nature can claim its course."

Calhoun works together with Chandra McCormick, his artistic partner and wife, to document the gamut of life in their native Louisiana-from the prison industrial complex, to second line parades, to gumbo parties. McCormick says they feel it's their calling to "capture the strength and dignity of black New Orleanians, who despite hardship find a way to create spaces for joy and celebration."

The couple hasn't remained in the Lower Ninth Ward by default, though. New Orleans is where they've "committed to live, work, and struggle"-to seek positive change through their photography and community action. And at times, it has been a struggle.

Back in 2005, when their family was evacuated before Hurricane Katrina struck, Calhoun and McCormick did their best to protect their photographic archive-what amounted to 30 years of work. They put the film in Rubbermaid bins on top of tables and fled to Texas, expecting to be back soon. When they returned to toppled bins and waterlogged negatives-in addition to lost lives and a flooded city-they were devastated.

"We felt an indescribable sense of personal and collective loss," says McCormick. "Flood damage to our home and studio saddened us. We also felt pain and loss for our community."

Their son, who could sense their disappointment over the damaged work, encouraged them to hold on to the negatives. A friend then suggested they freeze the film to stop any further deterioration. So they went fridge hunting. Right after the storm, McCormick explains, "residents were required to put their refrigerators on the street." Calhoun found one, cleaned it, plugged it into a generator, and filled it with garbage bags of slides and negatives. They weren't sure if the freezer worked, but the next morning a cloud of frost appeared when they opened the door. Their memories remained frozen there for five years.

In 2009 the Ford Foundation awarded Calhoun and McCormick a grant to restore their work. Finding supporters for this process "restored our faith that everything is possible. Our spirits and energy were renewed," says McCormick.

Restoring the negatives was tedious and the chemicals toxic, but it was worth it. "Looking at the imagery for the first time was amazing," McCormick says. "We didn't know what to expect. We weren't sure if there was anything there."

The images were, of course, transformed through this process. "The mold, cracked film cases, and restoration created abstractions of our initial images." Hints of the old subjects remained, grounding the photos in reality, but the new dimensions that emerged fostered a deeper sense of beauty for their makers. Now, McCormick says, "the images represent different forms of light that guide and sustain us through trials and tribulations."

These negatives document the New Orleans that existed before Katrina-in many ways a New Orleans that perseveres. But the images also bear physical witness to the effects of trauma, revealing the resilience of people who don't give up, while testifying that they have been irrevocably changed.
Chandra McCormick and Keith Calhoun live and photograph in and around New Orleans. They founded L9 Center for the Arts in 2007 and continue to run arts programs for youth in their neighborhood of the Lower Ninth Ward. See student work created at L9 Center for the Arts in collaboration with National Geographic Your Shot.

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Warped and Waterlogged, a Damaged Photo Collection Takes on New Life

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"Anywhere you go, when you see disasters, people grab the pictures," says documentary photographer Keith Calhoun from his neighbor's front porch last August. "I didn't value my photos until after [Hurricane] Katrina. Now every moment is of value to me because I see how quickly things can change, how nature can claim its course."

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Revisit

Experimentation - Solid Colours

Bleached photographs

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Quite micro organism looking, could do this on large scale, show intricate details of mold, I like the idea of microscope petri dish

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Something similar, get loads of photos of unique, indidual mold - show the variation

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If i was to do something nava Lubelski related, could hang up art by strings.

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Want to present photographs in display or box like this, with the books I've made and maybe some loose photographs

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I think the glass front would work effectively as it links to the physical process that occurs when taking the images

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Home Furniture, Home Decor & Outdoor Furniture

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Photograph fallen trees, broken branchs etc in Alex Park

Bring in 5 is different sized rocks

Next lesson: edit fallen trees, rock B&W & wrap around rocks. Re-photograph

Foliage to press from your garden

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- a few of my favourite photos in old vintage frames and some in an old photo album

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I like the way the photos are laid out alongside the text

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I think a book like this would compliment my personal investigation well.

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I want to present my books and work either in a box or display case like this, presenting in a way that represents saving past memories and a sense of nostalgia

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a dip tic of three images very close up

one image projected onto a sheer piece of fabric and then videoed moving in the wind

images held between glass panels, very delicate

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multiple smaller images distressed scattered in a formation on a white canvas.

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one of my images distressed (burned, painted, ripped) presented taller than me on a white wall - representiive of the buildings im taking pics of.

