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Fred Wilson, "The Mate of the Muse" 1954

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Fred Wilson, "The Mate of the Muse" 1954

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Qiu Xiaofei, "Belovezhskaya Forest), 2019-21

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Qiu Xiaofei, "Belovezhskaya Forest), 2019-21

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Jackson Pollack, "Autumn Rhythm (Number 30)", 1950

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Jackson Pollack, "Autumn Rhythm (Number 30)", 1950

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Franz Kline, "Black, White, and Grey" 1959

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Franz Kline, "Black, White, and Grey" 1959

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Alex Katz, "Black and Brown Blouse" 1976

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Alex Katz, "Black and Brown Blouse" 1976

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Claus Oldenburg, "Soft Calendar for the Month of August" 1962

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Claus Oldenburg, "Soft Calendar for the Month of August" 1962

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Joseph Albers, "Homage to the Square, Dilated" 1969

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Joseph Albers, "Homage to the Square, Dilated" 1969

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Lorna Simpson: Source Notes

This revelatory look at the paintings of Lorna Simpson examines this significant new development in her practice over the last decade.

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SPECIAL EXHIBIT

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Born in Brooklyn, Lorna Simpson came to prominence in the 1990s with her pioneering approach to conceptual photography. Simpson’s early work—particularly her striking juxtapositions of text and staged images—raised questions about the nature of representation, identity, gender, race and history that continue to drive the artist’s expanding and multi-disciplinary practice today. She deftly explores the medium’s umbilical relation to memory and history, both central themes within her work.