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Театр абсурду

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Театр абсурду

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Представники цього напрямку, такі як Самюель Беккет та Євген Іонеско, використовують абсурдні сценарії та діалоги для вираження безглуздя та несенсуальності життя. Театр абсурду підкреслює відсутність змісту та невизначеність.

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Імпровізація

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Імпровізація

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Це форма театральної гри, де актори розробляють сцену та діалог на льоту, без наперед заданого сценарію. Імпровізація дозволяє акторам розвивати та виявляти свою творчість, а також змушує їх реагувати на невідомі обставини.

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Фізичний театр

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Фізичний театр

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Цей підхід використовує рух та тіло актора як основний засіб виразності. Техніки фізичного театру можуть включати в себе маски, пантоміму, акробатику та інші форми тілесного мистецтва.

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Театральна документалістика

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Театральна документалістика

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Розглядається як змішана форма театру та журналістики. Використовуючи реальні історії та свідчення, актори створюють виставу, що висвітлює соціальні та політичні питання.

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Експериментальні техніки у театрі

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Експериментальні техніки у театрі

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Творчі вправи з інструкціями, які можна використовувати для розвитку творчого мислення та емоційного виразу у театральному мистецтві

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Творчі вправи з інструкціями, які можна використовувати для розвитку творчого мислення та емоційного виразу у театральному мистецтві

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Мова тіла та е

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Мова тіла та емоційні статуси"

Інструкція:

Розділіть учасників на пари.

Кожна пара отримує картки із записаними різними емоційними статусами (радісний, сумний, гнівний, раджений і т. д.).

Учасники повинні використовувати мову тіла, жести та обличчя, щоб передати свій емоційний статус партнерові. Партнер повинен вгадати емоцію.

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Монолог у ролі

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Монолог у ролі об'єкта"

Інструкція:

Кожен учасник обирає об'єкт навколишнього світу (книга, чашка, лампа).

Завдання - розробити короткий монолог, уявляючи себе цим об'єктом. Якщо цей об'єкт міг би говорити, що він би розповідав та як би відчував?

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1. "Музика та емоційна асоціація"

Інструкція:

Виберіть музичний фрагмент різних стилів.

Учасники мають вільно рухатися та виражати емоції, що вони відчувають при прослуховуванні музики.

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Приклади технологічних тенденцій у театрі, включаючи використання віртуальної реальності та інших технічних рішень

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Приклади технологічних тенденцій у театрі, включаючи використання віртуальної реальності та інших технічних рішень

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Віртуальна реальність (VR):

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Віртуальна реальність (VR):

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Театри почали використовувати VR для створення іммерсивних та вражаючих вистав. Актори та глядачі можуть поглибитися в віртуальні світи, де вони можуть взаємодіяти з навколишнім середовищем та іншими персонажами. Відображення глядача у віртуальному просторі та використання VR-технологій дозволяє створити непередбачені та захоплюючі враження.

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The Under Presents is hosting a limited time immersive theater show to Oculus Quest and Rift-owning audiences soon that takes William Shakespeare's play The Tempest and puts you into the story like never before.

The Under Presents is a different kind of VR experience altogether. In the base version of the game you explore the world by recursively spawning and sort of being your own AI throughout the narrative. Live actors also pop in every so often to puppeteer characters though, leaving you unsure of where the game fits on the real-to-virtual continuum. You truly have to experience it to understand it, but a much more lengthy explanation may help you grok where this unique flight-of-fancy is coming from.

Now, developers Tender Claws have announced a new interactive experience starting on July 9th that explores a different set of social gameplay elements, all the while set to the backdrop of a retelling of The Tempest, Shakespeare's 17th century tale of a Duke Prospero of Milan and his banishment by King Alonso of Naples. It's a story of magic, love, redemption, loss, retrieval, exile and reunion-normally told on-stage and in full iambic pentameter.

The Under Presents: Tempest is however a group activity of sorts. You pay $15 for your ticket, show up at the the cinema lobby at your appointed time, and begin the show with an assortment of between six to eight participants.

Walking around the lobby and waiting for the show to start, one person showed me how to conjure a magical onion by pulling the mask from my face, and snapping my fingers in succession. Another showed me how to see an alternate universe by picking up a glass jug and looking through it. These were mostly toys for the sake of fun distraction, but the cinema lobby, which was flooded with errant sand dunes, also set the tone of the evening . We would all need to express ourselves physically to communicate since we were muted.

