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Participatory art can evoke a wide range of emotions in participants, which may include joy, curiosity, empathy, surprise, and sometimes even discomfort as the participant responds to the challenges or ideas presented by the artwork. Audience participation in the arts is a multi-layered, personalised and emotionally rich experience. The audience's intuition, gut reactions and emotional responses together shape the way they interact with the artwork, and this interaction can profoundly affect their understanding and appreciation of the art. As a result, artists and curators often consider how to channel the viewer's sense of engagement in order to create richer and deeper art experiences.
In terms of the vast participatory art that is JR, the completion of the volunteers and the destruction of the audience are both a part of this.
In terms of the wishlamp project, the elements of the brushes and the Kongming lanterns carry a traditional Chinese emotional attachment, and viewers can find their own stories, interpretations and emotions in the artworks. This personal experience is unique and everyone may feel and react differently. Viewers can interpret and feel the artworks through their own experiences and emotions.

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Examples of participatory art range from interactive installations in galleries and museums to public art projects that engage whole communities. Some notable participatory artists include Yoko Ono, Marina Abramovic, Rirkrit Tiravanija and Tino Segal. These artists create works that stimulate emotional responses, promote collaboration, and invite the audience to actively participate in the art-making process, redefining the relationship between art, artist and audience.

As a Red Hat in this process, I would selectively discard some of the rational content and think more intuitively and emotionally as a priority. I will think about what emotional value a certain kind of participation in art or performance can provide to the audience. I will also try to look at the same piece of art from the perspective of different groups of people.

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Black hat:

1.Physical installations are yet to reach larger audiences: “It continues to reach art-interested and those who were engaging in digital culture, and there's no change in the finding that this form has not yet helped us to reach different people.”

2.Deprived people may not visit physical exhibitions due to the cost of living, and less likely to visit institutions which are not free to enter.

3.The team will need to call for strategic investment to support the whole event.

4. Over emphasis on the participation may lead to mutilating what originally made it special. And at worst the whole art piece may be destroyed. The artist's "way of seeing" will be lost when we decide to make them open-ended art practices.

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Black hat:

Deprived people and the disabled group may not be able to attend such events due to the cost of living.

Reflection

It is the first time for me to work in a group using the 6 thinking hats to challenge and question a discipline. As I choose the black hat, I started to think about the negative sides of current trends. And then I realized that the emphasis on the participation of viewers and spectators may lead to multiple risks and difficulties. For example, due to different groups of people, like the deprived group and the group of older people, the accessibility for all people must be taken into consideration. The black hat’s thinking let me to embrace continuous improvement and become more considerate. From my peers’ research, I can also learn cross-discipline knowledge and ideas based on different hats. I think it will also work by individuals, moving outside habitual ways of thinking, trying out different approaches, and then think constructively about how to move forward and improve our projects. Always keep exploring several ways of viewing a theme. Break our habitual thoughts and get something fresh.

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Compared to some static

Sense of the Unknown: "Wishlamp" emphasizes family interaction, where the artwork itself is merely a medium, only becoming an art piece when family members collaborate in its creation. Depending on the different perspectives and interests of each family member, they interpret the artwork in their unique way. Everyone can interact with the art in their own personalized way, leading to a deeper understanding, contemplation, and connection with the artwork. Until the audience completes their participation, the final appearance of the entire artwork remains unknown.

Sense of Fun: "Wishlamp" encourages the audience to become co-creators of the artwork. Viewers can influence the display and evolution of the artwork through their actions, sounds, touches, and other interactions, allowing them to express their creativity in the artistic process.

Leaving a Lasting Impression: Audiences often remember artworks they actively engage with more vividly because they are not merely spectators but participants. Involvement in the artwork can also enhance the emotional connection between the audience and the artwork. Even if, due to some audience actions, installations get damaged – as seen in JR's work, which was damaged shortly after its installation – it can, to some extent, highlight the fragility of cultural heritage and raise awareness about the importance of preserving artistic and cultural treasures, prompting people to contemplate the value and protection of art.

In conclusion, participation in art often stimulates social interaction among the audience. They can share their experiences and viewpoints with other viewers, facilitating dialogue and communication, thereby creating a more enriching and enjoyable artistic experience.

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六个帽子方法论反思：我认为这个方法有以下好处
促进全面思考：不同的成员扮演不同的角色，以不同的思维方式去思考统一个问题，让整个团队对于问题的思考更加全面，避免陷入某一个片面的思维。
在本次团队合作中，我担任了黄帽子的角色，负责看到事件的积极方面。如果不是担任这个角色，我可能会忽视掉一些事件的正面，而全盘否定这件事存在的意义。

促进团队合作： 在团队中我们扮演者不同的角色，每个人各司其职，避免了不必要的争论。

提高了效率：六个帽子思考方式一个结构化的框架，我们可以根据自己的性格特点或者意愿找到自己的想要扮演的角色，节约了分派任务的时间。

Reflection on the Six Thinking Hats Methodology: I believe this method has the following benefits:

1. Promotes Comprehensive Thinking: Different team members take on different roles, approaching the same problem from various perspectives. This allows the entire team to have a more comprehensive understanding of the issue, avoiding getting stuck in a one-sided way of thinking.

2. In our recent team collaboration, I played the role of the Yellow Hat, responsible for highlighting the positive aspects of an event. If I hadn't taken on this role, I might have overlooked some of the positives and instead focused solely on the negatives, missing the significance of the event.

3. Encourages Team Collaboration: In the team, we each assume different roles, with everyone having their designated responsibilities, which helps to avoid unnecessary arguments.

4. Enhances Efficiency: The Six Thinking Hats provide a structured framework, allowing us to quickly identify and take on roles based on our personality traits or preferences, thus saving time on task assignment.

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I found some key words in other hats such as interaction, emotion and increasing audience size. So I'm thinking that for artworks one can try to integrate with this media, which can greatly reduce the limitation of being in a specific space with a small audience. For example, tiktok's VR interaction, video vibration function, and artist Shikun Wang's art form of remote control of the work.

我在别的帽子那里找到了一些关键词，例如互动，情感和增加受众群体。所以我在想对于艺术作品可以尝试与这叫媒体相互结合，这样大可以大大减少在特定空间，受众群里面少的局限性。例如，tiktok的VR互动，视频震动功能，以及艺术家Shikun Wang的远程操控作品的艺术形式。

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Some social media research that has a sense of interaction

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For innovation, I need to analyse from an objective point of view the shortcomings of a theme or an idea that has been set at the beginning and then find a better idea.

Simply imagining a piece of work is impractical, I need to think in different perspectives and add more research to see if my ideas can support me to continue to complete a piece of work.

对于创新，我需要站在一个客观的角度分析对于一开始定的主题或者想法有缺点的分析之后，再去找到一个更完善的想法。

单纯的去想象一个作品是不切实际的，我需要在不同的角度去思考以及增加更多的调研来落实我的想法是否可以支撑我继续完成一个作品。

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I am responsible for integrating my existing knowledge and extracting key points from it. By studying existing materials, I have filled the gaps in my own knowledge. I attempt to track the trends in installation art and online art, which are the current main directions. With the continuous development of the internet, the forms of art are also constantly evolving.

In today's society, delving deeply into the contemplation of an artwork has become increasingly challenging. However, when people step out of virtual spaces and immerse themselves in physical installation art, experiencing the immersive artistic atmosphere, this kind of encounter can stimulate people's contemplation.