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So I decided to further narrow down the scope of my research in project3, I decided to study a specific kind of tree in a specific area for in-depth research. I searched and collected a lot of pictures and detailed descriptions of tree types and characteristics on Google. Among them, the beech trees that attracted my attention the most, because their vitality is so amazing, a beech can live for 400 years, can bear 1.8 million beech nuts in its lifetime, and their leaves will not fall off in severe winter. Beech trees are obviously living beings, they are rooted in the earth, they are silent, and they seldom move for a certain period of time.

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screen texture experiment

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"Every Tangle of Thread and Rope"

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Throughout the course of my project, key moments of my thinking were based on hands-on sessions and park observations. For example, I did some sensory experiments in Greenwich Park. I recorded some of my findings and feelings through photos and paper media, and then put myself as an investigator to integrate these information and more detailed observations and more specific analytical questions. The natural field in those activities fascinated me deeply. Hence my fascination with the link between humans and natural ecosystems. But with the deepening of my research process and discussions with my teacher, I gradually narrowed down from the relatively large scope of observation of natural ecosystems to an in-depth discussion of the close connection and similarity between trees and human identities. What this means to me is thinking in terms of the whole system, including the interconnections, influences and feedback loops between things. I started finding meaning in things that were overlooked.

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The content of this part of the research is that I want to put myself in the man-made environment first, and use this role of observer to observe the external natural environment and get some different feelings from it.  The advantage of observing the natural environment in this way is that you can better transition into the nature as an observer, and feel the differences and changes between the man-made environment and the natural environment more naturally.  This way gave me more room to think.

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These photos are about the natural scenes I observed from a number of different indoor spaces and focused on my first-person perspective.

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Color and Texture Effects)

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Works after adding characters

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martial：vegetable parchment & charcoal crayon

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By using sulphate paper, I draw a tree on each paper in turn and then superimpose it in turn, finally forming a picture with the depth of field effect of the forest with the sense of inside and outside.
我通过使用硫酸纸，依次在每张纸上画一棵树然后依次叠加，最后就形成了有里外层次感的树林景深效果的图画。

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My inspiration comes from the image of trees in my life. When I first came to London, I always unconsciously saw the image of trees when I was walking on the street. I can't help but think about what role trees play and how similar they are to humans in the complex human social environment. Trees are obviously living beings, but they are rooted in the earth, but they cannot make sound, and they seldom move for a certain period of time. They seem to play more of a passive role in the environment than an agent. We often place trees in the nebulous zone between inanimate and organic. It is this uncertainty that makes the idea that trees might have intelligent and social properties both fascinating and controversial, so I began to use trees as a starting point for my observation and thinking.

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I was walking along the beach and I saw patterns formed by the natural friction of stones, which looked a bit like twigs or lines of grass. I can't help but feel that nature is magical and interesting, so I have some associations about nature.

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This is a butterfly that I found by accident. Its wing pattern is very special. It looks a bit like eyes and a bit like the shape of tree rings. It makes me feel that there are many patterns in the natural existence which seem to have a common and mutual characteristic. From this I began a series of observations and painting conjecture.
这是我偶然发现的一只蝴蝶。它的翅膀图案很特别。它看起来有点像眼睛，有点像树年轮的形状。它使我感到在自然存在中有许多模式，它们似乎有一个共同的和相互的特点。从这里我开始了一系列的观察和绘画猜想。

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This is a plant that I came across on the side of the road, and it has a very nice petal pattern, which looks a little bit like a zebra line and a little bit like the shape of some fern.

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This is a picture of how tree rings evoke the imagination of the micro and the macro. The rings of a tree represent life on a macro scale, and the inner envelope represents, on a micro scale, the egg of a moth.
这是一张关于树木年轮引发的关于微观和宏观的想象图画。树木的年轮代表了宏观的生命，而内部的包裹物代表了，微观想象下一只蛾子的卵。

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Inspired by the word "Duplicate," I imagine the branches and roots of a tree as a human being with multiple limbs and a head. Rolston's natural values believe that anthropocentrism is the root cause of environmental problems. Therefore, I hope to combine human beings with non-human beings and generate thinking of internal correlation.
由“复制”一词得来的灵感，我把树木的枝干和根系想象成一个由多个四肢和头部组成的人类。罗尔斯顿的自然价值观认为人类中心主义思想是环境问题产生的根源，因此我希望将人与非人存在物结合起来并希望由此产生内在关联的思考。

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In the imagination about life generated by the word "aggregation", the red color symbolizes the feeling of life like blood, while the four scattered lines are like the form of plants and human hair, more like the traces of life growing constantly.
由“聚集”一词产生的关于生命的想象，红色像血液由象征着生命的感觉，而四散开的线条像植物的形态又像人类的头发，更像不断的生长的生命痕迹。

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Inspired by the word "confuse", the first thing that comes to mind is the chaotic result of the human subject. Therefore, I take the human hand as a prominent symbol of expression, and the apple core in the human hand is like the final result of man-made.
由“混乱”一词得来的灵感，我首先想到的就是人为主体而产生的混乱结果。因此，我把人的手作为一个突出的表现符号，而人手中的苹果核则像是人为最终的造成的结果。

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The second image that connects the word "chaos" is the imagination evoked by the apple core. Apple seeds were left on the ground and trees were formed.

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I began to think about how the work would be different if it had a three-dimensional and diverse structure.

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I have developed a strong interest in the texture and form of trees.

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The relationship between humans and trees-DNA

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The relationship between humans and trees-DNA

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What is the relationship between trees and people?

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Through the school's ceramic studio, I created a three-dimensional three-dimensional work in the form of ceramics from the tree elements that were originally drawn on paper. I used the elements of the tree originally drawn on paper in the form of ceramics to make it a three-dimensional work, but in the process I found that the way of using ceramics to create is full of unknown and uncontrollable risks. For example, different clays have different requirements for firing temperature, as well as changes in the volume and color of the work after firing. These uncontrollable risks have caused me a lot of confusion and worry about using ceramic media to shape works.

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Colors and papers to experiment with - rich textures and textures on thicker papers

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Colors and papers to experiment with - on thicker papers the color looks lighter and the color is more grainy and textured.

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Experiment with color and paper - experiment with thinner paper, the color feeling becomes more vintage temperament.

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Experiment with color and paper - also experimented with thinner paper, the feeling of color becomes softer and the graininess becomes more obvious.

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I have visited several local art exhibitions in London. Among them, in the recent exhibition of Tate Modern Gallery, the series "A Tangled Thread and Rope" by the artist Magdalena Abakanowicz attracted my great attention. She brings a variety of soft, organic fiber forms into her sculptural creations. A close connection with nature can be felt in her works. Her works come together in the 64-meter-long gallery space, and I felt like I was in a forest of towering woven sculptures. I get a lot of inspiration from her work, not only in the choice of materials, but also in working with a three-dimensional medium, and new thinking about the power of nature and the individual's place in it.

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Another artist, John Mawurndjul, reinterprets his work in a unique and highly personal style. He is good at presenting ancient myths and life topics in the form of bark paintings. However, these motifs are often a continuation of imagery from ancient body paintings and rock art. At first I was just attracted by his pictures, but with a deeper understanding, I felt from his works, how to create a unique identity through art and interpret the instability and ambiguity of art from a critical perspective, his Creation gave me new thinking and inspiration.

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The black and white color scheme makes the outline and layering of the color blocks stronger.

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Try on PVC material