Once the show begins, you're transported to a campfire where you meet a live actor, who in the show's meta-narrative was due to play Prospero in a proper stage show. Of course, the ever-so-topical lockdown put an end to the live performance, and you end up joining their imagination as a spirit of what things could have been.

In the show, you're run through interesting, dreamlike set pieces, and made to act out parts in the story, all of which are voiced-over by your guide.

To make things even more immersive, costume accessories are summoned to your expressionless avatars. I played Prospero's daughter, Miranda, who falls in love with Ferdinand ( 17th century spoiler alert), the son of King Alonso. I got married in VR, but don't tell my wife that.

All of it reminded me of a high school drama class exercise, of course setting aside the fact that we were all spirits doing magic, and teleporting throughout discrete parts of the tale, lovingly rendered in a smart, low-poly art style.

All the while our guide would play bigger parts and lead us through the action, and control the environments without a hitch. Our guide, Kelley Pierre, was affable and kept everyone involved as she slipped in and out of characters with apparent ease.

And you may be asking: is it worth the entry price? Each performance lasts about 40 minutes, and is priced at $15. I think if you're looking for something novel, professionally produced, and are the sort of person who likes the idea of going on walking tours, or immersive whodunits, you'll really enjoy The Under Presents: Tempest.

- - - - -

Paid performances will run from 4:00 PM to 8:00 PM PT on weekdays and 11:00 AM to 3:00 PM PT on weekends, with showtimes beginning on the hour. Tickets will be available in advance as in-app purchases for $15. Shows run from July 9th to the end of September.

The Steam version of the game isn't supporting The Tempest, as it's exclusive to the Oculus platform, available only on Oculus Quest and Oculus Rift.

This article may contain affiliate links. If you click an affiliate link and buy a product we may receive a small commission which helps support the publication. See here for more information.

Well before the first modern XR products hit the market, Scott recognized the potential of the technology and set out to understand and document its growth. He has been professionally reporting on the space for nearly a decade as Editor at Road to VR, authoring more than 3,500 articles on the topic. Scott brings that seasoned insight to his reporting from major industry events across the globe.

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'The Under Presents' Redefines Immersive Theater in Live VR Retelling of 'The Tempest'

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The Under Presents is hosting a limited time immersive theater show to Oculus Quest and Rift-owning audiences soon that takes William Shakespeare's play The Tempest and puts you into the story like never before. The Under Presents is a different kind of VR experience altogether.

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Розширена реальність (АR)

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Розширена реальність (АR)

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Використання AR у театрі може додати додаткові шари інформації та візуальних ефектів до реального світу. Актори можуть взаємодіяти з віртуальними об'єктами, а глядачі можуть спостерігати за додатковими елементами, використовуючи спеціальні пристрої або мобільні додатки.

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3D-друк та створення об'єктів для сцени:

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3D-друк та створення об'єктів для сцени:

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Технології 3D-друку дозволяють створювати складні та унікальні об'єкти для сцени, що раніше були б важко виготовити. Це відкриває нові можливості для декорацій та реквізиту.

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Many industries have begun utilizing 3D printing to make work easier and more efficient. This technology is even making its way into the arts. Broadway theatres, university theatre departments, and theatres everywhere are implementing 3D printing technologies to construct props, and even to build entire sets. 3D printing brings new elements of realism and creativity into theatre. It is the future of stage and set design, by enabling mass customization of specific designs, independent of outside factors, such as time constraints and availability. The market for 3D printers in theatre has really changed from DIY projects to machines for professionals.
How Does 3D Printing Work?

https://www.forbes.com/sites/forbestechcouncil/2020/10/01/10-exciting-ways-3d-printing-will-be-used-in-the-future/?sh=7a8540965c7f

3D printing (also called additive manufacturing) is the process of making three dimensional solid objects from a digital file. The creation of a 3D printed item involves additive processes, where an object is created by laying down successive layers of a material until the object is fully created. Each of the layers is a thinly sliced cross-section of the object. 3D printing enables the user to produce complex shapes using less material than traditional manufacturing materials.

To create a 3D printed object, it starts with a 3D model. This can either be created from the ground up, or downloaded from a 3D library. After you have a printable file, the next step is to prepare the file for the 3D printer (slicing). Slicing is the process of cutting up a 3D model into hundreds or thousands of layers, and is done with a slicing software. After the file is sliced, it is ready to be inserted into the 3D printer, which can be done via USB, SD, or wi-fi. The file will then be 3D printed layer by layer.

