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Is the concept of ‘artist's materials’ irrelevant in the face of the new technological advances in image production?

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Is the concept of ‘artist's materials’ irrelevant in the face of the new technological advances in image production?

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Hauser & Wirth

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2018 Soikkonen, Sarianne (ed.), 'Berlinde De Bruyckere', Tampere/FI: Sara Hildén Art Museum, 2018

2016 Wipplinger, Hans-Peter (ed.), 'Berlinde De Bruyckere. Suture', Cologne: Walther König, 2016

2015 Kunsthaus Bregenz, Kunstraum Dornbirn (eds.), 'Berlinde De Bruyckere', Cologne: Walther König, 2015

2011 Wieg, Cornelia (ed.), 'Mysterium Leib: Berlinde De Bruyckere in Dialogue with Cranach and Pasolini', Munich: Hirmer Verlag, 2011

2008 Wieringa, Tommy (ed.), 'Berlinde De Bruyckere: In the woods there were Chainsaws ', Zurich: Steidl/Hauser&Wirth, 2008 (exh. cat.)

2005 Szeeman, Harald, Baert, Barbara, 'Berlinde De Bruyckere Eén 2002-2004', De Pont/Tilburg/Paris: La Maison Rouge, 2005

2002 Provinciebestuur van Oost-Vlaanderen (ed.), 'Berlinde de Bruyckere' [texts by Baert, Barbara, Braet, Jan, et al.], Ghent: Caermersklooster-Provinciaal Centrum voor Kunst en Cultuur, 2002 (exh. cat.)

2000 Kunstvereniging Diepenheim (ed.), 'Berlinde de Bruyckere' [text by Lisette Pelsers], Diepenheim: Hassink Drukkers, 2000 (exh. cat.)

1995 Openluchtmuseum voor Beeldhouwkunst Middelheim, 'Berlinde de Bruyckere' [text by Maaretta Jaukkuri], Antwerpen: Snoec-Ducaju, Ghent: Zoon, 1995 (exh.cat.)

2018 Albon, George, 'Lyric Multiples. Aspiration, Practice, Immanence, Migration', New York/NY: Nightboat Books, 2018, p. 202
Syson, Luke, Wagstaff, Sheena, Bowyer, Emerson (eds.), 'Like Life: Sculpture, Color and the Body', New York: The Metropolitan Museum of Art with Yale University Press', p. 238, ill. in colour (exh. cat.)

2012 Kunstmuseum St. Gallen (ed.), 'Menschenzellen. Acht Künstlerinnen aus der Sammlung Ursula Hauser', Nuremberg: Verlag für Moderne Kunst, 2012, pp. 59-63, ill. (exh. cat.)

2004 Schneider, Christiane (ed.), 'Animals', London: Haunch of Venison, 2004
Bonami, Francesco, Bonacossa, Ilaria, 'Non toccare la donna bianca', Torino: Fondazione Sandretto Re Rebaudengo, no. 6, 2004, p. 36, ill. (exh. cat)
de Cecco, Emanuela, `Non Toccare La Donna Biance. Conversazioni con le artiste`, Torino: Fondazione Sandretto Re rebaudengo, 2004 (exh. cat.)
___,'Flexible 4. Identities', Linz: Landesgalerie Oberösterreich (A), pp. 40-42, ill. (exh. cat.)
___,'Animals', London: Haunch of Venison, pp. 20-21, ill. (exh. cat.)
___,'Decennium II. België en de jaren na Documenta IX', Ghent: Ludion/CERA Foundation, 2004
___, 'Als een deur zonder huis die nog openstaat', Autumn/Winter 2004, (exh. cat.)
___, 'Cultureel jaarboek 2002 Oost-Vlaanderen', Provincie Oost-Vlaanderen, 2004

