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- Initial meeting
- Introductions and getting to know everyone
- Skills Audit
- Establishing interests and discussing potential ideas
- Evaluate the best methods of working as a group that would suit us

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Reflection of thought processes

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In the beginning, we took time to familiarise ourselves with the Rijksmuseum. Here you can see one of the ways we started to explore the collections and start to gather the images that inspired our final Big Idea.

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Highlights of the exhibition include ‘Isabella’ by Simon Maris, 1906 and was the catalyst for our Big Idea.

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I find that taking minutes and notes of our meetings aids my thought process, I can look over what we discussed and summaries or neaten up before adding to our shared drive. Doing my notes this way aided with the development of the Big Idea. This way of working makes sure I familiarise myself with the content as much as possible.

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Big Idea draft:
How do we restore & make visible suppressed, destroyed, or underrepresented (hi)stories:
Subject – Representations of non-European women in the Rijksmuseum
Action – What is the balance of power between the women, the artist and the audience?
Consequence – What is happening in Leeds, the Rijksmuseum and Indonesia to retell the story?

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We used a variety of methods of research both as a group and independently. We used a shared OneDrive to collected all of our findings together and keep up to date with each other's progress. I found this way of working partially helpful as it means we could prepare for our meetings, saving time by reading through notes beforehand and ensure we are covering all relevant ground in our meetings, making it easier to assess what was our next steps.

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The FaxBak task allowed us to develop our own voice and critically evaluate our writing. We used what we had learnt from completing this exercise in our labels and marketing texts.

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When selecting our objects we went through a rigorous process of selection to ensure we had the best possible collection representing our Big Idea. We wanted to make sure we were as educated on each item as possible and each one had a purpose. It was hard to choose but we feel that our final collection is successful.

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Top things that we needed to consider:
- Overall look and consistency
- The nature of our subject and the appropriate design
- Overall aesthetic that would compliment our images, that would be enticing but not overshadow the Big Idea
- Accessible and inclusive

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Event Artical

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- Using our established colour pallet and design to run through our social media to make consistent marketing. This makes it easier to navigate online as you are confirmed to be in the correct location, helping with access and navigation.
- Utilising our social outreach and engagement with the project in preparation for launch. Publicising our event allowed us to observe some initial audience feedback and interest.
- Our social media also helps set the tone of our exhibition

Follow along on our social media for more stories and updates, please see follow the links below:

https://www.instagram.com/
https://www.facebook.com/WhoseImage
https://twitter.com/ImageWhose

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Whose Image? went live on the 7th December 2020 at 5 pm. We decided to dedicate a specific launch time as it was easier to advertise online and we thought that it would make the event more special and ceremonial, replicating the familiar feeling of exhibition launches of pre-Cronavris restrictions.

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We received some wonderful and positive feedback from peers and it was rewarding to see our hard work be interacted with. Our most commented-on aspect was that we had produced an inciteful experience that was not intimidating to approach and navigate. Going forward we hope to have further interaction and engagement either via our social media or the exhibition itself.