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HORATIAN SATIRE: light mockery, mostly for entertainment.

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HORATIAN SATIRE: light mockery, mostly for entertainment.

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I notice that in this setting, there's a small family. The mom, the dad and their daughter are all in the kitchen. As the little girl gets back from school, she tells her mother, “some kids at school call you a feminist, mom, but i punched them out.” you can see that as a child they see feminism as something thats offensive. I also noticed that as the daughter is telling her mom this, the mother is in the kitchen cooking as the dad is just sitting in the background reading his newspaper. By looking at the mom's facial expression you can tell that she isn't really amused by what her daughter is saying. As you look at the dad's facial expression it seems like he could really care less about what his daughter is saying. And as you look at the little girl she looks like she's ready to jump for joy. She seems proud of what she had done as if she had done something extraordinary or really good. To me this image portrays how the effect of society on children and it has set them into the mindset of believing that being a feminist is something that someone should be proud of or something thats “bad” and its expected for ids to fight to prove their point considering that she “punched them out”. I also noticed that before looking at the caption, she looked like an innocent who wouldn't be willing to hurt anyone but as you read the caption it takes you by ashok because those aren't the type of words you would expect from an innocent looking girl. Looking at this image brings people back to the realization that societal things are being forced onto younger kids as feminism is being used in the example. I believe that this was Donnelly's way of expressing that we need to teach our children the difference between what's good and bad in our society since this is the type of environment they're growing up in.

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I would like to point out that you can’t become a German or gain German citizenship overnight, there are several requirements. First: being able to speak the language and be able to read and write it, second: not every German likes beer or wears Lederhosen, Lederhosen are mostly worn in Bavaria and even then mostly for things like the Oktoberfest and third: if want German citizenship you have got to have LIVED in Germany for at least eight years and not eight hours and while yes germany has taken in many fugitives from Syria and Iraq in recent years, they have also turned a lot of people away and DENIED citizenship. So this cartoon is not only a load of lies, but also very angering to Germans. Thank you for reading this and yes I know that I sound very aggressive, but please realize that you would probably feel the same if someone made a cartoon about the immigration process to America and had it say: “I didn’t know all it took to be American was liking hot dogs and baseball.” Now then I apologize for putting this in my schoolwork, but I couldn’t help myself. I am not really sorry for anything I’ve said and I am German so I felt like she was making fun of Germans. I realize that this was meant as a joke, but many people, both those who understand the immigration system and those who worked hard for citizenship, would be angered and feel insulted. Once more I apologize for letting my personal feelings get involved.

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From a young age our society places constraints on us based on our gender, limiting boys and girls to sticking to things within their sex. In the cartoon Donnelly challenges the idea that things are more masculine or feminine, using things like text, imagery, and background. In a typical scene we might see women being depicted as feminie nurturers, not necessarily as intellectuals, however, the background of this image shows a woman sitting alone reading a newspaper. This is seen as a more masculine activity, as men generally dominate politics and the news. The fact that she is single also emphasizes the idea of independence that this cartoon creates, directly defying the gender norm of needing a man. She must be rubbing off on the little girl playing in the sandbox, since even as an adolescent she recognizes the limitations placed on her and makes a statement opposing these views. The way she says “boy thing” creates the tone that she knows others will judge her for playing with something “unfeminine”, or that she has to justify it. By imposing these rigid ideas of masculinity and femininity so early on, children’s potential is limited later in life. Gender stereotypes teach boys not to express their emotion, and girls to be nice, obedient, and careful about their appearance. They shape self perceptions, expression, attitudes, and relationships with the world around us. Those who don’t conform to the ‘traditional role’ are subject to discrimination, which can exacerbate their struggle to feel accepted.

