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but I think one of the best influences for the shadow play is the classic childhood books “ispy”.

In the scene, (second half of the film), he goes through this shadow play that becomes this liminal space of confrontation. We can use the idea of childhood vulnerability and nostalgia of the “ispy” books to turn it into something eerie and suspenseful. I really love this concept, and it would make that scene so much more effective.

Reading how these shots are made, (even though it’s just a children’s book), is so magical and dreamy. That they use actual props to set it up and photograph it, even though it looks photoshopped / digitised.

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one of my favourite film composers. His authorship is consistent. it's fresh. somehow it hits on emotional levels but is also so relevant. His score in both Kajillionaire and Minari uses classical in whimsical ways

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using rocks to build structure on the mould

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using rocks to build structure on the mould

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I love the organic form of rocks, maybe we can use large rocks to add "mould" to it and place them in the house for more depth

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https://pin.it/369eRVo

(can be dangerous to inhale, use mask if shaving it to powder/dust form)

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paper mache for organic structures and terrains 

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paper mache for organic structures and terrains 

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Pasta terrain | Miniature crafts, Dnd crafts, Dnd diy

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Sep 17, 2019 - This Pin was discovered by Joshua Fields. Discover (and save!) your own Pins on Pinterest

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Pin by Sax on Diorami e tedeschi 1 gm | Dnd crafts, Dnd diy, Diy doll miniatures

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Dec 23, 2018 - This Pin was discovered by Sax. Discover (and save!) your own Pins on Pinterest

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psychogeography and the esoteric spaces.

the main theme of the story. is in the title itself. especially in a world where we are constantly fufilled with multisensory elements (mindlessly scrolling into voids, multitasking all the time, efficiency and quantity of things), we sometimes forget to take a breather and understand how much a small thing goes a long way.

the world goes in to such chaos when things are out of order, that we rely on impulses for our response to things that occur. e.g. the pandemic

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the metaphysical worlds. perceptions of the landscapes around us 

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the metaphysical worlds. perceptions of the landscapes around us 

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this will help with the themes and novelty of our presentation. why is it relevant in our socio cultural world today

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When The World Became A De Chirico Painting

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https://www.youtube.com/watch?v=NNm8f3tIfAA
when entering the dreamscape of someone, the concept of time is disembodied. this can be conveyed in music and composing.
e.g. inception.
" Non, Je Ne Regrette Rien"
the song they use as a kick to come back to their consciousness. as they fall deeper into the layers, you can hear it in a very slow and low pitch way. the deeper you fall, the lower it goes, entering the liminal spaces of someones mind.

https://www.youtube.com/watch?v=OzLhXesNkCI
and that's how this score was made. by sampling the original song and deconstructing it to 2 basic notes that drives the score to bring something so engulfing, powerful, collapsing.

I wanted to carry the same notions as hans zimmer does with his perceptions of dreams. when ma disappears, and kai goes to the hills hoist, we are entering the dreamscapes of Ma. more in a surrealism world.

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Hans Zimmer - Dream Is Collapsing (Official Audio)

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https://docs.google.com/document/d/1b6BDXU0LqIXFjGuMJr9e_XKjgJbXD4oJbprfjlCuaM0/edit

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https://docs.google.com/document/d/1snpta4jcE5tSRH9Fzp1B3_X_CX-y2Bqu4PvxtEA0nqw/edit

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https://www.indiegogo.com/projects/spider-man-lotus#/v
https://seedandspark.com/fund/thecollinsfilm#story

premise - make it look aesthetically pleasing and a lot of thought and care has been put in to it. but not too much where it seems like we are a high production company. the in between of having it casual and professional

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I've recently had this love and appreciation for dissolves. The idea of a really slow fade between two images takes the viewer out of idle watching and makes them proactive to realise why these shots were put together. It adds to the surrealism, gives more meaning to the ambiguity of the film and it also plays on the mother and what happens to her in the end.

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When you combine two or more shots together in a film, they don't appear to be in sequence. They may be edited together to form a smooth transition or may be used as-is to create a dissolve effect.

A dissolve occurs when there is a small amount of time between the two images that are being combined or cut together.

The duration of the exposure is usually small enough that it's not noticeable by the human eye, but it's enough to cause the two images to move from one position on the screen to another position on the screen.

What Is a Dissolve In Film?

A dissolve is a transition between two images, in which the two images are shown simultaneously but one image fades out while the other fades in.

In film and video, dissolves are normally achieved using optical printing, where separate negatives are exposed to light and then combined in a printer to form one positive image.

