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I was playing this game at the beginning of the project and I can definitely see an influence of it on my outcome. A lot of things called my attention on this game, like the color pallet and character design. The main character is a boy wearing dark clothes and with no face, what in the game makes him look like just one in the crowd of zombies that are controlled by a corporation. It’s a way of removing his identity in my opinion, and this is one of the reasons I decided not to make a face for my puppet, so at the same time he would be more the representation of the movement than someone moving, and also you could relate to him since his is more of a body than someone with a personality and different from you.

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This movie it’s one of my favorite animations and I really love the design of the characters and the fact that it is an stop motion, because it’s amazing how they where able to create so stylized puppets with totally different proportions and still animated them perfectly.

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LAIKA | ParaNorman | Building Characters

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#Notes taken during gallery tour with Mateus:
- Adriano Costa - SP - fine arts at USP,  then Belas Artes
Young artists

Post internet generation

Excess of information

Superficial in a good way

Superficial information

Trying to findo posts on Instagram and Facebook and trying to draw what he sees

Not profissional sketches

Hard things with movement

Then he transform his drawings into sculptures

His work is like transform the imaterial things in real

2D into 3D

He hates the term “found objects” because he doesn’t look for them, they already exist around him, they just come to him

We produce so many things, no necessarily trash, that we use them to sculpt, we don’t have to sculpt we marble anymore. We have a lot of things, we can’t only discard them, we need to give them another meaning

Sketchbook pages, materials used on the research are used in on the outcome

#Personal opinion:
I find it really interesting the motivation behind the use of ready made materials and the process he uses to relate his work with movement, but at the same time it seams too particular, something that is his, so in my opinion his work calls more attention to the type of materials he uses them the movement itself, and because of that I didn’t have too much ideas for the sculpture’s theme during this exhibition.

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He explained me that he created this image wanting to represent the union of people. I found it interestind the way he intervened on the borders between the states of Brazil, because each one of them was drawn and cut separatell, and then stapled them together. The way I thought about connecting São Paulo and Piauí reminded me of this Zine so I looked for it at EBAC´s labrary.

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The quality “Anxious” it’s mainly associated to anxiety symptoms, so I took not of the ones I found listed in this site to know what I should focus on representing on both performance and scenography.

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Over 100 anxiety symptoms and signs for anxiety, anxiety attacks (panic attacks), and other anxiety disorders including the following anxiety symptoms:

Numbness and tingling

Dizziness

Chest pain

Headaches

Neck tension

Stomach upset, nervous stomach

Pulsing in the ear

Burning skin

Fear of impending doom

Nausea

Shortness of breath

Electric shock feeling

Shooting pains in the face

Heart palpitations

Weakness in legs

Feeling like you are going crazy

Inability to rest

Sleep problems

There are a great many more anxiety symptoms. For a comprehensive list of anxiety symptoms with descriptions, including severe anxiety symptoms, see below.

What is anxiety?

Anxiety is defined as:

A state of uneasiness, apprehension; as about future uncertainties.

A state of apprehension, uncertainty, and fear resulting from anticipation of a realistic or fantasized threatening event or situation, often impairing physical and psychological functioning.

In other words, anxiety occurs when we behave (think and act) in an apprehensive manner, such as when worrying about an event or situation.

With this in mind, anxiety is not a force or 'thing' in itself. It's a state of uneasiness that results when we worry. More about this in a moment.

Because imagining the future in an apprehensive manner is a behavior, it's not caused by a biological, chemical, or genetic problem with the brain. Anxiety results from a certain style of behavior.

Visit our 'anxiety' page for additional information.

What is anxiety disorder?

Everyone experiences anxiety from time to time. This is normal. This is why anxiety is not a medical, biological, chemical, or genetic problem.

Anxiety turns into a 'disorder' - disruption to normal functioning - when anxiety and its sensations and symptoms interfere with a normal lifestyle.

It's important to keep in mind that anxiety disorder should NOT be equated with a medical condition or serious mental illness (when there is a medical, biological, chemical, or genetic cause). Unfortunately, the term mental illness is used to refer to any problem caused by behaving in an abnormal way (what is considered to be outside of the 'norm'). All of us have behaviors that fall outside of the norm, which is why all of us could be categorized as having some type of mental illness.

While you may have or have been diagnosed as having anxiety disorder, this means you have overly anxious behaviors (tendencies). It doesn't mean you are somehow mentally deficient or have something medically, biologically, chemically, or genetically wrong.

Visit our anxiety disorder page for additional information.

If anxiety disorder isn't a medical, biological, chemical, or genetic problem, why does anxiety cause symptoms? That's next.

What are anxiety symptoms?

Behaving in an overly apprehensive manner creates the physiological, psychological, and emotional state of anxiety. Anxiety activates the stress response, which stresses the body. A body that becomes overly stressed can exhibit symptoms of stress.

So anxiety symptoms are actually symptoms of stress. They are called anxiety symptoms because behaving apprehensively is the main source of the stress that overly stresses the body, which then, causes the body to exhibit symptoms.

Because each body is somewhat chemically unique, the type, number, intensity, duration, and frequency of anxiety symptoms will vary from person to person. For example, one person might have just one mild or a few anxiety symptoms, whereas another person might have all anxiety symptoms and to great severity. All combinations and variations are common.

Chapter 9 in the member's area of our website is our anxiety Symptoms Section. Chapter 9 includes all symptoms (not just the symptoms listed below), including in depth descriptions about how each symptom feels, what causes it, what you can do to alleviate it, and how prevalent each symptom is (the percentage of people who experience each symptom).

Are anxiety disorder symptoms different from anxiety symptoms?

No. Anxiety disorder symptoms and anxiety symptoms are the same. The only difference between the two would be, as anxiety and its persistence increases, so will the number, type, intensity, frequency, and duration of anxiety symptoms increase. Otherwise, they are one and the same.

Anxiety symptoms in women and men

The majority of anxiety symptoms in women and men are similar, but there are some anxiety symptoms differences.

For example, anxiety causes stress hormones to enter the bloodstream where they travel to targeted spots in the body to bring about specific emergency response changes. These changes prepare the body for immediate action.

Since stress hormones affect other hormones, women can experience a wide range of sensations and symptoms due to how stress hormones affect the hormones that affect the female menstruation cycle. Many women experience increases in anxiety related symptoms in association with their monthly cycle.

Women can also experience an increase in symptoms due to the biological changes of pregnancy, postpartum recovery, and menopause.

Women are also more emotionally-centered than men, so their anxiety symptoms can seem more numerous and daunting.

Men also have challenges, as stress hormones also affect male hormones. Men who are more emotionally-centered can also struggle more with anxiety symptoms.

For additional information, see our anxiety symptoms list below.

Types of anxiety and symptoms

Problematic anxiety can be experienced in a number of ways. This is why there are specific types within the Anxiety Disorder classification. But just because there are different types of anxiety disorder doesn't mean problematic anxiety has a number of different causes. The cause is the same - behavior. But some people struggle more in one area than in others.

Below are the most common types of anxiety disorder.

Panic Attack Disorder (PAD) - which is the same as Anxiety Attacks

Anxiety attacks, also referred to as panic attacks, are episodes of high intensity fear and anxiety. Panic attacks often occur suddenly and 'out of the blue.' Sometimes the cause of a panic attack is obvious, such as when you feel in immediate danger with no escape. But at other times, panic attacks can seem to occur without reason.