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In this cartoon, a lady hands a little girl a blue shirt. The little girl is wearing pink, her shirt and her skirt. She is dressed like the epitome of femininity, and is denying the shirt the lady is handing her. Not listening to what others tell you is socially acceptable for your gender will label you as “weird”. The thought bubble next to the little girl says “That's nice!” Yet, she knows at such a young age that if she chose to wear that blue, “masculine like” shirt, she would not be feminine enough for her friends. The author does this to show that society will label you as “unladylike” if you think for yourself. The lady handing her the shirt is wearing a blue skirt and heels. Blue is associated with boys and masculinity. The author does this to show blue can also be a feminine color. Society doesn't let girls think for themselves if it's not considered feminine, Lisa donelly creates this comic to hope the reader will realize the effects of this harmful thinking on young children.

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In this cartoon the roles are reversed, the woman is on the bed relaxing with a glass of wine, while the man is vacuuming the carpet, (after the devil’s tango). I think the woman does most of the cleaning in the house, and she probably has to act like she likes it so she can complete the chores. The man probably doesn’t do the chores and the woman is making him do it and makes a joke saying “now act like you like it”.

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This illustration is by Katherine Donnelly and it shows the statue of liberty reading an article in the newspaper about the free press. The free press is the right to publish and disseminate information, thoughts, and opinions without restraint or censorship. This portrays a real-world issue because censorship happens every day. We even censor ourselves daily, whenever talking to someone you have a natural filter that makes sure what you’re saying is appropriate. Now if we do that to ourselves, imagine what the government and other officials could be doing to control the media. The statue of liberty looks as if it's confused reading this so-called “free press” this could be because what the statue sees doesn’t portray that.

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MENIPPEAN SATIRE: satirizes individual character flaws, personality traits, and mental attitudes like racism, homophobia...

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MENIPPEAN SATIRE: satirizes individual character flaws, personality traits, and mental attitudes like racism, homophobia...

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Her thoughts and body language  reflect power and confidence but also some underlying insecurity. The woman sits just like the men at her table as a way to fit in, she sits “like a man” because she doesn’t want to be seen even more out of place than she is. She’s also wearing a pants suit which might be because if she would have worn anything else like a dress or skirt the men may not take her as seriously because of the aforementioned misogynistic ideals that are still prevalent in the workplace.  Even though she mimics the men's body language and adjusts her outfit accordingly  she also doesn't hide her femininity. She wears a purple shirt with heels and she says this confident line in her head “I am supposed to be here”.

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This cartoon by Liza Donelly showcases how increasingly normal war and violence have become to the point of casual discussion or even entertainment for those not experiencing it. The setting of the living room is used by Donnelly to create a comfortable home atmosphere: the mother is seated leaning back on a couch with a mug, which could contain a typically soothing drink such as hot tea. She is also wearing what appears to be heels and business casual clothing, indicating that she is relaxing or “unwinding” after work. Her facial expression is blank and calm. Donelly juxtaposes the mother’s comfortable pose and surroundings with what she is watching on the television: a news channel that shows soldiers holding guns in what appears to be a violent crossfire. The fact that the mother does not seem to be fazed by the graphic footage of war on the television, and the implication that watching it is part of a “relaxing” evening routine, shows how desensitized she is to war and violence. This juxtaposition is further developed by the presence of the woman’s daughter. The daughter appears to be quite young. She is sitting on the floor, rather than on a chair or couch, and surrounded by toys such as a stuffed animal and a truck, emphasizing her innocence and youth. The caption on the image, which is spoken by her, says “‘Mommy, can we watch the peace channel now?’”. The word choice of “the peace channel” again stresses how young and uneducated she is, to the point that she thinks there is a “peace channel” that doesn’t show violent videos of war. The fact that she thinks of the “peace channel” as a singular channel - rather than being one of many peace channels - implies that non-violent content on television is few and far between, so much so that there is only “one” peaceful channel. Based on the girl’s neutral facial expression and casual activity of playing with toys while watching TV, she does not appear to be scared or disturbed by the brutal news either. Donelly depicts watching war on television to be a normal, routine activity that doesn’t raise alarm or distress, emphasizing her point that people are becoming desensitized to war due to how normal of an occurance it is.

