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Spider-Man: No Way Home is a 2021 superhero film, based on the Marvel Comics superhero of the same name. The film is a sequel to Spider-Man: Homecoming and Spider-Man: Far From Home, as well as a crossover/sequel to the Spider-Man trilogy and The Amazing Spider-Man duology.
It's not just for great moments or big twists, but because gives fans the most essential version of Peter Parker in movies. The movie focuses on Peter Parker's humanity and morality, and in doing so, is a testament to why he's been an iconic superhero for nearly 60 years

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In 1962 Taiwan, a group of students join an underground book club hosted by their counselor. One day, the counselor vanishes into thin air, and the student's search for him takes them to a realm dominated by ghosts and spirits.

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To make another woman jealous, a campus heartthrob asks a fellow student to be his pretend girlfriend, but fate has other plans for the fake couple.

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Red Notice is a 2021 American action comedy film written, directed, and produced by Rawson Marshall Thurber. Dwayne Johnson, who also served as a producer, stars as an FBI agent who reluctantly teams up with a renowned art thief (Ryan Reynolds) in order to catch an even more notorious criminal (Gal Gadot).

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Mr. Hiiragi's Homeroom (TV Mini Series 2019– ) (School/Mystery)

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Mr. Hiiragi's homeroom is one of my favorite to watch because of the mystery that takes place in all the events and that there's a lesson being taught in it, also the plot twist is just "Sugoi desu ne" and i just like the tone of how japanese people speak also there language for me is just what i like.

Hiiragi's Homeroom, is a JDrama about a homeroom teacher Ibuki Hiiragi held hostage of his students in order to reveal the truth behind the suicide of a student called Reina Kageyama. The main message that this drama wanted to convey, in my opinion, is how easily people can get hurt without us noticing it.

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Set in the South Korean city of Hyosan, things go berserk one day when a girl in the Hyosan High School is bitten by a rat infected by a deadly virus that turns happy humans into devastatingly ugly and ever-hungry human eating machines (zombies basically).
Bullying is the main theme that forms the crux of the Netflix show. The science teacher's son is bullied mercilessly until he starts attacking the bullies. It is later revealed that his father injected him with a superhuman serum that turned him into a zombie.

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Ely (Daniel Padilla) can't get over his past love. In Barcelona, he juggles work with his studies as he aims to get his master's degree. He then meets Mia (Kathryn Bernardo), a girl who sees Spain as a fresh start. After a series of mistakes in the past, she abruptly uproots herself from life in the Philippines to move forward and start anew. But the question is how? Together, they will go on a journey to find the answers to their lifelong questions, such as proving their worth, confronting the past, finding their way and allowing self-forgiveness.

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Ely and Mia (Daniel Padilla and Kathryn Bernardo) find each other on their individual journeys in finding redemption. After the unfortunate passing of Ely's girlfriend, Ely moves to Barcelona, Spain to fulfill his wishes when he meets a girl who reminds him of her. He tries to ignore the thought of her, but fate would always bring them together. Both struggle at first: but as they get know each other, things begin to feel lighter. Soon, Mia finds herself falling for Ely, who is not yet done loving someone else. With a strong voice of today's youth, this romantic-drama movie shows two people who are faced with the truth about themselves and about the past so that they can have a future together.

By what name was Barcelona: A Love Untold (2016) officially released in Canada in English?

Answer

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Barcelona: A Love Untold: Directed by Olivia M. Lamasan. With Kathryn Bernardo, Daniel Padilla, Aiko Melendez, Joshua Garcia. A young man Elly, still trying to get over his past relationship, meets a young woman Mia in Barcelona trying to run away from her past.

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In the fictional province of Olivarez, the Cruz sisters Virginia (Susan Roces) and Margaret (Helen Gamboa) compete for the love of Joseph Montenegro (Eddie Garcia).

Virginia had to give up everything in order for Margaret to have a happier life with Joseph.

After two decades, Margaret and Joseph's son Marco (Richard Gomez) falls in love with Emily Cardenas (Dawn Zulueta), the daughter of a plantation worker.

However, due to a series of events and Margaret's arrogance toward Emily, Marco marries wealthy banker Jane Bonifacio (Rita Avila), much to Emily's harm.