Panic attacks and their symptoms can last from just a few moments to hours. During the attack, most people feel an incredible amount of fear, trepidation, and foreboding, which is often accompanied by a strong urge to escape, a feeling that you are about to lose control, and for many, that they may even die.

The feelings, sensations, and symptoms that accompany a panic attack can be so strong that just the thought of having another one creates strong anxiety.

There is no question, panic attacks can be strong physiological, psychological, and emotional experiences, which is why many people fear them.

Panic Attack symptoms include:

intense feeling of doom and gloom

racing heart

lightheadedness

heart palpitations

sweating

nervous stomach

trembling

feeling like you are about to lose control

feeling like you are about to go crazy

feeling overwhelmed

sudden and strong urge to escape

heightened fear and apprehension

increased stimulation

pins and needles

throat tightness

muscle weakness

weak in the knees

super sensitive senses and nerves

To name a few symptoms.

You can visit our anxiety attacks and panic attacks pages for additional information.

Generalized Anxiety Disorder (GAD)

All of us are anxious from time to time. And many of us have some things we worry about. People who experience generalized anxiety, however, worry about many things, frequently, and to a great degree. Years ago, people who experienced generalized anxiety disorder were said to be worrywarts.

Generalized anxiety disorder doesn't mean your anxiety is worse than other types, but that you worry about more things and more often.

Generalized anxiety disorder also doesn't mean there is something medically, biologically, chemically, or genetically wrong. It means you haven't learned healthy ways of dealing with adversity, uncertainty, and risk. So, you worry!

Generalized anxiety symptoms:

a general feeling of uneasiness

persistently being on alert for danger

persistent worry

an overly cautious approach to life

a persistent feeling of being unsafe

overly reactive to things that you perceive could be threatening

many of the physical, psychological, and emotional symptoms of anxiety

Plus many more symptoms.

Visit our Generalized Anxiety Disorder page for additional information.

Obsessive Compulsive Disorder (OCD)

Obsessive compulsive disorder is described as having unwanted thoughts and actions that seem difficult to impossible to stop. While many people worry, those who experience obsessive compulsive disorder feel they can't stop worrying, or if they do, something bad will happen.

Obsessive compulsive disorder doesn't mean you have something medically, biologically, chemically, or genetically wrong, but that you haven't learned to make yourself feel safe 'on the inside.' As a result, you worry or perform rituals to try and make yourself feel safe.

An example of this is thinking that if you do a certain ritual enough times, you'll be safe. Common rituals include touching things enough times, counting things enough times, and doing things enough times and to the point of where you 'feel' everything is going to be okay.

Coping styles are learned. OCD is an example of an unhealthy coping style.

OCD symptoms:

relentless worry

underlying fear

an underlying sense of danger

inability to self-soothe

nervousness

agitation

sleep issues

and many of anxiety's physiological, psychological, and emotional symptoms

And many more symptoms.

Visit our Obsessive Compulsive Disorder page for more information.

Social Anxiety Disorder (SAD)

Social Anxiety Disorder is described as being overly anxious in social situations. It's not that social anxiety disorder sufferers are afraid of people, but of what people might think of them and/or how those people might react. Fear of rejection is a major concern for the socially anxious.

Socially anxious people generally struggle with self-esteem and self-worth issues. Social phobia is another term often used to describe social anxiety.

SAD symptoms:

nervousness around people who are deemed to be important

overly concerned about what people think

overly concerned about how people might react

hyper sensitive to rejection

overly sensitive to criticism

overly critical of others

and many of anxiety's physiological, psychological, and emotional symptoms

There are many more symptoms.

Visit our Social Anxiety Disorder page for more information.

Post Traumatic Stress Disorder (PTSD)

Post Traumatic Stress Disorder is characterized as having strong anxious and distressing reactions to a past traumatic event. The memories, flashbacks, nightmares, and night terrors of the event can be so vivid that they provoke seemingly uncontrollable anxious reactions and symptoms. Many people who struggle with PTSD feel helpless to eliminate the negative memories, flashbacks, nightmares, and night terrors and the strong reactions and symptoms that accompany them.

Some people say that having PTSD is similar to having panic attacks 24/7 and feeling there is nothing you can do to stop them.

PTSD symptoms:

reoccurring memories, flashbacks, and nightmares that seem unstoppable

on going anxiety and worry

underlying fear and trepidation

persistently feeling unsafe and at risk

avoiding situations that remind you of the event

avoiding situations that are associated with reminders and the event itself

overly vigilant in uncertain situations

avoiding others

a persistent internal struggle

and many of anxiety's physiological, psychological, and emotional symptoms

Plus many more symptoms.

For additional information, visit our Post Traumatic Stress Disorder page.

Phobias

Everyone is afraid of something. Phobias, however, are extreme fears that seem unusually strong and encompassing. A fear of heights, small spaces, dogs, snakes, spiders, being trapped with no exists, and flying are common phobias.

Phobia symptoms:

overly afraid of a person, object, situation, or circumstance

heightened sense of danger near your feared subject

persistent worry and/or concern about your feared subject

and many of anxiety's physiological, psychological, and emotional symptoms

There are many more symptoms of phobias.

Visit our Phobias page for additional information.

Anxiety treatment

There are many anxiety treatment options. Research has found that the most effective treatment for anxiety disorder is the combination of good self-help information, support, and personal coaching/therapy (often referred to as Cognitive Behavioral Therapy).[ 1] This is particularly effective when delivered by coaches/therapists who have personally experienced and have successfully overcome anxiety disorder and anxiety symptoms in their own lives.

Having personally experienced and successfully overcome anxiety disorder and anxiety symptoms means not only do they understand your struggle and how anxiety symptoms feel and can impact a person's life but that they also know how to treat anxiety unwellness and its symptoms. This personal experience is a valuable asset in the anxiety disorder recovery process, including treating symptoms.[ 2]

Visit our Anxiety Therapy page for information about how our coaching/therapy option works and the many coaches/therapists available.

Did you know that treating anxiety symptoms is not all there is to addressing anxiety disorder? Click here for more information about the Two Levels of Anxiety Disorder Recovery.

For information about anxiety, its symptoms, and its treatment, see our Anxiety 101 section.

Anxiety symptoms listing:

Anxiety, no matter the type, affects the body the same way. As a result, the following anxiety symptoms can occur with any type of anxiety disorder. The type, number, intensity, duration, and frequency of anxiety symptoms is generally determined by the degree of anxiety experienced.

Medical Advisory
Because there are many medical conditions that can cause anxiety-like sensations and symptoms, we recommend that all new, changing, persistent, and returning symptoms be discussed with your doctor. If your doctor concludes that your sensations and symptoms are solely stress related (including anxiety-caused stress), you can be confident that there isn't another medical reason for your symptoms. Generally, most doctors can easily determine the difference between stress- and anxiety-caused sensations and symptoms from those caused by other medical conditions.

If you are uncertain about your doctor's diagnosis, however, we recommend you seek a second and even third opinion. But if all three opinions concur, you can be assured that stress (including the stress that being overly anxious can cause) is the cause of your sensations and symptoms and not some other medical or biological problem.

Anxiety Symptoms

For information about anxiety symptoms, click on any of the symptoms of anxiety links below where available.

