# data[].attributes.body
Mueck has used an unrealistic scale and proportion, the size and the posture of the sculpture work together to emphasise the grander of the message . The colours used are mostly neutral tones save for the blue eyes that stand out in the piece drawing attention to the face and features. The artist has distorted very little in terms of realism, the most noticeable distortion being the proportion of the piece and the surrealism of the scenario being portrayed. The materials used are unknown. This work is meant to be seen up close and in reality as opposed to online or a printed format. An exhibition context would be the most ideal way to view this piece as the viewer would be perceiving the work in it's intended form.

# data[].attributes.body
Mueck has used an unrealistic scale and proportion, the size and the posture of the sculpture work together to emphasise the grander of the message . The colours used are mostly neutral tones save for the blue eyes that stand out in the piece drawing attention to the face and features. The artist has distorted very little in terms of realism, the most noticeable distortion being the proportion of the piece and the surrealism of the scenario being portrayed. The materials used are unknown. This work is meant to be seen up close and in reality as opposed to online or a printed format. An exhibition context would be the most ideal way to view this piece as the viewer would be perceiving the work in it's intended form.

# data[].attributes.body
Mueck uses accurate proportion and life like features to create the three dimensional sculpture, using skin tones which are dull and clean also the eyes which is a blue which contrasts to the the sculpture. The scale of the sculpture is oversized being a lot larger than it should be, this gives the sculpture a life like of realism to the boy. The sculpture doesnt have any unwated hair, acne/pimples, skin rashes nor pimples but still looks as if it is a real life boy. The materials are silicon and fibre glass or fibre materials, the crouching boy is possible made by a team piece by piece, this artwork is meant to be seen and presented in an open spaced gallery with lots of room to view it and display it because of the scale and form. People would feel as though the sculpture has grown from a human being to a sculpture thats why the boy is crouching and looking side ways which grabs the viewers attention.

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a three dimensional sculpture is created using accurate proportion and life like features.  distortion is present in some way as the boy does not look average sized. although looking at the boy nothing is particularly distorted about him. Pasty colours have been used to make the boy look unwell which draws a lot of attention to him. Form is present as the boy looks 3 dimensional this is so that the sculpture stands out and interests viewers.

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The piece is over sized with the boy being blow out of proportion, form is enhanced as the boy seems three dimensional. Which has been developed through the use of a variety of skin tones, his wearing very minimal clothing with only wearing shorts with the rest of his body being exposed.

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- The artist presents a very large scale; would appear huge compared to the normal human figure- this size could represent the size of the issue.

Despite it’s size, it does follow the proportions of the human figure so there is a lack of distortion.

- Form is emphasised and the sculpture appears to be 3-dimensional and follows a natural colour scheme, using realistic, fleshy colours for the skin.
- Despite its unrealistic scale, it does follow the human anatomy and therefore does appear photorealistic. However, the even tone of the skin, lack of blemishes and wrinkles and precise placement of the hair suggests perfection; something that is unrealistic when it comes to being human.
- Made of fibre glass and could have followed the traditional technique of using silicone and plasticine moulds. Human or synthetic hair may also have been used, as well as cloth for the shorts the boy is wearing. To create this immense and detailed sculpture, highly skilled and trained technicians may also have helped.
- Its enormous size cannot be missed and therefore, grabs the viewer’s attention and draws them in closer to see the detail of this sculpture for themselves.

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The artist used scale as the sculpture is abnormally large compared to the size of what an average person is. The colours used in the piece are more natural and nude colours as there are no vibrant colours that stand out to draw your eyes to them. The piece is distorted in size but it is still proportioned to itself.

# data[].attributes.body
The artist has made the scale of the sculpture inhuman and oversize being much larger than it should be while maintaining a sense of realism to the boy depicted in the sculpture. The use of neutral and life like colors giving the boy almost a sense of life and  contribute to the feeling of realism throughout the whole sculpture

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Formal Framework:
Mueck has produced a sculpture which is large in scale, confronting the viewers and allowing their eyes to be automatically drawn to the sculpture. There is a certain amount of distortion featured in this work as it is largely out of proportion to the surroundings, however the work is still in proportion to itself. The three dimensional sculpture is created with a pale but fleshy skin colour, there is a lack of colour or clothing on the boy however the eyes are drawn to the piercing ocean blue eyes. The awkward and protected positioning of the sculpture emphasises messaged that the work could be about the investigation of body image.
The work is both photorealistic and hyperrealistic, and presents to the viewer a blemish free, detailed, almost perfect fibreglass human being. The sculpture

# data[].attributes.body
The artist has made the scale of the sculpture inhuman and oversized being much larger than it should be while maintaining a sense of realism to the boy depicted in the sculpture.

# data[].attributes.body
The artist has made the scale of the sculpture inhuman and oversized being much larger than it should be while maintaining a sense of realism to the boy depicted in the sculpture.

# data[].attributes.body
Formal frame work

The artist has made the scale of the sculpture inhuman and oversized being much larger than it should be while maintaining a sense of realism to the boy depicted in the sculpture.

# data[].attributes.headline
Formal frame
work

The artist
has made the scale of the sculpture inhuman and oversized being much larger than
it should be while maintaining a sense of realism to the boy depicted in the sculpture. 

# data[].attributes.subject
Formal frame
work

The artist
has made the scale of the sculpture inhuman and oversized being much larger than
it should be while maintaining a sense of realism to the boy depicted in the sculpture. 

# data[].attributes.body
·         Mueck uses accurate proportion and lifelike human skin colour and features of the entire body

·         The body shows level and is closer to the ground

·         The colours are dull and clean, and the white colour

·         His eyes are blue and contrast to the rest of the sculpture
·         Use of texture is natural and organic and adds to the feel of a real life human being in the room, and texture has also been used to show the realness of the boy’s skin, facial features and body.

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As the person is very large, it looks distorted as they are not the average size, yet they are still in proportion
The colours used are very neutral.

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The artist explores scale by portraying his work with emphasis and a large structure to draw attention to his viewers and create a reaction within its surroundings. He uses pale and dull colours such as creams, dark browns and greys to show depth within his work.  As well an exposed body with a distressed impression to the viewers. Furthermore, the subject matter is 3-Dimensional.

# data[].attributes.body
The artist has used a slightly larger scale yet literal proportions to create a realist affect as well as a fleshy skin tone and neutral colours such as brown and beige's for his skin, hair, eyes and clothing. The form itself is three-dimensional. The sculpture mimics the appearance of a real life boy with very little distortion.

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Whilst looking at this piece created by Mueck, viewers receive a sense of balance and realism because of the fact that the boy is not life size, but is in proportion with itself and is in a crouching position. However, the characteristics of the boy are realistic and instantly draws the attention of people who enter the room. The boys realism engages the attention of viewers and draws them towards the piece.