It exacerbates the Virginia-Margaret rivalry, especially after Marco migrates to the United States after Emily rejects him when he tries to explain himself.

Meanwhile, laborer William Alcantara (Joel Torre) and his children Katerina (Julia Montes) and Tomas (Julia Montes) reside in Olivarez.

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The Ash Lad: The hall of the Mountain King
In order to receive a reward and preserve his family's farm from disaster, Espen, a poor farmer's son, embarks on a risky mission with his brothers to save the princess from a cruel troll known as the Mountain King.

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My Ex and Whys is a 2017 Philippine romantic comedy drama film co-written and directed by Cathy Garcia-Molina. Starring Enrique Gil and Liza Soberano, the story is about a womanizer named Gio (Gil), who tries to prove he's a changed man to his ex-girlfriend, a blogger named Cali (Soberano). Cali, on the other hand, tests if Gio really has changed, and things didn't go as planned.

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James Cameron's "Titanic" is an epic, action-packed romance set against the ill-fated maiden voyage of the R.M.S. Titanic; the pride and joy of the White Star Line and, at the time, the largest moving object ever built. She was the most luxurious liner of her era -- the "ship of dreams" -- which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912.

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Years after a rebellion spurred by a stolen bride to be and the blind ambitions of a mad King, Robert of the house Baratheon (Mark Addy) sits on the much desired Iron Throne. In the mythical land of Westeros, nine noble families fight for every inch of control and every drop of power.

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Eight thieves take hostages and lock themselves in the Royal Mint of Spain as a criminal mastermind manipulates the police to carry out his plan. This riveting crime series won Best Drama at the International Emmy Awards, Premios Fénix and Premios Iris (plus six more Iris wins).

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Money Heist ( Spanish: La casa de papel, "The House of Paper") is a Spanish heist crime drama television series created by Álex Pina. The series traces two long-prepared heists led by the Professor ( Álvaro Morte), one on the Royal Mint of Spain, and one on the Bank of Spain. The series was initially intended as a limited series to be told in two parts. It had its original run of 15 episodes on Spanish network Antena 3 from 2 May 2017 through 23 November 2017. Netflix acquired global streaming rights in late 2017. It re-cut the series into 22 shorter episodes and released them worldwide, beginning with the first part on 20 December 2017, followed by the second part on 6 April 2018. In April 2018, Netflix renewed the series with a significantly increased budget for 16 new episodes total. Part 3, with eight episodes, was released on 19 July 2019. Part 4, also with eight episodes, was released on 3 April 2020. A documentary involving the producers and the cast premiered on Netflix the same day, titled Money Heist: The Phenomenon.

The series was filmed in Madrid, Spain. Significant portions of part 3 were also filmed in Panama, Thailand and Italy ( Florence). The narrative is told in a real-time-like fashion and relies on flashbacks, time-jumps, hidden character motivations, and an unreliable narrator for complexity. The series subverts the heist genre by being told from the perspective of a woman, Tokyo, ( Úrsula Corberó) and having a strong Spanish identity, where emotional dynamics offset the perfect strategic crime.

The series received several awards including best drama series at the 46th International Emmy Awards, as well as critical acclaim for its sophisticated plot, interpersonal dramas, direction, and for trying to innovate Spanish television. The Italian anti-fascist song " Bella ciao," which plays multiple times throughout the series, became a summer hit across Europe in 2018. By 2018, the series was the most-watched non-English language series and one of the most-watched series overall on Netflix, with a particular resonance coming from viewers from Mediterranean Europe and the Latin world.

Set in Madrid, a mysterious man known as "The Professor" recruits a group of eight people, who choose cities for code-names, to carry out an ambitious plan that involves entering the Royal Mint of Spain, and escaping with €2.4 billion. After taking 67 people hostage inside the Mint, the team plans to remain inside for 11 days to print the money as they deal with elite police forces. In the events succeeding the initial heist, the group are forced out of hiding, and find themselves preparing for a second heist, this time on the Bank of Spain, as they again deal with hostages and police forces.

Álvaro Morte as Sergio Marquina (The Professor / Salvador "Salva" Martín): the mastermind of the heist who assembled the group, and Berlin's brother.