Body Anxiety Symptoms (symptoms of anxiety associated with the body in general):

Allergy and anxiety

Allergies and anxiety

Allergy problems, increase in allergies (number, sensitivity, reactions, lengthier reactions)

Anxiety cough

Anxiety Attack Symptoms and signs

Asthma and anxiety

Back pain, stiffness, tension, pressure, soreness, spasms, immobility in the back or back muscles

Blanching (looking pale, loss of color in the face or skin)

Blushing, turning red, flushed face, flushed skin, blushing, red face or skin

Body aches, parts of or your entire body feels sore and achy, feels like your body and muscles are bruised

Body shakes

Body trembling, shaking, anxiety symptoms

Body tremors

Body temperature increase or decrease, change in body temperature

Burning skin, itchy, crawly, prickly or other skin sensations, skin sensitivity, numbness on the skin

Burning skin sensation on the face, neck, ears, scalp, or shoulders

Buzzing sensation in the feet, toes, hands, fingers, arms, legs

Chest pain anxiety symptoms

Chest pains anxiety symptoms

Chest tightness feeling

Choking feeling in throat

Chronic Fatigue, exhaustion, super tired, worn out

Chronic pain and anxiety

Clumsiness, feeling clumsy, co-ordination problems with the limbs or body

Cold chills, feeling cold all the time

Cold flashes, flash

Cold hands and feet

Craving sugar, sweets, chocolate, usual craving for sugar and sweets

Crazy thoughts

Difficulty speaking, moving mouth, talking, co-ordination problems with the mouth or tongue

Dizziness, feeling lightheaded, dizzy, feeling dizzy

Electric shock feeling, body zaps

Excess of energy, you feel you can't relax

Falling dropping sensation

Feeling faint

Feel ill and sick, yet can't describe how you feel but that you feel ill in some way

Feel like you are going to pass out

Feel cold, chilly, cold all the time

Feel wrong, different, foreign, odd, or strange

Feels like floor is moving, swaying

Flu-like symptoms, feel sick or ill, feel like you are coming down with the flu

Flushed face, red face, flushed skin

Frequent urination

Frequent urination at nigh t

Frequent urination in men

Hair loss, hair is thinning, or clumps of hair are falling out, balding

Headaches, migraine headaches, anxiety headaches

Head and Brain Zaps

Head and brain zaps - medication causes

Heart palpitations, racing heart

Hot flash, flashes

Hyperactivity, excess energy, nervous energy

Hypersensitivity; super sensitive nerves, hearing, touch, tastes

Increased or decreased sex drive

Infection - increased infections, persistent infection

Itchy, Tingling, Crawling, Pins and Needles, Prickly Feelings under the skin or anywhere inside or deep inside the body

Motion sickness feeling

Mouth or throat clicking or grating sound/noise when you move your mouth or jaw, such as when talking

Muscle tension, stiffness, aches, pains

Muscles that vibrate, jitter, tremor, or shake when used

Muscle twitching

Muscle weakness

Nausea vomiting

Neck, back, shoulder tension and stiffness

Neck tension

Nervous cough

Night sweats, waking up in a sweat, profusely sweating at night, anxiety night sweats

No energy, feeling lethargic, tired, exhausted, chronic fatigue

Numb tingling hands

Numbness tingling, numbness and tingling

Numbness and tingling fingers

Numbness and tingling, and other skin sensations on hands, feet, face, head, or any other places on the body

Overly sensitive nerves anywhere on or in the body, overly sensitive nerves to the touch

Pins and needles: all over, in the hands and feet, fingers, left arm, etc.

Pounding heart, heart feels like it is beating too hard

Pulsing or throbbing muscles. Pulsing or throbbing sensation

Racing heart, heart palpitations

Red skin, skin looks like or is turning red

Rib or rib cage tightness, pressure, or feeling like a tight band around the rib cage

Sexual Dysfunction, sexual uninterest

Shaking anxiety feelings

Shooting pains anxiety symptoms

Shooting pains, stabbing pains, and odd pressures in the neck, head, or face

Shooting pains in the face

Shooting pains in the scalp or head

Skipped heart beats

Sore or tight scalp, headaches, neck tension

Startle easily

Sudden urge to escape or run away

Sweating, profuse, excessive, uncontrollable sweating

The floor feels like it is moving either down or up, swaying

Tightness in the ribs or rib cage area, may also feel like a tight band around the ribs or rib cage area.

Tingling numb hands

Tingling, tingly, pins and needles sensations - anywhere on the body, including the hands, feet, legs, arms, head, mouth, chest, groin area

Throat or mouth clicking or grating sound/noise when you move your mouth or jaw, such as when talking

TMJ

Trembling, shaking, tremors

Unsteadiness, dizziness, feeling dizzy or lightheaded

Urgency to urinate, sudden urge to go to the washroom, sudden urge to pee

Warm spells

Weak - feel weak, weakness, low energy, light, soft, like you may faint

Weak legs, arms, or muscles

Weak limbs/extremities

Weight gain; sudden weight gain

Weight loss; sudden weight loss

Chest Anxiety Symptoms (symptoms of anxiety associated with the chest and chest area):

Emotions (see mood - anxiety symptoms regarding emotions, mood, and feelings)

Fears Anxiety Symptoms:

Head Anxiety Symptoms (symptoms of anxiety associated with the head):

Anxiety headaches, migraines headaches

Burning, itchy, tight scalp

Dizziness or light-headedness

Frequent headaches, migraine headaches

Feeling like there is a tight band around your head, pressure, tightness

Hair loss, hair is thinning, or clumps of hair are falling out

Having a humming, droning, rumbling, throbbing, vibrating-like, hissing, fizzing, or other types of sounds in your head

Headaches, migraines

Head, neck or shoulder tightness, stiffness, or pain

Head zaps, head tremors. brain zaps

Giddiness

Numbness tingling, numbness and tingling

Shooting pains, stabbing pains, and odd pressures in the neck, head, or face

Shooting pains in the face

Shooting pains in the scalp or head

Tingling in Head

When you close your eyes you feel like are beginning to, or will, float upwards

Sore jaw that feels like a tooth ache

TMJ (Temporo-Mandibular Joint) - clenching of the jaw or grinding of the teeth

Hearing & Ear Anxiety Symptoms (symptoms of anxiety involving the ears and hearing):

Feel like there is something stuck in your ear, that your ear canal it plugged or blocked, that there is a pebble in your ear that you can't get out

Having a humming, droning, rumbling, throbbing, vibrating-like, hissing, fizzing, or other types of sounds in your head

Low rumbling sounds

Reduced hearing, frequent or intermittent reduced hearing or deafness in one or both ears

Ringing in the ears

Pulsing in the ears, throbbing sound in the ear(s)

Tickle or itch in your ear that you can't seem to get at

Tinnitus and Anxiety

Heart Anxiety Symptoms (symptoms of anxiety associated with the heart):

You can find out if you are having a heart attack or anxiety attack (panic attack)

Mind Anxiety Symptoms (symptoms of anxiety associated with the mind and thinking):

Afraid of everything

Altered state of reality, consciousness, or universe feeling

Crazy thoughts

Deja Vu, a feeling like you've done or experienced something before

Depersonalization

Derealization

Desensitization

Difficulty concentrating, short-term memory loss

Difficulty speaking

Difficulty thinking

Disorientation

Easily distracted

Fear of going crazy

Fear of losing control

Fear of impending doom

Feelings of unreality

Frequent feeling of being overwhelmed, or that there is just too much to handle or do

Having difficulty concentrating

Memory loss

Nightmares, bad dreams

Obsession about sensations or getting better

Racing Thoughts / Racing Mind

Slow motion feeling

Repetitive thinking or incessant 'mind chatter'

Short-term learning impairment, have a hard time learning new information

Short-term memory impairment, can't remember what I did a few days, hours, or moments ago

Spaced out feelings, feeling spaced out

"Stuck" thoughts; thoughts, mental images, concepts, songs, or melodies that 'stick' in your mind and replay over and over again.

