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This is probably his most famous (and, also, the most complex) painting. It has wide representations of many Renaissance principles, including classicalism, humanism and perspective. The classicalism is in the name: The School Of Athens, and Athens is in Greece. The humanism is just because the whole painting is based around a whole bunch of people learning from each other. Perspective here is the main "definition" of perspective in Ren. art: The whole painting converges at one point.

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This painting contains examples of humanism (to an extent) and perspective, as well as a sort-of anti-secularism too. I say humanism just because the painting contains humans, not really focusing on them. The perspective element is just because it appears to all converge at one single point: right on the guy at the top, in the center, who appears to be some sort of god, which implies the "anti-secularism" aspect.

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This painting has examples of humanism, secularism, and what appears to also be perspective, as well as a semi-individualism sort of thing, too.

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This is a painting that contains some of the most obvious examples of Renaissance principles, being humanism and individualism. The humanism comes into play as, as far as I know, Raphael was a human, and the individualism since it only focuses on one person, that being Raphael.

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This painting contains humanism, secularism and perspective, as the building in the background is way smaller than it would be if the people were standing right next to it.

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This famous painting is the second largest of all of these paintings, the largest being The School of Athens. The painting contains examples of classicism, anti-secularism and perspective. Side note, the painting looks like a continuation of The School Of Athens, as it has that sort of arched perspective, with the vanishing point in the upper middle region.

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This is actually the same as the Stanza Della Segnatura.

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This painting is an example of anti-secularism and perspective. It includes Cupids, and someone in the center who kind of looks like Venus, also implying classicism.

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This is a painting which contains examples of humanism, a sort of anti-secularism, as it includes Jesus, and perspective.

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This painting contains the same characteristics as Raphael's self-portrait.