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Notícias de Consumo de Cultura Midiática em 27/10/2021

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Notícias de Consumo de Cultura Midiática em 27/10/2021

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Round 6 - Stefanie Maria Braga Abbondanza - disponível na NetFlix, série coreana com 9 episódios.
MindHunter- Victória Mikaelly Ferreira Vieira
YOU - Layla Alves, série da Netflix
Fury (“Corações de Ferro”, em português) - Maycon Douglas Ferreira Homero - filme disponível na Netflix.
Maid - Cauê Rinaldo Silva - minissérie disponível na Netflix
Álbum Music of the spheres do Coldplay - Todos os streamings - Bruno Felipe de Melo Silva
Save me (série/Netflix)/ My name (série/Netflix)- Teresa Cristina
Lupin (série - Netflix) - Letticia Ferreira
Black Mirror ( série - Netflix EP "Queda Livre") - Débora Jesuíno
Round 6 - Hugo José Macário Lima - disponível na NetFlix, série coreana com 9 episódios.

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Notícias de Consumo de Cultura Midiática em 03/11/2021

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Notícias de Consumo de Cultura Midiática em 03/11/2021

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This is Us - série com 5 temporadas, disponível no Prime Video (Stefanie Maria)
Série: Fleabag - Amazon Prime Video (Alkeline Matias)
Album: Sobrevivendo no Inferno (1997) - Racionais Mcs (Laerthe Vasconcelos)
Cisnei Negro (Layla Alves)
Álbum: O Glorioso Retorno de Quem Nunca Esteve Aqui (2013) - Emicida (Maycon Douglas)
Bridgerton - Netflix - (Shonda Rimes, roteirista e criadora de Bridgerton, afirmou em entrevista que pretende produzir 8 temporadas para a série!)(Afaely Valesca)
Grey's Anatomy - Netflix/Globoplay (Emmanuely Geisyely)
Verdades Secretas I/II - Globoplay (Débora Jesuino)

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Notícias de Consumo de Cultura Midiática em 10/11/2021

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Notícias de Consumo de Cultura Midiática em 10/11/2021

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Amarelo, Azul e Branco (AnaVitória) - Débora
Álbum: 1989 - Taylor Swift (Layla Alves)
Álbum: Vou ter que me virar - Fresno (Bruno Melo)
Filme: Era uma vez em Hollywood - Stefanie Abbondanza
Série: Killing Eve - Globoplay (Alkeline Matias)
Série: Um conto sombrio dos Grimm (Emmanuely Geisyely)
Série: Arcane (Netflix) - Pedro Paz
Filme: Millenium: Os Homens Que Não Amavam as Mulheres - Gabriel Ferreira
Filme: 1917 - Maycon Douglas
Livro: Duna - Hugo José Macário Lima

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Notícias de Consumo de Cultura Midiática em 01º/12/2021

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Notícias de Consumo de Cultura Midiática em 01º/12/2021

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Privacidade Hackeada - disponível no Netflix - Stefanie Maria
Retrospectiva do Spotify - Hugo José Macário Lima
Série sul coreana: profecia do inferno - Netflix (Victória Ferreira)
Filme: Alerta Vermelho - Netflix (Débora Cândido)
Filme: Honey Boy - Maycon Douglas
Série: Departamento de Conspirações (Layla Alves)
Sour, Olivia Rodrigo - Emmanuely
Ted Lasso - Apple TV - Bruno Silva

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Notícias de Consumo de Cultura Midiática em 24/11/2021

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Notícias de Consumo de Cultura Midiática em 24/11/2021

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O hospedeiro - Emmanuely Assunção
Flor de Lis (Djavan) - Débora Cândido
Brasil Futurista (Coruja BC1) - Maycon Douglas
A Troca - Angelina Jolie - Stefanie Maria
Eu também sou um anjo (VND) - Thiago Miriel

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Notícias de Consumo de Cultura Midiática em 17/11/2021

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Notícias de Consumo de Cultura Midiática em 17/11/2021