Úrsula Corberó as Silene Oliveira (Tokyo): a runaway robber until scouted by the Professor to participate in his plan; she also acts as an unreliable narrator.

Itziar Ituño as Raquel Murillo (Lisbon): an inspector of the National Police Corps who is put in charge of the case until she joins the group in part 3.

Pedro Alonso as Andrés de Fonollosa (Berlin): a terminally ill jewel thief and the Professor's second-in-command and brother.

Paco Tous as Agustín Ramos (Moscow) (part 1-2; featured part 3-4): a former miner turned criminal and Denver's father.

Alba Flores as Ágata Jiménez (Nairobi) (part 1-4): an expert in forgery in charge of printing the money for the group.

Miguel Herrán as Aníbal Cortés (Rio): a young hacker.

Jaime Lorente as Daniel / Ricardo Ramos (Denver): Moscow's son who joins him in the heist.

Esther Acebo as Mónica Gaztambide (Stockholm): one of the hostages who is Arturo Román's secretary and mistress, carrying his child out of wedlock. During the robbery, she falls in love with Denver and becomes an accomplice to the group.

Enrique Arce as Arturo Román: a hostage and the former Director of the Royal Mint of Spain.

María Pedraza as Alison Parker (part 1-2): a hostage and daughter of the British ambassador to Spain.

Darko Perić as Mirko Dragić (Helsinki): a veteran Serbian soldier and Oslo's cousin.

Kiti Mánver as Mariví Fuentes (part 1-2; featured part 3-4): Raquel's mother.

Hovik Keuchkerian as Bogotá (part 3-4): an expert in metallurgy who joins the robbery of the Bank of Spain.

Rodrigo de la Serna as Martín Berrote (Palermo / The Engineer) (part 3-4): an old Argentine friend of Berlin's who planned the robbery of the Bank of Spain with him and assumed his place as commanding officer.

Najwa Nimri as Alicia Sierra (part 3-4): a pregnant inspector of the National Police Corps put in charge of the case after Raquel departed from the force.

Luka Peroš as Marseille (part 4; featured part 3): a member of the gang who joins the robbery of the Bank of Spain.

Belén Cuesta as Julia (Manila) (part 4; featured part 3): godchild of Moscow and Denver's childhood friend. She is a trans woman who joins the gang and poses as one of the hostages during the robbery of the Bank of Spain.

Fernando Cayo as Colonel Luis Tamayo (part 4; featured part 3): a member of the Spanish Intelligence who oversees Alicia's work on the case.

Roberto García Ruiz as Dimitri Mostovói / Radko Dragić (Oslo) (part 1-2; featured part 3-4): a veteran Serbian soldier and Helsinki's cousin.

Fernando Soto as Ángel Rubio (part 1-2; featured part 3-4): a deputy inspector and Raquel's second-in-command.

Juan Fernández as Colonel Luis Prieto (part 1-2; featured part 3-4): a member of the Spanish Intelligence who oversees Raquel's work on the case.

Anna Gras as Mercedes Colmenar (part 1-2): Alison's teacher and one of the hostages.

Fran Morcillo as Pablo Ruiz (part 1): Alison's schoolmate and one of the hostages.

Clara Alvarado as Ariadna Cascales (part 1-2): one of the hostages who works in the Mint.

Mario de la Rosa as Suárez: the chief of the Grupo Especial de Operaciones.

Miquel García Borda as Alberto Vicuña (part 1-2; featured part 4): Raquel's ex-husband and a forensic examiner.

Naia Guz as Paula Vicuña Murillo: Raquel and Alberto's daughter.

José Manuel Poga as César Gandía (part 4; featured part 3): chief of security for the Bank of Spain who escapes from hostage and causes havoc for the group.

Antonio Romero as Benito Antoñanzas (part 3-4): an assistant to Colonel Luis Tamayo, who is persuaded by the Professor to do tasks for him.

Pep Munné as Mario Urbaneja (featured part 3-4): the governor of the Bank of Spain.

Olalla Hernández as Amanda (featured part 3-4): a hostage that Arturo rapes.

