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A man, a woman and a meat grinder. Love is messy.

Short film by Robin Jensen

Winner: Animated Encounters Grand Prix, Encounters Film Festival

Winner: Best director/Shorts with legs, Fantastic Fest

Winner: The Terje Vigen Award & The Norwegian Film Workers Assosiation's Technical Award (Sound Design), The Norwegian Short Film Festival

Winner: Best Nordic-Baltic Short FIlm, Fredrikstad Animation Festival

First runner-up, Final Frame Film Competition, StokerCon

Special Mention, Animatou

1st Mention International Short Film Award, BIT BANG

SALES: info@sndfilms.com

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Contact: sander.joon (at) gmail.com

Hand-drawn animation / 6'12" / HD / 16:9 / colour / stereo

Credits
Author: Sander Joon
Sound, music: Sander Põldsaar, Andres Dajek
Supervisors: Priit Pärn, Olga Pärn, Andres Mänd ja Trygve Nielsen
Production: Estonian Academy of Arts
Year: 2015

Synopsis
An addicted biker runs out of cigarettes. He joins a race to get more, but has to take help from some peculiar people in the audience to stay in the competition.

Awards
Fredikstad Animation Festival 2015 - Grand Prix
Melbourne International Animation Festival 2016 - Best of the Festival
Ottawa Animation Festival 2016 - Best Animation Technique
Viborg Animation Festival 2016 - Staff Pick / Ginger Award
IndieLisboa 2016 - Special Mention
PIAFF 2016 - Special Mention

Official Selections
Short of the Week - Selection (https://www.shortoftheweek.com/2016/10/05/velodrool/)
Cartoon d'Or 2016 - Nomination
Annecy 2016 - Student Competition
GLAS 2016 - Graduate Competition
Zagreb 2016 - Student Competition
Holland Animation Film Festival 2016 - Student Competition
Anifilm 2016 - Competition
Fest Anca 2016 - Student Competition
Krok festival 2015 - Competition
Animateka 2015 - Student Competition
Anima-Brussels 2015 - Student Competition
DOK Leipzig 2015 - Competition
KLIK! 2015 - Student Competition
AnimaSyros 2015 - Student Competition
Animated Dreams 2015 - Student Competition
Hiroshima 2016 - Stars of Students
Chitose Airport 2015 - Student Panorama

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2009, Amy Lockhart, collaboration with Marc Bell, paper puppet and cut out animation, 2min. video

See more of my animations at:

amylockhart.ca

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Shanghai | King Gizzard & The Lizard Wizard (Official Music Video)

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A couple attempts to tear themselves limb from limb on a late afternoon stroll before entering a fluttery dimension.

Animated Music Video for King Gizzard and the Lizard Wizard.

2021

Youtube: https://www.youtube.com/watch?v=-01sgnVgkRc

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Leoni Leoni - Weirdest Ritual Music Video

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A music video for the song 'Weirdest Ritual' by Swiss artist Leoni Leoni. Directed, animated and edited by me, Inger Bierma. Followed by a Visualiser for the song 'le déclin de la religion d’état'.

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Boiled Over by Lije Morgan & Kohana Wilson

This episode of Boiled Over features one of our favorite animators and dear friends: Anna Firth! Join us in episode lucky number 13 as we ask Anna about her process, her funky anthropomorphic characters, and her new screening series: Soft Screen! Follow Anna on Instagram @tallgrill Featuring music by Butter Bean / Arius Zaiee (@the.maroon ... See more

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Boiled Over - Episode 13: Anna Firth | RSS Podcasting

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This episode of Boiled Over features one of our favorite animators and dear friends: Anna Firth! Join us in episode lucky number 13 as we ask Anna about her process, her funky anthropomorphic characters, and her new screening series: Soft Screen!

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It can start with it being black and white and then becoming colorfull when she starts scrolling

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Wilder at the end... One more beat of something more happening at the end
Think of the transition of her looking at her reflection to her on the bed
Caleidoscopic feeling
Acidic colours
Problem solving
Different kind of movement

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Tested out markers, colored pencils and gouache paint to see if anything would look good on transparent paper

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Took traditional color marks into photoshop and changed the hue to match the original color before inverting. This makes it so I don't have to figure out as I'm painting traditionally what a color will be once inverted. Pink-green for example.

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Took traditional marks into photoshop, inverted and overlayed the black (now turned white) to color dodge. This can be used as a highlight or light.

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One of my favorite animations of all time

- Uses the technique of overlaying different layers of hand drawn frames so you can see through them. Experiment with this!

