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A recurring symbol found in the entire poem would be the sun; the shift that it make going from bright back to sunny before going dark again. This symbolism represents the ups and downs of love in the poets relationship with his friend.

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The sonnet uses iambic pentameter to create rhythm in every line.
The structure and rhythm of the poem is
Abab
Cdcd
Efef
Gg.

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The fourth line of the sonnet which is

“Gilding pale streams with heavenly alchemy”

This refers to the people back in the days that sees magic as trickery and relating back to Shakespeare’s feeling of betrayal which caused him to suffer.

Gliding= changing something into gold.

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The structure of the poem/ sonnet consists of 14 lines and 2 paragraphs.
The transition is done by the poet describing it from good to bad but things will eventually shine for the better.
3 quadruplets and 1 couplet.

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Shakespeare is trying to convey to the audience the obstacles in his friendship with might be with historical Earl of Southampton, Shakespeare's patron. His overall messages explains that human connection will eventually become dark, forcing you to move on and allow the sun to shine through the clouds once more.

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Sonnet 33 begins a new phase in the poet and youth's estrangement from each other. In any case, faith between the two men is broken during the poet's absence.
Shifts in the poet's attitudes toward the youth and about his own involvement in the relationship are evident in the sonnet. References to "basest clouds," "ugly rack," "stealing," "disgrace," and "stain" indicate that the friend has committed a serious moral offense.
Metaphorically, the young man is like the sun, which "with golden face" warms and brightens the earth. However, the sun allows "the basest clouds" to block its rays, and the young man permits loyalties to other people to interfere with his relationship with the poet.
The poet accepts that the friend has betrayed him — "But, out alack, he was but one hour mine" — but he also realizes that the burden of blame must be his own for having assumed that outward beauty corresponds to inner virtue. This last realization, that outward beauty does not correspond to inner virtue, is expressed in the sonnet's last line: "Suns of the world may stain when heaven's sun staineth." In other words, "Suns of the world may stain" — perhaps a pun on "sons" or humankind — represents the young man's moral transgression although his external, physical appearance remains unchanged. Nevertheless, the poet's love for the young man remains unchanged.

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Full many a glorious morning have I seen
Flatter the mountain tops with sovereign eye,
Kissing with golden face the meadows green,
Gilding pale streams with heavenly alchemy,
Anon permit the basest clouds to ride
With ugly rack on his celestial face,
And from the fórlorn world his visage hide,
Stealing unseen to west with this disgrace.
Ev'n so my sun one early morn did shine
With all triumphant splendor on my brow;
But out alack, he was but one hour mine;
The region cloud hath masked him from me now.
Yet him for this my love no whit disdaineth.
Suns of the world may stain when heav‘n’s sun staineth.