Mari Carmen Sánchez as Paquita (featured part 3-4): a hostage and a nurse who tends to Nairobi while she recovers.

Carlos Suárez as Miguel Fernández (featured part 3-4): a nervous hostage.

Ramón Agirre as Benjamín (featured part 4): father of Manila who aids the Professor in his plan.

Ahikar Azcona as Matías Caño (featured part 3-4): a member of the group who largely guards the hostages.

Antonio García Ferreras as himself (featured part 4): journalist.

-Writer Esther Martinez Lobato, October 2018

The series was conceived by screenwriter Álex Pina and director Jesús Colmenar during their years of collaboration since 2008. After finishing their work on the Spanish prison drama , they left Globomedia to set up their own production company, named Vancouver Media, in 2016. For their first project, they considered either filming a comedy or developing a heist story for television, with the latter having never been attempted before on Spanish television. Along with former Locked Up colleagues, they developed Money Heist as a passion project to try new things without outside interference. Pina was firm about making it a limited series, feeling that dilution had become a problem for his previous productions.

Initially entitled Los Desahuciados ( The Evicted) in the conception phase, the series was developed to subvert heist conventions and combine elements of the action genre, thrillers and surrealism, while still being credible. Pina saw an advantage over typical heist films in that character development could span a considerably longer narrative arc. Characters were to be shown from multiple sides to break the viewers' preconceptions of villainy and retain their interest throughout the show. Key aspects of the planned storyline were written down at the beginning, while the finer story beats were developed incrementally to not overwhelm the writers. Writer Javier Gómez Santander compared the writing process to the Professor's way of thinking, "going around, writing down options, consulting engineers whom you cannot tell why you ask them that," but noted that fiction allowed the police to be written dumber when necessary.

The beginning of filming was set for January 2017, allowing for five months of pre-production. The narrative was split into two parts for financial considerations. The robbers' city-based code names, which Spanish newspaper compared to the colour-based code names in Quentin Tarantino's 1992 heist film Reservoir Dogs, were chosen at random in the first part, although places with high viewership resonance were also taken into account for the new robbers' code names in part 3. The first five lines of the pilot script took a month to write, as the writers were unable to make the Professor or Moscow work as narrator. Tokyo as an unreliable narrator, flashbacks and time-jumps increased the narrative complexity, but also made the story more fluid for the audience. The pilot episode required over 50 script versions until the producers were satisfied. Later scripts would be finished once per week to keep up with filming.

Casting took place late in 2016, spanning more than two months. The characters were not fully fleshed out at the beginning of this process, and took shape based on the actors' performance. Casting directors Eva Leira and Yolanda Serrano were looking for actors with the ability to play empathetic robbers with believable love and family connections. Antena 3 announced the ensemble cast in March 2017 and released audition excerpts of most cast actors in the series' aftershow Tercer Grado and on their website.

The Professor was designed as a charismatic yet shy villain who could convince the robbers to follow him and make the audience sympathetic to the robbers' resistance against the powerful banks. However, developing the Professor's role proved difficult, as the character did not follow archetypal conventions and the producers were uncertain about his degree of brilliance. While the producers found his Salva personality early on, they were originally looking for a 50-year-old Harvard professor type with the looks of Spanish actor José Coronado. The role was proposed to Javier Gutiérrez, but he was already committed to starring in the film . Meanwhile, the casting directors advocated for Álvaro Morte, whom they knew from their collaboration on the long-running Spanish soap opera El secreto de Puente Viejo, even though his prime time television experience was limited at that point. Going through the full casting process and approaching the role through external analysis rather than personal experience, Morte described the professor as "a tremendous box of surprises" that "end up shaping this character because he never ceases to generate uncertainty," making it unclear for the audience if the character is good or bad. The producers also found that his appearance of a primary school teacher gave the character more credibility.

Pedro Alonso was cast to play Berlin, whom La Voz de Galicia would later characterize as a "cold, hypnotic, sophisticated and disturbing character, an inveterate macho with serious empathy problems, a white-collar thief who despises his colleagues and considers them inferior." The actor's portrayal of the character was inspired by chance encounter Alonso had the day before receiving his audition script, with "an intelligent person" who was "provocative or even manipulative" to him. Alonso saw high observation skills and an unusual understanding of his surroundings in Berlin, resulting in unconventional and unpredictable character behaviour. Similarities between Berlin and Najwa Nimri's character Zulema in Pina's TV series were unintentional. The family connections between the Professor and Berlin were not in the original script, but were built into the characters' backstory at the end of part 1 after Morte and Alonso had repeatedly proposed to do so.