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This woman can't stop growing fingers.
---------------------------------------------

MUSIC: Libythth - https://soundcloud.com/libythth
SOUND MIX: Aidan Reynolds
VOICE of HOT DOG HANDS: Gillian Wallace Horvat

Made at CalArts, 2016

AWARDS AND SCREENINGS:
San Francisco Int'l Film Festival, 2017 - **GRAND JURY, BEST ANIMATED SHORT**
Florida Film Festival, 2017 - **GRAND JURY, BEST ANIMATED SHORT**
Ann Arbor Film Festival, 2017 - **JURY AWARD**
Anim'est Int'l Animation Film Festival, 2017 - **BEST STUDENT FILM AWARD**
Lausanne Underground Film & Music Festival, 2017 - **BEST ANIMATED SHORT FILM**
GLAS Animation Festival, 2017 - OFFICIAL SELECTION
SXSW, 2017 - OFFICIAL SELECTION
Athens AnimFest, 2017 - OFFICIAL SELECTION
Stuttgart Festival of Animated Film (ITFS), 2017 - OFFICIAL SELECTION
Anifilm, 2017 - OFFICIAL SELECTION
Pictoplasma, 2017 - OFFICIAL SELECTION
Animafest Zagreb, 2017 - OFFICIAL SELECTION
Annecy, 2017 - OFFICIAL SELECTION
Rooftop Film Festival, 2017 - OFFICIAL SELECTION
NW Animation Festival, 2017 - OFFICIAL SELECTION
Maryland Film Festival, 2017 - OFFICIAL SELECTION
Fantoche, 2017 - OFFICIAL SELECTION
Guanajuato International Film Festival, 2017 - OFFICIAL SELECTION
Winnipeg Underground Film Festival, 2017 - OFFICIAL SELECTION
Insomnia Int'l Animation Film Festival, 2017 - OFFICIAL SELECTION
Turku Animated Film Festival, 2017 - OFFICIAL SELECTION
MotelX, Lisbon Int'l Horror Film Festival, 2017 - OFFICIAL SELECTION
Hayah Shorts Film Festival, 2017 - OFFICIAL SELECTION
Encounters Film Festival, 2017 - OFFICIAL SELECTION
Ottawa Int'l Animation Festival, 2017 - PANORAMA SELECTION
Ars Independent Festival, 2017 - OFFICIAL SELECTION
Krok Int'l Animated Film Festival, 2017 - OFFICIAL SELECTION
Mill Valley Film Festival, 2017 - OFFICIAL SELECTION
New Orleans Film Festival, 2017 - OFFICIAL SELECTION
STUFF MX Film Festival, 2017 - OFFICIAL SELECTION
Internationales Trickfilm-Wochenende, 2017 - OFFICIAL SELECTION
Klick!, 2017 - OFFICIAL SELECTION
Primanima World Festival of First Animations, 2017 - OFFICIAL SELECTION
AFI Fest, 2017 - OFFICIAL SELECTION
GIRAF, 2017 - OFFICIAL SELECTION
Animateka Int'l Animated Film Festival, 2017 - OFFICIAL SELECTION

www.mattreynoldstreats.com

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Beautiful textures to the max!!!

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SUPERSALADSTUFF AND PENPALS / SHISHI YAMAZAKI x SUPERSALAD

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SEOUL↔️TOKYO Postcard exchange w/ a Seoul based graphic designer Haeri Chung aka Supar Salad became an animation!
We also made an art book out of this.

ソウル在住のデザイナーのスーパーサラダさんとハガキを送りあった記録が、アニメーションになりました。
서울에 거주하고 있는 디자이너 슈퍼샐러드씨와 엽서를 보낸 기록이 애니메이션이 되었습니다.


Graphic design / Book design / B&W drawing : Super Salad (Haeri Chung)
https://cargocollective.com/super_salad

Music / Color drawing: ShiShi Yamazaki 


SUPERSALADSTUFF AND PENPALS members
鍵っ子 aka KEYBOY, ringodejong



Books available at

Daikanyama T-SITE, TOKYO
https://store.tsite.jp/daikanyama/english/

HOTZIPANG THE SHOP (web store) 
https://hotzipang.theshop.jp/items/15922506

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Frame by frame of the Ottawa International Animation Festival signal Film 2021. Inspiration for backgrounds.

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So much can happen with just changing the backgrounds behind a looping movement. Like when the bird is flying. Uses many different kinds of mediums and techniques as well.