2003 Bonami, Francesco, Frisa, Maria Luisa (ed.), '50. Esposizione internationale d'arte. Sogni e conflitti. La dittatura dello spetatore', Venezia: Marsilio Editori, 2003, p. 15, ill. (exh. cat.)
Bex, Florent, 'Sacrale Kunst van Onze Tijd', Hasselt: Cultureel Centrum Hasselt, 2003, pp. 101-103 (exh. cat.)
___,'Watou Poëziezomers 2003. Opzij van het kijken', Ghent: vzw Poëziezomers-Kunstzomers Watou, 2003, pp. 112-113, ill. (exh. cat.)
van den Bussche, Willy, Pertry, Gunter, Jaspaert, Piet, '2003 Beaufort. Triënnale voor hedendaagse kunst aan zee', Oostende: Vzw Ku(n)st, 2003, pp. 164-169, ill. (exh. cat.)
Botquin, Jean-Michel, Gielen, Denis, Lambrecht, Luk, Peeters, Wim, Roelstraete, Dieter, 'Decennium. Kunst in België na Documenta IX', Antwerp: Ludion, Leuven: CERA Holding, 2003
'Den Haag Sculptuur 2003. Modelvrouwen. Rolemodels', pp. 136-137, ill.
van Reeth, Inge, 'Europe Exists', Thessaloniki: Macedonian Museum of Contemporary Art, pp. 66-71, ill. (exh. cat.)

2001 Stichting, Sonsbeek, 'Sonsbeek 9: Locus Focus', Arnhem: Stichting Sonsbeek, 2001 (exh. cat.)
Gijsen, Jojanneke, Martens, Ester, Sésen Sven, + [et al.], 'Appendix. Sonsbeek 9', 2001 (exh. cat.)
van Durme, Veerle, van Den Abeele, Lieven, 'De spiegel van het verlangen. Hedendaagse kunst uit Zuid-West-Vlaams privébezit. Kortrijk : BBL - Bank Brussel Lambert, 2001 (exh. cat.)
Bex, Flor, Bart, Buseyne, Declercq, Joost, et al., 'Het versluierd beeld. Een tentoonstelling naar aanleiding van 25 jaar CIAP vzw' Hasselt: Provinciaal Centrum voor Beeldende Kunsten - Begijnhof, 2001 (exh. cat.)
Bex, Flor, Stegeman, Elly, 'MUHKA te gast. De keuze van Florent Bex' Breda: De Beyerd, 2001 (exh. cat.)
de Vlieghere, Dieter, Tonnard, Philippe, van Imschoot, Jan, 'Y.E.L.L.O.W. Tentoonstelling over Actuele Kunst en Psychiatrie.' Geel : openbaar psychiatrisch Ziekenhuis', 2001 (exh. cat.)
de Vos, Johan, 'Ateliers d'artistes. Lieven Nollet' Antwerpen, 2001, ill.
Laermans, Rudi, Verschaffel, Bart, 'Beeldende Kunst 1996/1997/1998 collectie Vlaamse Gemeenschp Aanwinsten', Brussels, 2001, ill.
___, 'Secret Gardens', Provincie Belgisch Limburg: Provincie Nederlands Limburg en Cultureel Centrum Lanaken, Oud-Rekem, 2001, ill. (exh. cat.)
___, 'Embodiment' De Brakke Grond en verschillende galeries & de Bijenkorf, 2001, pp. 13-14, ill. (exh. cat.)
___, 'Hedendaagse kunst in Limburgse verzamelingen. Een tentoonstelling naar aanleiding van 25 jaar CIAP', Hasselt: Cultureel Centrum Hasselt, 2001-2002, pp. 24-25, ill. (exh. cat.)
Bex, Flor, Draguet, Michel, Pas, Johan, + [et al.], 'Kunst in België na 1975 ', Antwerpen: Mercatorfonds, 2001, ill.

