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This was the video I took when I went camping over the easter weekend. The drama happening at sea with the waves was a display of from the big waves to calm small waves. I observed that the nature is constantly at play.

i could hear the sounds of sea gulls, children squealing with fun, the swaying of the trees. It was like watching a movie. I was mesmerized with the way the golden sand was stretching out to meet the sparkling blue sea.

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creative response to artefact Assessment 2 ECE 2008 Music Movement Dramatic Arts Anuja Christy s8097136

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Based upon my artefact, I wanted to bring the connection between my senses and the natural world to the childcare environment. The waves, the big great ocean, the sea creatures inspired me to make this fun and engaging activity for the children in my centre by combining the natural beauty of the beach with the singing songs together.

This helped the children to create a love for nature and develop their imagination and creativity through music.

they loved it.

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Analytical response - assessment 2 ECE2008(Anuja Christy s8097136)

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Analytical response - assessment 2 ECE2008(Anuja Christy s8097136)

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My Artefact

I walked on the beach I could smell the salty sea air, fresh ocean breeze mixed with the scent of eucalyptus trees from the bushland surrounding the coast, seaweed.

Standing on the shore, I could hear the sound of crashing waves, the rhythmic movement like an orchestra of natural environment, the singing of seagulls as they glide adding to the orchestra music being played by nature. The laughter and squeal of little children as they ran across the shoreline, their playful movement added a live music to the scene. It is a enchanting moment where movement, sound and drama come together in perfect union for creating a colorful image of life by the sea.

Childhood memories

This brought me back the memories of when we as a family went to the beach. We had so much fun. Collecting the shells, bathing in the cold water, building sand castles and then laughing when the waves came and took them away.

In connection to the readings

In "Watershed " (Arts House, n.d.) Cass Lynch explores themes of identity and the effect of environmental changes on communities. I could identify that the boydtown beach where I went & Watershed relates to environmental themes. Both the places gives a feeling (sense) of belonging. My experience at the beach, I could relate to that of the Birarang a trunk of a vast watershed its snaking body fed by branching creeks and streams lost under the road & pavers of North Melbourne. It makes me think about the importance of raising awareness for environmental issues and promoting sustainable practices for the protection of sea creatures, our coastal beaches. It also makes me think about the cultural histories and identities both the places hold, their connection to the First Nations people from different perspectives.

In Watershed it touches on the themes related to Indigenous culture, and the my country visit to Boydtown beach where I went camping, relates to indigenous people of the area such as Yuin people whose culture and history are deeply rooted in the land and sea.

As I was listening to the sounds of the waves, I was in awe of the beautiful nature that God has created. Just like the Indigenous communities have a strong connection to the land and sea and viewing them as being sacred and important for our spiritual well being.

As I stood on the beach watching the drama unfolding, my senses came alive and I felt the urge to run on the beach arms wide like a sea gull free of any worry, issue in life. According to the Movement in the Wild: Nature as Dance(The Earthbody Institute, n.d.) which explores the connection between movement, nature and experience, I was inspired how to develop the connection between the natural world and the movement in my childcare setting.

In my creative experience, I sang a song on waves on the beach to make the children experience the sound and drama happening in the sea. Similar to the way "Nature as Dance" explores the rhythmic movement found in nature, I encouraged the children to mimic the movements of fish, crab in the sea. The children were involved in the experience and were enthusiastic participants in the learning. They were singing along with me.

My experience at the Boydtown beach and being aware of the place and being there has influenced my pedagogical practice as a teacher.

By incorporating the following strategies I can create meaningful experiences for children to connect with nature, explore their learning through movement of their bodies, sensory play, creativity based upon my country visit.

as a teacher I can encourage imaginative play by providing props, storytelling and open ended materials like shells, sand, rocks for children to create their own beach adventures.

provide activities where children imagine themselves to be on a beach listening to the sound of waves.

set up sensory tubs with sand, shells, dried sea weed for children to smell and feel the textures.

fill a tub with water and allow children to make waves and listen to the sounds it makes.

play music that imitates the sound of waves and encourage children to move their bodies in rhythm with the waves, swaying like trees or jumping like dolphins, dancing like a crab.

children can create their own waves with blue construction paper, cloth, tissue paper .

set up dramatic play area with props like beach towels, sunglasses, beach umbrella where children can engage in pretend play scenarios.

References:

Arts House. (n.d.). Watershed

https://www.artshouse.com.au/watershed-audio-experience/

The Earthbody Institute. (n.d.). Movement In the Wild: Nature as Dance Partner https://www.theearthbodyinstitute.com/2017/03/movement-in-the-wild-nature-as-dance-partner/

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Step out of the time shallows and into the deep-water memory of Boonwurrung Country.

Developed in collaboration with Boonwurrung Elder N'arweet Carolyn Briggs, Watershed is an essay and audio recording that delves into the deep history of Melbourne's waterways.

Experiencing this artwork

Listen on your personal device with headphones in a quiet place.

Duration: 13 minutes
Read Watershed:
Beneath the pavers of North Melbourne, under road, and concrete, and gravel, and sand, lies a landscape in wait. Birrarang-ga, the River Country, as it is known in the first language of this place, is the largest wetland in Australia, currently buried under shops, houses, police stations, and playgrounds. There is a river that lives on the surface, known as the Birrarang to the Boonwurrung, those people of Bundjil, the lawmaker who flies on eagle wings. It is written on maps as the Yarra River, a word meaning moving water, the Boonwurrung language flowing onto the English tongue - diverted streams that find their way. The Birrarang is the trunk of a vast watershed, its snaking body fed by branching creeks and streams, like a great tree of water laid in earth. The Birrarang/Yarra flows out through Nairm, or Port Phillip Bay, to the sea.