This technique produces a smooth transition between two incompatible photographic emulsions (or two black-and-white negatives) that were exposed at different times.

In animation, dissolves are commonly used to introduce stories or scenes by showing a sequence of drawings or photographs which gradually change into another drawing or photograph that represents the story's main action.

The most common use of dissolves is when you want to create an emotional connection between two scenes in your film.

For example, if you're watching a movie about love and you see someone smile at their partner throughout most of their movie but then there's an emotional scene where they get dumped by their boyfriend/girlfriend, this would be considered a "dissolve" between those two scenes because there wasn't any real time passing during which emotions could build up between them before they were separated by this moment (and thus caused more emotion).

Dissolve Video Editing

Dissolves are a special type of transition that smoothly moves from one shot to another. They can be used to create a smooth transition between scenes or as a way to transition between shots within the same scene.

Dissolves are often used in documentaries, where they help to set the mood, but they can be used in any type of video production.

The most common dissolves consist of two images that move from left to right across the screen. This type of dissolve is often referred to as a "car wash" dissolve because it looks like a car washing its windshield.

In this type of dissolve, the first image fades out while the second image fades in.

Another type of dissolve consists of two images that move from right to left across the screen. This type of dissolve is often referred to as a "reverse wash" dissolve because it looks like someone cleaning their windshield with soap or water instead of water and soap.

In this type of dissolve, the first image fades out while the second image fades in.

What Is A Dissolve In Film?

A dissolve is a visual effect where the image of one shot dissolves into the image of another shot. The technique has been used in films and television, but it's also effective as a graphic design element.

The dissolve is a common optical printer trick that can be used to combine two images into one, or to fade between two shots. It's also known as a dissolve transition, fade-in/fade-out transition, or wipe transition.

What Is A Dissolve In Film?

Dissolves are created by using an optical printer that has two separate film stocks. One stock is placed over the other and exposed through an aperture at the top of the screen.

The two films sit next to each other on top of each other until they're exposed together at the bottom of the screen through another aperture. This allows for two different images to be combined into one image onscreen.

History Of The Dissolve In Film Editing

The dissolve is a tool that has been used in film and television production since the early days of the medium. It's a technique that allows you to transition from one shot to another without having anything happen in between.

The dissolve is often used as a transitional device between scenes, but it can also be used after a cut or during a cut. In many cases, dissolves are also used to show how two shots can be connected to one another by showing different angles of the same scene.

The dissolve is actually just an optical trick that appears seamless and natural when you watch it back on screen. The process involves using two different cameras shooting at the same time and then putting them together at the end of your shoot using editing software like Final Cut Pro or Adobe Premiere Pro.

Where Did Dissolves In Film Originate?

The origin of dissolves in film is considered to be 1894. That year, the Lumière brothers released a short film called Le Théâtre Optique, which featured a scene with two men walking down a street.

The two men were walking side by side and then suddenly disappeared behind a black curtain that was rising up from the ground.

The audience at the time probably thought this was magic or something out of a dream. After all, there was no way that something could just fade out like that.

In fact, what happened was quite simple: The camera had been moved slightly during filming, but not enough to completely cover the subject being filmed with anything other than a dark background behind it (and even then, it still had some light coming through).

When the final shot was taken, it showed that the two men had not disappeared; they were still walking down the street towards us!

Dissolve Transition In Film In Méliès's Cinderella (1899)

In Méliès's Cinderella (1899), the dissolve transition is an early example of a technique that would become a staple in film editing. The dissolve is a technique that has been used in cinema since its inception.

As with many of the early films, this film was shot using a combination of live action and animation.

The dissolve is a visual effect that changes the image from one shot to another. This effect can be achieved using negatives, wipes and dissolves.

The dissolving process can be used to create various effects such as moving from one location to another or even more complex transitions like traveling through time or space. The dissolve can also be used to create an illusion of depth by creating depth within an image in addition to depth across images or between two images at different points in time.

Dissolve Transitions In Citizen Kane

The film Citizen Kane is one of the most famous films in the world. It has been called one of the greatest films ever made and is considered to be one of the most influential films ever made. The film is about an old man who suddenly finds his life changing drastically.

His reporter son dies, his wife dies, and he loses all of his money. This film has many different dissolves, which are transitions between two different images or scenes, in order to show the audience a lot of information at once.

The first dissolve transition occurs when Charles Foster Kane (Orson Welles) meets with his best friend Jedediah Leland (Orson Welles). They are both drinking at a bar when they start talking about how they want to become rich and famous after they die so that their families can live well off their money.

