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an exposure system used in some automatic cameras in which the aperture is selected by the user and the appropriate shutter speed is controlled automatically.

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a camera setting corresponding to a particular f-number.

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space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

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the visual quality of the out-of-focus areas of a photographic image, especially as rendered by a particular lens.

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The focal length of the lens is the distance between the lens and the image sensor when the subject is in focus, usually stated in millimeters

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the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera.

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A digital singal-lens reflex camera (also called a digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor, as opposed to photographic film.

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a set of data that describes and gives information about other data.

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an image stabilization technology that minimizes blur caused by camera shake. ... Another advantage of lens-based VR is that a separate algorithm confirms the stabilization effect when you press the shutter release button halfway, giving you the freedom to compose your image more easily.

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a small image representation of a larger image, usually intended to make it easier and faster to look at or manage a group of larger images.

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is one of the main settings on your camera, and it lets you manually control shutter speed, aperture, and ISO

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the camera chooses an aperture and shutter speed combination that will give you a good exposure.

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guides you

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allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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control the parameters of an exposure, specifically, Shutter Speed, Aperture and ISO.

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this is where the camera makes a best guess on a shot by shot basis. You’ll find it works in many situations but it’s worth venturing out of it for trickier lighting.

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This type of lighting is gradually being phased out.

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this compensates for the ‘cool’ light of fluorescent light and will warm up your shots.

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not all cameras have this setting because it sets things as fairly ‘normal’ white balance settings.

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the flash of a camera can be quite a cool light so in Flash WB mode you’ll find it warms up your shots a touch.

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this setting generally warms things up a touch more than ‘daylight’ mode.

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the light in shade is generally cooler (bluer) than shooting in direct sunlight so this mode will warm things up a little.

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auto focus points are what the camera uses to focus on a subject.

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the general technique of taking several shots of the same subject using different camera settings.

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An electronic viewfinder (EVF) is a camera viewfinder where the image captured by the lens is projected electronically onto a miniature display.

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an instrument for measuring the intensity of light, used chiefly to show the correct exposure when taking a photograph.

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designed primarily for simple operation. Most use focus free lenses or auto focus for focusing, automatic systems for setting the exposure options, and have flash units built in.

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the length of time when the film or digital sensor inside the camera is exposed to light, also when a camera's shutter is open when taking a photograph.

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mostly used for long exposures at night. The main advantage is that it allows the photographer to achieve shutter speeds longer than the 30 seconds

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the apparent streaking of rapidly moving objects in a still image or a sequence of images such as a movie or animation. It results when the image being recorded changes during the recording of a single exposure, either due to rapid movement or long exposure.

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A monopod is a single pole that is used to support a camera. A tripod is a three-legged frame that is used to stabilize a camera. Neither should ever be substituted for the other, and any serious photographer will have both a monopod and a tripod

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technique in which exposures are made by moving a hand-held light source while taking a long exposure photograph, either to illuminate a subject or to shine a point of light directly at the camera, or by moving the camera itself during exposure.

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a common way of associating the three variables that determine the exposure of a photograph: aperture, shutter speed, and ISO. One must balance all three of these to achieve a desired result, an adjustment of one requiring adjustments of at least one of the others.

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used to alter exposure from the value selected by the camera, making photographs brighter or darker. In modes P, S, and A, the camera automatically adjusts settings for optimal exposure, but this may not always produce the exposure the photographer intended.

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several photographs are captured in quick succession by either pressing the shutter button or holding it down.

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is a technique whereby the frequency at which film frames are captured (the frame rate) is much lower than that used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing.

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is used in the video/film business for quality-improvement image processing (specifically digital image processing) methods used in video playback devices, (such as stand-alone DVD-Video players), and video players software and trans-coding software.

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using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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is measured in megapixels

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a wide-angle lens with a field of vision covering up to 180°, the scale being reduced toward the edges.

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. Unintentional slight movement of a camera during photography or filming, liable to cause blurring of the image.

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televise while rotating a camera on its vertical or horizontal axis in order to keep a moving person or object in view or allow the film to record a panorama.

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a range of gray shades from white to black, as used in a monochrome display or printout.

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a reddish-brown color associated particularly with monochrome photographs of the 19th and early 20th centuries.

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indirect light that is illuminating an object.

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a bright or reflective area in a painting, picture, or design.

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will change in shape, definition, and color based on the positioning, quality, and color of the light creating it.