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Cassandre Notteau  Ts4

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George Orson Welles Interviewed By Journalists After The War Of The Worlds Broadcast

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George Orson Welles Interviewed By Journalists After The War Of The Worlds Broadcast

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George Orson Welles Interviewed By Journalists After The War Of The Worlds Broadcast

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Year: 1939, October 31 Director, actor and producer George Orson Welles interviewed by journalists. He talks about his movies and future broadcasts. He apologizes for his broadcast of 'War of the Worlds' on radio, the prior evening, which caused panic among people.

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To conclude , Orson Welles and his  broadcast  are important actors in the radio history. They prove that radio can be realistic because according to some people and Welles, many mericans believed that they were attacked by aliens. Moreover the radio can influence people. Despite it was wrong, many people believed only what radio said. So, I think that this event has contribued to show the importance and the influence of the radio.

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To conclude , Orson Welles and his  broadcast  are important actors in the radio history. They prove that radio can be realistic because according to some people and Welles, many mericans believed that they were attacked by aliens. Moreover the radio can influence people. Despite it was wrong, many people believed only what radio said. So, I think that this event has contribued to show the importance and the influence of the radio.

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Orson Welles - Dracula (July 11, 1938) Mercury Theatre on the air broadcast

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Orson Welles is Dracula in the 1938 Mercury Theatre on the Air production of Bram Stoker's Dracula.

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You can listen to the entire Dracula broadcast:                                                         The first 18 seconds correspond to the presentation of the broadcast. Then, Welles tells the story. We can notice that although it's just a radio, we can hear different musics and voices which make the story funnier or more nerve-racking.

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You can listen to the entire Dracula broadcast:                                                         The first 18 seconds correspond to the presentation of the broadcast. Then, Welles tells the story. We can notice that although it's just a radio, we can hear different musics and voices which make the story funnier or more nerve-racking.

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This is an extract of The War of The Worlds  broadcast                                                                Listen from 1'56''. You can hear the interruption  of the program by Welles. That's when people just began to panic because they thought it was real...

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This is an extract of The War of The Worlds  broadcast                                                                Listen from 1'56''. You can hear the interruption  of the program by Welles. That's when people just began to panic because they thought it was real...

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The War of the Worlds Radio Broadcast - Short Version

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This is a custom made short version of the 1938 Orson Welles radio broadcast of The War of the Worlds. This audio will be used in an upcoming short film, which relives the story of the greatest radio broadcast that ever hit the air. Edited by Bobby Kennerley

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Besides, the War of the Worlds broadcast allows Orson Wells to become famous in the whole country. It opened the doors of Hollywood

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Besides, the War of the Worlds broadcast allows Orson Wells to become famous in the whole country. It opened the doors of Hollywood

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However the panic would have been, according to some authors, considerably exaggerated over the years, and by Orson Welles himself.

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However the panic would have been, according to some authors, considerably exaggerated over the years, and by Orson Welles himself.

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This event proved that Radio can have a very big influence on its audience. That’s why the Press was worried of the importance of the Radio after the transmission. Thanks to this radio show, the influence of Radio was shown to everybody.

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This event proved that Radio can have a very big influence on its audience. That’s why the Press was worried of the importance of the Radio after the transmission. Thanks to this radio show, the influence of Radio was shown to everybody.

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Some witnesses told they felt the physical symptoms, such as the smell of gases of the Martians. Moreover, a survey explains that many people would have answered yes to the question: Did you panic during the Radio program?

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Some witnesses told they felt the physical symptoms, such as the smell of gases of the Martians. Moreover, a survey explains that many people would have answered yes to the question: Did you panic during the Radio program?

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That's why, after the show, newspapers related scenes of panic and massive riots through the United States, which would have been caused by the episode of Welles and his false announcement of alien attack. 

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That's why, after the show, newspapers related scenes of panic and massive riots through the United States, which would have been caused by the episode of Welles and his false announcement of alien attack. 

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In his show, Welles decided to place the story in the present. As a consequence, this broadcast was really realistic. Indeed, he pretended he was a presenter interrupting the broadcast. 

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In his show, Welles decided to place the story in the present. As a consequence, this broadcast was really realistic. Indeed, he pretended he was a presenter interrupting the broadcast. 

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However, the most famous episode is undoubtedly the “War of the Worlds” (by H.G. Wells) on Halloween night 1938. The War of the Worlds is a science-fiction novel. It deals with an alien invasion. 

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However, the most famous episode is undoubtedly the “War of the Worlds” (by H.G. Wells) on Halloween night 1938. The War of the Worlds is a science-fiction novel. It deals with an alien invasion. 

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The episodes of this series deal with an adaptation to the radio of dramatic novels.                                         Some examples of episodes are:                 Dracula (by Bram Stoker),                               The Count of Monte Cristo (by Alexandre Dumas)                                                            Or Oliver Twist (by Charles Dickens). 

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The episodes of this series deal with an adaptation to the radio of dramatic novels.                                         Some examples of episodes are:                 Dracula (by Bram Stoker),                               The Count of Monte Cristo (by Alexandre Dumas)                                                            Or Oliver Twist (by Charles Dickens). 

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After the successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. As a consequence Orson Welles created The Mercury Theatre on the Air. It was a radio series of live radio dramas. The series began July 11, 1938.

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After the successes of the Mercury Theatre, CBS Radio invited Orson Welles to create a summer show for 13 weeks. As a consequence Orson Welles created The Mercury Theatre on the Air. It was a radio series of live radio dramas. The series began July 11, 1938.

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The radio is one aspect of progress. It’s an innovation able to inform people and at the same time to influence them. To illustrate this with an example, we can talk of Orson Welles and his radio broadcast based on  the war of the worlds fiction.

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The radio is one aspect of progress. It’s an innovation able to inform people and at the same time to influence them. To illustrate this with an example, we can talk of Orson Welles and his radio broadcast based on  the war of the worlds fiction.

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Orson Welles was an American artist, at the same time a director, an actor, a producer and a scriptwriter, and also a stage director.

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Orson Welles was an American artist, at the same time a director, an actor, a producer and a scriptwriter, and also a stage director.

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Orson Welles was fascinated by the theatre, particularly by Shakespeare’s work. He was only 22 when he decided to establish a theatre company named the Mercury theatre with John Houseman; Agnes Moorehead et Joseph Cotten . The company produced theatrical presentations, radio programs and motion pictures. 

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Orson Welles was fascinated by the theatre, particularly by Shakespeare’s work. He was only 22 when he decided to establish a theatre company named the Mercury theatre with John Houseman; Agnes Moorehead et Joseph Cotten . The company produced theatrical presentations, radio programs and motion pictures. 