2000 Vzw Phidias, 'Metamorphosis' [texts by Cristiani, Mario, Martens, Luc, et al.], Ruiselede: Vzw Phidias, 2000 (exh. cat.)
Centrum voor Ruimteliljke Kunst, 'Berlinde de Bruyckere. POTEN, Poten zullen bomen worden' (text by Dirk Draulans), Haaksbergen: Hassink Drukkers, 2000 (exh. cat.)
Flanders Fields Museum, 'Berlinde de Bruyckere', Vredesstadt: Carto, 2000 (exh. cat.)
___, 'Watch me. This is mu truth', Antwerpen: MUHKA - Museum voor Hedendaagse Kunst Antwerpen, 2000, pp. 34-35, ill. (exh. cat.)
Doove, Edith, van der Wal, Ineke, 'Everything needs time ... alles heeft tijd nodig....' Sint-Michael's Church Honiton, Spacex Gallery Exeter, 2000, ill. (exh. cat.)
Liina, Janes, '10 paar. Kunst uit Estland en Vlaanderen', [curated by Veerle Van Durme and Mari Sobolev], 2000, pp. 42-45, ill. (exh. cat.)
___, 'La Conscience du monde',Louvain la Neuve: Le fil rouge 3. Biennale d'art contemporain', Louvain-la-Neuve: Centre Culturel d'Ottignies Louvain-la-Neuve, 2000, pp. 20-21, ill. (exh. cat.)

1999 Baudin, Katia, van Durme, Veerle, van den Abeele, Lieven, 'Collection Frac Nord - Pas de Calais. Een keuze' 1999, p. 57, col. ill. (exh. cat.)
Wismans, Joop, Deckmyn, Nicolas, Pas, Johan + [et al.], 'De wereld volgens... België. Deel 1 . België: Een verkenning langs de Europese grensen op het terrein van de hedendaagse beeldende kunst; Le monde selon...Belgique', Venray: Stichting Odapark, 1999, p. 30, col. ill.
Bex, Flor, Braak, Lex, van Gelder, W.T., Langenberg, Sjaak, van der Linden, Sjaak, Oosthoek, Andreas, 'Het betoverde plein', Middelburg,1999, ill. (exh. cat.)
Hoet, Jan, Pirotte, Philippe, Doove, Edith, de Baere, Bart, Luyckx, Filip, Davidts, Wouter, 'Trattenendosi ' Brussels, 1999, ill. (exh. cat.)
s.n., 'Zich ophouden bij. Een keuze uit de collectie van de Vlaamse Gemeenschap',1999, ill.
___, 'Fragmenten' (red. Keppens, Bart, Labro, Herman, Andries, Lydia), Leuven: De Kunstbank vzw, 1999
___, 'EV+A compendium', Ireland, 1999, pp. 22-23, ill. (exh. cat.)
Hoet, Jan, Commandeur, Ingrid, Jacobs, Steven + [et al.], 'S.M.A.K. De verzameling', Ghent: Ludion, 1999, ill.
___, 'Environnemental. Une écologie de l'esthéthique', (Brys-Schatan Gita), Brussels: ISELP, 1999, ill.

1998 Tweeluik, '98', Campo-Santo, Sint-Amandsberg, 1998
Brochard, Yves, Melin, Van Durme, Corinne Veerle, 'Aspects de l'art actuel en Belgique', Dunkerque, 1998, ill. (exh. cat.)
de Coul, Hans, Sijben, Inge, 'Romanzero ; Manifestatie over hedendaagse romantiek in Sittard-Leyenbroek', Sittard, 1998, ill. (exh. cat.)
Hoet, Jan, Mandelinck, Gwy, de Dauw, Norbert, 'S.M.A.K. in Watou. Voor het verdwijnt en daarna', 1998, ill. (exh. cat.)
s.n., 'Speelhoven 98', 1998, ill. (exh. cat.)
s.n., 'Trends 98. Kunst maakt School' Ghent, 1998, p. 64, ill. (exh. cat.)
s.n., 'Aanwinsten 1994-1997 ; Openluchtmuseum voor Beeldhouwkunst, Middelheim' Antwerpen: Hans Nieuwdorp, 1998 , ill.
Ruyters, Marc, Stegeman, Elly, 'Hedendaagse Beeldhouwers in Nederland en Vlaanderen' Rekkem: Stichting Ons Erfdeel, 1998, ill.
Bahr, Jürgen, de Cat, Fons, Michiels, Mark + [et al.], 'Kunst is niet eetbaar. over verzamelingen en verzamelen' Turnhout: De Warande, 1998, p. 83, b/w ill.
___, 'Acquisitions 1996 1997 1998', Dunkerque: Frac Nord-Pas de Calais, 1998, ill.