Trapped in your mind feeling

Underlying anxiety, apprehension, or fear

You often feel you are carrying the world on your shoulders

Mood Symptoms; Emotion Symptoms (symptoms of anxiety associated with mood, emotions, and feelings):

Always feeling angry and lack of patience

Chronic Fatigue Anxiety Symptom, Syndrome

Depersonalization

Depression

Dramatic mood swings

Emotionally blunted, flat, or numb

Emotions feel numb; emotionally numb

Emotional flipping (dramatic mood swings)

Emotions feel wrong

Everything is scary, frightening

Feeling down in the dumps

Feeling like things are unreal or dreamlike

Frequently being on edge or 'grouchy'

Frustration, frustrated, anxiety frustration

Feel like crying for no apparent reason

Have no feelings about things you used to

Irritability, irritated, easily annoyed

Mood swings

Not feeling like yourself, detached from loved ones, emotionally numb

Sudden urge to escape or run away

Underlying anxiety, apprehension, or fear

You feel like you are under pressure all the time

Mouth, Voice, Stomach, and Digestive System Anxiety Symptoms (symptoms of anxiety involving the mouth, voice, stomach, and digestive system):

Bad taste in the mouth and anxiety

A tinny, metallic, or ammonia, or unusual smell or taste

Aerophagia (swallowing too much air, stomach distention, belching)

Burning mouth, feeling like the inside of your mouth is burning, or tingling, or like pins and needles, or all of these together or at different times

Burping, belching, frequent or excessive burping and belching, gas

Burning tongue, feeling like your tongue is burning, or tingling, or like pins and needles

Constant craving for sugar or sweets

Constant lump in the throat feeling

Constipation

Difficulty swallowing

Difficulty talking, pronouncing certain letters or sounds, mouth feels like it isn't moving right, slurred speech

Dry mouth

Esophageal spasms

Feeling like you can't swallow properly or that something will get caught in your throat

Feeling like your tongue is swollen

IBS

Lack of appetite, Loss of appetite

Lump in the throat, tight throat, something stuck in your throat

Mixing up words when speaking; mixed up words

Mouth muscles twitching/jumping

Mouth or throat clicking or grating sound/noise when you move your mouth or jaw, such as when talking

Nausea vomiting

Nausea or abdominal stress

Nervous stomach

Static, electric charge, tingling, numbness, prickly, unusual pain and sensitivity feelings in the face, mouth, and/or throat

Stomach upset, gas, belching, bloating

Teeth grinding

The thought of eating makes you nauseous

Tight throat, lump in throat

Throat or mouth clicking or grating sound/noise when you move your mouth or jaw, such as when talking

TMJ

Tongue symptoms - Tingly, stretched, numb, frozen, itchy, crawly, burning, twitching, jumpy, aching, sore, or swollen tongue (when it isn't).

Urgency to urinate, frequent urination, sudden urge to go to the washroom

Voice changes: shaky, crackly, raspy, unsteady, hoarseness, broken, cracked, weak, random pitch, uneven tone, loss of voice, etc.

Vomiting

Warm burst surge sensation in the stomach

Skin Anxiety Symptoms (symptoms of anxiety involving the skin):

Burning itching skin (hands, feet, face, lips, etc.)

Burning skin sensations, skin sensitivity

Itching burning skin but no rash

Numbness tingling, numbness and tingling

Red skin, looks like your skin is red or turning red for no reason

Skin feels cold, wet

Skin problems, infections, rashes

Sleep Anxiety Symptoms (symptoms of anxiety associated with sleep and sleep problems):

Difficulty falling or staying asleep

Frequent bad, bizarre, or crazy dreams

Hearing sounds in your head that jolt you awake

Insomnia, or waking up ill in the middle of the night

Jolting awake

Waking up in a panic attack

You feel worse in the mornings

Sight Anxiety Symptoms (symptoms of anxiety associated with the eyes and sight):

Touch Anxiety Symptoms (symptoms of anxiety associated with the sense of touch):

Other anxiety symptoms are often described as: Being like a hypochondriac, muscle twinges, worry all the time, tingles, gagging, tightness in the chest, tongue twitches, shaky, breath lump, heart beat problems, head tingles, itchy tingling in arms and legs, and so many more.

In addition, you might also find yourself worrying compulsively about:

Having a heart attack

Having a serious undetected illness

Dying prematurely

Going insane or losing your mind

Suddenly snapping

Losing it

Uncontrollably harming yourself or someone you love

Losing control of your thoughts and actions

Being embarrassed or making a fool out of yourself

Losing control

Fainting in public

Not breathing properly

Losing control of reality

Choking or suffocating

Being alone

These are some of the more common signs, symptoms, and indications of anxiety. This symptoms list is not exhaustive.

If you would like more in depth information about all anxiety symptoms, including those symptoms that aren't listed or explained above - the Symptoms section (Chapter 9) in the Recovery Support area of our website includes every anxiety symptom, including complete descriptions, explanations, remedies, and the percentage of people who experience it. The Anxiety Symptoms section in the Recovery Support area is the most comprehensive symptoms resource available anywhere today. Click here for more information about our Recovery Support area, including membership options.

Resources

National Institute of Mental Health - general information

Canadian Mental Health Association - general information

American Psychiatric Association - general disorder information

American Psychological Association - general information

Anxiety UK Helpline - helpline in the UK

Free tests at anxietycentre.com - free anxiety, depression, and stress tests at anxietycentre.com

* REFERENCES:
[1]"CBT can be recommended as a gold standard in the psychotherapeutic treatment of patients with anxiety disorders." - Otte, Christian. "Cognitive Behavioral Therapy in Anxiety Disorders: Current State of the Evidence." Dialogues in Clinical Neuroscience. Les Laboratoires Servier, Dec. 2011. Web. 14 Sept. 2016.

[2]DISCLAIMER: Because each body is somewhat chemically unique, and because each person will have a unique mix of symptoms and underlying factors, recovery results may vary. Variances can occur for many reasons, including due to the severity of the condition, the ability of the person to apply the recovery concepts, and the commitment to making behavioral change.

Authors: Jim Folk, Marilyn Folk, BScN. Last updated April 21, 2018.

Anxiety symptoms can range in type, number, intensity, frequency, and duration with each person having a unique set of anxiety symptoms.

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Anxiety Symptoms and Signs - Over 100 listed.

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Over 100 anxiety symptoms, including trembling, pins and needles, numbness, tingling, dizziness, lightheadedness, chest pain, shortness of breath, and many more. Learn what they are, what causes them, and how to treat them. This includes anxiety symptoms in women and in men, and anxiety symptoms in teens and children.

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Of all the videos I saw, this seamed to show the best wire structure because it is made of just one big piece of wire what, in my opinion and experience with wire sculptures, makes it more stable, easy to keep proportions and gives you a more precise movement when you change the puppet’s pose.

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The use of glass in Ana’s sculptures it’s a important factor to her representation of movement, since associated with animals they can really give the viewer the idea of this animais doing their well known actions, like flying and swimming, specially because of the transparency of this material.