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Ottawa International Animation Festival | Signal Film 2021

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Our gals Wangela and Wamanda run a yearlong race to the finish line, the 2021 Ottawa International Animation Festival. The Schedule! The Loops! The Keys! The Selections! The Mind Melds! All obstacles getting in their way to Victory. They get there in the end. It was all worth it. 

Commissioned by the Ottawa International Animation Festival.

Directed by Angela Stempel 
Sound Design and Music: David Kamp
Character Design: Angela Stempel and Amanda Bonaiuto
Additional Animation and Color Assistance: Rachel Teixeira Bavaresco
CG Animation: Jenna Caravello
Clay Animation: Caitlin Craggs
Additional Design: Ana Perez Lopez


Concept by Angela Stempel and Amanda Bonaiuto


©2021 Angela Stempel

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Like the idea of the shadow moving from the light-source being first far away and then closer, making the shadow bigger. This would be a metaphor for the character becoming increasingly self-concious (her shadow becomes bigger when the spotlight is closr to her)

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Seeing how she makes a body move in a cycle. Love how she mixes the medium of traditional and digital painting.

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Fun way to show "different dimensions". Could I have shadows in my walking scene?

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Breaking down Nata's work frame by frame to see how she works. Shows me there can be quite a lot of movement inbetween frames. Gives me inspiration for how I can do the last scene when she falls back into the bed.

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I'm watching animations on Vimeo and I'm wondering if I should not go ahead and make this film quite graphic and mature? She is naked already and I wonder if I could bring in themes around porn, maybe in even a subtle way?

If my theme was solely about how what you see online affects your sense of self and self-image. May be good to have more of a focus.

She starts floating, seemingly at peace, but is bombarded with images of beautiful women, sexualized women. So how she sees herself changes.

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Commissioned by Adult Swim 

Directed by Angela Stempel
Produced by Anca Vlasan, Vanessa Palacios and Laura Sterritt

©2019  Angela Stempel

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Thinking about how I will depict light since the screen gives a good opportunity to play with light and shadow.

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Jo Goes Hunting - Careful (official video directed by Alice Saey)

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Careful
a song by Jo Goes Hunting
a film by Alice Saey

visit
jogoeshunting.com
instagram.com/alicesaey

On the borderless map of a magical planet, little beings pick, brush, weave, fish and collect elements from their natural environment to sustain their life as a group.
This essential balance turns to chaos once they misuse their findings to polish their individual appearance.

More info:
https://www.creativereview.co.uk/alice-saey-careful-jo-goes-hunting-music-video/
https://www.itsnicethat.com/articles/alice-saey-careful-animation-100320
https://www.stashmedia.tv/jo-hunting-careful-music-video-alice-saey/

Direction, concept, design
Alice Saey

Animation
Nienke Deutz, Daan Faudet, Wiep Teeuwisse, Alice Saey

Editing
Alice Saey, Ruben van Asselt

All music composed, recorded and written by Jimmi Jo Hueting
Saxophone by Nicolò Francesco Ricci
Mixed by Simon Akkermans & Jimmi Hueting
Mastered by Jerboa

Produced by
Miyu Productions (France)
miyu.fr/production/
De Nieuwe Oost (Netherlands)
denieuweoost.nl/

Distribution & sales
Miyu Distribution
miyu.fr/distribution/

Made possible by Stimuleringsfonds Creatieve Industrie
& CNC - Centre national du cinéma et de l'image animée

© Miyu & De Nieuwe Oost 2020

Awards:
Best commissioned animation - Ottawa International Animation Festival (CA) 2020
Best Music Video - Anifilm International Festival of Animated Films (CZ) 2021
Best Music Video - Anim'est International Animation Festival (RO) 2020
Best commissioned Film - Linoleum Contemporary Animation and Media Art Festival (UKR) 2020
Music Video Award - Feinaki Beijing Animation Week (CHN) 2020
Best Experimental Animation - GIRAF Festival of Independent Animation (CA) 2020
Special Mention for Best Music video competition - Go Short (NL) 2020
Special Mention for Best Music video competition - Supertoon Animation Festival (HR) 2020
Special Mention for Musical Animation competition - New Chitose Airport International Animation Festival (JP) 2020