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Baby Driver - Em ritmo de fuga (Débora)
Efeito Borboleta (Stefanie Maria)
Eternos ( Victória Mikaelly)
Infiltrado na Klan (Layla Alves)
3% (Maycon Douglas)
Arcane - Hugo Lima
Only murders in the building - Cauê Rinaldo
Todo mundo odeia o Chris - Emmanuely Assunção
Como se tornar um tirano ( Victória)
Je Suis Karl - Filme (Bruno Silva)

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Notícias de Consumo de Cultura Midiática em 15/12/2021

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Notícias de Consumo de Cultura Midiática em 15/12/2021

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The Beatles: Get Back - Disney + (Bruno Melo)
Maycon Douglas - Tick, Tick... Boom! (filme)
O Cravo e a Rosa (Stefanie Maria)
La Casa de Papel - S5PT2 (Hugo Lima)
Doce 22 - Luísa Sonza (Emmanuely Geisyely)

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Notícias de Consumo de Cultura Midiática em 22/12/2021

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Notícias de Consumo de Cultura Midiática em 22/12/2021

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Homem-Aranha: Sem volta para casa (Layla Alves)
A fantástica fábrica de chocolate (as duas versões) (Stefanie Maria)
Homem Aranha: Sem volta para casa (Débora Cândido)
Homem Aranha: Sem volta para casa (Teresa)
Ela - Filme (Maycon Douglas)
Spider-man: no way home - Cauê Rinaldo
The unforgivable - Cauê Rinaldo
Perdidos no espaço (versão atual) - Netflix - Bruno Silva
Homem Aranha: Sem Volta Pra Casa - Hugo
Filme contratempo ( Netflix) jamille araujo
Watchmen (2009) (HBO Max) - Laerthe

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Cauê Rinaldo,
Hugo José,
Pedro Lisboa,
Teresa Cristina,
Cecilia Monica,
Lais Wanderley

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Maycon Douglas Ferreira
Marcelo de Lima Santos
Laerthe Luide Gomes Lessa
Vinicius Soares de Santana
Lettícia Ferreira de Paula

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Matheus Cordeiro
Mayara Lima
Victória Ferreira
Jamille Silva
Matheus Enrique

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Tayrony Feijó
Eduardo Marinho
Pedro Igor Lima
Thiago Miriel
Drailton de Paula
Mizael Oliveira

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Alkeline Matias
Bruno Melo
Débora Cândido
Emmanuely Assunção
Lídia Carla
Pedro Santos

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Stefanie Maria B. Abbondanza
Yuri Gabriel Peixoto de Melo
Victor Gabriel
Gabriel Mileno
Marianna Emmily
Layla

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Notícias de Consumo de Cultura Midiática em 26/01/2022

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Notícias de Consumo de Cultura Midiática em 26/01/2022

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Débora C. - La Casa de Papel: De Tóquio a Berlim (documentário)
Mar da tranquilidade-Netflix (Victória)
Não olhe pra cima (Victória)
Reputation Stadium Tour - Taylor Swift (Layla)
Não olhe para cima - jamille
Durkink - Maycon Douglas
Jogo da Lava (Reality Show disponivel no Netflix) - Stefanie Maria
Filme: Matrix Resurrections - HBO Max (Alkeline Matias)
Profecia do Inferno - Netflix - Hugo Lima

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Notícias de Consumo de Cultura Midiática em 02/02/2022

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Notícias de Consumo de Cultura Midiática em 02/02/2022

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Layla: Seinfield (sitcom/série)
Débora C.: Brooklyn Nine-Nine (série)
Laerthe: Jogador Nº 1 (filme) HBO Max
Teresa: All of us are dead (série/Netflix)
Jamille : the sinner
This is us - Prime Video - Stefanie Maria
Álbum: Eu também sou um anjo - VND - Thiago Miriel
The Sinner S4 - Netflix - Hugo Lima
Emily in Paris - Série/Netflix - Pedro Santos

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Notícias de Consumo de Cultura Midiática em 09/02/2022

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Notícias de Consumo de Cultura Midiática em 09/02/2022

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Jogo: Injustice 2 (Layla)
Survivor 41 (reality show) - Stefanie Maria
Requiem - Korn (Álbum musical) - Bruno Melo
Love (Netflix) - jamille Araújo
boneco de neve, de jo nesbø - hugo lima
Pânico (5) - Yuri Melo

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Deve-se defender e preservar a liberdade de expressão mesmo quando ameça vidas humanas?