The producers found the protagonist and narrator, Tokyo, among the hardest characters to develop, as they were originally looking for an older actress to play the character who had nothing to lose before meeting the Professor. Úrsula Corberó eventually landed the role for bringing a playful energy to the table; her voice was heavily factored in during casting, as she was the first voice the audience hears in the show. Jaime Lorente developed Denver's hallmark laughter during the casting process. Two cast actors had appeared in previous TV series by Álex Pina: Paco Tous (Moscow) had starred in the 2005 TV series Los hombres de Paco, and Alba Flores (Nairobi) had starred in Locked Up. Flores was asked to play Nairobi without audition when Pina realised late in the conception phase that the show needed another female gang member. For the role opposite to the robbers, Itziar Ituño was cast to play Inspector Raquel Murillo, whom Ituño described as a "strong and powerful woman in a world of men, but also sensitive in her private life". She took inspiration from The Silence of the Lambs character Clarice Starling, an FBI student with a messy family life who develops sympathies for a criminal.

The actors learned of the show's renewal by Netflix before the producers contacted them to return. In October 2018, Netflix announced the cast of part 3; the returning main cast included Pedro Alonso, raising speculation about his role in part 3. Among the new cast members were Argentine actor Rodrigo de la Serna, who saw a possible connection between his character's name and the Argentine football legend Martín Palermo, and Locked Up star Najwa Nimri. Cameo scenes of Brazilian football star, and fan of the series, Neymar, as a monk were filmed for part 3, but were excluded from the stream without repercussions to the narrative until judicial charges against him had been dropped in late August 2019. A small appearance by Spanish actress Belén Cuesta in two episodes of part 3 raised fan and media speculation about her role in part 4.

The show's look and atmosphere were developed by creator Álex Pina, director Jesús Colmenar, and director of photography Migue Amoedo, according to La Vanguardia "the most prolific television trio in recent years". Abdón Alcañiz served as art director. Their collaboration projects usually take a primary colour as a basis; Money Heist had red as "one of the distinguishing features of the series" that stood over the gray sets. Blue, green and yellow were marked as a forbidden colour in production design. To achieve "absolute film quality", red tones were tested with different types of fabrics, textures and lighting. The iconography of the robbers' red jumpsuits mirrored the yellow prison dress code in Locked Up. For part 3, the Italian retail clothing company Diesel modified the red jumpsuits to better fit the body and launched a clothing line inspired by the series. Salvador Dalí was chosen as the robbers' mask design because of Dalí's recognisable visage that also serves as an iconic cultural reference to Spain; Don Quixote as an alternative mask design was discarded. This choice sparked criticism by the Gala-Salvador Dalí Foundation for not requesting the necessary permissions.

To make the plot more realistic, the producers requested and received advice from the national police and the Spanish Ministry of Interior. The robbers' banknotes were printed with permission of the Bank of Spain and had an increased size as an anti-counterfeit measure. The greater financial backing of Netflix for part 3 allowed for the build of over 50 sets across five basic filming locations world-wide. Preparing a remote and uninhabited island in Panama to represent a robber hide-out proved difficult, as it needed to be cleaned, secured and built on, and involved hours-long travelling with material transportation. The real Bank of Spain was unavailable for visiting and filming for security reasons, so the producers recreated the Bank on a two-level stage by their own imagining, taking inspiration from Spanish architecture of the Francisco Franco era. Publicly available information was used to make the Bank's main hall set similar to the real location. The other interior sets were inspired by different periods and artificially aged to accentuate the building's history. Bronze and granite sculptures and motifs from the Valle de los Caídos were recreated for the interior, and over 50 paintings were painted for the Bank to emulate the Ateneo de Madrid.

