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Final  photos printed of the colour is a little bit grainy which I think compliments the photos quite nice and really tensfiy's the shading and colours.
I think these photos would work nicely next to the sculptures in giving them more visual context and telling more of a story. They could almost be film stills

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With this image I wanted to prove there's how the duvet performers are closely linked with the sculptures. The same visual of a human hidden vulnerable human underneath the abstract forms of the performer.
The way in which I'm holding the sculpture shows how there is a parent like bond between them both the sculptures being held as if it's a baby to the duvet figure. With working with the theme of the theatre of life Im trying to show symbols of big expressions of human emotion and our relationships with others. The fact they are both abstract forms could also show how there the same person the same figure trying to give themselves self love

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Although these photos aren’t as professional as I wanted them to be I tried to make do with the facilities i did have. Which meant working in my room and taking the pictures with my phone
For this photograph I merged three different photos of my self with the bed sheet then moving my body into different positions. When it came closing how to move I tried to think about making every movement big and theatrical as i could.

the three different characters together can bee seen a one character through time going through all these different movements the idea the expression through dance.

The moments I've chosen aren't that well thought out but I hope viewers can see the way the hands are moving as if to be presenting themselves as all the movements have to be enlarged because you can't tell what emotions are behind the the cloth working like a mask

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Notes from YouTube video

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Having the light shone below the sculpture really gives the piece more depth for the gallery was thinking having a small tour h just below the sculptures to tensify the dramaticness of the sculptures

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Litho graph with a blue ink rolled onto the Rock. This is quite nice to see it in another colour and it feels a lot more subtle texture as you can still see the black ink is still quite vivid in there which still has a little bit of contrast between the two different shades, but I think the blue works quite nicely as it is allowing for there to be a slight sort of underwater feeling

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One of the prints didn’t come out as strong but I was able to use this as a backdrop for this painting and I thought of one over the original figure, but then sort of change the positioning of how they’re holding themselves and then I was thinking about how this idea of the spotlight and how it could link in with the two sculptures that I’ve been creating, so it was almost like bringing in this idea of these two characters being on the page, so having to the man in the background almost sucking up the spotlight from behind a woman is it they’re both trying to get the attention of the audience and they’re also seen as quite vulnerable like the sculptures as they’re both naked and I suppose I just wanted to take on all the practice. I’ve been doing with doing working with watercolours and thought of getting better at letting the colours merge and I feel like at the thought of showing my development of working with that material.
And the sort of ways that the figures are formed you know the way the next bending over all the woman’s arm, and it is you know it’s not like the exact proportions of a body which is what I’m trying to say about how the sculptures are not completely human form, but you can see human hidden within them

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After having left the Rock for awhile, I came back to work and did some more prints
Felt as if I was getting better with working with the methods of printing. But I felt because it was my first time I was just wanting to experiment with the materials, and I think it would’ve been nice to have given a bit more time to think of an image that with the links more in with the theme of my project, But in a way it does as on top of the head of the character the abstract mark making in the dark patch Almost looks like a thought bubble or the light shining down onto the figure and the way it is kind of condense's with the colours is, if it is kind of hiding into the background, taking inspiration from Loren Erdrich

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In this performance of metamorphosis at the Royal Opera house in 2013, what are find inspiring about it is how the actor playing as both Man is really getting his house of physicality into becoming the sort of insects, but at the same time could be seen just becoming an abstract form as a human. What’s interesting about the story of metamorphosis is how we never find out why he’s turned into a bug, but I think that’s what makes it interesting because it is looking into things about identity and who we really are and the original character is a very substrate lace businessman and then all of a sudden he wakes up and he’s someone completely different and I think that’s thinking about who are we really are we are so complex people and we’re not just one thing but I think this is quite a sort of crazy way of exploring it and I think watching the showers made me think about how are you can be very powerful with physicality is a way of exploring a humans emotions

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I tried to work on the big white boards that is found that was initially thinking of just doing this of black outline of a figure based on something similar to the water colour I’ve been working on I decided to go with some acrylic paints instead, but because it was quite a large scale and not having loads of experience with working with paint like that, it was proving to be quite tricky and trying to fill the board with painting these figures.
I think we could’ve helped more is if I went in with some sort of design plans, some testers of what the figures would look like and how they could link in with the project as I just thought of when the head with trying to put see what I can do soon, as I just started working, rather than maybe doing a bit more time with them deciding what is of colours there gonna do you have a body with a silhouette was gonna be designed But I think it was nice to work larger scale, but I’ve still got one board left so I might go over that and something a bit more simple because I feel if I make it more complex the harder it will be to get a nice finished outcome with all the pains

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-listen to physiology podcast
-Start thinking more about the meaning of the work what's the message behind the work
-Based of the watercolour drawings would make good lithographs a printing technique
-Think about other ways of materials to make a sculpture rather than just
- Make some big paintings from these big white blocks

