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Rule of thirds is where the subject of your photo is taken to where its on any of the 4 points of where the line crosses which are points the eyes generally move to look at.

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Rain Room - Random International with Wayne McGregor Dance - Random International - Google Arts & Culture

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Wayne McGregor Dance perform inside Random International’s ‘Rain Room’ in The Curve, Barbican Centre

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Composition is the way someone frames a photo. It looks pleasing in photos to have some form of composition which is why its used so often. Good composition holds a photo well so that people look at it there wont be any distractions for the eyes to wander off to.

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Composition is the way someone frames a photo. It looks pleasing in photos to have some form of composition which is why its used so often. Good composition holds a photo well so that people look at it there wont be any distractions for the eyes to wander off to.

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When a photo has bad composition that means the way the photo was taken wasn't easily focused on the right spot. This makes the viewers eyes wander and not focused on the subject. It not very appealing to the eye and just looks messy.

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Looking space is where the photo is taken to where you are close enough to one side that its a mystery where and what they are looking at.

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Leading lines is when a photo has lines that guide the viewer to the main subject. It snice direction for the eyes to follow along with. This is a great example because the road is leading to the ocean at the end.

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Henry Ford established Fordlandia and Belterra in the Brazilian rainforest to supply rubber for automobile production. He began shipping machinery and supplies to the Amazon in 1928. Ford paid the indigenous workers good wages and supplied various amenities -- he also imposed foreign work traditions and behavioral restrictions which the workers resented. The plantations failed and he disposed of the project in 1945.

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Fordlandia Houses on Riverside Avenue, Boa Vista, Brazil, 1933 - Google Arts & Culture

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Henry Ford established Fordlandia and Belterra in the Brazilian rainforest to supply rubber for automobile production. He began shipping machinery and supp...

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Perspective/ POV is when  you change the point of view the camera is looking. This means tilting it higher, lower or leaving it at eye level. The 3 types of POV's are High angle, low angle and eye level.

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Perspective/ POV is when  you change the point of view the camera is looking. This means tilting it higher, lower or leaving it at eye level. The 3 types of POV's are High angle, low angle and eye level.

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High angle is when a photo is taken above the subject with the camera pointing down at it. This makes it seem like its taken from what's called a "birds eye view"

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Tatar pie - Rustourism - Google Arts & Culture

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Originally filled with a mixture of fatty meat and onions. Later pieces of potato began to be added to the filling. Pärämäç is a round-shaped minced meat p...

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Low angle is when a photo is taken from a lower POV called "a worms eye view". It makes the subject look bigger as well.

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Pixinguinha and João da Baiana - David Drew Zingg - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Eye level pictures are taken with the camera pointed straight not tilted up or down just straight. It general is just a straight up picture of the subject and is very commonly used.

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Congressman John Lewis - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Simplicity makes photos very neat and simple not leaving places for the eyes to wander. Its usually just one subject with not a lot in the background so you don't get distracted.

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Plant with long, thin stem with tulip shaped petals and multiple tear-drop shaped leaves blooming out of opening.

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Allium ostrowskianum, Knoblauchpflanze - Karl Blossfeldt - Google Arts & Culture

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Plant with long, thin stem with tulip shaped petals and multiple tear-drop shaped leaves blooming out of opening.

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Negative space is the space that's around the subject like cytoplasm that fills the area around the organelles. It helps make the subject pop and makes it easier for people to focus on the subject.

Too much negative space can ruin the photo and create what's called dead space. Dead space is not pleasing and makes the photo seem boring.

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You can use nature, buildings or any structures to create a frame that surrounds your subject.

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Serpentine Gallery Pavilions: Annual Architectural Commissions and Public ProgrammesThe spectacular structure for Frank Gehry's 2008 Pavilion was anchored by four massive steel columns and comprised large timber planks and a complex network of overlapping glass planes that created a dramatic, multi-dimensional space. Gehry and his team took inspiration from a fascinating variety of sources, including the elaborate wooden catapults designed by Leonardo da Vinci as well as the striped walls of summer beach huts. Part-amphitheatre, part-promenade, these seemingly random elements made a transformative place for reflection and relaxation by day, and discussion and performance by night.

Details

Title: Serpentine Gallery Pavilion 2008

Date Created: 20 July 2008 - 19 October 2008

Serpentine Gallery Park Nights 2008: The Serpentine Gallery Pavilion operates as a public space and as a venue for Park Nights and the Marathon series, the Gallery's high-profile programme of public talks and events. In 2008, events included: Thomas Adès and Frank Gehry, Saturday 19 July 2008; An Evening with John Gray and Hari Kunzru, Friday 1 August 2008; Steven Claydon, Lis Rhodes and Emily Wardill, works performed by Jessica Lauren Gardener and Christopher Nelson, Friday 8 August 2008; Céline Condorelli and Simon Popper, Friday 12 September 2008.

