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Tilting zooming camera on close up shot of Ofelia dying shows us her pain and emotion and makes the viewer feel sad. We feel as if something harsh and wrong has happened. The blue low key lighting makes everything feel cold and makes the viewer feel uncomfortable to represent the difficulty of the time. As we leave this lighting and look up we are overpowered by the white light which makes us feel as if we are in the scene. This represents leaving cold and are about to be taken with on the experience of what has happened.

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Quiet but heavy breathing presents her struggle to live to be finishing. The non diegetic music is quiet, it is slow and makes us feel upset about what has occurred to lead to Ofelia dying. The violence is represented to be inhumane and horrifying.

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Very slow pace. Only three shots. Allows us to see the magical large place being shown. Transition between shots reflect the connection between Ofelia and the magical place - foreshadowing that she is the princess being spoken about. The continuity between the shots makes us think of the place to have been peaceful.

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The blood on Ofelia's nose creates a sense of danger and the director is representing the harshness of the time, this is also presented through Ofelia's dry lips reflecting the coldness of the time. This is a form of pathetic fallacy to make the viewer feel scared and uneasy.
The crows represent that there has been a tragedy

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The slow pan across the scene represents emptiness in the place. It hints towards the damage that has been caused. The long shots show us the picturesque scenery and the destroyed church. The steadiness of the camera helps to create an empty mood. The high key lighting helps to build towards the beautiful presentation of the location.

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The non diegetic music presents the place in a heaven like way but until it is mixed with the sound of the car engines - the music is melancholy. This represents the destruction of peaceful locations and interventions of peaceful places.

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Transitioning and continuity between the shots shows the connection between all the places and represents how the destroyed places were part of the picturesque landscape and were once beautiful too. The slow pace gives the viewer a chance to take in the whole location and all the scenery and appreciate
what once would have been.

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The contrast between the beauty of the golden colours and the skulls creates makes the viewer feel distraught. The slithering black cars also contrast the colouring and build towards the anger the viewer is already feeling towards the 'nazi' looking cars. The destroyed buildings and skulls show a sense of death and destruction.