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The man that is crouching is purposefully distorted.

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Mannerism abandons the restraint of the Renaissance and shows human emotion very dramatically.

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This piece abandons the High Renaissance pyramid balance.

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Contains a small self-portrait on the right of the piece

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Jacopo da Pontormo is most famous for his use of twining poses, with ambiguous perspective. The figures seem to float in an environment of uncertainty.

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Mannerism exaggerates qualities resulting in compositions that are asymmetrical or unnaturally elegant.

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Involves realistic images of Christ, the Virgin Mary, saints and prophets

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Involves realistic images of Christ, the Virgin Mary, saints and prophets

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Uses dramatic lighting effects

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Abandons the High Renaissance pyramid balance

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Abandons the High Renaissance pyramid balance

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Painted oil on wood

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Entombment of Christ. Jacopo da Pontormo.

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Entombment of Christ. Jacopo da Pontormo.