The scene then fades out into another scene where Charles Foster Kane is sitting in front of his desk with his head down because he doesn't have any money anymore. He then gets up from his desk and walks over to a window looking out into the city where he sees a car pulling up outside his mansion with a large crowd gathering around it.

The second dissolve transition occurs when Charles Foster Kane goes down into

Dissolve Vs Fade

In the video editing world, there are two main types of transitions: dissolve and fade. Dissolves are used to transition between two different shots. Fades are used to transition between two different clips in the same video.

Dissolves are generally used when you want to show a scene change and then fade out the previous scene before transitioning into your new scene. A dissolve is similar to fade except that it's not a cut; it's more like an extended shot on screen.

While fades will move out of view and then come back into view, dissolves will have both elements on screen at the same time.

Fades are usually used for commercial purposes where you want to show someone leaving or entering a room or building, but you don't want them to be seen by the viewer until they enter or leave the frame (imagine if someone walked into a room and out of frame).

Types Of Dissolves

Dissolves are the glue that holds all of our products together. They can be used to create a wide range of effects, including color changes, transparency, and opacity.

Types Of Dissolves

There are three main types of dissolves: side-by-side, oversize, and undersize. Side-by-side dissolves are when two different images are placed next to each other on your page so that they appear to be one image with two different parts.

Oversize dissolves are when an image is placed over another image so that it appears as though it has been cut out of the original and enlarged. Undersize dissolves are when an image is placed underneath another image so that it appears as though the two images have been merged into one large image.

1. Types of Dissolves - Match Dissolve

1. Match Dissolve - A match dissolve is a single image that transitions from one to another. It's often used to transition from black and white to color or vice versa, but it can also be used for anything else you need a dissolve for.

2. Cross Dissolve - This is when the second dissolve is placed on top of the first one, which means that there are two dissolves blended together in one image. You can use this technique for any kind of transition you want, like from day to night or from one character to another.

3. Split Color Dissolve - This type of dissolve involves two images that are separated by an opaque line down the center of your screen or film, but they're both split into two different sections so that they're still clearly visible through the split-screen effect.

2. Types of Dissolves - Cross Dissolve

Cross Dissolve: This is a dissolve where two different colors are used. The first color will be introduced, and then it will fade out. Then, the second color will be introduced and fade out.

The cross dissolve is one of the most common types of dissolves because it gives a smooth transition between two separate elements in your video. It's also very easy to create.

To use this type of dissolve, simply select your colors on the timeline by holding down the Command (Mac) or Ctrl (PC) key on your keyboard while clicking on the color you want to replace.

This will bring up a box with your selected colors inside it. Selecting one of these colors will highlight the entire clip on your timeline until you release your mouse button or Command/Ctrl key. Then, drag down from any point along the timeline to apply it to all clips below that point until you release your mouse button or Command/Ctrl key again.

3. Types of Dissolves - Fade/Wash

When you're mixing your food, drink, or cosmetics, there are a few different types of dissolves that you can use. As you'll see below, each type has its own advantages and disadvantages.

The first type of dissolve is called a wash. A wash is just a liquid that you mix with food so that it disappears into your food as if it were part of the original recipe. This type of dissolve is generally used for things like salad dressings and sauces, but it can also be used for other foods like ice cream and pudding. You can use this method to make your own versions of store-bought sauces or dressings without having to buy them separately.

The second type of dissolve is called a fade or shimmer. This kind of dissolve isn't very common in home cooking because it tends to look funny when used with foods that don't contain liquid (like cake or cookies).

Fades can be used on anything from french fries to applesauce! In general, they work best when they are applied directly onto something like frosting or cake batter rather than just sitting on top of a finished product.

The final type of dissolve is called a glaze or glaze

Examples Of Dissolves In Film

There are many different ways to use dissolves in film. For example, the dissolve between one scene and the next can be used to show movement or suggest a change in time or place. Dissolves are also used to show the passage of time more subtly.

Here are some examples of dissolves in film:

- The first scene of the film The Godfather opens with an establishing shot of New York City, with a few shots of store fronts and pedestrians. Then we see a man walk past these buildings until he comes across a woman walking alone.

He follows her into an alley where he takes her from behind and begins to rape her (this is how we know it's him). Then there's another establishing shot of New York City, which fades into the scene in which Vito Corleone is being interrogated by two police officers about his son Michael's murder; this fades out as well (this shows us that it's later than we had originally thought).