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Spotify se envolveu em polêmica com podcast que divulgou desinformação sobre a vacina

A controvérsia envolvendo o Spotify e desinformação pode parecer com os muitos debates envolvendo fake news e redes sociais. Mas não é a mesma coisa. Porque o que o Spotify está fazendo é muito mais grave. É uma decisão ativa, pelo comando da empresa, de financiar e promover quem desinforma. Não é um algoritmo misterioso que leva as pessoas a informação incorreta. É a empresa Spotify que contratou com exclusividade, por US$ 100 milhões, o podcast The Joe Rogan Experience. E que empurra para que ouçam este programa todos que acessam o sistema, nos EUA. Este é um debate imenso que tem por fundo uma deturpação das ideias de liberalismo e, por consequência, da democracia liberal.

Como não é um debate simples, cabe destrinchar do que se trata. Joe Rogan faz o estilo homem comum. Não é particularmente informado nem culto, mas é bom de conversa e, por isso, popular. Seus entrevistados, com muita frequência, estão entre os mais radicais conspiracionistas. Ataques a vacinas e promoção de remédios aleatórios para covid fazem parte do jogo.

Os três maiores canais de notícias pagos dos EUA têm, num mês de horário nobre, pouco mais da metade da audiência que Rogan captura num único episódio.

Um podcast assim traz novos assinantes. Quem ouvia de graça, agora tem de pagar a mensalidade do Spotify. Então, como saiu caro ter a exclusividade, a plataforma promove ativamente sua estrela. Quem entra no app Spotify, nos EUA, vê logo na primeira tela quando tem episódio novo. Se Rogan deixa o Spotify, talvez perca algum dinheiro - mas seguirá milionário e com audiência gigantesca. Já o Spotify perde um atrativo. O problema não é financeiro. O problema é que desinformação sobre vacinas mata gente.

Nas últimas décadas, se criou a ilusão de que, em defesa dos direitos individuais, a ideologia que dá sustento à democracia é uma de egoísmo onde só o dinheiro conta. Mas não é. Liberdade individual é importante para garantir que ninguém será oprimido. E direitos individuais servem para proteger quem é pequeno de quem é grande. Não são salvo-conduto para quem é grande passar por cima do pequeno.

Empresas devem fazer dinheiro. Mas a maneira como encaram sua responsabilidade com a sociedade diz muito. Ao escolher uma estrela que desinforma, o Spotify passa uma mensagem clara.

Dinheiro é importante. A vida de seus clientes não é. Quando você está no negócio da informação, esta escolha indica que os executivos não entenderam o que são democracias.

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A irresponsabilidade do Spotify no caso Joe Rogan - Link - Estadão

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Spotify se envolveu em polêmica com podcast que divulgou desinformação sobre a vacina A controvérsia envolvendo o Spotify e desinformação pode parecer com os muitos debates envolvendo fake news e redes sociais. Mas não é a mesma coisa. Porque o que o Spotify está fazendo é muito mais grave.

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Notícias de Consumo de Cultura Midiática em 16/02/2022

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Notícias de Consumo de Cultura Midiática em 16/02/2022

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Pod Delas (Entrevista com Whindersson Nunes) - Débora C.
o golpista do tinder - netflix - hugo lima
O golpista do toner -jamille silva
Os infiltrados - HBO MAX - Laerthe Vasconcelos
Survivor Panamá #temporada12 - Stefanie Maria
QVVJFA? (Álbum do Baco Exu do Blues) - Maycon Douglas

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People Are Stealing Art and Turning It Into NFTs

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People Are Stealing Art and Turning It Into NFTs

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Nevertheless, he said, thieves had justified their actions to him in two ways. "One of the biggest ones is, like, 'This is the future of art," he says. "Another is, 'You just want artists to be poor.'"

Rainbolt immediately deleted all of his old paleoart tweets and reuploaded them with a watermark. But even that might not be enough, he said, and he expects he'll have to make his account private-as other paleoartists have done-which will hurt his ability to generate commissions.