Parts 1 and 2 were filmed back-to-back in the greater Madrid region from January until August 2017. The pilot episode was recorded in 26 days, while all other episodes had around 14 filming days. Production was split into two units to save time, with one unit shooting scenes involving the Professor and the police, and the other filming scenes with the robbers. The main storyline is set in the Royal Mint of Spain in Madrid, but the exterior scenes were filmed at the Spanish National Research Council (CSIC) headquarters for its passing resemblance to the Mint, and on the roof of the Higher Technical School of Aeronautical Engineers, part of the Technical University of Madrid. The hunting estate where the robbers plan their coup was filmed at the Finca El Gasco farm estate in Torrelodones. Interior filming took place at the former sets in Colmenar Viejo and at the Spanish national daily newspaper in Torrejón de Ardoz for printing press scenes. As the show was designed as a limited series, all sets were destroyed once production of part 2 had finished.

Parts 3 and 4 were also filmed back-to-back, with 21 to 23 filming days per episode. Netflix announced the start of filming on 25 October 2018, and filming of part 4 ended in August 2019. In 2018, Netflix had opened their first European production hub in Tres Cantos near Madrid for new and existing Netflix productions; main filming moved there onto a set three times the size of the set used for parts 1 and 2. The main storyline is set in the Bank of Spain in Madrid, but the exterior was filmed at the Ministry of Development complex Nuevos Ministerios. A scene where money is dropped from the sky was filmed at Callao Square. Ermita de San Frutos in Carrascal del Río served as the exterior of the Italian monastery where the robbers plan the heist. The motorhome scenes of the Professor and Lisboa were filmed at the deserted Las Salinas beaches in Almería to make the audience feel that the characters are safe from the police although their exact location is undisclosed at first. Underwater scenes inside the vault were filmed at Pinewood Studios in the United Kingdom. The beginning of part 3 was also filmed in Thailand, on the Guna Yala islands in Panama, and in Florence, Italy, which helped to counter the claustrophobic feeling of the first two parts, but was also an expression of the plot's global repercussions.

The series' theme song, " My Life Is Going On," was composed by Manel Santisteban, who also served as composer on Locked Up. Santisteban approached Spanish singer Cecilia Krull to write and perform the lyrics, which are about having confidence in one's abilities and the future. The theme song is played behind a title sequence featuring paper models of major settings from the series. Krull's main source of inspiration was the character Tokyo in the first episode of the series, when the Professor offers her a way out of a desperate moment. The lyrics are in English as the language that came naturally to Krull at the time of writing.

The Italian anti-fascist song " Bella ciao" plays multiple times throughout the series and accompanies two emblematic key scenes: At the end of the first part the Professor and Berlin sing it in preparation for the heist, embracing themselves as resistance against the establishment,, and in the second part it plays during the thieves' escape from the Mint, as a metaphor for freedom. Regarding the use of the song, Tokyo recounts in one of her narrations, "The life of the Professor revolved around a single idea: Resistance. His grandfather, who had fought against the fascists in Italy, taught him the song, and he taught us." The song was brought to the show by writer Javier Gómez Santander. He had listened to "Bella ciao" at home to cheer him up, as he had grown frustrated for not finding a suitable song for the middle of part 1. He was aware of the song's meaning and history and felt it represented positive values. "Bella ciao" became a summer hit in Europe in 2018, mostly due to the popularity of the series and not the song's grave themes.

Season 1: Parts 1 and 2 (2017)

Part 1 begins with the aftermath of a failed bank robbery by a woman named "Tokyo," as a man called the "Professor" saves her from being caught by the police and proposes her a heist of drastic proportions. After a brief outline of the planned heist, the story jumps to the beginning of a multi-day assault on the Royal Mint of Spain in Madrid. The eight robbers are code-named after cities: Tokyo, Moscow, Berlin, Nairobi, Rio, Denver, Helsinki, and Oslo. Dressed in red jumpsuits with a mask of the Spanish painter Salvador Dalí, the group of robbers take 67 hostages as part of their plan to print and escape with €2.4 billion through a self-built escape tunnel. The Professor heads the heist from an external location. Flashbacks throughout the series show the five months of preparation in an abandoned hunting estate in the Toledo countryside; the robbers are not to share personal information nor engage in personal relationships, and the assault shall be without bloodshed.