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The use of thinner wire for finger makes it easier to model them with clay afterward and also to move them without breaking.

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Some videos used only foam and tape for this part to keep the puppet with low weight, but this one decided to use epoxy to make something similar to bones, and I found it very interesting because it limits the movements of the body to the joints, what’s really important when you’re trying to recreate realistic movements even when over exaggerated.

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Stop Motion Tutorial:  Making an Armature

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This film made by Len Lye, that kept the abstraction by paint shapes directly on the celluloid, it’s a perfect representation of sounds through visual, when the visual part actually ends up influencing how you listen to the sound. In this short video some images start showing up on the screen, and quickly you can notice how the artist took every single element of the music and associated it with shapes. So when you listen to a percussion instrument, big circles pop up in the rhythm this part of the song is played, the same thing with the keyboard instrument, represented by small oval shapes that can remember piano keys, and vertical and horizontal lines with different thickness for the sound of the string instruments, with thicker lines for the bass ones, and thinner for the treble.

Since a song is usually composed by instruments playing at the same time, this shapes interact on screen at some points, and it caught my attention how, after you create this shape and sound association in your head, the part of the images you focus on while watching the film end up influencing on which sound in the music you pay more attention to.

http://film.britishcouncil.org/swinging-the-lambeth-walk

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The director of this music video, Michel Gondry, decided to associate elements of the music with objects he could record through a train window. By filming an specific speeding train trip he made ten times, Michel was able to get enough footage to edit and create a compositional structure of the song using only elements from the view. Since this song is a more electronic kind of tune, the focus of this representation is on the rhythm itself, so you can take the buildings and objects to differentiate certain beats, and use the speed as they show up in the window to see how fast this elements repeat on the song, and how long they appear on screen to have a notion of their duration.

But it’s hard to tell if there is any association between what makes two beats different and two objects different, for example, loudness and size or height. One notable exception is the hills in the landscape, because you can see they were edited to go up and down following the pitch of the sound. The most amazing aspect of this visual representation is how almost everything that composes the view is there for an specific reason and even so the video still looks like a real landscape with repeated objects. It’s visible how the director was very careful while choosing the visual elements he would use, and proved in the amazing making of of him planning the music video, calculating the timing for each element to appear and recreating the initial ideal with smaller objects to visualize it.

Music Video:https://m.youtube.com/watch?v=0S43IwBF0uM
Making of:https://m.youtube.com/watch?feature=player_embedded&v=GF0-wGbRqEs

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AURA PENDANT - Estúdio Guto Requena with D3

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AURA PENDANT - Estúdio Guto Requena with D3

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Through the use of a specific developed software, Estúdio Guto Requena and Estúdio D3 were able to develop unique design objects based on audio data collected by common smartphone sensors. The idea was to create 3D mandala jewelry that works as a visual representation of love stories. An mobile app captures data like the voice frequencies and the heartbeat while the user tells the story, and when put this information in the software, they act like variables that control the behavior of particles (velocity, thickness, attraction, and repulsion), generating different shapes for each pendant.

It’s interesting how the main idea of the project is to focus on how the sounds you make while telling a story (voice and heartbeat) react when you’re in an emotional state, and not the words in the story itself (since the app even warn you that the story will not be recorded), and make it possible to visualize this changes in the sound. While looking at the unique mandalas it’s noticeable a similarity with sound waves and electrocardiograms, but forming an circular object due to multiple axis of symmetry created by the developed software. The tangles give this feeling of different densities related to the movement of the lines, sometimes more stable and calm, or more intense, allowing us to only imagine the emotions that generated this image.

https://gutorequena.com/aura/
http://d3.do/en/projects/aura
Love project: https://m.youtube.com/watch?v=42aSJOGaNXY

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https://en.wikipedia.org/wiki/Italo_disco
A 1970-80's music genre originated in Italy, that had this electronic and synthesisers kind of tune.

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Jaygo showed this film is an example of how most Italian movies have a thing for car lights, and that was something he used as an influence for one of his works. The movie has also a lot of dark scenes with colourful lighting that caught my attention.

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"The mask hides the human and focus on the spirit"

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"The mask hides the human and focus on the spirit"

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This quote made me think of how a person's movement could be a representation of sound, because if the mask makes the spirit more visible, someone moving or dancing for examples could transcend being an individual and become something more visual, focusing on the body that goes along with the music.

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A discussion with American Horror Story Executive Producer ALEXIS MARTIN WOODALL and Title Designer KYLE COOPER of Prologue Films.
Alexis, can you give us a bit of background on yourself and your role on the American Horror Story series?
Alexis: I'm the Executive Producer for Ryan Murphy Television and I produce all the shows we do under this banner including American Horror Story, one of my oldest and favourite children. On the show I'm the Creative Producer on the back-end, so of course I deal in prep, I read the scripts, and talk about it with the writers and Ryan Murphy, but really and truly with the writers. Ryan and the directors go off and do their own thing and I really take ownership after the cut is done. The editor has the editor's cut and the director has the director's cut and after that the shows come to me.

I watch them and I think about what story we're telling and are we doing it the right way, do we need to change the score, do we need to change the structure? So I like to think about orchestrating all of our many moving pieces to elevate the story and make sure we're doing our best to scare and entertain people. That's why I'm so passionate about main title design because I think tone is everything. A great main title sequence sets the tone for everything.
As a producer, what do you feel the role of a title sequence should be?
Alexis: What's really interesting for me as a producer is that I love main title sequences so much but I do not believe that all shows need a main title sequence, so that immediately begs the question - what does need a main title sequence need to do? I think, especially with a genre like horror, a main title sequence tells you where you are, time and place, and what is the world you're about to enter into in that one minute or 45 seconds or whatever you get to play with. You have your audience member sitting there and maybe they didn't know what they were getting into, but it's your job to say, hey, we're just scratching the surface of where you're going to go. How we're going to make you feel for this next minute is how we're going to try and make you feel for the entire series.
Kyle, how did you and your company Prologue become involved in American Horror Story?
Kyle: In the lead up to season one, Ryan Murphy called me. He had seen the title sequence for Se7en and some other things [I had done] and asked if I wanted to work on American Horror Story 1. That's really how it happened. I went to his office at Paramount, he had a nice, very beautiful loft space, very artistic, outsider art kind of things. We didn't exactly know what we were going to do in the first one. He gave me the scripts and I never really see any of the show before I [work on the title sequences]. It's usually before they start shooting that he calls me.

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American Horror Story: Murder Hous e (2011) styleframes

Kyle: So I just had the scripts, and I read all of them, I read all of them before I met him and I pulled a bunch of references. I think we knew [the title sequence] was going to be live action or we wanted it to be live action and I wanted to shoot it for the first one. So the kinds of references I was showing him were things to photograph that had to do with the show.
At what point in any given season of American Horror Story do you begin to work on the title sequence?
Alexis: What happened at the very, very beginning Ryan said to me, I want to do a really cool title sequence for this and I want to do it with the guy who did the titles for Se7en. I said, that sounds awesome, I had always wanted to work with Kyle Cooper. So I cold called Kyle and his producer who works with him Kate Berry and they came to Ryan's office and the four of us sat down and had a meeting. Ryan talked about what the first season was, which was Murder House, that it was a psycho-sexual horror story and he talked about elements from the script and the power of the basement in this house. Kyle said, "okay let me go away and think about it and come back with a series of images" and we went from there.

