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1. Bar Stools

2. Barrel Tables

3. Bar Counter

4. Bar Shelves

5. Flooring

6. Bottles

7. Pint and Whiskey glasses

8. Beer Taps

9. Doors

10. Posters

11. lighting Covers

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Exterior and Interior

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Reds, Oranges and Browns

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Side by side comparison

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Chosen Design of Bar exterior for the establishing shot

General Idea :

Using the front of board panels when building

Extra building windows and details built separately so it can be detached for filming the interior

material : Wood

Texture and details : painted on to fit the style of the film

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Possible layout of the bar set

Will probably change layout to fit the scene in future production

Materials :

Wood & Foam [furniture/beer taps/doors]

Paper [poster]

Acrylic [bottles/cups/smaller items]

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ideation of Establishing shot and main conversation scene may/can look like

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Blues, Greens and hint of browns

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Acrylic on rough side:

Easiest to work with, dries fast and gradients nicely

Card does bend after dried

Acrylic on smooth side:

Dries blotty but gives and a cool texture look to it

Might be too reflective when filming

Watercolour on rough side:

Has a matte look, abit hard to mix gradients but I like the result of the texture

Card does bend after dried

Watercolour on smooth side:

Was hard to apply an even layer, Layering is not effective as it’s only sticking to the surface of the card. (Least likely to use this combination

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Change : Instead of building it out of wood, I will be making it using paper layering.

Reason : Faster method to construct scene since its only for the establishing shot, waste less materials and doesn't require to use the cook workshop.

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[Ruler for scale]

Material : Card

Final size will be bigger

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Changes : Having majority of the film to see the lip syncing

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Bob's Burgers : Cash Register [ Scale 1:10 ]

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One Point Perspective

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Paper Layering

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Material :

1. Card rough side

2. Card glossy side

3. Watercolour paper

Results :

1. has a nice even gradient swatch (i'm also out of practice with watercolour), has a nice texture and dries pretty fast too

2. Does not blend and dry well on glossy side, uneven gradient. Colour will and can be easily ruined by sweaty hands, which I have, or any water

3. Watercolour paper works as it should, even gradient, give a nice texture too but paper is a bit flimsy so I would have to be careful with transporting the set or putting it in the box. Problem : finding a way to keep it nice and flat while building and filming

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Rough Side :

Paints on easily, dries fast and evenly

Has a nice texture took

Smooth Side :

Paint does not apply smoothly but is better when water is mixed in

Gives a shiny yet matte look after is dries

Not great when doing gradient

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measurement can change based on character size

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After doing the lighting test, I did a short 5sec lip syncing test to see everything looks well placed and well lit

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Initial ideation for this Lighting/look :

1. show the most of set to establish the location and show majority of the props and character as a whole

2. Warm light as the set of mostly has warm tones of yellow, orange and a wide spectrum of browns

3. Placement of tables to show a form of depth to the scene and crowded. While still focused characters but still show some details from the set (e.g table details and the bottles on the shelve

Feedback :

1. Lighting is quite harsh for the top, causing the character to reflect too much light

2. Since only one lighting was used in this test, it does gives atmosphere of a bar which is usually ally dimly lighted ( light fairy were then suggested )

3. Move the set closer and further from the camera to give it more depth

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As for the assignment of each person has to do 1 minute of lip syncing, our film has a paper cutout animation in the middle. Hence, it was easier to having that section as one while this was split.

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Planning placement of Props and character 

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Planning placement of Props and character 

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Establishing Shot, Set Base and Flooring

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Bar Shelves and Bar Counter

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from first round of submission

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Bar barrel tables and Bar stools

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Bottles, cups and beer tap

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This final cutout has been sized up to be around A5 dimensions. Painted with a wide range yellows, oranges and browns. Used the darker shades to separate the different layers as/when some of the colours were blending with each other.

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Posters, Doors, Fairy lights and Gravestone

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The stools are made from wood, with the legs attached to the seat using hot glue. The footrest is made by cutting up skewer sticks and gluing them with UHU glue (the hot glue gun was too large, and gluing specific spots was deemed too difficult).

They were painted with brown acrylic paint, followed by a light wash of lighter brown for the finish. In total, eight stools were made.

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The tabletop is made from hard foam board with a 9 cm diameter, painted with brown acrylic paint.

The barrel is made from card paper, measured for a 7 cm diameter (wider part) and a 5 cm diameter (smaller part). It was divided and scored to form a cylindrical shape. The bands around the barrel, which mimic the steel rings that hold a barrel together, are also made from cardstock. These bands were cut to the same dimensions as the barrel but made slightly larger so they would fit snugly. They were then stuck together with double-sided tape for a clean finish.

Both parts are glued together with UHU along the inner walls of the barrel.

A total of three barrel tables were made, with different bottles and pint glasses arranged accordingly and held down with glue dots.

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Fairy lights were bought and stuck down to the set with glue dots. The light has hot glue as covers to decrease to amount of glare and intensity while doing the lighting test

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Inital designs were sketched out on adobe photoshop.

Sizing down the dimensions of an A3 poster. The designing was painted on card paper with acrylics and markers for finer details with the frame made of plywood.

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The shelves are made from wood, painted with acrylic brown, and assembled with hot glue. The cupboard door is made from a single piece of wood, with the middle section scored and handles added. Both the shelves and door are painted a slightly darker brown, with a light wash of black for texture. The bottles were held down with blue tack to prevent them from moving or falling out while moving the set around for different scenes.

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Dimensions: 60 x 60 x 60 cm

Process:

1. The materials were provided by the cook workshop, and the building of the set was taught by Arron.

2. First, the base was painted white to cover the filling from the screws that held it together.

3. Since our set theme was a bar, it was painted brown, and the flooring base was painted black.

The current post colour is white.

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Initially, I wanted to make all the bottles, cups, and beer taps using air-dry clay. However, I ran into the issue that I needed the exact measurements for each bottle, and I would have to create 3 to 6 (or more) replicas of each glass design. This process would have taken too long, and I didn’t think it would achieve the clean look I was aiming for. Therefore, I decided to 3D model all the assets based on real spirits and various bottle designs I found. With the help of the technicians at the workshop, who guided me through the 3D printing process (since I had never used a 3D printer before), I was able to proceed.

When it came to the beer taps, 3D printing was definitely the best decision. The design I used, which was based on actual old beer taps, included many small, intricate details that would have been impossible to replicate by hand.

All the assets were painted by hand with acrylics and finished with a layer of Mod Podge.