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This was the result of the clay once it had been left to dry after the performance. Her smaller clay work often gets fired. This gives the clay pieces so much more depth than just seeing the piece. It really makes you think about the process how the hand must have moved during the performance the stages the piece must had gone through

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There needed to be two as one by itself i don't would have been strong enough as the the same colours way and marking they almost become the same sculpture

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I then went over the rock again with acid wax and a knife to etch in even more detail I didn’t want to over do it to much. The marks above the head originally made had faded away using the knife I thought back to the drawings I had previously done and started carving that into the print

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After having gone through the print process

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Print on the Rock, I thought of trying to use of range of different tools. I was originally just going to have the figure, but I thought it be nice to then go onto the background and lens the different from the water to the charcoal and see all the different effects you can have tried to be quite loose to really like everything is mixing together. I’ve left it to dry for two hours and then come over there Rock again.

For this drawing i took I based it of one of the water colour drawings. I wasn't trying to be to definite when it came to the designing the circle above it almost being like a thought bubble the mark making showing something of a thought process

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Taking inspiration from Picassos, lithographs in order to make these he would come over some of them are making, as you can see in this image. It’s the same print, but he’s made some subtle changes.
What’s nice about these prints is how you can see the range different materials and that’s quite nice. I think to get that arranged as you’ve got all these different Mark makings with in one image

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Experimenting with different materials with a live photograph using water based charcoal and a range of different other materials, so I can get to grips with the different media. You can use when it comes to doing the photographs as you can get the difference of a fax depending on the tools you use

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I decided to go over the ball in a red colour, because I thought I thought of almost wanted it to be like a contrast to the body as it is being a spotlight
It looks quite complete at the moment, but I might be going over again but any other extra detail, but it feels quite like it had a lot of texture needs towards it and I think it’s quite nice to have the red balls of contrast something to the body whilst also sort of being within the same silhouette

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I discovered roughly going over with the paintbrush with the black paint you’ve got this really nice affect which highlights how when I made the papier-mâché figures, they still have quite rough and they’re not so so smooth, and I was questioning whether I should sort of move them down, but actually this works quite nicely because I was able to get that effect over with the black paint, which sort of almost looks like a natural kind of rocks of form like the markings are like almost like a sort of print that you would find in the sea or something, and I think you can almost see the faces with window that the markings, but they even more sort of accidental rather than trying to make that just with my hand, but it’s all just make it so decide, but the hidden prints are within itself just by moving along

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I was going to initially put these faces inspired by those drawings. I’ve done around the model, but this wasn’t as looking as it as it effective as I thought it would, as it’s quite small so detail and fill it just doesn’t really look that effective and I think I want, a morsel of fullness but covering the whole structure as it just feels a bit too quick ￼

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I’ve decided to have these to be a pair and I’ve gone with this of white paint. Is it sort of almost looks like a natural bit of chalk that could’ve been carved off what I wanna do go over with another layer, probably in black paint to add this sort of textual set of patterns that I’ve been working on and I’ve been seeing a lot of hidden faces within this of curves of the models so I’m going to paint them in but then sort of hide them, so it’s not so obvious because I think that would link quite nicely and with how the theme is about identity and how we have different sides to ourselves in the face. As you know, there’s so many different characters within that person.

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The figure starting to build up for the ball blew up a balloon then covered the balloon in paper mache waited for the balloon to dry then pop the balloon that leaves behind the the ball shape I wanted I thought about once I’ve got the whole shape of the sculpture I’ll go over the sculpture to get a slightly more round effect using a wetter PVA mixture

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Martha Graham was an American contemporary dancer known for creating the Graham technique the idea that different parts of the body have contraction and realise Which creates this big dramatic movements
For this photo the dancer is wearing a Halton Costume which really allows the dramatic tension of the movement of the figure to really extend. The dancer is becoming an abstract shape

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Distant, have a strong of an outcome as I’d hoped I went with the grey colour because I thought it looked like a natural Rock but I felt the colour was quite bland I wasn’t able to really add any more texture or exciting elements I could bring into the piece.
Another reason i think this one didn't work is compared to the other ones I really let the forms let loose in how the bodies bended whereas for this one it just seemed like a stiff structure it being to based of the drawings in trying to capture the human form

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A lot of the sculptures I have done I didn’t feel as if they a had ￼ theatrical feeling I was thinking about how are the three-day workshop at work with different objects or components ￼ to make a piece so I think about how are you Good give it different parts so it’s all becomes quite a slightly more complex design than what I’ve been doing.￼ The big ball ￼ representing something of a spotlight 

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Working with  sculpture number 3.
This sculpture has taken a similar form to the first one which I think was more effective in a way it came less of a clear  drawing design you have more trust in the making it dos'nt matter if it looks as exact as the drawing design Im a bit cacious of how it will hold itself thinking about other features of the sculpture such as the ball (spotlight) and how the whole thing will hold itself carry at self.