Alexis: As the years have gone on, once Ryan conceives of what he wants the season to be about, Ryan, Kyle and I get together often before we've started production so we can talk about the things Ryan is attaching to from the scripts and the things that make sense to me and what we can get going and ruminating in Kyle's head. So I would say we average talking about them three months before we start shooting so it gives Kyle a chance to go away and think about it. Because Ryan and I work so closely together in the creative, we want what's in Kyle's head and his take on it because he has a different perspective. So in a Venn diagram of taste we all align in that place of elegant, gruesome horror. It moves really quickly from there, it takes about a month to nail down what we want, shoot it, get the first cut back, and talk about moments we like, moments we don't like, how we can make it better, but it's a really tight process and the three of us work really closely and really well together.
What is the process of collaboration like on these sequences?
Kyle: I research as much as I can. If I have a script I read the script. I show them references and Ryan talks about the kind of things he wants to see. I talk about the things I would do. It's become a bit more freeform because sometimes I make things up while I'm shooting, but it's always in the same kind of wheelhouse as what Ryan and I have talked about.

Kyle: I'm not sure what kind of direction he gave me on the first one. I said I like the Infantata in the basement and I like all the pictures of the people who had lived in the Murder House, kind of frozen, kind of looking on, their eyes wide open, I thought it was really interesting to have all the people who had lived in the house in pictures, kind of frozen and forced to look on at the proceedings in the house.

I went to the set which was in Hancock Park and it was a craftsman house and it had stained glass windows, the furniture was kind of art deco-y. There was plastic over a lot of the furniture. [Ryan] played me in his car a bunch of songs that he thought would be good for the background and I cut some stuff to the songs he liked or songs the music supervisor intended to use in the first episode. So I took the music he had at that time and walked around the set. And I guess the things I remember from the set were the plastic coverings on the furniture and he did say, in terms of input, because the house was a Craftsman house he had a Frank Lloyd Wright book on his desk and the title of it was set in an Art Nouveau font. It wasn't exactly the font we used and I didn't so much like the Frank Lloyd Wright font, but I liked the Charles Rennie Mackintosh font which was similar. They're both Art Nouveau, Craftsman kind of things, but I changed it to the Mackintosh font and Ryan liked it. And it's interesting because that font kind of became the brand. A lot of the things we did in season one, which is also true of Walking Dead, we established the typography and the logo and the marketing typography in the main titles that they still use. Even Universal Studios had the branding in the Universal Horror Nights they did last year. It's nice to see a typographic idea at the outset kind of grow into the brand of the show.

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Image set: American Horror Story: Coven (2013) storyboards

Kyle: In terms of the brand of the show, the editor I was working with at Prologue [Gabriel Diaz] had a friend or a relative [Cesar Davila Irizarry] that was a young guy who manipulated sounds and he had this old one that was like coat hangers banging together and there's a guy from Nine Inch Nails [Charlie Clouser] that I guess this other guy sort of knew. I'm not sure how it all came together on their end, but the guy I knew recorded coat hangers banging together and he would distort those sounds, so the editor had that piece of music and Ryan had never heard that so I put one of the edits against that music and it's cool. There's kind of like a buzzsaw that winds through it, a very disturbing piece of music and Ryan liked that. And yes, we've updated the music for Freak Show and Hotel and even now [in Cult] it's more patriotic but still based in this mood of this thing we found.

Did the team have any specific directions that helped inform the Murder House title sequence?

Kyle: The interesting story about the first season for me, Ryan certainly gave me specific direction. He told me this horrible story about a news story about a doctor who was giving illegal abortions in the Griffith Park area of LA and this woman got one from this doctor. Her husband was kind of a nut and, I think, a fundamentalist guy that had lost it and he kidnapped the doctor's daughter who was very young because he was angry that his child was killed by this doctor in his eyes. So he cut this daughter in half who was wearing a christening dress. It was this real crime and it was this horrible thing that influenced what [Ryan] was writing and working on and I just kept thinking about the Infantata, which is where the christening dress comes from. The Infantata is this creature in the basement of Murder House who wears a kind of christening dress and is demonic and kills people. So I was shooting Final Destination 5 and we found this old Mary Pickford stage with a basement and trap door [that we needed for a set up]. I didn't have a purchase order or agreement, but I had my crew there so I was thinking about the little baby, the Infantata running around in that basement and located a Super 16mm camera, which has a more grainy quality. Up until Hotel I shot everything [for American Horror Story] on a Super 16 because I liked that quality for the show.

I was running around that old theatre basement with that Super 16 and they were trying to follow me with the light. If you remember the first title sequence, it kind of goes into this pit which is one of the things I found in that basement. I started setting up these vignettes and I mentioned the house that I had looked at originally with the plastic all over everything, so I got underneath the plastic on one of the chairs and shot from there and we're running around this place and shooting anything we could set up. We found hedge trimmers, some of the things were specific to the content like the christening dress that's kind of floating in the water, and I told Ryan that because he had this illegal abortion story I was going to try and shoot some babies in formaldehyde. The first time Ryan saw what I had shot, it had that music and he just liked it. It was scary, I thought it was scary. You have to try and scare yourself. Tear down things that you hold sacred, put yourself in a situation where you're actually uncomfortable that you're shooting that.
The AHS title sequences are so provocative and subversive, have you ever had push back from the network or internally about the content of them?
Alexis: Sometimes it's even surprising to me what we're able to get away with. FX has always been incredibly supportive and by and large they really give Ryan free rein. They trust us to edit ourselves before it gets to them. With us, usually what happens is Kyle sends me a cut first and we'll talk about it. I say, I know Ryan will love this shot or can we move this shot here? So Kyle and I do one or two passes together and then we show Ryan and go from there. Ryan will say, I love this shot, I never want to see that shot again, what about moving this here? Because we've talked beforehand and we trust each other, we like to see what Kyle presents and then we like to see what sticks with us and it becomes a discussion.

Alexis: What was really cool about this season ( Cult) is that it's a pretty politicized piece and the title sequence initially was a bit more Trump heavy than it needed to be and we hadn't quite gotten there in terms of the edits of the episodes yet. After watching it, Ryan wanted to lessen the Trump elements and heighten the hive. Kyle went back and shot some extra and he shot bees. We hadn't shot the bees before. Ryan and I, having had time to sit with the episodes for a little while we realized there's an aspect that we were missing of the hive and of the cult, it didn't need to be just Trump or just Hillary, there was a bigger picture. It was Ryan who said, I want a bloody hand on a honeycomb. Kyle said, should I shoot anything else? And I say, I think you should shoot the honeycomb and the bees and anything around that, anything to give it that delicious texture. When we got the new version of it back, it was perfection. It wasn't skewing the audience to think it was only going to be about politics.
Kyle, there are tactile elements like the bees and honeycomb in all the American Horror Story title sequences. Can you talk about how you typically achieve those effects and how the pacing of each sequence impacts what you shoot?
Kyle: There needs to be moments that hopefully jar you a little bit and we don't have a lot of time to set up a lot of scares that happen in horror movies. If I can take something that happens, something violent, pause on something long enough that it's disturbing. I really study every single frame in the sense of making a choice, the frame has to be beautiful by itself. I don't like to cut anything that I think is beautiful. Sometimes I have conversations with editors that are about the cadence of certain images and I'm all about that too but I don't want frames in there that I think are ugly. I don't know if there was a beginning or a middle or an end in the first season but there was a thread of a camera move snaking through, and you think about contrast. If that's a snaking move then I should have locked off shots punctuating that. There are seven titles and every shot is locked off, nobody talks about that, but it's a conscious decision so if there's any movement in the frame like a hand brushing against something tactile and it cuts to credit on a black background so you're trying to create these refined editorial moments and you keep winnowing down the stock you have. I feel guilty that things aren't super CG, I just feel very comfortable with the process of shooting things. But maybe that makes me old fashioned. It's always interesting to me when people try to figure out why a certain shot is in there and interpret these things. Maybe Ryan is saying you should show something like that, or there are similar images in the show, or I'm just shooting things that are disturbing. You listen to everything then you spawn.

