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Site Recce for Preston Manor Gardens - Complete

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Site Recce for Preston Manor Gardens - Complete

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12th of December 2022 - Scouting out location but bad lighting in area would require portable lighting for shooting. (Photo in Location and Site Recces appendics)

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14th of December 2022 - Considering the use of a studio space for better lighting control in a scene but would add a glaring difference to the rest of the films lighting. Considering prospect of green screen footage which is contained behind the studio set. (Photo in Location and Site Recces appendics)

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30th of December 2022 - Scouting out location and lighting for upcoming rehearsal and film shoot. (Photo in Location and Site Recces appendics)

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8th of January 2023 - Simple setting and moldable environment through lighting and it being in my own home. Likely used for a drawn out scene of Brick and Juno watching TV. (Photo in Location and Site Recces appendics)

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Site Recce for Alleyways and Bridge underpass - complete

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Site Recce for Alleyways and Bridge underpass - complete

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10th of January 2023 - A plethora of locations that are public with great lighting, due to being at night no one around to interfere and no permissions needed. Alleys and streets used for shots that introduce the new characters that block Brick and Juno from their business meeting by taking up their time. And the well lit Bridge underpass as a prime location for the climatic final business scene. (Photo in Location and Site Recces appendics)

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First Rehearsal on 12th of January 2023 - 19:00-1:00 6 hours of improvisation in order to create a short film.

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Working alongside Post-Production - Complete

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Working alongside Post-Production - Complete

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13th of January 2023 - 2:00-7:00 Work alongside Toby and Tallu making music and editing respectively.

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Pre production - Working with Toby to create Music for the film - complete

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Pre production - Working with Toby to create Music for the film - complete

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15th of January 2023 - 19:00-21:00 The start of creating some of the music for the film, mainly with the focus on the busker scene with inspiration from Reservoir Dogs' soundtrack alongside Twin Peaks' soundtrack to create upbeat music with emotional value and an absurdist twist to serve for the joke immediately after.

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Costumes - already sourced from within wardrobes of the crew.
Props - already sourced from the crew.
Rehearsals - 20th of January 2023 - Revising lines in locations and costumes with appropriate props for an accurate run through

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Shooting will take place through the week of the 23rd of January 2023 - to be updated with scheduled times and dates.
26th-27th as shooting dates at the time of 19:00-00:00 each day.
Extra days of the 28th and 29th available if needed.

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30th of January 2023 - 12:00-14:00 Using a green screen and dancing; made to look like smaller people placed upon an open palm for a joke. Booked at Brighton Uni or at Screen and Film school.

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30th of January 2023 - 16:00-18:00 Foley Sound for the film to be created in conjunction with editor Tallu and Musician Toby in the Brighton Uni's Foley studio room.

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Editing and Sound to be handled by Tallu after the shoots.
Done in the first week of February 2023 - depending on availability.
1st-4th of February - 14:00-18:00 each day
Music to be continually produced to help provide a more immersive experience for the shoot but finalised versions created by the 30th of January.

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Directorial vision, production and proof of concept

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Directorial vision, production and proof of concept

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This Document contains images of work and a practical physical logbook to convey the film concept and development

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Directorial vision, Production and proof of Concept

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Brick and Juno take on Wall Street is a short film with a simple story line, that is to follow along in the strange ethereal night time realm that they inhabit. Taken along with their childish approach to becoming businessmen Brick and Juno seek to enact a business deal in order to have a happy ending to their night, but time creeps up and distractions come into play. Stylistically Brick and Juno are worlds apart but blend well together in their toxic relationship to be closer to the other class that they represent. Despite this simple premise I don't wish to accept a standard style in terms of comedy, pacing, style and dialogue choosing instead to opt for much more jarring scenes that juxtapose emotion and subvert expectation making them surreal and absurd. Yet I intend to give the audience an easy means to translate the humour through editing style and music, heavily inspired in this way by David Lynch's Twin Peaks with music composed by Angelo Badalamenti. The style of editing involves long debilitating shots at times, unfortunately due to the time restriction of 5 minutes this can only be done at a few points and instead a more faster pace and editing style is needed to contain the plot of the film. The music also plays a huge role in presenting emotion through the film, giving easy classifications of aesthetic within the shots to the audience.