Rainbolt, like Palmer, posted a widely cited tweet about the problem, and things quickly took a farcical turn as people monetized his tweets complaining about non-consensual monetization.

" Once I started getting it out there, there were people who tagged the tweet in which I was complaining about NFTs, in order to make it into an NFT about the exact thing I was complaining about," he said.

Nelson M. Rosario, an American copyright attorney who has already begun to field work in the NFT world, said that under US copyright law there is "recourse for a person who feels their work has been NFT'd without their permission," but that "the intellectual property considerations get very complex very quickly."

Often the problem comes down to creators and purchasers being anonymous, he said, as with NFT marketplaces, which operate at varying levels of transparency.

On the subject of Tokenized Tweets, Rosario noted that the platform ostensibly offers a " takedown form " for artists who believe their work has been stolen. Rosario said the form checks out and resembles those used by Twitter, but others have that the very notion of an NFT "takedown form" is nonsensical due to the blockchain's permanent record. However, takedowns under copyright law might be a viable avenue for victims.

This is because NFTs are not JPEGs, or tweets, or anything like that; they are cryptographic signatures (an alphanumeric code) that buyers and sellers merely believe is somehow connected to the work in question. Where and how the actual work itself is stored or hosted online is incidental to this cryptographic proof.

According to "Iamtexture," a pseudonymous developer involved in Ethereum since the early days, NFTs are logged onto the ledger of (usually) the Ethereum blockchain, so this code (which has no real or meaningful connection to the works) is permanent, but the works themselves are often not. They may be hosted on a regular website, for example.

So, although this isn't always the case, the digital works hosted on marketplaces and other websites can likely be taken down, even if the NFT itself can't. In that case, all the hapless NFT buyer is left with is a string of letters and numbers that someone, somewhere, swears is worth as much as a luxury car due to its tenuous and likely illegal relationship to someone else's art.

Clearly, the situation is complicated. Rosario said that licensing regimes will likely have to adapt, especially in the event a "brand like Disney begins to dip its toes into the NFT space."

"Things will get very weird very quickly," he said. "Disney has an army of lawyers, so it's not going to be the 'yolo free money' approach we've seen thus far."

Faced with an impossible situation, some creators are using the technology to get ahead of the theft that it enables. Allie Eve Knox, a fetish performer and content creator, has been experimenting with NFTs recently, and the prospect of her work being NFT'd without permission unnerves her.

"I haven't [experienced it yet] but I'm wondering what will happen when I do," she said. "I don't want people to use my image for whatever the fuck they want." Knox doesn't want her work being used in advertising, she said, or sold to people who are underage.

Her makeshift solution to prevent people from stealing her work and NFT'ing it before she can sell it has been to censor her art with a "Bid Now" banner that disappears after purchase, meaning the uncensored image can't be accessed before then-after which, she said, people can do whatever they want with it including resell it to someone else. Even then, Knox said, the carte blanche rights conferred to NFT buyers brings up further concerns.

"They have paid for it but, like, if someone used it for a MAGA ad, I would be furious, because I never consented for my image to be used that way," she said. "When I shoot for a company or whatever, I sign those rights away in a contract, but here, there is no contract. There is no law. There is no regulation, aside from moderation of the site-which is hella subjective."

Even artists who don't see any promise in NFTs might be forced to play along for now.

"People have been telling me to make my own pieces into NFTs before someone else does, since these things can only be done once," he said.

"It doesn't seem there's any real action to stop this stuff at the moment," he said "It's not a few bad actors ruining an otherwise beautiful thing, but the logical conclusion of what this thing is. And it depreciates the idea that art can have any value that isn't monetary."

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People Are Stealing Art and Turning It Into NFTs

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Nevertheless, he said, thieves had justified their actions to him in two ways. "One of the biggest ones is, like, 'This is the future of art," he says. "Another is, 'You just want artists to be poor.'" Rainbolt immediately deleted all of his old paleoart tweets and reuploaded them with a watermark.

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Independent Artists Say NFTs Are the Bane of Their Existence

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Independent Artists Say NFTs Are the Bane of Their Existence

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Back in November, a user with the handle VincentVanDough put up a non-fungible token (NFT) for sale with the title "Right Click Save This."