Throughout parts 1 and 2, the robbers inside the Mint have difficulties sticking to the pre-defined rules, and face uncooperative hostages, violence, isolation, and mutiny. Tokyo commentates on the events through voice-overs. While Denver pursues a love affair with the hostage Mónica Gaztambide, inspector Raquel Murillo of the National Police Corps negotiates with the Professor on the outside and begins an intimate relationship with his alter ego "Salva." The Professor's identity is repeatedly close to being uncovered, until Raquel realises his true identity, but is emotionally unable and unwilling to hand him over to the police. At the end of part 2, after 128 hours, the robbers escape successfully from the Mint with €984 million printed, but at the cost of the lives of Oslo, Moscow and Berlin. One year after the heist, Raquel find a series of postcards left by the Professor, which have written the coordinates for a location in Palawan in the Philippines, where she reunites with him.

Season 2: Parts 3 and 4 (2019-20)

Part 3 begins two to three years after the heist on the Royal Mint of Spain, showing the robbers enjoying their lives paired-up in diverse locations. However, when Europol captures Rio with an intercepted phone, the Professor picks up Berlin's old plans to assault the Bank of Spain to force Europol to hand over Rio to prevent his torture. He and Raquel (going by "Lisbon") get the gang, including Mónica (going by "Stockholm"), back together, and enlist three new members: Bogotá, Palermo, and Marseille, with Palermo in charge. Flashbacks to the Professor and Berlin outline the planned new heist and their different approaches to love. The disguised robbers sneak into the heavily guarded bank, take hostages and eventually gain access to the gold and state secrets. At the same time, the Professor and Lisbon travel in an RV and then an ambulance while communicating with the robbers and the police. A breach in the bank is thwarted, forcing the police, led by Colonel Luis Tamayo and pregnant inspector Alicia Sierra, to release Rio to the robbers. Nairobi gets gravely injured by a police-inflicted sniper shot in the chest, and the police catch Lisbon. With another police assault on the bank incoming, and believing Lisbon to have been executed by the police, the Professor radios Palermo and declares DEFCON 2 on the police. Part 3 concludes by showing Lisbon alive and in custody, and Tokyo narrating that the Professor had fallen for his own trap and that "the war had begun."

Part 4 begins with the robbers rushing to save Nairobi's life. While Tokyo stages a coup d'état and takes over command from Palermo, the Professor and Marseille deduce that Lisbon must still be alive and being interrogated by Sierra in a tent outside of the bank. They persuade Tamayo's assistant, Antoñanzas, to help them, and the Professor can establish a 48-hour truce with the police. As the group manages to save Nairobi's life, the restrained Palermo creates chaos to reestablish his command by colluding with Gandía, the restrained chief of security for the Bank of Spain. Gandía escapes, begins communications with the police from within a panic room inside the bank, and participates in a violent cat-and-mouse game with the gang. Palermo regains the trust of the group and rejoins them. Gandía shoots Nairobi in the head, killing her instantly, but the gang later recapture him. As the police prepare another assault on the bank, the Professor exposes the unlawful torture of Rio and the holding of Lisbon to the public. Due to this revelation, Sierra is fired and begins a pursuit of the Professor on her own. The Professor enlists external help to free Lisbon after she is transferred to the Supreme Court. Part 4 concludes with Lisbon rejoining the gang within the bank, and with Sierra finding the Professor's hideout, holding him at gunpoint.

The series was noted for its subversions of the heist genre. While heist films are usually told with a rational male Anglo-centric focus, the series reframes the heist story by giving it a strong Spanish identity and telling it from a female perspective through Tokyo. The producers regarded the cultural identity as an important part of the personality of the series, as it made the story more relatable for viewers. They also avoided adapting the series to international tastes, which helped to set it apart from the usual American TV series and raised international awareness of Spanish sensibilities. Emotional dynamics like the passion and impulsivity of friendship and love offset the perfect strategic crime for increased tension. Nearly all main characters, including the relationship-opposing Professor, eventually succumb to love, for which the series received comparisons to telenovelas. Comedic elements, which were compared to Back to the Future and black comedy, also offset the heist tension. The heist film formula is subverted by the heist starting straight after the opening credits instead of lingering on how the gang is brought together.