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Photoshoot exploring emptiness and abandoned feeling in Altrincham

Further research and make references and links to liminal space video documentaries

Go over previous sections and refine, delete and review

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Continue to find really good industrial locations to photograph.

Research other artists whose work links to Liz Brizzi - so that you have ideas for further experimentation.

Collect papers/envelopes etc. to collage onto backgrounds.

Look at a range of artists, not just photography - collage?

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Analysis - link all work

Take photos of mold - maybe try still life but do more

Grow petri dish mold (ongoing)

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Continue with my development and experimentation, just get ideas really refined and fleshed out

Annotation - link your responses back to the artist you have researched for each section

Put the research artist work before your responses - your Weebly would 'flow' better?

Continue to take photographs over half term, developing and refining the work you already have.

Try using shadows, or manipulate/intervene with the scene to create a sense of presence?

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TAKE OUT POOR QUALITY IMAGES ON WEEBLY

EXPERIMENT WITH BLACK AND WHITE

PLAN BOOKS TO MAKE

COLLECT IMAGES FOR BOOKS

Decide on a series of themes

Organise photographs and shoot for each of these over half term

Continue to research for ideas - ways of photographing and locations.

Use the annotation guidance sheet and go through your Weebly

Greater depth needed in your related study. Research the importance of astro photography. How have technological developments influenced it - wider implications etc.

Keep adding artist research this will inform your ideas and help give you ideas for experimentation.

Beach and Forests

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Organise photographs, maybe present some photographs smaller/next to eachother

Scan in all of the photographs on weds and organise them over half term on weebly

Do Liz Brizzi analysis

Revisit older work and refine

Note - Want to revisit Northwich as a location for some photographs - have been unable to due to the weather over half term

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Photoshoot at castlefield

Annotate weebly

As well as taking more photographs, it is important that you research ways of experimenting

An example of this could be old textures on top of your church photographs, cutting up and collaging your images of the Imperial War Museum (I will explain if you are not sure what I mean)

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organise weebly - artist reference, with sub-heading and then your responses, THEN development/experimentation

do another shoot using 50mm lens

Experiment with lightening & adding filters to some of your images.

Find more research that links to Rinko. This will give you ideas for development/experimentation. You might photograph other parts of the body - hands etc?

Refine your mood board.

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third shoot with chardonnay using the black velvet background, use wet hair, make her look through make it very 'arifical looking' to make it look like a painting. Place other fabrics on top of her

experiments from the shoot - editing

edit the shoot with luca!!

visit as many museums as possible for inspiration!!!!!!!!!!!

Research more - refine your moodboard and decide which idea is the most sensible and possible to pursue towards a final outcome.

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RE-DO PROJECT PROPOSAL

IMPROVE/ADD MORE ANNOTATION

MAKE ANOTHER DIORAMA & ANOTHER SHOOT

Try and find a dolls house you can photograph? Maybe a museum if you don't know anybody?

Think about different containers you could use to create your little worlds? Look at presentation ideas board on Pinterest - matchboxes, tins etc. Collect some over half term.

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another photoshoot- bath under waterr, drowing

finish maicheal mapes photosoot

finish related study

re do sh sadler photoshoot

going to museums

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Take photos to make acetate negatives

Try collect flowers or buy

Find more cyanotype inspiration

Finish check list

ANNOTATE WEEBLY

After 1/2 term - print cyanotypes onto fabric & my hand-made paper (cyanotypes). This needs to be new foliage and flowers?

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Analysis. LOTS OF IT.
TAKE SEVERAL MORE SHOOTS:

Boxing matches

The building and location

Collect more objects to photograph

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go over and refine work, do more shoots and edit 'glass shoot redo'

Continue to review your Weebly and organise it into 'sections'. Include sub-headings

Refine this work - as you have started to do, it has really paid off.

Try and make sure each section has a distinct focus - at the moment they blur into each other?

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loreto18

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possible final idea could be a video to show movement.
maybe project or transfer onto light fabric.

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I really love the framing of this photograph, it really brings all of the background together without obscuring too much detail

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Burn acetate

Experiment with semi gloss paper, bleach, burn etc

Corey Holms in petri dish

Grow more mold in petri dish

Corey Holms ink, oil etc mix with mold in petri dish

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Better close up ones, edited and uploaded.

Weebly organised

related study

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Week 1:

Going to buy more flowers. And/or collect little bits of delicate foliage so we can do more small cyanotypes

Complete some of the tasks outlined on weebly (to organise)

Week 2:

Edit background white

Move the colour lightbox ones up

Weebly order:
Investigations:

Nick knight, then tracing paper, include the artist & explain how it links

Photograms (need an artist for these)

THEN Anna Atkins

Week 3:
​Development: ALL cyanotype?