It was yet another skirmish in the Great Right Click Wars, a simmering feud in which members of the independent and furry art scenes have been downloading and remixing NFTs - think the Bored Ape Yacht Club or the Lazy Lions - to make fun of both the concept and the execution, with NFT fans responding with similar vitriol.

VincentVanDough's NFT, for instance, took the form of a collage of dozens of furry profile pictures - collected without the artists' permission - with a Pepe frog lazily superimposed with a top hat and middle finger, along with a flashing caption that alternated between "LAWSUIT MATERIAL" and "CALL: 1800-SUE-ME."

"This piece is dedicated to the furries," read the NFT's description. "They may not understand the value of provenance yet, but they will soon enough."

The "Right Click Save This" NFT eventually sold for 20 ETH , the current equivalent of about $48,000 USD, on a marketplace called Foundation. While it was hit with a DMCA takedown notice earlier this month, the "Right Click Save This" piece currently remains on display .

At the core of the dispute is a dark irony: that much of the pushback against NFTs is coming from the artists that they were supposed to help. On a certain level, this bitter conflict between independent artists and NFT fans is just another a esoteric rivalry on social media. But it's also a compelling microcosm of larger issues swirling at the intersection of art, technology and copyright law - and it could be a sign of things to come far beyond niche fandoms.

"What we've got are two communities using copyright to drive what they're doing creatively," copyright attorney and Queen Mary University doctoral researcher Mike Dunford told Futurism. "I think we've got this complete clash of cultures with the two groups talking past each other because they value just completely different things."

"Copyright law is a disaster zone in this area," he added.

It's true that some artists are making serious money on NFTs. But the majority are not. Half of NFTs sell for less than $200 , and that's before considering the fees for using a platform and minting the works, as well as the transaction costs required to turn any crypto revenue back into fiat currency. And larger sales, such as Beeple's $69 million NFT, can start looking like infinite fractals of drama and schemes on closer inspection.

Many highly-valued NFT projects have also drawn criticism for their lack of artistic quality. That's inherently subjective, of course, but some of the hottest profile picture NFTs, like the Bored Apes and Lazy Lions, are made by taking a base image and algorithmically adding randomized attributes to generate numerous lucrative new versions - a fun gimmick, but not necessarily one that's bound to preserve a value of hundreds of thousands of dollars over time.

An even more trenchant critique is that many NFTs that turn a profit are minted by scammers who stole someone else's work for a quick payday - a grim inversion of the promise of the tech that's led at least one independent artist to call it quits entirely .

"My art was stolen and minted as an NFT," said an independent furry artist who asked not to be identified out of fear of further harassment. "If it weren't for the person who minted it publicly taunting me, I would have never found out."

"If your art gets stolen as an NFT, chances are you'll have to send a DMCA to the site hosting it for them to even consider doing anything about it," they added.

This type of theft can take on a ghoulish dimension. After an artist named Qing "Qinni" Han died earlier this year, her work was copied and sold as NFTs under her name.

"I can do the best I could do to address the art theft, but I can't invest too much of my energy into it because much of it is out of my control," her brother .

Prominent artists including "Detective Pikachu" concept designer RJ Palmer have also had their work stolen.

"In the last 24 hours I have had to report 29 instances of my art getting stolen as NFTs. I am so very tired of this and it seems to be getting worse," Palmer last month. "Every artist I know is getting their work jacked and [it's] just not fair or right. What can we even do, it feels hopeless."

Artists also have to look out for phishing attacks from people who want to hijack their accounts to push NFTs. Another artist told us that these schemes are "generally why most artists block NFT accounts on sight."

In sum, it's a whole bunch of bad news for artists that don't want to enter the NFT ecosystem.

"It's like you're watching that car sliding down the hill," Dunford said, leaving artists "wondering what it's going to hit."

At the same time, right-clicking be copyright infringement, according to Dunford, who views much of the Great Right Click Wars as performative. In the end, he says, nobody is going to have a firm playbook until there's legal precedent.

"The problem is that none of this stuff we can know the answer to until it goes to court," he said.