1997 Bex, Flor, 'Reality Revisited. De herinnering als verlangen / The memory as longing', Brussels, 1997, ill. (ex. cat.)

1991 van Durme, Veerle, 'Marie Odile Candas Salmon / Berlinde De Bruyckere / Christine Dupuis / Maen Florin', Ghent: Noordstarfonds vzw, 1991, ill. (exh. cat.)

2019 Nechvatal, Joseph, 'An Exhibition Tells the Tragicomic Story of a Former Gallerist's Collection', on: www.hyperallergic.com ,New York, NY, 10 June 2019
Brady, Anna, Carrigan, Margaret, Mason, Brook, 'Private view: must-see gallery shows opening this May', on: www.theartnewspaper.com, New York, NY, 1 May 2019
Page, Westrey, 'With Eyes Open', in: esse, Montréal, Canada, Winter 2019

2018 Coirier, Lise, 'Berlinde de Bruyckere. Peau neuve' in: TL Magazine, Brussels/BE, December 2018, pp. 80-86
Smith-Laing, Tim, 'The bleak beauty of Berlinde de Bruyckere' on: www.apollo-magazine.com, London/UK, 15 December 2018
Güner, Fisun, 'A Q&A with... Berlinde De Bruyckere, artist addressing mortality and human suffering' on: www.a-n.co.uk, London/UK, 12 December 2018
Warde-Aldam, Grace, 'Berlinde De Bruyckere: Stages & Tales' in: Selvedge, London/UK, November 2018, pp. 98-89
Portus, Stan, 'Berlinde De Bruyckere: Stages & Tales' on: www.thisistomorrow.info, London/UK, 25 October 2018
Smith-Laing, Tim, 'Body Language' in: Apollo Magazine, London/UK, November 2018
Lloyd-Smith, Harriet, 'Berlinde De Bruyckere layers decay with intrigue in new sculptural works' on: www.wallpaper.com, London/UK, 25 October 2018
Lloyd, Joe, 'Berlinde de Bruyckere: Stages & Tales' on: www.studiointernational.com, New York/NY, 9 October 2018

2017 Biglia, Gabriele, 'The Medardo Rosso modernity told by Sharon Hecker' on: www.ilsole24ore.com, Milan/IT, 30 December 2017
Hybel, Kjeld, 'Tre livløse heste skaber et psykologisk landskab af patos, ømhed og afsky i kunsthal' on: www.politiken.dk, Copenhagen/DK, 13 November 2017, ill.
Nørkær Nielson, Asger, 'Berlinde De Bruyckere Udstiller Sære Møder I Døden' on: www.finespind.dk, Aarhus/DK, 9 November 2017 ill.
_, 'Refugee crisis inspires at Jan Fabre's Ostend art festival' on: www.expatica.com, Amsterdam/NL, 9 November 2017
___, 'The exhibitions of the Sara Hildén Art Museum Spring and Summer 2018' on: www.tampere.fi, Tampere/FI, 31 October 2017
Kennedy, Marian, 'Alain Platel: les ballets C de la B nicht schlafen - Review' on: www.londontheatre1.com, London/UK, 3 July 2017
Joseph-Lowery, Frédérique, 'Berlinde de Bruyckere. Aucune Vie Perdue', in: ArtPress, Paris, no. 440, January 2017, pp. 53-58, ill.

2010 ___, '10 to See', in: Aesthetica, York, June-July 2010, pp. 20-21, ill.