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And attempt to having patterns been painted into the sculpture. I started to do this over the body of it, but it didn’t really seem to contrast with the backdrop, and the way I felt it already had enough texture with the mixture of the colours, but I would want to find a way of incorporating this kind of style of drawing that I’ve been doing somehow into the sculpture maybe as a separate thing, that’s attached to it in some way or another bit of papier-mâché thing so we’ve got like two blocks together

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Taking inspiration from performance artist like Martha Graham, who made the body from the materials of clothe they were wearing the idea is to photographed a range a range of different a range of positions of the body somehow telling a story. I could also think about adding on extra elements something like some cut out collage shapes around the photo incoparating drawing into the photograph

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Working with watercolours, the colours can get smudged into each other, so you can create abstract faces where the lips and features of the body all start to merge together. Creating both recoganisable and also hiding the humaness working with the water meant i didn't have total control letting the water colour make its on mark as i practice the technique i feel its become stronger partially in this image

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https://youtu.be/NaLT8horo2w
Alexandre is visual artist who works in many different medias from sculpture to performance I'm focusing in on their performance work for a piece called Bulky where dancer were dressed in head t o toe in clothe. The performance takes inspiration from street tags, Using the body to create itself to become a letter from the Georgian alphabet
AlexandreBavard.com

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This is a rough design for the second Litho graph. I’m thinking of doing that will be quite nice to have two figures having a shared body  between them and I just to  have a rough idea of what that could  like if I was to go ahead . I know this will change in the process want to start working on it, and see where the  different designs go, but I suppose I wanted to find something that links in the theme as the last lithograph as the last lithograph was more about testing outage media. This time i wanted to show more of a  relationships as the two heads share a body as a symbolising a hug  as if explored explored  more of the idea of the individual as in performances pieces

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I feel Im carrying on from where i left of towards the end of the last project working with the idea of have a representation of someone been made into an abstract form

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Some of the results from the water colours did always work so well, but I still feel like it’s good to experiment with these because really lovely to think about colour. I was still trying to think of how I could put this way of working into more abstract forms with the watercolours, but I feel like creating the abstract forms is easier when working with the papier-mâché more than the watercolours. As the abstract comes more with the merging of the paints rather than the form

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I think these drawings could link in with the sculptures nicely as it’s people trying to hide them self showing hints of faces hidden amongst the drawings

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No, the build of the character is complete I need to go in with paint. I’m thinking of using a similar before as blending the colours together. But I think it would be nice to think about the mural and having paintings or drawings on top of the sculpture

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I was originally planned for the neck to curve into the body in the match. I didn’t really allow for this to be a sort of easy movement of bending the paper over.
I also hope they’ll be a bigger gap between the legs, but we’re working with the papier-mâché. You have to let the piss take control itself.

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If I was going to tell a story of two characters merging together into one  thinking about how show relationships

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For this watercolour I tried to work draw a more naturalistic person I was really thinking of big theatrical movements and how I could then extend an image like this with a more playful form

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I found there to be more depth going in with different colours of acrylic paint. I’m trying to create something that almost looks like a natural a form. As if it’s been carved at of a rock I feel it’s a good start to working in paper mache but I sore this sculpture as a practice run through

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I have been inspired by a style of text i've explored before why I’ve been working with text, allowing to work in the flowing way but this time I've tried I've tried to write an actual word

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For my inspiration, I was looking at a lot of human figurative work, as well as this or more abstract shapes saying how I can merge them together

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Mind Map of where i wanted to go with the project 

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Starting to paint onto the papier-mâché sculpture, I chose this already deep red colour because of the links in with the theme which I’m going with a theatrical feel as well as looking quite flashy and body like which I think works quite nicely as I’m also trying to abstract the body into a sort of weird shape, but it’s could also be an organ of a human

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Merging both the watercolour with the pen drawings

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What I like about her work is how the lines aren't that  definitive. An affect you wouldn't  when  working with pen and pencil.
She uses range of paints the oils, acrylic and bleach but i still want to create something similar to the figures in her painting working with the watercolours you can get a similar washy effect.