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In this cartoon by Liza Donelly, a woman is being interviewed by a man for a job.  The artstyle is simplistic and plain, and the only things colored in are the man and the woman, he is wearing blue while she wears pink.  Right away this choice separates the two from each other, reinforcing gender stereotypes of masculinity and femininity associated with color.  The man interviewing her overlooks her resume, but only stares at her.  While doing so, he envisions a young girl.  The woman looks more than capable for the job, she is wearing professional clothing, carries a briefcase, and has a resume.  Despite her capability, the man views her as just a little girl.  The use of this image is an example of sexist ideologies towards women, and how they rank one gender superior to the other, negatively affecting women in the process.  It's obvious that if the applicant were a man, the interviewer would not be infantilizing him. Infact, from this cartoon we can tell that the female applicant most likely did not get the job. This view of women being weaker, submissive, and incapable is a horrible but prevalent view in the workplace.  Women, their expertise, and their skills are constantly cast away, which I'm sure Donelly has had plenty of experience of as a female cartoonist in a male dominated industry.  To the man in the illustration, and to many men in the world, it may seem that women are unaware of this prejudice, but like Donelly we see their “thought bubble”, and it sure as hell won't hold us back from pursuing our opportunities.

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In this image, you can see a naked husband vacuuming the rug and his wife sitting on the bed holding a glass of wine. The simplicity of the background makes you focus on the position of the two figures in the image. The woman is placed above the man, her posture radiating dominance, and her face content. Whereas the man is bent over below the woman, looking very submissive. Donnelly’s choice to draw them naked creates transparency and “leaves everything in the open”. It connects to the stereotype of the women being expected to perform domestic activities and “like” it. This image challenges ideas like “a woman’s place is in the kitchen” and that “a woman is supposed to keep the house in order” by visually reversing the positions of men and women. This stereotype is damaging and degrading to women, because it makes their ability to serve men mandatory, and bases their value on that. The caption of this cartoon by itself is vague, but the positions of the figures and the setting of the drawing tells you who is saying it and that it has something to do with gender roles. The caption along with the position of the figures creates irony, because in this image the woman is telling the man to act like he likes being in a submissive role. Whereas in real life, we know this is not the case. In fact, their nakedness also adds to the degrading element of the stereotype, except in this cartoon the roles are reversed.

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JUVINELIAN SATIRE--DARK SATIRE: attacks individuals, organizations, and governments to expose hypocrisy and moral transgressions.

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JUVINELIAN SATIRE--DARK SATIRE: attacks individuals, organizations, and governments to expose hypocrisy and moral transgressions.

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If you are a person who struggles with emotional, mental, or physical issues, schools 90% of the time won’t support you. If you don’t fit into the bubble of a perfect student you’re accused of being lazy, when in reality you could be struggling. Liza Donelly the use of satire by having a student tied up, not being able to see and not being able to speak or move hands. Liza is criticizing how our society/ school systems approach children who aren't "good" kids.

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This cartoon shows a bunch of men filming each other. The man with the camera says “Talk about rape man. That’ll get you a following.” to the person being filmed. This represents the culture of videos online and men's toxicity. All of the men in the image are smiling about what is happening. They seem to be happy and even proud of what they are doing at this moment. There is a caption on the bottom of the panel that reads “Budding comic” meaning that they want him to make jokes about rape. They think that joking about rape will be funny and help him gain followers. This is something that actually happens in real life and works. There are many men online who have large followings and are very well liked by younger boys. The man filming is wearing a hat backwards which is meant to represent that he is young. Liza Donnelly is showing how this thinking has reached and affected a younger generation of boys. She is showing how this culture of online toxic masculinity and how it's affecting the younger generations. The people watching the filming are meant to represent the viewers of these videos. They are standing there happy about what they are viewing and are agreeing that it's a good idea. There is a use of humor in it by showing these men saying this so casually. They are talking about a very important and sensitive topic but talking about it in a joking manner and taking it as if it is something that doesn’t actually happen.  This becomes even more ironic as you read the cation because it makes you fully realize that these men are joking about it and think that rape is funny.