3D printing technology used to only be used for prototyping and one-off manufacturing in early stages, but now is transforming into a widely-used production technology. 3D printing has become destined to infiltrate many industries, even the arts.
The First 3D Printed Set

https://www.3dwasp.com/en/the-first-3d-printed-theatre-scenic-design/

The first entirely 3D printed set was for a show called "Fra Diavolo," at the Opera Theater in Rome, Italy. The set was created by a 3D printing company in Rome, WASP, and took around 3 months to complete. It was made using cheaper material than what is usually used in 3D printing, and a total of five printers. To begin the process, the scenographer gave WASP a 3D printed model of deformed historic buildings, that was divided into 223 pieces. This model was then used to create a lifesize model that could be used for the show's set.
3D Printing Takes Broadway

https://formlabs.com/blog/lamp-pencil-3d-printing-entertainment-light-design/

Broadway scenic designers, Kacie Hultgren and John Lee Beatty, know that 3D printing technology has revolutionized the modern-day theatre world. One of their first tasks for each show is to create a miniature model of the set to show to the director, and the rest of the team, what the scenic environment will look like. Usually, creating this miniature model is tedious, and takes around one week. But, with 3D printing, the models are created fairly quicker, and are made out of primarily plastic. The printer can create a fully-formed prototype of any object, and it doesn't take nearly as long as it used to. It is also common to need more than one of the same piece. With 3D printing, the pieces are able to be made completely identical. For the production of 'Outside Mullingar,' Hultgren was able to create large sections of entire sets of furniture. The desktop printers used for Broadway shows are large, and able to print entire scenic units to scale. 3D printing technology has been used to create sets for productions such as Roundabout Theatre Company's 2012 production of 'Don't Dress for Dinner,' 'The Nance,' 'Orphans,' and 'The Snow Geese.'
3D Printed Theatre Props

https://www.lynchburg.edu/2018/03/3d-printer-brings-ideas-to-life-for-theatre-students/

Although building an entire set with 3D printing technology is not all that common yet, 3D printing props is a quick, easy, and cheaper way of creating exactly what you need-a World War II-era handgun or a skull-shaped candy dish. It is an easier and cheaper way to acquire items that are longer being produced, such as brooches or hatpins for a period piece. It gives the set designer(s) a way to be more flexible and creative with their set design, and the team can be involved throughout the entire process. You can walk away and work on other things while printing, customize the props however you'd like, and go back and fix little details if needed. You can also use 3D printing to create miniatures on a small-scale model to save time instead of carving out all of the little details. The process, depending on how complicated a prop's design is, can take 20 minutes to up to a couple of hours. 3D printing is also helpful if a prop needs to be broken in a scene. There can be multiple replacement items to replace it. The 3D printer is becoming an important tool in a theatre designer's tool bag. And it's now being taught to future generations of theatre professionals. 3D printing skills are giving them a competitive advantage in the job market.
Implementing 3D Printing into Theatre Education

https://www.lynchburg.edu/2018/03/3d-printer-brings-ideas-to-life-for-theatre-students/

Not only is 3D printing being used in professional theatre, but it's also being taught to future theatre technicians and scenic designers at universities, such as the University of Lynchburg, Baylor University, University of Pennsylvania, Arizona State University, Trinity College Dublin, and Royal College of Art.
University of Lynchburg (Lynchburg, Virginia)

https://www.lynchburg.edu/2018/03/3d-printer-brings-ideas-to-life-for-theatre-students/

Christopher Otwell, assistant professor of design and technical director at the University of Lynchburg, is teaching students to create props in a 3D printing course. Students use open-source software, such as Tinkercad and Simplify3D, to make props with the theatre department's 3D printer. For one of their first projects, they were instructed to replicate an Old Bay seasoning jar. They have also made luggage tags, rubber ducks, and a heart-shaped candy box complete with plastic candies. After designing the props in Tinkercad, they then use Simplify3D to find out how many layers are involved, how much the project will cost, and how long it will take to print each item. The course is a win-win situation for both the Otwell and the students. The students learn a new skill, and Otwell is able to delegate prop making work for productions. 3D printing is making a direct impact on the university's theatre productions.
Baylor University (Waco, Texas)

https://www.baylor.edu/mediacommunications/news.php?action=story&story=147219

For Baylor University's production of 'Into the Woods,' the team used a 3D printer to create synthetic beans, mushrooms, and more. Using 3D printing software, assistant professor of theatre arts at the university, Joe Kucharski, was able to tug, flatten, and pinch a digital "ball of clay" into the desired shape, two dozen beans and a dozen mushrooms for the Witch's dress.
University of Pennsylvania (Philadelphia, Pennsylvania)

https://penntrl.wordpress.com/2018/05/16/3d-printing-meets-theatre-set-design-education-commons/