A large stylistic approach i wish to take that will challenge me is working with unconventional lighting as a large point for the film is that all of it will be filmed at night. This can create much more dramatic scenes when accompanied with precise framing, blocking and camera angles and would push me to push my directing skills whilst acting to direct the DoP and fellow actor in conjunction with myself for the most fitting shots for that scene. Another part of my vision is to unerringly show close ups and/or extreme close ups with fisheye lens (0.5x) of the main characters in order to solicit higher comedic effect. This will also be challenging in making it appeal to the films audience as a new trope of humour that is being established in film format rather than its more mainstream media popularity.

A lot of my pre production work in developing the story was done through skits and storyboards after the skeleton for the story was made. Creating situations to hinder Brick and Juno also serve to waste more time for the audience who is in Brick and Juno's dreamland where strange things are the regular. Due to their disorienting nature the temporal element of editing and cinema is transformed in Brick and Juno, not only through its editing but through its pacing.

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Preston Manor Gardens recce 12th December 2022
Rock Gardens: first Site recce 30th December 2022. Later revisited on January 12th as a shooting location for Brick and Juno.
Alleyways and street locations alongside final scene location recce 10th January 2023.
Basement recce 8th January 2023.

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Create a new document and edit with others at the same time -- from your computer, phone or tablet. Get stuff done with or without an internet connection. Use Docs to edit Word files. Free from Google.

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Name: Dylan Wagon
Project Title: Brick and Juno take on Wall Street.
Logline: Brick and Juno are about to have the business meeting of their life, but is life ever on time?
Short synopsis: Brick and Juno decide to hit it big and escape the working class rigamarole after watching the the masterpiece Wolf of Wall Street. To become true business men they need money and looks and the final ingredient, a business deal of a lifetime. With briefcases in hand and a deadline to meet they set out to the streets where some strange interactions threaten to steer them off course AND out of time.

Due to a lack of crew I'm taking on the roles of Director and Producer and utilising creatives as support in being DOP and Editor for my film alongside a Musician to create music for the film. Brick and Juno are characters heavily inspired and based off the double act style with key examples and influences being 'Withnail and I' and 'Bottom' with the dialogue and characters representing different social classes. The roles had been creatively workshopped for some time by Myself and Tallu using our own wardrobe, I couldn't see the characters being played by anyone else after a 6 hour improvisation session in order to get a feel for the characters. That session is captured by a short film produced on January 12th 2023 titled Brick and Juno. This acted as both a rehearsal for the role but also as a chance to work closely with Tobias who is my DoP, I was able to develop a style with him in the way of framing and despite the self imposed limitations of using an Iphone as the camera, Tobias utilised zoom functions to full effect and shown me what can be done with a lack of equipment for a certain style but also expressed his knowledge of lenses to create a similar effect with much better equipment. In addition to this I saw Tallu work as editor and also began to quickly develop a style of quick cuts used effectively to keep the spectator active, something very important to keep up the pacing of the film and its jokes presented through sketches and dialogue. Lastly, I worked alongside Toby in creating lietmotifs and atmospheric music for the characters on the previous production and found the ease of conveying ideas similar in this production when i directed him to create something thematically in line with the core concept of the film but still adhere to its absurdist comedic style.
As a producer i swiftly made decisions for the feasability of my film, for the aesthetic and to best represent the characters, therefore all scenes take place at night. The site recces then had this in mind as we scouted at night for locations with lighting in public spaces needing no permission and finally using my own basement as an integral location.

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Grant, R. and Naylor, D. (1988) Red Dwarf.
Lynch, D. (1990) Twin Peaks.
Mayall, R. and Edmonson, A. (1991) Bottom.
Withnail and I [DVD] (1987). United Kingdom: HandMade Films.