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This picture is a commentary on how celebrities get excused for terrible actions just because of their fame/power they have. This is shown by this situation of the judge asking the football player for an autograph while in court presumably in court for domestic abuse. I find that in many of Liza Donnelly's darker cartoons she uses more dull colors like gray, black and white. The clothes all the women are wearing are all dull colors and the purpose of this is to highlight the mark/ bruises on them and make it more impactful. The body language also says a lot, the woman with her arms crossed and the woman at the bottom that is turned away from the whole situation represents the shame that a lot of domestic violence victims go through. Many people don't leave/ come forward about their situation because of shame.

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Donnelly uses the “football culture” as a type of metaphor for anybody and anything that holds power over people and their everyday lives. In particular the system men have created to place themselves on a higher pedestal than women. When people have an idea bashed into them everyday they begin to believe it as fact, whether it be that celebrities or men in general aren’t in the same field as women and should be exempt from the law because of it. Even if they believe otherwise, the fear of being different from society keeps them in line. In the case of this cartoon, it is particularly portraying a case in the NFL back in 2014 where Greg Hardy threw a woman onto a futon with assault rifles in it. He was found guilty but the charges were later dropped when the victim did not want to testify on the stand. He suffered no repercussions at all and retained his status as a “famous football player”. This comic shows that even if victims of this system show signs of distress and clear signs of abuse, the legal system, the public, and even the victims themselves will still bend over backwards to come up with some sort of excuse to exonerate them because of their status. Liza Donnelly even showed this with the dudge who should be above the football player in status with his chair, bending over the desk asking for an autograph. Showing that he’s lowering his standards and his authority to show how different people higher in society are treated. Subconsciously we have been hammered to believe that some people are higher in power than others, and this somehow exonerates them of all wrongdoing because they aren’t held to the same standard as us.

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This political cartoon embodies the societal tendency to raise awareness about sexual assault and harrassment for only particular groups of women. At the top of the cartoon, a woman addresses an issue occurring in work conditions for women in New Delhi, but then stating that this problem isn’t restricted to New Delhi, but true globally. Immediately, this choice of having two differing points that all come back to one point helps tie the Donnelly’s purpose: women face sexual assault all over the globe, not just in specific regions of the world. As we move down the cartoon, text appears, saying “In one second,” which guides us to the largest part of the cartoon, planet Earth. The caption helps tie in the women's comment about the global issue, as it insists that in the very moment she talks, women are being taken advantage of. The globe is a symbol that women are dealing with this issue, worldwide, compared to the statement of the women in New Delhi.

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Women can bond universally over their experiences as females. Shopping, having kids, and falling in love is what solidifies our places in the world as women. According to society, bodily autonomy defines your value. What is the purpose of a vagina, if it isn’t used to birth children and please the powerful penises of the world? And why should one have a penis if it isn’t instructing and ordering those submissive vaginas? Liza Donnelly uses her artistic abilities to ironically portray the misogyny embedded in society’s views of women. This cartoon is from both the point of view of men and women, the top being the male belief that all women are the same, while the bottom shows the similarities in women’s experiences. She writes words like ‘breasts’, ‘vaginas’, ‘sweet’, and ‘nurturing’ in large fonts and playful colors. This gives the appearance of childishness which furthers Donnelly’s use of irony as it shows that men’s thoughts of women are childlike and immature. They often see women more as caretakers who ‘know how to cook’ and ‘love clothes’ over important members of society. The male perspective belittles women’s hardships and experiences without addressing the dangers they face. The bottom of the cartoon is a group of women with speech bubbles saying  things like ‘raped’, ‘assaulted’, ‘underpaid’, and ‘harassed’. They are drawn at the bottom to show their lack of importance and the words in the bubbles are written completely in lowercase to show that these truths in addition to the women themselves are unimportant. Liza Donnelly draws these cartoons to express what women face due to the oppression of their voices by the misogyny riddled in society.