There's also a sense that marketplaces could be doing more to proactively fight back against scams and stolen art. Longstanding independent art site DeviantArt, for instance, already sends users notifications when their work is copied as an NFT, but most NFT marketplaces have yet to implement such a feature.

OpenSea didn't reply to repeated requests for comment, but Foundation said it's aware of problems with theft and working to grapple with them.

" Fraud/Misrepresentation is the act of outright stealing a work from a creator and pretending to be the actual creator of a work," the company told Futurism in a statement. "This type of activity is prohibited on Foundation and merits an account/wallet suspension as well as removal of the artwork." The company also said it's working on a "social verification" system via Twitter or Instagram to encourage collectors to do their due diligence before bidding.

Many in the NFT community agree that platforms should be doing more to protect artists.

"We haven't seen a lot of real bold moves on OpenSea's part to combat this stuff," said Gabriel Allred, founder of the NFT company Bitlectro Labs. "They've got so much damn money, they're making so much revenue, they should be able to implement protocols or even technology fixes."

At the same time, though, Allred thinks the tech will ultimately be a huge boon for independent artists, once the kinks have been ironed out.

"I don't think we're at a point yet where people are understanding the value of this, nor is it even openly discussed, within the NFT Twitter-verse or discord-verse like it," he added. He's not sure the rush for huge profits is helpful, though, "when everyone sees dollar signs around."

And it is worth noting that many independent artists have fully embraced the concept.

"I never publicly shared my art before NFTs," BruceTheGoose, a crypto artist and founder of NFThub and Nifty Pride, told Futurism.

BruceTheGoose credits their success to a global platform that enables them to share their art with a large audience. And if a few independent artists get trampled along the way, they say, that's just the cost of doing business.

"Anywhere that you have groundbreaking tech, and [people are] making a lot of money or freeing themselves from the nine to five like you're gonna have bad actors," BruceTheGoose added. "I don't think there's any way to really fully enforce or police or regulate any of it."
More on NFTs: 12-Year-Old Earns $400,000 Selling NFTs to Idiots Care about supporting clean energy adoption? Find out how much money (and planet!) you could save by switching to solar power at UnderstandSolar.com. By signing up through this link, Futurism.com may receive a small commission.

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Independent Artists Say NFTs Are the Bane of Their Existence

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Back in November, a user with the handle VincentVanDough put up a non-fungible token (NFT) for sale with the title "Right Click Save This."

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Notícias de Consumo de Cultura Midiática em 23/02/2022

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Notícias de Consumo de Cultura Midiática em 23/02/2022

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Poddelas: entrevista com Ana Clara - (Débora)
Menino 23 (Documentário, Globoplay) - Emmanuely
Por que eu me casei também ( Netflix) - jamille Araujo
Rage against the machine - Evil Empire (1996) - Laerthe Vasconcelos
Survivor Fiji - Stefanie Maria
hunter x hunter - hugo lima

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Olá pessoal,

passando para explicar a AB2.

A AB2 consiste em uma análise de um produto midiático.

A análise é individual.

Data da postagem: 29 de junho até às 18h

ROTEIRO PARA A ANÁLISE:

Mínimo de 4 (quatro) páginas

A análise deve contemplar questões relativas aos três tópicos abaixo:

1) quais as linguagens (visual, sonora, verbal ...) utilizadas pelo produto e como se apresentam. Quais suas características formais. Falar da aparência do produto;

2) quais os valores ético-morais presentes no produto, que mensagem passa para as pessoas, que novo ambiente humano propicia;

3) Com que formas artístico-midiáticas o produto dialoga. Em outras palavras: que outros produtos influenciaram o surgimento, a aparência, o conteúdo do produto que você está analisando.

Citem pelo menos dois textos (referências bibliográficas ou de internet). Podem citar mais se quiserem, porém dois textos de autores consultados são obrigatórios.

Alguns exemplos de produtos midiáticos que vocês podem analisar: telenovelas, séries de TV, podcasts, aplicativos, reality shows, canais do Youtube, perfis/stories de Instagram, games, filmes, documentários, revistas, Twitch; plataformas; portais; Tik Tok; etc.

Se você pensou em analisar outro produto que não está mencionado aqui consulte-me sobre a possibilidade.

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ENCERRADO