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Just correct your mistakes. Other than that, I think it was a very good reflection on the significance of the play.

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I really understand why you want to play the character of Vladimir. But I don't get to understand exactly what qualities of him interest you to portay him, further than the similarities between you two. I feel very short your explanation and again you had A LOT of spelling and punctuations mistakes.

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Hello, Ines.
I really liked the arguments you presented about the elements of performance. However, I also found a lot of spelling and punctuation mistakes among your writing.

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One of the main elements I learned and put to practice was the volume and diction of my voice. We did a lot of exercise in which we needed to answer in velocity some words to another person but if the person didn't hear then he couldn't continue with the rhythm and velocity of the game, so it was very important for us to learn how to say the words clear and higher so the other person could hear very well. A technique we saw fr it to be easier to sound stronger the voice , was to place the voice in the nose for it to be a stronger resonance and sound. Another technique that was very useful for me was the use of space in the scenery, the use of each side for a reason, the right side higher and lower, the left side higher and lower and the center.  The use of space is very useful for actors because it can be used depending on the message you want to transmit. For example if someone is very happy he can be jumping using the height in all the scenery. And if you want to represent someone with low energy and inferior you can use the floor. Also the part of the scenery represents the focus of the character with the audience for example the center is always going to be used as the attention, the light of the scene and the sides for displacement entries of exits or for secondary characters.

The last technique I also found very helpful especially by reading Beckett's play is the use of energy in our bodies and tones. This is important because each situation with a specific emotion need to have a tone which transmit this. For example when there is tension the tone needs to be maybe more laughter and strong than if there is sadness it needs to be more slow and light.

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I want to be Vladimir because he has a good heart and always wants to see the optimistic part like I sometimes do. Also I think he has a voice to be listened to by the audience and to transmit a serious and important message, and I want to be able to transmit this. Also the energy that Vladimir is a lot like mine . And I think this would make it easier to interpret. Ok maybe the energy is  different so i am going to start again because i did this very quickly and wrong. Vladmir  is lost in time; he always seems to be living on the moon. May the time pass? I will be here waiting, waiting for who or what? I always seem to be waiting like Vladimir with my head on the moon and with my heart on the earth. Except I find the opposite with Vladimir ; his head on the earth, his heart on the moon, this challenges me, and I love challenges. How could I express the opposite of my situation? I am very logical and Vladimir seems to be just dreamy , so playing the dreamy part would be clearly interesting and difficult but meanly different from my reality. I do believe theatre is not made for you to find the easiest character most similar to you, on the contrary I think it is made for challenging you to step out of your reality and try a new one to empathise with. If i was in the reality of Vladimir and Estragon i would be more Estragon that Vladimir i may seem like an optimistic person with a good energy always but when i found myself in a lost space with no meaning i start to panic and lose control of my emotions that is always sadness and anger that comes in to step in the others. I had an experience like that during quarantine in which the necessity of knowing everything consumed me and went into new Ines that I didn't know and clearly was the bad one, like the evil queen. So keeping the optimistic part of Vladimir in times of desperation would clearly be a challenge I need to try. Also because it could help me a lot to say ok you lost it , you want to know everything, but sometimes it is ok to not know everything just live the moment like Vladimir.

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Waiting for Godot is a unique play different in all convencional aspects of the theatre. The play is presented as a new structure that doesn't need an ending or a beginning. It's a routine of the same ideas that keep on going in a continuous circle of actions and decisions.

For me this play challenges the audience to think outside their squares of life especially because this play was written  after the second war so it was needed to distract the minds of all the society and to reflect on how the society is working and to add a little humor to this tragedy.

Everything in the world makes sense and has a point of being but suddenly Beckett breaks this idea and puts a non meaningful life in his play. Actions happening but with now purpose.

There are 4 characters and each one of them are lost in their own reality, two of them Estragon and Vladimir seem to be crazy because they are lost in time with no notion of it and their purpose of living is to wait for a person they haven't met yet and he never comes to the meeting.

