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What effect did the Black Arts Movement have on the growth of African American pride in America?

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What effect did the Black Arts Movement have on the growth of African American pride in America?

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How did the Jim Crow Laws and Segregation of the time effect the Black Arts Movement?

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How did the Jim Crow Laws and Segregation of the time effect the Black Arts Movement?

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J-Stor

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Larry Neal, The Black Arts Movement, The Drama Review: TDR, Vol. 12, No. 4, Black Theatre (Summer, 1968), pp. 28-39

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The Black Arts Movement and Hip-Hop (Marvin J. Gladney)

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The Black Arts Movement and Hip-Hop (Marvin J. Gladney)

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J-stor

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The Black Arts Movement and Hip-Hop on JSTOR

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Marvin J. Gladney, The Black Arts Movement and Hip-Hop, African American Review, Vol. 29, No. 2, Special Issues on The Music (Summer, 1995), pp. 291-301

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"Classical Jazz" and the Black Arts Movement (Lorenzo Thomas)

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"Classical Jazz" and the Black Arts Movement (Lorenzo Thomas)

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J-Stor

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"Classical Jazz" and the Black Arts Movement on JSTOR

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Lorenzo Thomas, "Classical Jazz" and the Black Arts Movement, African American Review, Vol. 29, No. 2, Special Issues on The Music (Summer, 1995), pp. 237-240

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Black art as social protest: Inspired by the in-your-face imagery of the Black Arts Movement, contemporary black artists move the conversation forward (Fishman, Margie)

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Black art as social protest: Inspired by the in-your-face imagery of the Black Arts Movement, contemporary black artists move the conversation forward (Fishman, Margie)

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ProQuest

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The Black Arts Movement and the Black Aesthetic: Where Do We Go From Here? ( Joyce A.)

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The Black Arts Movement and the Black Aesthetic: Where Do We Go From Here? ( Joyce A.)

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Inspire

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New Thoughts on the Black Arts Movement (Margo Natalie Crawford)

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New Thoughts on the Black Arts Movement (Margo Natalie Crawford)

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Google Scholar

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During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.

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During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture-which came to be known as the Black Arts Movement-has remained largely neglected by subsequent generations of critics.

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The Black Arts Movement: Literary Nationalism in the 1960s and 1970s (James Smethurst)

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The Black Arts Movement: Literary Nationalism in the 1960s and 1970s (James Smethurst)

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Google Scholar (Chapter 2)

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Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement.

Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.

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Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement.

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Mainstream, Blackstream and the Black Art Movement (Elsa Honig Fine)

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Mainstream, Blackstream and the Black Art Movement (Elsa Honig Fine)

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J-Stor

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Mainstream, Blackstream and the Black Art Movement on JSTOR

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Elsa Honig Fine, Mainstream, Blackstream and the Black Art Movement, Art Journal, Vol. 30, No. 4 (Summer, 1971), pp. 374-375

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The legacy of Black music in Cincinnati: Black Music Walk of Fame will tell story (Ogwude, Haadiza)

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The legacy of Black music in Cincinnati: Black Music Walk of Fame will tell story (Ogwude, Haadiza)

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Pro-Quest

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Music in Black American Life, 1945-2020 : A University of Illinois Press Anthology (Laurie Matheson)

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Music in Black American Life, 1945-2020 : A University of Illinois Press Anthology (Laurie Matheson)

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Inspire

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The Origin of the First "Jim Crow" Law (Stanley J. Folmsbee)

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The Origin of the First "Jim Crow" Law (Stanley J. Folmsbee)

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J-Stor

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The Origin of the First "Jim Crow" Law on JSTOR

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Stanley J. Folmsbee, The Origin of the First "Jim Crow" Law, The Journal of Southern History, Vol. 15, No. 2 (May, 1949), pp. 235-247