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Schritte über trockenes Moos

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References

Full spec

Handle

20.500.11806/med/8430

anderesformat

camera

Rohde, Martin

dauer

4h

doctype

Dokumentation einer Performance/Aktion / Documentation of a performance/action

eventcurator

Rohde, Martin; Feuchter, Meinrad

eventplace

Künstlerhaus S11, Solothurn

festival

6ème Jours des éphémères

function

Vorstandsmitglied

jahrgang

1967

medium

Fotos / Photos

performers

remark

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References Handle 20.500.11806/med/8430 anderesformat camera Rohde, Martin dauer 4h doctype Dokumentation einer Performance/Aktion / Documentation of a performance/action eventcurator Rohde, Martin; Feuchter, Meinrad eventplace Künstlerhaus S11, Solothurn festival 6ème Jours des éphémères function Vorstandsmitglied jahrgang 1967 medium Fotos / Photos performers remark

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Das älteste Chlorophyll Farbmolekül Min. 8:00 - 8:30

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Das älteste Chlorophyll Farbmolekül Min. 8:00 - 8:30

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Dokus, Filme, Serien, Konzerte, Magazine: Tausende Videos werbefrei streamen.

Ein Leben ohne Farben? Kaum vorstellbar, weder für uns Menschen noch für zahlreiche Tier- und Pflanzenarten. Angefangen mit Grün und Rot haben Farben unsere Evolution wesentlich geprägt. Farben beeinflussen nahezu das gesamte Leben auf der Erde. Und sogar unsere Entscheidungen. Woher kommt die Macht der Farben und wie schaffen wir es, sie für uns zu nutzen?

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Warum sind wir so farbgesteuert? - 42 - Die Antwort auf fast alles - Die ganze Doku | ARTE

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Ein Leben ohne Farben? Kaum vorstellbar, weder für uns Menschen noch für zahlreiche Tier- und Pflanzenarten. Angefangen mit Grün und Rot haben Farben unsere Evolution wesentlich geprägt. Farben beeinflussen nahezu das gesamte Leben auf der Erde. Und sogar unsere Entscheidungen. Woher kommt die Macht der Farben und wie schaffen wir es, sie für uns zu nutzen?

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ausschreibung ephemere Kunst, Dokumentation ephemere, meinrad feuchter, Künsterhaus s11 Solothurn, Schloss Leuk in Leuk, Martin Rohde, André Bless, Patricia Jacomella Bonola, Myriam Gallo & Natalie Reusser, Doris Kurt, Niklaus Lenherr, Dominik Lipp, Carlo Schmidt, Sabrina Tiller, Claudia Vogel, Anna…

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After working for Christian Dior and Balenciaga in Paris Anaïs Guery moved to London and New York. This young French designer then returned to Paris for Cacharel and in 2014 created her own maison to combine heritage of Couture and crafts.

I would say I am dedicated to textile experimentation.

Shape-wise, I identify myself as a couturier who is evolving between craftsmanship and design, what is to say between tradition and creation.

Surface-wise, I have developed my Indigo dyeing process almost as a painter who would research on emotions provoked by color, shades and textures, a result that would speak to our inner feeling of beauty..

My first approach of fashion was through art and traditional garments and crafts. I spent a lot of time in libraries to gather ideas of details, shapes, fabrics, colors.

I have always been considering fashion as an intangible core around what different mediums are gravitating to build an idea, an impression.

As far as I remember, I have always thought of garments in a very abstract and poetic way, not really link to a present or a future, but much more to an immutable patrimony.

Couture speaks to my rational quest for epure.

Indigo is a pigment born from a vegetal process : both nature and humanity are involved in its essence. It is said that you can get up to 40 something different shades, so the color becomes alive, bringing light or darkness, faded or bright. With the same gestures, the same vat, and the same textile, you will never get the same blue..

Back to my studies, Photography was fascinating to me. The power of time and light and the alchemy of print was a kind of ceremony.

Younger I had also been taught raku ceramic, where fire, water and wood were key variables.

Blue is a kind of base to me.

In my designs, even before starting working with natural indigo,I have always used blue in many shades.. It has always been evocative of origins to me.

I started working on my own project because I was not feeling concerned about the way classical fashion system works.

Creating something new that kind of erases what you just achieved before

is not stimulating to me. What I am moved by is much more time proof and universal.