On the other hand there are two other characters Pozzo and Lucky.  Pozzo is represented as a man of power and money searching always to be superior and respected and wanting the aprovance of all the people. This character has lucky as a slave, that is treated badly as an infiriro to Pozzo and their is a breaking point when lucky starts to talk and talk as if he was keeping his breath for a lot of years and suddenly he was sinking and needed to explote. I think this same idea happened to the people during war and becket does the representation very well.

The significance of this play is more relevant to the audience than to anyone else. It is planned to be  a delicate theme of the meaning of life to laugh about but also to feel pity and to be sad about. The meaning of the lives of the characters of the play are based on how they used their time and how they interact with it within the play. The characters in the play dont know the time in which they are living and they seem to be lost in it, not remembering nor the past or the future, just living in a literal present. The lives of these characters persist for only one purpose; waiting for Godot and this only idea without knowing why they need to wait or who Godot is is a faith of life to these characters, it seems to be the only purpose of their existence.

Like time, other themes like death are represented without the seriousness they are about, the characters are dealing with  death as if it didn't have any importance, and it was a completely innocent and normal act. The play is following a routine of actions affected by the memory repeating it constantly. Death is a main resolution for all problems in this routine, when Vladimir and Estragon are bored  they find it fun to hang themselves and be dead as if it was like eating a hamburger.

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Also i wanted to find a meaning for the play and the purpose of the stage and characters but then for researching more of the theatre of the absurd i realized its not necessary even if i want to.

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I read this play like for 3 clases and that made me realized more of the tone of the characters and vocal techniques such as sarcasm that i needed to add, Also discussing with my teacher and my partners made me understood more the play and this made me also read it better.

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I read this play like for 3 clases and that made me realized more of the tone of the characters and vocal techniques such as sarcasm that i needed to add, Also discussing with my teacher and my partners made me understood more the play and this made me also read it better.

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Waiting for Godot in my opinion is a difficult play to read because it has knew and complicated language but most of all the emotions are absurd so you don´t know how to tone the sentences.

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Waiting for Godot in my opinion is a difficult play to read because it has knew and complicated language but most of all the emotions are absurd so you don´t know how to tone the sentences.

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3. Each one of us said a word it could be anything and the second person had to said a word that was related to yours, this helped us to have a rhythm

when we speak and too improvise and speak more clearly and fast.

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2: We made exercise of containing our respiration for 10 seconds and the expulse it more quickly for 5 seconds, in this exercise we closed our eyes and tryied to pull the air on our back.

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1: We spoke faking a sick voice, trying to put the resonance in the nose to sound more strong and direct. The we felt our cheeks to see if it vibrates or no. If it did, then the exercise was done well.

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After the war he started his career in french and suceed, His pays are knowed by non sence and absurdism they are based on a circle that never resolves and there are no answers.

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Samuel Beckett was one of the most famous and important writers of the theatre of the absurd. he was born in Ireland in 1906 and died in 1989

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Martin Esslin wrote an essay about it and the movement start.

Albert Camus had an idea where he wrote that man feels an stranger in his own world, the theatre of the absurd is the contrast of separation between the actor and his scenary. this may help the audience to feel life as meaningless so you don't feel depressed.

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Plots are in disorder and nothing make sense. The characters aren't consistent the play does not have an specific meaning. The problems does not resolve and there is not resolution. It rejects normal or the common or natural. The important element of the plays is the nonsense.

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Plots are in disorder and nothing make sense. The characters aren't consistent the play does not have an specific meaning. The problems does not resolve and there is not resolution. It rejects normal or the common or natural. The important element of the plays is the nonsense.

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Theatre of the absurd: started in the 50´s after the WWW2. It rejects realism , and the seeking in life it its just like living without questioning it. life doesn't make sense so theatre also doesn't need to make sense.