Kyle: I like tactile things. I like things that exist in the world, like bees. You can study what a bee does to make a bee in 3D, but bees behave in a way that I never would have imagined [when we shot them for the Cult title sequence]. How do I know what fire is going to do? I like to let the fire do what it's going to do.

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Image set: American Horror Story: Cult (2017) storyboards

What are some of the differences between developing title sequences for film and for television? How are they different for you?
Kyle: I feel like there's a phenomenon. In my life, I remember being five years old and maybe my parents weren't getting along or something, I yearned to watch Nanny and the Professor and settle into the theme song. It's about this family where the mother dies then this nanny comes along and strange things keep happening but positive things.

The Wild Wild West (1965) main titles, designed by Ken Mundie

Kyle: Wild Wild West. I'd settle down with my brothers and watch that - I could watch the same thing every single week and I'm getting in the zone, I'm getting ready. And now people can just fast forward through the title sequence, but we didn't have that luxury so I would so look forward to that moment of settling in to my favourite TV show. A TV title can do that but it also puts more pressure on a TV title because no matter how good it is, you don't want to watch it over and over again I don't think unless the music does something to you, like the Wild Wild West one did for me. That's the holy grail: to make a title sequence that people don't mind watching. When you're in a theatre watching something, the title doesn't have to sustain itself over and over.
Do you have a favourite American Horror Story title sequence?
Kyle: People like different ones. A lot of people like Asylum, I think I like the first one. There are shots in some of them that I like, and some I'm not sure about. But I wouldn't change anything about the Cult one and I wouldn't change anything about the first one.

Alexis: I always change my favourite but I think Murder House will always be at the top because it's the original. I remember the pause and the black screen and we come back with that loud noise and the skeleton in the attic with Jessica Lange's title card, there's something so magical about that. I think this sequence for Cult might be my second favourite when it's all said and done. There are many things we may do, but we're not going to mess around, we're going to go for it and that's probably the most fun aspect of the process.
Fans dissect these title sequences for clues on the upcoming season. How do you balance giving clues to the audience and giving too much away?
Alexis: In our initial meetings Ryan will say, for example in Cult, he talked about the phobia that were going to be involved and we put our heads together and said maybe this or maybe that, and we stew together for maybe half an hour. They're not super long meetings. We listen to what Ryan says and I bring my weirdness and Kyle brings his darkness. Once we get the bones of what it's going to be, there will be time for Kyle to say, "What if I showed this and this?" And I'll say "No, that's going to give away too much."

Alexis: There's also the idea of the red herring of it all, where fans go down one rabbit hole and they're convinced they know what the show season is about because of one frame in the main title and it has nothing to do with that, so that's kind of fun to watch too. What I like about how the fans devour it is that we're presenting mini-movies or mini-trailers for the season so there are more question marks than answers. Some of the clues or images may not pan out until episode 7.
Why didn't the Roanoke season have a title sequence?
Alexis: Earlier I said I don't believe all shows need a title sequence and I'm adamant about that. The nature of what we were doing with Roanoke, we were paying homage to a terrible kind of reality show, that has its own personality. To break that wall when you go to the title card, My Roanoke Nightmare with the crazy, scribbly text and the angsty, bloody tree and then go into a title sequence? The question becomes, what are we telling the viewer to care about? Are we telling them, don't ever really buy into My Roanoke Nightmare because don't worry, it's just American Horror Story or are we really trying to be subversive?

Ryan said, I think we should do one. And I said, I don't think we should. It was a real conversation because we are so known for our title sequences, but we were doing so many other subversive things in terms of the path of the show and season six was like nothing else we had ever done. Why not try doing something else we never done? Why not try it without a title sequence and tell the viewers about this show, My Roanoke Nightmare, that just happens to be part of American Horror Story? I'm proud that we did that, I think if we had done a full-on title sequence it would have been a presentational distraction. We knew that there was going to be backlash, but you can't make choices because of potential backlash, you have to make choices that are right for the story. We needed a break from the sequences we were known for, we needed a fresh start. We needed to step away from the images-title card, images-title card, images-title card, we needed to creatively make a decision about what was best for the season and commit to what we were doing with My Roanoke Nightmare.
Kyle, what are some of the challenges you've faced while working on this series?
Kyle: On Asylum, I said get a pig's head because some horror movies have pig's heads in them. I needed something disturbing to put on this bed we were going to shoot. So we got it and we start late because we couldn't get rental equipment or something. We were shooting on the sets that season so it feels bigger. There was one set up where I was trying to get this actor to rock back and forth on the bed and she just didn't want to do it, so I went in. So in the Asylum title there are three shots, one of a person cowering in the corner, walking back and forth like Rain Man and seated on the bed which were me.

Kyle: And the woman, they walked by her with this pig's head to bring it to another set that didn't involve her and she complained to some actor's thing that we made her work with a pig's head. You're working with these things that are disturbing and gross, there's a discomfort about it and yeah it's just a movie or TV show but there's an awkwardness to it.

Kyle: On Cult, I had a fake dog and I wanted to have this green gas reveal the fake dog. I needed a special fireman or pyro guy to use these canisters that were going to release this green gas. I had the dog framed up and I said, put the green gas in. Instead of placing it to the side of the dog where I wanted it to be, he tossed it in front of the dog so all the green smoke came out and it stained the face of the dog and I'm looking at it thinking, I know this dog prop cost $2800. And I turned to the guy and said, I either need to pay $2900 to replace it or $1600 to clean it. We stayed up all night shooting so we went into the bathroom we were shooting and we through in one of those green canisters then we all had to run out so we locked down two cameras and let it loose. So the next day I had to spend $680 to professionally clean the bathroom.
What are some of your favourite title sequences?
Kyle: I like what they did with Stranger Things. I didn't look at Saul Bass when I wanted to be a title designer, I looked at Altered States, The Dead Zone, Alien, Blue Steel - whatever Richard Greenberg did. They were doing a mysterious graphic thing, dialing up the typography.

R/Greenberg Associates: A Film Title Retrospective - Read more about Richard Greenberg here.

Kyle: American Gods does a lot of interesting things, mixing in mythology and elements of Americana. What I liked about it was the tearing down of these idols like the astronaut on the cross, like a false god. I found that very meaningful and fun. I like Six Feet Under as well. I like sections of the James Bond, Skyfall - the moment where the skull pops out of the grave I thought was fun. When the face teeth of the skull become gravestones in the z-axis.

Alexis: My favourite is Charade, that's my all-time favourite film, the title sequence by Maurice Binder is wonderful, it has tempo and movement and you have Henry Mancini's theme underneath which makes it live. Feud [also produced by Ryan Murphy and Woodall] is our modern nod to Vertigo, Anatomy of Murder, and all those classics.