The story of change is written onto the Birrarang-ga, the River Country. Nairm, currently a large bay, was a series of grassed plains, home to kangaroos and yam daisies. The Bass Strait that currently separates Victoria from Tasmania was dry and walkable. The Birrarang was longer, it flowed from the Yarra Ranges, through Nairm and then out through the northwest coast of Tasmania. This was during the last glacial maximum, 20,000 years ago, when the world was the coldest it had been for hundreds of thousands of years. The sea level was 120 metres lower than it is today, all the water sucked up into glaciers and ice sheets. Then, the rapid warming began, and the Aboriginal peoples of Victoria and Tasmania, once joined by a land bridge, watched their hunting and ceremonial land become inundated with wave after wave of water. They were cut off from their neighbours, and had to retreat back to higher ground. The ocean levelled off to current day levels 7,000 years ago.

The Boonwurrung faced a second flooding, this one only 1,000 years ago. The Boonwurrung say that they were not looking after their Country, and were fighting among themselves. They neglected to care for the plants, animals and spirits of Biik, the land. The wurreeny, the ocean, became angry and began to rise. Nairm began to flood, and the Birrarang-ga, the River Country, was disappearing again. The creator being Bundjil proclaimed he would halt the flooding only if the Boonwurrung would promise to follow his laws, the Wurrungie Biik, and care for Country. The Boonwurrung promised that they would follow Bundjil's laws, and would ensure that any visitors to their Country would follow them too. There are channels on the bottom of Port Philip Bay, deep etchings in the sea floor of where the Birrarang used to flow.

The Boonwurrung are survivors of climate catastrophe twice over. Now the Boonwurrung are being tested again. When Europeans arrived two hundred years ago, they did not know the laws of Bundjil, and did not know the language of Country. The Boonwurrung offered hospitality to the settlers, attempted to teach them the right way to live on Country, the laws, the Wurrungie Biik. But the Boonwurrung were rebuffed, displaced, silenced, stolen, starved, murdered. Now the sea levels are rising again at the edges of the Birrarang-ga, salt-water coming in again to take more Country. Bundjil watches.

All the land in all the world was connected in different periods of the deep past. 335 million years ago there was only one continent, the supercontinent Pangaea, meaning 'all earth', and there was only one ocean, the superocean Panthalassa, meaning 'all sea'. 175 million years ago this supermass of Country began to pull apart: pyroclastic forces boiling beneath the surface of the earth, irresistible, tore Pangaea to pieces. Now the continents drift on magma, and the one ocean has become many. The Earth is halfway through a supercontinent cycle, the landmasses are the furthest they can get from one another. But they will keep moving. The Atlantic Ocean is becoming wider, the Pacific Ocean is becoming narrower. The continents will meet again as a future supermass, coastlines cuddling together once more. Separation is only temporary in the deep history of the world.

Watersheds though, they are dynamic, they change in an instant. Under Melbourne the volcanic streams of Quaternary magma tell a story of the Birrarang/Yarra being blocked, then finding new paths through the landscape. The extensive wetlands were filled in by the European town planners and agriculturalists and the water diverted underground, but those lost streams thunder back to the surface during storms. Melbourne is dry in the present but in deep time it is saturated. Water lives in the spirit of place, a force for creation and nourishment, but also devastation and catastrophe if not treated with respect. The body contains watersheds, capillaries branching from veins, branching from arteries. There are branching rivers of air in the lungs, the breath. The branch and drain, the push and pull.

There are watersheds in space, the drawing together of rivers of galaxies. Our own Milky Way Galaxy is part of a stream that is drawing into the Laniakea supercluster, a great trunk of galactic water pulling toward an unseeable gravitational sink in space. Laniakea is our home in the universe, our cosmic neighbourhood, a Hawaiian word meaning immense heaven, named for the Polynesian seafarers who criss-crossed the Pacific Ocean, navigating by the stars. To the Polynesians the whole world was water, and they shared the rare green isles with plants, birds, reptiles, mammals and crustaceans. Out there in dark space, Laniakea means keeping the lights gathered together, and pulling stray galaxies into the stream.

Back in North Melbourne, that wetland landscape, the Birrarang-ga, the River Country, lives on. It peeks up through the pavers, flows through drains, grows around bus stop poles, sings from carport roofs. The Boonwurrung language continues to find new paths around the obstacles that seek to block its flow. The word Melbourne is everywhere but the name Birrarang-ga is behind it-a world of water-seeping through.

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Boonwurrung words and history from 'The Journey Cycles of the Boonwurrung' by N'arweet Carolyn Briggs. Permission to share and discuss Boonwurrung cultural heritage granted by N'arweet Carolyn Briggs.

Boonwurrung Wordlist
Biik - land
Birrarang-ga - Country (place of the river)
Birrarang - Yarra River (River of Mist)
Bundjil - eagle/creator being
Nairm - Port Phillip Bay
Wurreeny - ocean/sea
Wurrungie Biik - law of land

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Step out of the time shallows and into the deep-water memory of Boonwurrung Country. Developed in collaboration with Boonwurrung Elder N'arweet Carolyn Briggs, Watershed...