Cyanotypes onto different papers, ceramic, fabric, wood. etc

Print cyanotypes onto floral paper? etc

Week 4:

Cyanotype book - nail varnish transfers & prints onto hand-made paper

Spray resist

Week 5:

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Week 1:

Photograph images you have done (relief) & put in Weebly

Finish book?!

Upload experiments with plastic wallet & printing onto the wrong side of paper

Organise responses into groups & include Wolfgang  Tillmanns research? Think about including fibres, hair etc?

Week 2:

Photocopy/print some of your images onto sheets of acetate. Then, burn/melt using a lighter & re-photograph.

Research scientific imagery?! Could you use food, things like onion skins in the work?

Bring in food etc jam, onions, pepper. Use lightbox and macro lense.

Present Book

Week 3:

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Week 1:

Cutting out photographs and tracing paper background. Finish that this week, don't forget my usb stick on friday

Possibly use a lightbox as a background

Weds (today) - going to do a photoshoot taking photographs as raw files to learn to edit for week 2 idea

Week 2:

Photographs for a section after catherine yass with the yellow and blue colours

Blackboard idea, layering up writing with black and white Altrincham photographs

Week 3:

Properly think about Final Piece and presentation

Focus on the oversaturated colours aspect, favourite section of the word.

Week 4:

Week 5:

Other things: Photoshoot next time I go to Northwich for Lynn Saville buildings - shoot in RAW format

Reorganise my Weebly page a bit, maybe add spacers between photographs

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Week 1

Try and find an example of an artists who photographs in a diaristic or autobiographical way? Lockdown diaries? Replace Martin Parr research with this.

Move skies section under initial photoshoot of you on your bike in Chorlton

Develop people of Chorlton, or remove?

Development - shot in Chorlton - present some of these bigger? Same for 'Capturing a sense of presence section'

Include research & IMAGES by Stephen shore - Mississippi series.

SHOOT - fine discarded objects or things that suggest something has happened "evidence". Things that suggest a story

Week 2

Experimentation - Research for ideas - image and text, printing onto the pages of childhood books. Video with sound - nature, school playground, sounds from the home etc.

Contact schools?

Week 3

Photoshoot of the schools and/or 18th - empty room/traces of the event. Look at Laura Letinsky for reference & Claire Gallagher - 'The Second Shift'

Re-trace your footsteps of the walks you did to school - try and photograph in your Chloe Dewe Mathews style?

Week 4

Revisit locations or walks you went on in your childhood in the Peaks. Again, try and keep the feel of Chloe Dewe Mathews in the work.

Week 5

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Week 1:

Editing photos from shoot 8 (empty gym)

Bring in old boxing gloves and any other stuff like trophies. Photograph on the black background and on wooden background.

DOCUMENTARY BLACK AND WHITE. Photograph the local area so that it builds a picture of the purpose of the gym etc.

Talk to the coach. Record what he is saying so that you can combine text with the images.

Think of ways you can photograph in the building - through gaps in door etc. Shallow depth of field.

Week 2:

analysis

Week 3:

Photoshoot on accrington boxing show 29th jan

Week 4:

Edits from week 3 + photoshoot on Macclesfield boxing show 4th feb

Week 5:

edits from week 4

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week 1

annotation

Photograph industrial scenes & textured walls

Put Liz Brizzi research into Weebly and complete an image analysis

week 2

Complete initial Liz Brizzi responses

Experiment - painted backgrounds, textures, collage?

Week 3
week 4
week 5

Organise all work for assessment

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First thing: Take out bits of weebly/refine
Week 1.

Develop/refine work identified during review (see notes on printout)

Plastic sheeting or normal white sheet invfront of a window

Week 2.

go over shoots and refine and make more of the images that are good

Week 3.

Blurry shoot?

Week 4.

Improve related study

Week 5.

Go over my work and develop certain aspects

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Week 1:

Explore atmospheric scenery with small amounts of graffiti within them and a lack of presence. (liminal space)

Truly research idea of liminal space. What videos and understand the concept

Present understanding and research on weebly

Remove all your images from galleries!!!! let me help you select & arrange.