Things that last longer takes longer to create and produce, so you have to get yourself into a new logic.

My inspirations are also kind of immutable.

They evolve quietly, in the details.
Can you tell a little about the design process, how do you start your design ?
I always start with an archetype I want to work with, most of the time a special type of jacket : kimono, perfecto, duffle coat, suit jacket, etc. I often have in mind a special detail (the zip cuff of a biker jacket, the asymmetric opening of a blazer, etc..)

To this shapes, I associate, like an exquisite corpse, images of art pieces, interior design, places I visited, in which I find an atmosphere and inspiring techniques.

Working with this technique since a few years now, I have been getting more and more precise about the process. Explaining again and again the origins of my blue, I noticed how curious people were. I day, I realized this moment of sharing could be deeper, and I wanted to offer a kind of immersion to people..

Collaboration with Meghan was a very unique moment as we had a one-week residency in my atelier as Meghan arrived from Oakland and we had a very short time to create something out of our two practices : weaving and indigo dyeing.

It has been such a immersion and exchange moment, very rich and friendly.

Recently, I worked for Romain Cole, a portrait photographer who wanted a special background for a nomad photo shoot at Festival de Cannes. The results were beyond my expectations !

Finally, last year residency at Living Blue cooperative in Bangladesh, working with quilting masters and indigo dyers led me to understand new possibilities on how renewing traditions in endless possibilities.

I wish to keep on developing a.guery' wardrobe to build a true vocabulary of shapes. Settling my own " classics " and continuing to experiment more an more with fabric manipulations for creating one of a kind pieces.

I would love the studio to keep in mind its origin, to be part of a new generation, thinking about fashion differently: the clothes are made to last for years and to be a personal daily luxury, objects of respect and pleasure for both the consumers and the makers.

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COLOUR CODESthe workers Scheltens & Abbenes are the sum total of a still-life photographer and the creative craftsmanship of an artist. They experiment with converting spatial dimensions into flat surfaces and explore intensively photography's potential for creating illusion. Colours has ... Continuer la lecture →

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organisch, zellulär, rund, biologische Gesetzmässigkeiten

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Kremerpigmente
Mineralisches Pigment vom Albula-Pass

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Installation "Jours des éphémères" 2021

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ausschreibung ephemere Kunst, Dokumentation ephemere, meinrad feuchter, Künsterhaus s11 Solothurn, Schloss Leuk in Leuk, Martin Rohde, André Bless, Patricia Jacomella Bonola, Myriam Gallo & Natalie Reusser, Doris Kurt, Niklaus Lenherr, Dominik Lipp, Carlo Schmidt, Sabrina Tiller, Claudia Vogel, Anna-Sabina Zürrer

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Performance "vanitas"

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ausschreibung ephemere Kunst, Dokumentation ephemere, meinrad feuchter, Künsterhaus s11 Solothurn, Schloss Leuk in Leuk, Martin Rohde, André Bless, Patricia Jacomella Bonola, Myriam Gallo & Natalie Reusser, Doris Kurt, Niklaus Lenherr, Dominik Lipp, Carlo Schmidt, Sabrina Tiller, Claudia Vogel, Anna-Sabina Zürrer

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Versuchsreihe: weiss zu grün

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weisses Licht grüne Vegetation an der Trennlinie von Wasser und Luft

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krautig
Rasenabschnitt
Wald Arve
herb
komplex
tannig

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frisch
kühlend Menthol Kampfer
klar klärend
Zitroneneukalyptus

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Tinte (alkoholbasiert)
Spirulina
Arve

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Kristallin
Strukturiert
Geordnet
Geometrisch
Symmetrisch

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Gemüse: Spinat, Salat, Zucchini, Gurke …
Kräuter
Kiwi
Linsen
Avocado
Pistazien

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Salz
Zucker
Milch
Mehl
Kokos
Reis etc.

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Schimmel
Grüne Mineralien (Lej Muragl, Piz Lunghin)

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Vegetation
Flechten
Moos

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Schnee - Schneekristalle
Aggregatszustand von Wasser

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Alea iacta est …
Regeln
Spiel
Gesetzmässigkeiten
Zufall

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Mineralien
Gips
Stein (Alba albula)
https://adobe.ly/2XEY5bR
Salz
Zucker

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Chiss - Gips
https://adobe.ly/39vNBxW