Charade (1963) title sequence, designed by Maurice Binder

Alexis: I'm also sort of a weirdo, in terms of title sequences and mood. I think Star Wars is insane. I think it's so good, it's so simple. It's a combination of music, mood and scroll, and presence coming in from behind the viewer's head, it a really great moment. I also love Woody Allen for those reasons, you know where you are every time. You know that typeface, the white letters on the black card, you hear your Django Reinhardt or any other jazz and it is exactly right for that world. I'm also really obsessed with Stranger Things even though it pisses me off that we're up against them [for an Emmy] with Feud. Every time I watch that show with my husband I say to him, I want to wrap myself up in that sequence and never leave. There's a real elegant simplicity to it, like an 80s horror movie mixed with a Stephen King paperback cover. The one thing I will say, it makes sad that Netflix is offering an option to skip the title sequence. I hate it. Let the art be presented as it is, because it is art.
View the credits for this sequence

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American Horror Story: 7 Seasons of Title Design

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A discussion with American Horror Story Executive Producer ALEXIS MARTIN WOODALL and Title Designer KYLE COOPER of Prologue Films. Alexis, can you give us a bit of background on yourself and your role on the American Horror Story series?

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Stop Motion Animation : Characters: Supplies Needed to Make Stop Motion Animation

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Since the scenography also have to represent the quality by itself, my main inspiration is this common trap rooms with closing walls we usually see on movies and cartoons, because the walls closing not only pass a anxious feeling but also can be used to represent the breathing of someone with anxiety in a more abstract way.

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Most of the ideas from the performance were taken on the anxiety symptoms website, but the most importante representation of this quality is the pose in this photo, because of the way the body is trying to protect itself and how the hands are disposed on the head like the person is having too much thoughts and it’s worried about them.

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Tunga

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Ernesto de Fiori

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Ivan Serpa

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Sérgio Camargo

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Maurício Nogueira Lima

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German Lorca

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Amilcar de Castro

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Lygia Clark

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Eugenio Prati

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Lygia Clark

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Marcello Nitsche

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Marcello Nitsche

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Tomoshige Kusuno

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http://firmacasa.com.br/produto/objetos/utopia-utility/vasos-utopia-utility/

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Kevin told us about this app called Sketchfab, and I found it really interesting to look up for 3D references not only for this project, and it can be used also to make drawing studies of different angles.
I chose this sneaker as a base for my clay one because it’s very common and matches the style I develop for my character, and it was very useful to see a digital model of it to recreate with clay, reminding me of a project from Pre foundation that I used a lot of photos of my head in different angles to also make a 3D representation of it.

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Sneakers Textured for OS Please check out my store here - my webstore : https://www.cgtrader.com/my1488d

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So You Want To Be an Animator - Building Your Career - Extra Credits

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What does it take to become an animator? Where should you start, what should you study, and how can you get better? Dan answers these questions from the perspective of a professional animator who's worked in games and movies! Recommended Reading: Pick up "The Animator's Survival Kit": http://amzn.to/1q1Mm14 (---More below) _________ Subscribe for new episodes every Wednesday!

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Walt Disney's MultiPlane Camera (Filmed: Feb. 13, 1957)

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The first sketches I did for my costume involved some kind of red strings coming out of my head, but it would be too hard to make it stable and wearable, so while watch Boku No Hero I noticed that this creature had part of the brain coming out of his head, and I found it really inspiring for my project, since the brain bigger could refer to the overthinking and worries of someone that’s anxious.

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This straight design of a subway pole is probably the more remarkable one, so it the best to represent the entire environment of a subway train.

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Fleischer Studios () was an American corporation which originated as an animation studio located at 1600 Broadway, New York City, New York. It was founded in 1921 as Inkwell Studios by brothers Max Fleischer and Dave Fleischer who ran the pioneering company from its inception until Paramount Pictures, the studio's parent company and the distributor of its films, acquired ownership.

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Anatomy Studies to Inspire Falling Poses

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Anatomy Studies to Inspire Falling Poses

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The Ring - Cursed Video Tape (ORIGINAL - STRAIGHT FROM MOVIE)

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What really called my attention in her work was the way she showed the photos and packages in her work, because even tho the work is still, this timeline way of disposing them gives an movement aspect to the pieces and it reminds me of old film with the frames evident like a sequence of photos.

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I noticed that the characteristics that most gave me an idea of movement were the organic or diagonal lines, surely more present in human sculptures, but that also appeared on abstract perfect industrial shapes, and even on some paints I decided to put here.

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This Youtube channel shows a lot of pendulum sculptures, and by watching them I could study better how I could use the physics of it to work on my sculpture.

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Uni-cyclist (2018 design)  - Kinetic balancing desk toy sculpture

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Angel of the North Structure - Antony Gormley

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Angel of the North Structure - Antony Gormley

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For the spinning top idea Michael showed me this image of the Angel of the North sculpture, because, as in my idea, Antony Gormley also used a underground structure to keep his sculpture balanced.

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Some reference images of the wooden hand I was thinking on using for my moving sculpture.

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At first I thought Maneki Neko sculptures had some kind of pendulum structure inside of the, and maybe be opening one I could study how it works, but unfortunately most of them only use battery

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The logo ispired me during the SCAMPER activity, because I chose to change material and designed a hand sculpture just like my initial idea but with metal pieces welded creating the sculture shapes, just like the metal parts forming the letter shapes for the word ´Robots´.

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Wrist Control study that helped me to decide with poses I would like to represent with my sculpture. I focused on the ones looking like the person is waving

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It is the day each year when our species overshoots the planet’s ability to annually regenerate itself. This year it was on the 1st of August, earlier then ever, and that´s something that had a big impact on me, because this year specifically I started to get more involved with ecological issues.

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Anima Forum Masterclass about Photography for Stop Motion with Jean-Louis Padis

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Anima Forum Masterclass about Photography for Stop Motion with Jean-Louis Padis

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I started to search for images of places with an archtecture simlar to EBAC´s so the references could work more properly to my model.

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Since Pripyat is a ghost town (becuase of the Chernobyl disaster) the photos of buildings interiors there are really impressive and good references for abandoned places where nature has taken over.

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The Last of Us is a videogame set in a post apocalyptic world, so the environment concept art consists of a lot of urban abandoned places with broken windows, dirty rooms and walls covered by ivy, the kind of approach I want to represent with my model.

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To better connect states that don´t share the same border, I reminded of this geometric representation of São Paulo state that is very common in sidewalk tiles, because with straight lines like these it´s possible to fit them together

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To help me create a gemoetric version of Piauí´s state I thought about Tangram, because the essence of this traditional chinese puzzle is to use the shown gemetric pieces to create specifc shapes considering silhouette or outline, so maybe trying to recreate the state with this game will give me a shape that in some way can fit in São Paulo´s already existing geometric shape.

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Cezar gave me this reference of a friend of his that took a series of photos on a abandoned island. It´s notacible that she focused more on nature than the destroyed buildings, that is also what I want to do.

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"Crossing Islands" Fotografia digital Dimensões variadas 2011 Contemplada com a Bolsa Iberê Camargo em 2011, Romy Pocztaruk realizou uma...

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Brutalist Architecture and Paulista School

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Brutalist Architecture and Paulista School

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To use EBAC´s building as a starting point, I searched archtecture styles that meet the building structure and the genaral image we have in our minds when we thing about big cities such as São Paulo, focusing on architects that follow a kind of concrete jungle style.
Some of them are:

Paulo Mendes da Rocha with MuBE

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Vilanova Artigas with FAU Center at USP