Research Simon Buckley 'Not Quite Light' & Rut Blees Luxemburg

Week 2:

Shoots explore locations such as car park and abandoned locations for liminal feel

Week 3:

Week 4

Week 5

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week 1:

edit close up images

do more research

sort everything out

related study updates

week 2:

do new shoot based on research from week one

could be very close up skin ones and hair

edit that shoot

upload it

week 3:

Project onto fabric - silk or even just white sheets

Incorporate the person - slow shutter-speed

Using sunlight

Projections

Shadows?

week 4:

Try peintiomng onto different papers - tracing etc

Nail varnish transfer onto satin?

week 5:

organise all the work so it makes sense and flows

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WEEK 1 :

Edit diorama photos

Complete a set of at least 6 responses to Nicholas Dhervilliers (21st January)

WEEK 2 :

Related study improvements

Make another diorama and experiment with digital edits

WEEK 3 :

Related study improvements if needed

Edit new diorama shoot

Week 4:

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WEEK ONE:

experiments for the most recent shoot - clay *did not work*

WEEK TWO:

another shoot with chardonnay, with a black background, making it less simplistic and creating a darker shoot. (shoot with male completed)

WEEK THREE:

related study improvements!

WEEK FOUR:

experiments for the shoot.

CEMETERY SHOOT!!!!!!!!!!!!!

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Week 1

edit images

organise and annotate weebly

Come artist analysis

Shoot Imperial War Museum

Week 2

Edit imperial war museum

Make sure all images are in folders and organised in your art store

Print your Weebly for me to go through

Week 3

re organise weebly

photoshoot?

Week 4

Week 5

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Week 1:

Shoot along the lines of broken glass, Reflections, homemade filters

Review & develop. complete a further shoot if necessary.

Continue to research for appropriate reference - LOOK at TODD HIDO

Organise the ones you have taken into sections.

When taking yur photos do one without filer and one with so you can layer after & rub bits back. Choose good locations - remember this is about NATURE (21/01/2022)

Week 2

Experiment with shoot, Texture, create books

Experiment with submerging the camera phone under the water

Organise weebly

Week 3
Shoot along with Showcase Books

Week 4

Week 5

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More corey holms with lightbox
Bring in food dye, oil etc

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-finish the michael mapes editing and collaging (done)
-do another photoshoot of sh sadler analysis them (not done)
edit the scanned photos (done)

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- Continue Related Study
- Make another Diorama and use different figures

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Photoshoot on Liminal Space along Canal

Finish Annotation for current sections

Research ideas for appropriate experimentation - dont research subject matter, focus on technique.

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Related study corrections

Finish annotation - use guidance sheet

Figure out a final piece idea (Collect delicate small flowers and place between tracing paper book pages).

Refine weebly.

Take some photographs, even just close-up details in nature, frost etc? These can all go at the beginning of your Weebly as part of research and investigation.

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Tracing paper shoot (look through the paper), with different lighting

Revisit some of your previous shoots so thgat they are explored in more depth and the quality is refined.

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Re-organise weebly - Keld Helmer-Petersen - Helene Binet

Take a photo shoot

Edit photos

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More shoots:
- Coat hangers
- Empty Changing rooms
- Action ones
- Before & after ones <----- had COVID so couldn't do them in time

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Add to related study based off miss' notes

Attempt a shoot with the short lens

Research Rinko

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- Corey Holms experimentation

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Research photographers and link to your work - these should be fine art photographers from credible sources, (Lensculture, British Journal of Photography etc) photographers whose work links to environmental issues?

ANNOTATE your Weebly

Take more photographs, if you are able to respond to the photographers you research

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Get another photoshoot with Barry done for my Kaylnn Deveny work
Look at sample weeblies bring in quotes
Go home polish?
A series where Barry Gradually disappears In the meadows , transition from Kaylnn to Chloe dewe
Represents the passage of time Shadows? Part of arm? hiding ? Gradually disappearing until he is gone altogether - friends moving away and growing apart as one grows older.
book pages, barry dissapears as you turn pages.
Shots from distance Just part of him (Hand/ foot?)

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Photographs of shops, from the front, maybe when closing or closed

Photography when darker, at dusk? Around 4pm probably

Northwich town centre could be a really good place for this

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http://barneywilkinson.weebly.com

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1) Clearly explain WHAT the study is going to do (compare approaches to boxing/sport photographers).

2) Background info to sport/boxing/photography/technological developments & impact this has had.

3) Analyse each photographer on the SAME criteria: style/composition/subject matter & technology.

-Compare as you go along briefly

-Include evidence - opinions/views from a range of sources. Then state your own opinion & link back.

4) Writing is in 1st person throughout and very informal. Use guidance sheet suggested.