At the University of Pennsylvania, former lecturer of theatre arts, Eric Baratta, is starting to incorporate 3D printing into courses using a software called SketchUp. Students were assigned to look at the first scene of Shakespeare's Hamlet, specifically the elements of design (line, dimension, movement, light, color, and texture) and composition (unity, harmony, contrast, variation, balance, proportion, emphasis, and rhythm/movement) to build virtual scenes. They finalized their designs and made sure they were optimized for 3D printing. The simplicity of the students' designs carried through elegantly to the physical model, and the projects were all extremely successful.
Arizona State University (Tucson, Arizona)

https://blog.trimech.com/surprising-ways-performing-arts-department-can-use-3d-printing

Arizona State University's, 'Makerspace,' is designed for students to collaborate and explore new skills. Students used the software, MakerBot Replicator+, to create costumes for a production of the Greek tragedy, 'Ajax.' Involved in this production are costumes with teeth. With their 3D printing technology, they were able to scan the teeth and print them in-house, decreasing their budget, and providing the students with a new learning opportunity. The use of a 3D printer has created an open and collaborative community at the university.
Trinity College Dublin (Dublin, Ireland)

https://craftbot.com/casestudies/The-Lir-Academy

The Lir, National Academy of Dramatic Art at Trinity College Dublin's courses offer unique, practice-based experiences for their students. The Academy has a partnership with Craftbot, a brand of 3D printing technology. Craftbot provided the college with two 3D printers to enhance the learning possibilities for their students. Maree Kearns, Head of the Master of Fine Arts in Stage Design, notes that the printers are not only used for set design, but also costume design. 3D printing can be used to make fabric and fabric layovers, accessories, medals, pins, and buttons for costumes. The 3D printers are accurate and simple to use, and are compatible with multiple types of filaments, such as plastic, wood resin, or metal. Professors at the college know that as 3D printing becomes more mainstream, students need to be able to use it.
Royal College of Art (London, England)

https://www.machinedesign.com/3d-printing-cad/article/21836155/3dprinted-costumery-creates-juxtaposition-between-culture-theater-and-tech

Royal College of Art's production of 'Farewell My Concubine,' featured actors wearing unique pleated costumes created a selective laser sintering (SLS) 3D printer. Students who worked on this project created algorithms that could be read by printer software to generate pleated fabric to contour the actors' bodies. This type of 3D printing technology uses these created algorithms to selectively harden parts of a mass powder in a vat. After curing by a laser, the pleated design remains intact and the excess powder is removed. This project was groundbreaking for the school, and taught the students a more complicated process of 3D printing technology.
Conclusion

https://www.3dwasp.com/en/the-first-3d-printed-theatre-scenic-design/

3D printing technology is becoming more and more widely used in the theatre industry. There have been many projects that have paved the way for a collaboration between theatre and this technology. 3D printing is transforming the industry, and making the process of set construction faster, cheaper, and higher quality.
References
Andreoli, Maurizio. "The first 3d printed Scenography." Wasp. September 29, 2017. https://www.3dwasp.com/en/the-first-3d-printed-theatre-scenic-design/.

"Autodesk Tinkercad." Tinkercad. Accessed March 4, 2022. https://www.tinkercad.com/.

"Complete 3D Printing Solutions Customized to Your Experience." Craftbot. Accessed March 4, 2022. https://craftbot.com/.

"Five Industries Utilizing 3D Printing." Markforged. Accessed March 4, 2022. https://markforged.com/resources/blog/five-industries-utilizing-3d-printing.

Gentry, Bryan. "3D printer brings ideas to life for theatre students." University of Lynchburg. March 12, 2018. https://www.lynchburg.edu/2018/03/3d-printer-brings-ideas-to-life-for-theatre-students/.

Goodrich, Terry. "Sculpting Costumes with 3D Printers is 'the Way Theater is Headed,' Theatre Arts Chair Says of Baylor's New Technology." Baylor University. October 8, 2014. https://www.baylor.edu/mediacommunications/news.php?action=story&story=147219.