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Whats interesting about this painting is It shows a very simple illustrated face. Bit with layers of paint there's more depth and tension with the expression as well as some mystery hidden with the emotion which is a theme the is starting to come up in this project

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What I like about this piece is a how how it almost looks like text with the mark making of the paint but its composed in an abstract way it’s all a thin line between being abstract shapes and human in figures hidden within those shapes

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Whats nice about this piece is how the proportions of the body aren't completely natural which leads to which leads to interesting composition of shapes making up the human form. Tullie is exploring the human body that makes us reconsider proportions

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There two figures within this is it, so I’ve got a hidden body parts as well as looking like text or music notes which links the relation to like Laurie Anderson. Looking texts its almost creates a another language

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I then made this original painting into black and white, which I prefer as I want the focus to be on the shape and form rather than the colours, but you still get that nice texture of the paints bleeding into each other

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What I found quite nice about this one that’s how the leg means become a big block that creates quite a nice composition to the rest of the body and I think I could see it, so then being made into the papier-mâché sculpture with that so strong shape

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For the approach on this one, I’ve gone back to putting it against the background and I tried to be less obvious of it. Being a human figure

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Starting to think about ways of incorporating the audience into the piece

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For this drawing I was thinking about how I’d been looking into Laurie Anderson with her relationship to her instrument when performing
For the final piece, I could think about how there’s also a person on the stage, but the other object doesn’t have to be a human figure, showing some relationship between the two forms that work together to create a musical of performance

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Originally for these two pages in the sketchbook, I had just painted the simple sort of silhouette of the two portraits of these figures, and then went back over and added over little faces, and then I did charcoal which is a nice of mixed media I think it contrasts the water colour quite nicely. Having left the paint dry underneath a really sore brings out the sort of simple line of the faces.
I’m not sure how it would link with the project yet, but it’s a nice way of working in mixed media

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Started to do more water colours, but keeping in mind that kind of shapes and figures, I was thinking of when it came to designing the papier-mâché sculpture. I’ve also realised how the background is Kim be quite plain and soft, making a more full piece by copying and pasting the watercolour illustration onto a backdrop.

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Using watercolours to create abstract figures. The nice thing about working with watercolour is how I don’t have total control other how the colours and shapes will mix. For these two paintings, keeping in mind that it’s about the former managers of “there was almost being this of magical feeling swirly kind of smoke like shape coming out of the mouth, a figure on the left this almost like they’re putting on the list of abstract show, which is where my ideas are going.

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Henry Moore is someone I'm thinking about a lot When making my sculptures. The way in which there able to show an emotional fragile figure as well as as timing solid and powerful human but the abstractness allows the sculpture to become something else non human.

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The nice think about working with paper mache is how you don't have total control of how the piece will take shape i found as i was reaching the body and head of the sculpture it was it created a nice abstract curing but it seem able to hold the form in allowing it to stand still

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As aiming to a 3d element to the final piece i wanted to experiment more with paper mache this time working with a larger scale

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once i had a thew materials i suddenly got worried it then might be tricky to then put all the materials to use as i had a new range of materials that i don't usually work with when working 3d.

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In the end although there was a lot of problem solving i feel i was able to create a theatrical feeling of a stage. Are use the resources I can find around me and although it’s not like it’s a finish clean look I felt like final result in Away is on my map at self I didn’t plan on a lot of what’s happening there, but it was almost just process of working within the making of the figures and the objects and then it was quite nice way of with working with lots of different bits. Thinking about how to put the composition of the shapes of work, well together.
It was originally just going to be closed for some of the figures on the stage, but I wanted to do it a bit more colour and I found a way of sticking coloured tissue paper onto the sculptures

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The task was to make a 3d theatre set i wanted it to link in with what I've been investigating so far with the whole idea of the theatre of Laurie Anderson's performance. The idea would be for the audience to be incorporated into the actual performance of the stage design

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Trying to come up with a more clear concept taking a clear inspiration from the acetate from previous image
. I want to involve the human form somewhere with in the designs but also try and hide it. I thunking about all the different components of the performer with the instrument the audience and the spotlight as well as a squiggly line represent the music or the magic that comes with captivating an audience. I'm trying to be quite ruff with the drawings as I don't want to spend to  much time trying to perfect the drawing so much but more of just finding ways of  working out different designs. Working at a quick pace allows you to try out different possible outcomes even with tiny little tweaks

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i was starting to think more about how i could use symbolism thinking of certain features like music and how i could make this a physical object that people could see

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Rite on our body we slip our wow!, 2018, Florence Peake 

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the performance work Florence Peake does. Where and a group of dancers perform in wet clay a series of different movements and interactions with the clay. What i found inspiring about her work how the meaning is the performance thinking about how the body moves in ways to express our self. Then also interacting with the clay and how through their movements the clay takes on different form

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Having the duvet cover person put into three different positions carrying the sculpture the the left and right looking out the sculpture in orange of different movements against different back drops

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What i want to take away from this piece is how i could work in a way that allows to me to really think about form and shape finding creative ways of working in 3d. What makes this work so interesting is how all the shapes merge in together to make a whole sculpture

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(unable to find the name of artist) who made these was an architect he had in mind these marquette to become building meaning working on a smaller scale. What I find inspiring about these designs is how there so playful with merging all the different shapes together

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This piece captures a something I'm trying to explore with showing something familiar of the human form but pressing it in a way that makes you look twice to what the shapes are resembling