2009 Enli, Zhang, 'Berlinde De Bruyckere (Hauser & Wirth)', in: Art Forum, New York, December 2009
de Bruyckere, Berlinde, 'Berlinde De Bruyckere on Luca Giordano', in: Art World, London, Summer 2009, p. 146, ill.
___, 'Fünf neue Skulpturen', in: Magazin Kunsthaus Zurich, Zurich, April 2009, pp. 14-15, ill.
Douglas, Sarah, 'The Way of All Flesh', in: Modern Painters, New York, Summer 2009, pp. 22-23, ill.
Jocks, Heinz-Norbert, 'Under Cover - aus dem Verborgenen', in: Kunstforum International, Ruppichteroth, Dezember 2006-Februar 2007, vol. 183, pp. 330-333, ill.
Douglas, Sarah, 'In the Studio: Berlinde De Bruyckere', in: Art + Auction, New York, May 2009, pp. 46-50, ill.
Jvh, Güner, Fisun, 'De mens is vlees', in: De Standaard, Brussel, 11 April 2009, ill.
de Bruyckere, Berlinde, 'we are all flesh', in: Metro, London, 16 April 2009, ill.
May, Derwent, 'Buy me', in: The Times 2, London, 15 April 2009, ill.
Wullschlager, Jackie, 'Visual arts, Berlinde de Bruyckere, Luca Giordano', in: Financial Times, London, April 2009, ill.
___, 'Berlinde De Bruyckere, Luca Giordano: We are All flesh', in: The Art Newspaper, London, no. 201, April 2009, ill.
___, 'Berlinde de Bruyckere', in: Finacial Times, London, March 2009, ill.

2003 Olivieri, Cristina, 'Scultori a San Gimignano', in: Il Tirreno, Rome, 9 October 2003, p. 23, ill.
Bigi, Daniela, 'La condizione umana', in: Arte e Critica, Rome, no. 35-36, October-December 2002, pp. 24-25, ill.
___, 'Foto e scultura da Continua. In un faccia a faccia tra Zuffi e Berlinde De Bruyckere', in: Arte, Milan, October 2003, no. 362, ill.
___, 'Direttamente dalla Biennale', in: Trend, October 2003, no. 10, p. 37, ill.
Cunaccia, Cesare, 'Ai confini della realta', in: AD Architectural Digest, Munich, no. 267, August 2003, p. 94, p. 98, ill.
Meneguzzo, Marco, 'Shock e ambiguità. Le nuove opere di Berlinde de Bruyckere', in: Arte, Milan, no. 360, August 2003, p. 126, ill.
van Duijvenboden, Nickel, 'Berlinde de Bruyckere. Flogging a dead horse ', in: readBaby, Amsterdam, no. 9, Autumn 2003, pp. 22-23, ill.
Declerck, Lies, 'Sewn together', in: Janus, Antwerpen, no. 13, Spring 2003, p. 14
___, 'Le ragazze di Berlinde. Berlinde's Girls', in: Carnet Arte, Milan, vol. 1, no. 1, p. 132, ill.
Schouwberg, Louise, 'Werk aan de winkel voor het Nederlandse design.', in: Archis, Amsterdam, no. 5, 2003, ill.

1995 Vuegen, Christine, 'Onder de dekens van Berlinde De Bruyckere', in: Kunstbeeld, no. 5 1995, pp. 23-25, ill.

1994 Lebert, Muriel, 'Escale - Stopover - Tussenstop', in: Artefactum, no. 3, 1994, pp. 28-29, ill.

1993 Kuijken, Ilse, Pültau, Dirk, 'Chercher Cherchez: The Art of Women in Belgium.', in: Ruimte, Amsterdam, 1993

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2018 Soikkonen, Sarianne (ed.), 'Berlinde De Bruyckere', Tampere/FI: Sara Hildén Art Museum, 2018 2016 Wipplinger, Hans-Peter (ed.), 'Berlinde De Bruyckere. Suture', Cologne: Walther König, 2016 2015 Kunsthaus Bregenz, Kunstraum Dornbirn (eds.), 'Berlinde De Bruyckere', Cologne: Walther König, 2015 2011 Wieg, Cornelia (ed.), 'Mysterium Leib: Berlinde De Bruyckere in Dialogue with Cranach and Pasolini', Munich: Hirmer Verlag, 2011 2008 Wieringa, Tommy (ed.), 'Berlinde De Bruyckere: In the woods there were Chainsaws ', Zurich: Steidl/Hauser&Wirth, 2008 (exh.