- In The Matrix, Neo finds himself in an underground lair that contains machines that look like humans but aren't really human at all. One such machine attacks him while another looks on (this shows us this machine's perspective). Later on in this

Cross Dissolve In The Godfather

In the film The Godfather, there are several techniques that were used to create the different shots. One of these techniques is called a cross dissolve.

A cross dissolve is when two shots happen at the same time while they are separated by a dissolve or dissolves. This technique can be used to add depth and interest to a scene.

The first example of a cross dissolve in The Godfather is when Michael Corleone (Al Pacino) arrives at his office after having been released from prison by family members. He enters through the front door, walks down the steps, and then crosses paths with his brother Fredo (John Cazale).

Fredo is looking for his father Vito Corleone (Marlon Brando), who is on his way out of town for business. Michael greets his brother, who tells him that he did not know about his release until he arrived at their office after having been released from prison by family members (cross dissolve).

The second example of a cross dissolve in The Godfather is when Don Vito Corleone arrives at his office after having been released from prison by family members (cross dissolve). He enters through

Match Dissolve In Saving Private Ryan

The film opens with a shot of the American flag being raised by soldiers. The camera pans around them and we see that they are in a field and there are many other soldiers around.

The scene cuts to an aerial view of the same area, but this time there is no smoke rising from it. It has been completely destroyed by bombs and fires. We then see our four main characters walking through what seems to be a village, but it is unclear if this is still France or Germany.

They are dressed in t-shirts and jeans, which seem very out of place here.

They come across some German soldiers, who are being led by an officer. He tells them that they have lost contact with their unit and he wants them to find them before they get themselves killed. The soldiers tell him that they will go on ahead as scouts while our four main characters stay behind as rear guard and act as a supply line for them too.

Match Dissolve In Schindler's List

In the beginning of the film, we see a group of Jewish prisoners in Poland getting ready to be transported to another camp. There are many scenes throughout the movie where we see various people getting ready for their journey.

One scene shows an elderly man walking through the camp; he is carrying a suitcase with his belongings inside. He is surrounded by other prisoners who are also preparing to go on their way. Suddenly, they all notice that a train is coming into the camp, and they all begin to run towards it. They want to get on this train before it leaves without them!

The elderly man runs as fast as he can, but one of his feet gets stuck in the mud, and he falls down onto his backside. He looks up at his friends running towards him, but none of them stop to help him up or even slow down so that they can see if he's okay!

The elderly person then gets up and tries again to run towards the train; however, this time he trips over something else lying on the ground and falls down again into

How To Use Dissolves In Film Editing

Dissolves are a great way to add movement to your footage. A dissolve can be used as a transition, or as part of a montage sequence.

How To Use Dissolves In Film Editing

Dissolves are an effective tool for film editing because they allow you to quickly add interest and movement to your footage. Dissolves can be used in many different ways, but the most common application is as transitions between shots.

For example, if you wanted to add some extra drama to your scene, you could have one character run across the screen while another character walks into shot from off screen. The first person's face would then appear with the second person's face superimposed on it.

This would create a dramatic effect where the two characters meet each other mid-run and then speak with each other for a short period of time before moving on with their lives.

Dissolve Transitions In Film In Final Cut Pro

Dissolves are a great way to transition from one shot to another. They can be used to create a fade from one scene to another, or from one location to another. In Final Cut Pro, dissolves are created with the Dissolve Transition effect.

The Dissolve Transition effect has two settings: Dissolve Type and Blend Mode. The Dissolve Type setting determines the duration of the dissolve and the Blend Mode setting determines how the image transitions into and out of the dissolve.

Dissolve Type

The Dissolve Type setting is where you set how long your dissolve will last and what kind of transition effect you want to use. You can choose between Linear, Elliptical or Cubic (the default).

Linear dissolves look like straight lines that connect points on both ends of your images; Elliptical dissolves look like ellipses that connect points on both ends of your images; Cubic dissolves look like cubes that connect points on both ends of your images

Dissolve Transitions In Film In Premiere Pro

Dissolves are one of the most common transitions in film and video. In fact, it's so common that it's often used as a transition by itself.

While it's not necessary to have a dissolve transition in every video, I think it adds a lot of character to the finished product if you do include them.

So whether you're making a simple video or something more professional, there are times when dissolves can help make your video stand out from other videos on YouTube.

Here are three ways to create dissolves in Premiere Pro:

1) Use another effect as your dissolve transition. This is the least time-consuming method, but it might not be ideal for every situation.