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This image focuses on a typical white woman all dressed up in a skirt and high heels like she is about to go out on a date. A bunch of thought bubbles surrounds the woman, giving an inside view of her insecurities, and apprehensions concerning her appearance and behavior. For example, in one bubble the lady questions whether her “skirt [is] too short” or if her “hair [is] too provocative,” which outlines all the factors that women need to stress about and control for their safety. Social beauty standards like these are imposed on women to manipulate their freedom and be utilized as tools for people to justify crimes like rape. The woman’s clothes in the cartoon are pink and purple, which are stereotypical feminine colors that portray her as an innocent pretty figure type. The contrast of the black purse she is holding, signifies the dangers women face, and how cautious they still need to be despite their soft feminine demeanors. All the thought bubbles encompassing the woman have question marks like “bra too push-up?” and “lipstick too red?,” which highlight the self-doubt that plague females about their appearance due to worries of random male infatuations. Also, the thought bubbles of “attitude too sassy?” and “walk too carefree?” in the cartoon restricts how a woman can behave, and even go as far to criticize flamboyant actions as plausible reasons to be raped. In society, we have far more standards for women than men, and assume that the male gender lacks any amount of self-control, and therefore, must have restraints on women for what they can say, wear, and do, or risk conveying the wrong sexual idea that leads to rape crimes.

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Liza Donelly usually uses lots of irony and humor to portray serious topics except for this one. Some people (as in men) may argue the reality of these questions and rape culture, but I can say they are very real. From a young age many girls are taught that dressing a certain way will attract negative and positive attention but mostly society and the older generation talks about all the negative. In schools even, luckily not ours, there are dress codes where teenage girls are policed on what they wear and are shamed about what they are showing whether it's their Knees,shoulders,mid drift, etc. From a young age we are taught how we should behave and dress so we don't attract these negative things and when these things unfortunately happen male society and some women even find a way to point the finger at the woman its happening too. “What were you wearing” , “how did you speak to him” which are all things that shouldn't matter and all things that do not validate horrible actions . The thought bubble questions for example lolp“ skirt too short” really show the precautions young women make before going out because they are afraid of being harmed , not only being harmed physically but emotionally, when the older generation sees young girls wearing anything revealing they often say these girls are asking for something bad to happen to them which is not the case.

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The plethora of thought bubbles around the woman are her thoughts before stepping out of the door. These being legitimate questions that most women  ask themselves before they go out. Of course, the title “Am I going to get Raped Checklist” is very over dramatized but couldn’t be more real. Women are on constant alert for their health and safety when going out and it’s so sickening sometimes to know that there are people out in the world disgusting enough to commit such acts. Questioning whether our shirts are too low, skirts are too short, and just am I going to be seen as a target. It’s a daily occurrence, a life style we have adjusted just so we can simply go to the grocery store. In the comic it seems as though she is dressed in a more formal matter, shorter purple skirt, pink sleeveless top, red high heels, and slicked back hair. Just a women expressing and presenting herself in where she feels confident, and not having to second guess herself is so rare. It feels as though existing comfortably is a danger to ourselves. We have to question the smallest details about ourselves so it can’t be mistaken as an “invitation” and “provocative.” Being in constant fear that god forbid something does happen, and having to deal with the repercussions. The mental and physical aftermath, the legality aspect, the constant questions. And after all that, there will still be people that ask the question, “but what were you wearing?”

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In the foreground of the image, the scale of human rights is unbalanced. This man is presumably wealthy, possibly a politician. It shows a white man in a blue suit on the side that is weighed down while on the other side, there are people with a darker skin tone that are on the side that is raised upwards. Some of the people are wearing small white loincloths if anything at all. There are even some that are hanging off of the edge of the scale trying to hang on. The image represents how people in power (primarily wealthy white men) often value themselves over marginalized groups of people that lack human rights. Marginalized groups often lack the essential resources that wealthy people have, which is conveyed through their clothing. The desperation for their rights is displayed through the people hanging off of the scale. There is no caption or humorous commentary in the drawing, which adds to the bleak and dark tone of the illustration.

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Found on Google from cartooningforpeace.org