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Sotheby's HK, October 2013

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Updated October 17, 2016 23:30:34

No doubt you've heard of Chinese artist Ai Weiwei, but there is another giant of China's contemporary art scene who has smashed into the West, with his works selling for tens of millions of dollars.

Zeng Fanzhi is considered by many to be China's greatest living artist.

He has fused Oriental and Western styles and one of his works, a communist parody on Leonardo da Vinci's Last Supper, recently broke records for Chinese contemporary art, selling for $30 million.

For the first time, Zeng is having a major retrospective in his homeland.

"I paint with two brushes at the same time. I control two brushes like Chinese master chopsticks. I normally use one brush to paint, another one to destroy," he told Lateline.

His abstract landscapes are titled This Land so Rich in Beauty - a line taken from a Chairman Mao poem.

The paintings are a statement on China's grand propaganda art.

"For many years I've always made the art I like. No-one controls me and I am not afraid of censorship. I am able to exhibit my works on my terms," he said.

Zeng is a high school drop out. He is the son of factory workers from the gritty city of Wuhan in central China.

At art school, Zeng's art teacher instructed him to paint cultural colourful scenes but he refused and instead painted what he saw around him.

"I lived next to this hospital. I could see those patients' faces every day. I think real life is just here. I thought I should paint what I saw, what I heard every day," he said.

In 1993 Zeng moved to Beijing and painted his breakthrough Mask series.

"It shows my mood when I just moved to Beijing, a strange city. I felt lonely and confused when I moved to a new place, and started a new life," he said of the series.

In 1998 an American tourist brought Mask Number Six for $20,000. Ten years later it sold for $13 million.

Zeng spends 330 days a year painting, only taking a month off during the height of summer.

He says his art maps the development of China over the last three decades.

"China has undergone huge changes and I have too. My work reflects my psychological state and social changes," he said.

"I always want to move forward. Once I reach a level that I can master, it's time to move on."
Watch China correspondent Matthew Carney's profile on Zeng Fanzhi on Lateline tonight at 9.30pm (AEDT) on ABC News 24 or 10.30pm on ABC TV.
First posted October 17, 2016 18:06:10

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Modern art giant makes statement on China's grand propaganda

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Updated October 17, 2016 23:30:34 No doubt you've heard of Chinese artist Ai Weiwei, but there is another giant of China's contemporary art scene who has smashed into the West, with his works selling for tens of millions of dollars. Zeng Fanzhi is considered by many to be China's greatest living artist.

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https://www.forbes.com/sites/alexandreerrera/2014/01/07/chinese-contemporary-art-goes-global-and-for-real/#45b670ed32b5

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$65 Million Zao Wou-Ki Masterwork Highlights Triumphant Week of Sales in Hong Kong

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$65 Million Zao Wou-Ki Masterwork Highlights Triumphant Week of Sales in Hong Kong

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Sotheby's HK, Fall 2018

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Zeng Fanzhi's Last Supper sells for Asian record $24.7m

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Zeng Fanzhi's Last Supper sells for Asian record $24.7m

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http://www.sothebys.com/en/news-video/blogs/all-blogs/eye-on-asia/2013/11/zeng-fanzhi-the-last-supper.html

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David Hockney Bigger trees near Warter 2007

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David Hockney Bigger trees near Warter 2007

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David Hockney The arrival of spring in Woldgate, East Yorkshire 2011 

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David Hockney The arrival of spring in Woldgate, East Yorkshire 2011 

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Christo & Jeanne-Claude The Floating Piers 2014/2016

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Christo & Jeanne-Claude The Floating Piers 2014/2016