If you want to use an effect as a dissolve transition but not add any motion at all, then choose "Dissolve" from the "Transition" dropdown menu in Premiere Pro and click OK.

2) Use an automated transition tool like Dissolve Tool (CC: Attribution-ShareAlike 4.0 International License). You can also find this effect under "Transition/Dissolve." Just drag the handles of two clips together (one on top of another), then click "Apply Transition."

What Is A Dissolve In Film - Wrap Up

A dissolve is a technique used in film and video to transition from one image to another, or to show that two images are moving at the same time. It's also called a "cross dissolve" or a "cross-dissolve" and it's usually used to show that something has changed.

For instance, you might have a scene where a character is walking down the street, and then they turn into someone else, or they walk into an office building. They could also be walking through snow and then later walking through grass.

The dissolve technique allows you to do this by using two different shots of the same thing at different times, but there are some things you need to keep in mind when doing this type of work:

The first thing is that it's done on set so that there are no mistakes or flubs when editing the footage together later on. You may want to consider using a remote control or slider system so that you can quickly change from one shot to another without having to physically move anything yourself.

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What Is a Dissolve In Film: Complete Guide [With Examples, Tips & Tricks] * Filmmaking Lifestyle

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What Is a Dissolve In Film? This is our complete guide that covers everything you need to know, as well as tips, tricks & techniques.

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I love how this film utilises horror elements from the genre for a drama film. For a film that explores emotional aspects of life and death, the way it's portrayed has this chilling sense.

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The Lovely Bones "Mr. Harvey's Victims" Scene Sub. Español

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A Chinese Australian artist who uses colour and compositions of shapes in a fluid way with so much meaning. The colours in her artworks have been a huge influence on the colours I was going for, that accentuates Ma.

https://www.sightunseen.com/2015/01/louise-zhang-artist/
https://artereal.com.au/artist/louise-zhang/

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https://dornob.com/dasha-plesen-turns-slime-molds-and-spores-into-vivid-graphic-art/

I loved her take on why she even decided to explore this idea of mould. The replication of these similar textures would be cool for our film. I want it to look disgusting, but oddly satisfying

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Aka. Che ba mau , aka. Halohalo , aka. Cendol . sososososoososoosoo yummy 

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A sweet refreshing dessert in south east Asia. A cultural analogy  similar to mould in the story. They both can be misunderstood by societal stigmas (e.g. asians being shunned for eating “smelly” or “ugly looking” delicacies). Kai hating this symbolises how much he tried to shun away from his own culture to fit in to the western society; his ways of assimilation and breaking traditional values.

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another great example shots that describes what I was looking for. these shots that conveys innocence, the dreaminess of drifting away

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luca guadagnino films (e.g. “call me by your name” feels like basking in the sun, suspiria, bones and all). Great for capturing emotional tone of the movie

Sorry to bother you - where the direction of the film goes a complete different way halfway.

Charlie Kaufman films (New York synecdoche, I’m thinking of ending things, being John Malkovich)

Kajillionaire - great use of a story that is quite quirky

Alex garland films - annihilation, ex machina.

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discussion about practical effects for mould

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discussion about practical effects for mould

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The director doesn't care about realism (what type etc), but my challenge is really "molding out" the right TEXTURE. The flat kind of mold (dark spots etc.) I might just do with regular paint, but is there some way I can make some good texture/shape like this kind of orange mold?

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Want to make fake edible mould, great for tricking and freaking out your guests! Head to... | By Chef Ben Churchill - Facebook

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Want to make fake edible mould, great for tricking and freaking out your guests! Head to...

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inspo for hills hoist scene - light flowing through billowing fabric. maximise natural lighting. may be futile to try cutting any light here.

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utilising sound design to steer audience into emotions during different acts. how score is a complement to convey themes

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How the animation will transition from live action to 2D animation. Animation sequence having the purpose to bring audience into the subconscious of Minh, the dreamscape like daydream. Of how close something simple can bring emotional value. I remember my dad recounting a story from his childhood back in Vietnam, and the way he described the story was so visually compelling, I was just playing it in my head like a movie. I think that’s why I wanted to include that in. It can also add to the surrealism, especially for Minh.

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"uncle boonmee who can recall his past lives"

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"uncle boonmee who can recall his past lives"

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alternative to gels, which can give rise to limitations in the edit + colour grading. lighting through coloured/textured materials in the shot. creates a sense of depth and separation of image, whilst also able to establish colour motifs.

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maximise use of natural lighting. use cutters to direct light to mimic position of sun.