Festivals 2020-2021:
Go Shorts (NL), Vienna Shorts (AT), Festival International du Film d’Animation d’Annecy (FR), Supertoon International Animation Festival (HR), Anibar Animation Festival, Linoleum Contemporary Animation and Media Art Festival (UKR), Animafest Zagreb (HR), 6th Bogota Experimental Film Festival (CO), Ottawa International Animation Festival (CA) 35e Festival Européen du Film Court de Brest (FR), New Chitose Airport Animation Festival (JP), AnimaSyros (GR), Festival L’enfer, Nancy (FR), Festival du Film Court en Armagnac (FR), Banjaluka IAFF (BIH), Mostra Udigrudi Mundial de Animação MUMIA (BR), Nederlands Film Festival, Fullscreen x XITE (NL), PÖFF Shorts (EE), Anim'est (RO), London International Animation Festival (UK), Bitbang Fest (ARG), Festival du film insolent (FR), GIRAF festival of independent animation (CA), Filmchilla (US), Palm Springs International Animation Festival (US), Feinaki Beijing Animation Week (CHN), Kaboom Animation Festival (NL), Festival Anima (B), Clermont-Ferrand Short Film Market Pick (FR), Festival national du film d'animation in Rennes (FR), Beloit International Film Festival (US), Queen City Film Festival (US), Anifilm (CZ), Busan International Short Film Festival (KR), Fest Anca (SVK), La Guarimba Film Festival (IT), Framed (NL), Animayo International Film Festival (SP), River Film Festival (IT), Festival Les Brunantes (FR), Animakom (SP), Viborg Animation Festival (DK), Festival of Animation Berlin (DEU), Insomnia Festival (RU), Turku Animation Festival (FI), World Festival of Animated Film Varna (BU), Leeds International Film Festival (UK), TIAF Tehran (IRN)

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A movement within a painting, which begins with the savagery of a battle and comes to a halt in a rendition of a masterpiece of the 15th Century; The Battle of San Romano by Paolo Uccello.

"The Battle of San Romano" is this week's Staff Pick Premiere! Read more about it here: https://vimeo.com/blog/post/the-battle-of-san-romano-georges-schwizgebel/


Animated film, acrylic on cell
DCP 2K digital, 2’25’’, 1 :89, 5.1
June 2017
Réalisation : Georges Schwizgebel
Music & Sound design : Judith Gruber-Stitzer
Sound mix : Pierre Yves Drapeau
Compositing : Jonathan Laskar, papier perforé
Color  grading :Boris Rabusseau, freestudios
Production : Studio GDS, Schwizgebel
© 2017 Schwizgebel

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Cosmic blue pastel + charcoal on miscellaneous paper

Emulate is an exploration of human emotion and duality and how they integrate into the subjective human experience. I wanted to explore these concepts from an overarching universal perspective, and create moving illustrations that maintained some visual ambiguity, so that the viewers could attach their own emotions and experiences to the sequences.
During my research into duality I discovered that within the smallest scales of energy and matter in the universe, there exists the theory of wave-particle duality, which became the core visual concept of the video. It hypothesizes that singular matter at its sub-atomic and even atomic levels, not only exist in particles, but also simultaneously as waves. As Albert Einstein put it, “It seems as though we must use sometimes the one theory and sometimes the other, while at times we may use either. We are faced with a new kind of difficulty. We have two contradictory pictures of reality; separately neither of them fully explains the phenomena of light, but together they do.”

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A short animated film by Michaela Mihalyi & David Štumpf.



"Sh_t Happens" is this week's Staff Pick Premiere! Read more about it here: https://vimeo.com/blog/post/sht-happens-by-david-stumpf-michaela-mihalyi/

Synopsis: 

An apartment building full of self-centered inhabitants. Utterly exhausted caretaker and his sexually frustrated wife. Widowed deer drowning his sorrows in loads of alcohol… While trying to cope with their problems, they find themselves in a hard-to-solve triangle asking for absurd and irrational solutions. Well, shit happens all the time.
 
CREDITS:

Written & directed by Michaela Mihalyi & David Štumpf
Production:  BFILM (Peter Badač)
Co-production: BAGAN Films (Patrick Hernandez, Véronique Siegel) & FAMU (Ondřej Šejnoha)
Animation & compositing: David Štumpf
Art design: Michaela Mihalyi
Editing: Katka Pavelková
Music composer: Olivier de Palma 
Sound: Damien Perrollaz, Francesco Porcellana
Color: Matej Mihályi, Diana Cam Van Nguyen, Kriss Sagan, Bára Halířová, Peter Martinka, Kateřina Karhánková, Michaela Mihalyi, David Štumpf
Production manager: Jakub Rálek

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Animators React to Bad & Great Cartoons 4

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Added a VHS look to the original animation to see if it would give me the desired effect without having to hand draw my frames. I don't love it.

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This was the way I had decided to draw and color my animation before I decided to pursue this animation as a project for school. I still like it but it feels a little too clean and I want to have room to play around with textures.