"Improve Your Print Quality With Powerful 3D Printing Software." Simplify3D. Accessed March 4, 2022. https://www.simplify3d.com/.

"Lighting Up the West End With High Accuracy 3D Printing." Formlabs. August 5, 2021. https://formlabs.com/blog/lamp-pencil-3d-printing-entertainment-light-design/.

"MakerBot Replicator+." Trimech. Accessed March 4, 2022. https://trimech.com/products/makerbot-replicator.

Ramsey, David. "Surprising Ways a Performing Arts Department Can Use 3D Printing." TriMech. August 28, 2020. https://blog.trimech.com/surprising-ways-performing-arts-department-can-use-3d-printing.

Scully, Leah. "3D Printed Costumery Creates Juxtaposition between Culture, Theater, and Tech." MachineDesign. November 9, 2017. https://www.machinedesign.com/3d-printing-cad/article/21836155/3dprinted-costumery-creates-juxtaposition-between-culture-theater-and-tech.

Simonson, Robert. "3D Printers Revolutionize Work of Broadway Scenic Designers." Playbill. March 2, 2014. https://www.playbill.com/article/3d-printers-revolutionize-work-of-broadway-scenic-designers-com-214428.

Somers, Ira. "State Design Just Got Easier with 3D Printing." Massivit 3D. July 19, 2018. https://massivit3d.com/blog/stage-design-just-got-easier-with-3d-printing/.

"Theatrical plays with 3D printed props and decorations." Craftbot. Accessed February 25, 2022. https://craftbot.com/casestudies/The-Lir-Academy.

"What is 3D Printing?" 3D Printing. Accessed March 4, 2022. https://3dprinting.com/what-is-3d-printing/.

"Where great ideas get to work." SketchUp. Accessed March 4, 2022. https://www.sketchup.com/

Witherel, Claire. "3D Printing Meets Theatre Set Design @ Education Commons." Penn Teaching, Research & Learning. May 16, 2018. https://penntrl.wordpress.com/2018/05/16/3d-printing-meets-theatre-set-design-education-commons/.

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3D Printing-Bringing Theatre to Life in a New Way￼

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Many industries have begun utilizing 3D printing to make work easier and more efficient. This technology is even making its way into the arts. Broadway theatres, university theatre departments, and theatres everywhere are implementing 3D printing technologies to construct props, and even to build entire sets.

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Вправи для розвитку акторських навичок у роботі з голосом, рухом та емоційною глибиною:

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Вправи для розвитку акторських навичок у роботі з голосом, рухом та емоційною глибиною:

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Робота з голос

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Робота з голосом:

1. "Зміна тембру голосу"

Актор повинен працювати над зміною тембру голосу від найнижчого до найвищого. Під час цієї вправи важливо враховувати різницю в тоні та інтонації.

2. "Монолог у різних стилістичних виконаннях"

Актор обирає короткий монолог і виконує його у різних стилістичних варіаціях: драматичний, комедійний, тривожний, радісний. Це допомагає розвинути гнучкість та варіативність голосу.

3. "Вправа на гучність та динаміку"

Актор виконує тексти на різній гучності та змінює динаміку голосу від шепітного до гучного. Це розвиває контроль над голосом та його здатність до вираження емоцій.

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Робота з рухом

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Робота з рухом:

1. "Динамічні паузи"

Актор рухається по сцені, але при цьому робить динамічні паузи в різних точках. Паузи повинні виражати різні емоції та стани.

2. "Танець емоцій"

Актор вибирає емоцію та виражає її через рухи, створюючи своєрідний танець. Це допомагає розвивати емоційну глибину та фізичну експресію.

3. "Символічні жести"

Актор створює набір символічних жестів, які відображають різні емоції або стани. Потім вони інтегрують ці жести в різні сценічні ситуації.

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Робота з емоці

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Робота з емоційною глибиною:

1. "Монолог з власного життя"

Актор вибирає емоційно насичений епізод зі свого життя та створює короткий монолог, намагаючись виразити всі емоції, які відчував тоді.

2. "Поміняйте ролі"

Два актори обирають емоційно насичені сценарії, але обмінюються ролями, виконуючи текст один одному. Це допомагає розвивати емпатію та розуміння різних емоцій.

3. "Тінь та світло"

Актор розглядає свої власні темні та світлі сторони, намагаючись виразити їх через рухи, голос та емоції. Ця вправа розвиває внутрішню емоційну глибину.