Serpentine Gallery Manifesto Marathon, 18 - 19 October 2008: Manifesto Marathon, the third in the Serpentine Gallery's acclaimed series of Marathon events, took place in the closing weekend of the Serpentine Gallery Pavilion 2008, designed by Frank Gehry. The Manifesto Marathon came at a time when artists had begun to work less in formal groups and defined artistic movements. It showcased a new generation of artists alongside practitioners from the worlds of literature, design, science, philosophy, music and film who were returning to the historical notion of the manifesto. The Manifesto Marathon also drew on the Serpentine Gallery's close proximity to Speakers' Corner in Hyde Park, which has been used as a platform by Karl Marx, Vladimir Lenin, George Orwell and William Morris, among many others. Participants included: Marina Abramović, Mark Aerial Waller and Giles Round, Rasheed Araeen, Athanasios Argianas, Pier Vittorio Aureli, Nicolas Bourriaud, Andrea Branzi, Peter Cook, Ekaterina Degot, Jimmie Durham, Henry Flynt, Gilbert & George, Reinier de Graaf (for Rem Koolhaas, OMA), Fritz Haeg, K8 Hardy, HEC/BEC, Susan Hefuna, Eric Hobsbawm, Karl Holmqvist, Stewart Home, Charles Jencks, Terence Koh, Silvia Kolbowski, Hilary Koob-Sassen, Nick Laessing, Jean-Jacques Lebel, Tom McCarthy, Manifesto Club, Jonas Mekas, Nathaniel Mellors, Ingo Niermann and Zak Kyes, Hans Ulrich Obrist, Yoko Ono, The Otolith Group, Claude Parent, Adam Pendleton, Julia Peyton-Jones, Falke Pisano, PLATFORM, Raqs Media Collective, Lee Scrivner, Tino Sehgal and Hans Ulrich Obrist, Taryn Simon, SpRoUt, Barbara Steveni, Mark Titchner, Agnès Varda, Ben Vautier, Mark Wallinger, Richard Wentworth, Vivienne Westwood, Stephen Willats.

Further Information: <a href="http://www.foga.com/home.asp/">Frank Gehry</a>

Acknowledgements: Architectural Design Frank Gehry Design Team: Gehry Partners LLP Terry Bell Richard Cagasca Anand Devarajan Sam Gehry Meaghan Lloyd Tae Park Rui Sato Melissa Shin Tracy Steinhauser Structural Engineering: Arup Cecil Balmond Ben Ablett James Bishop Ed Clark David Glover Graham Hennessy Ed Newman-Sanders Project Construction and Management: Savant Jonathan Harper Timothy Morse Joanna Streeten Project Director: Serpentine Gallery Julia Peyton-Jones with Hans Ulrich Obrist Project Leader: Serpentine Gallery Julie Burnell Project Curator: Serpentine Gallery Kathryn Rattee Project Advisors Lord Palumbo, Chairman, Serpentine Board of Trustees Zaha Hadid, Architect, Serpentine Board of Trustees Peter Rogers, Director, Stanhope Mark Camley, Chief Executive, Royal Parks Agency Colin Buttery, Director of Parks, Royal Parks Agency Simon Betts, Estate Manager, Royal Parks Agency Tom Jarvis, Park Superintendent Manager, Kensington Gardens, Royal Parks Agency Charles Vaton, Westminster City Council District Surveyor's Office (Building Control) Jenny Wilson, Westminster City Council (Licensing Authority) Westminster City Council Planning Office London Fire and Emergency Planning Authority London Region, English Heritage Friends of Hyde Park and Kensington Gardens Contractors Careys Davis Langdon DP9 Eckelt Glas Gmbh EMS GTL Partnership Hewdens John Doyle Group Knight Frank Lend Lease Projects (Simon Herrington) NG Bailey Nussli Saint-Gobain Glass SES Taylor Woodrow We-ef Weil, Gotshal & Manges Sponsor Netjets Tiffany&Co. Advisors Arup Stanhope

Type: Architecture

Additional Items

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Serpentine Gallery Pavilion 2008 - Frank Gehry - Google Arts & Culture

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Serpentine Gallery Pavilions: Annual Architectural Commissions and Public ProgrammesThe spectacular structure for Frank Gehry's 2008 Pavilion was anchored ...

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This is when a photo isn't proportional/equal on any of the sides.

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Protestors Supporting LGBTQ+ Rights - National Women's Law Center - Google Arts & Culture

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Photograph of people holding signs in support of LGBTQ+ rights.

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This is when a photo is equal on all sides

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Palau Güell, Barcelona - Antoni Gaudí - Google Arts & Culture

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Palau Güell at Carrer Nou de la Rambla, 3-5, 08001 Barcelona, Spain

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A circular image that kinda brings your eyes into the middle.

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Cassava leaf - Neil Palmer/CIAT - Google Arts & Culture

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I think I get the basic concept and idea of composition but I get stuck when it comes to balance.