With the series being set after the financial crisis of 2007-2008, which resulted in severe austerity measures in Spain, critics argued that the series was an explicit allegory of rebellion against capitalism, including The Globe and Mail, who saw the series as "subversive in that it's about a heist for the people. It's revenge against a government." According to , the Professor's teaching scenes in the Toledo hunting estate, in particular, highlighted how people should seek to develop their own solutions for the fallible capitalist system. The show's Robin Hood analogy of robbing the rich and giving to the poor received various interpretations. argued that the analogy made it easier for viewers to connect with the show, as modern society tended to be tired of banks and politics already, and The New Statesman said the rich were no longer stolen from but undermined at their roots. On the other hand, Esquire's Mireia Mullor saw the Robin Hood analogy as a mere distraction strategy for the robbers, as they initially did not plan to use the money from their first heist to improve the quality of life of regular people; for this reason, Mullor also argues that the large following for the robbers in part 3 was not understandable even though they represented a channel for the discontent of those bearing economic and political injustices.

The characters were designed as multi-dimensional and complementary antagonists and antiheroes whose moralities are ever-changing. Examples include Berlin, who shifts from a robber mistreating hostages, to one of the series' most beloved characters. There is also the hostage Mónica Gaztambide, as well as inspector Raquel Murillo, who eventually join the cause of the robbers. Gonzálvez of The Huffington Post finds that an audience may think of the robbers as evil at first for committing a crime, but as the series progresses it marks the financial system as the true evil and suggests the robbers have ethical and empathetic justification for stealing from an overpowered thief. Najwa Nimri, playing inspector Sierra in part 3, said that "the complex thing about a villain is giving him humanity. That's where everyone gets alarmed when you have to prove that a villain also has a heart". She added that the amount of information and technology that surrounds us is allowing us to verify that "everyone has a dark side." The series leaves it to the audience to decide who is good or bad, as characters are "relatable and immoral" at various points in the story. Pina argued that it was this ability to change the view that made the series addictive and marked its success.

With the relative number of female main characters in TV shows generally on the rise, the series gives female characters the same attention as men, which the BBC regarded as an innovation for Spanish television. While many plot lines in the heist series still relate to males, the female characters become increasingly aware of gender-related issues, such as Mónica arguing in part 3 that women, just like men, could be robbers and a good parent. Critics further examined feminist themes and a rejection of machismo in the series through Nairobi and her phrase "The matriarchy begins" in part 2, and a comparative scene in part 3, where Palermo claims a patriarchy in a moment that, according to CNET, is played for laughs. La Vanguardia challenged any female-empowering claims in the series, as Úrsula Corberó (Tokyo) was often shown scantily clad, and criticized how characters' relationship problems in part 3 were often portrayed to be the women's fault. Alba Flores (Nairobi) saw no inherent feminist plot in the series, as women only take control when it suits the story, whilst Esther Acebo (Mónica) described any feminist subtext in the show as not being vindictive.

Broadcast and release
Viewers per episode (millions)
Part 1 aired on free-to-air Spanish TV channel Antena 3 in the Wednesday 10:40 p.m. time slot from 2 May 2017 till 27 June 2017. Part 2 moved to the Monday 10:40 p.m. time slot and was broadcast from 16 October 2017 till 23 November 2017, with the originally planned 18-21 episodes cut down to 15. As the series was developed with Spanish prime-time television in mind, the episodes had a length of around 70 minutes, as is typical for Spanish television. The first five episodes of part 1 were followed by an aftershow entitled Tercer Grado ( Third Grade).

Despite boycott calls after Itziar Ituño (Raquel Murillo) had protested against the accommodations of ETA prisoners of her home Basque Country in March 2016, the show had the best premiere of a Spanish series since April 2015, with more than four million viewers and the majority share of viewers in its timeslot, almost double the number of the next highest-viewed station/show. The show received good reviews and remained a leader in the commercial target group for the first half of part 1, but the viewership eventually slipped to lower figures than expected by the Antena 3 executives. Argentine newspaper attributed the decrease in viewer numbers to the change in time slots, the late broadcast times and the summer break between the parts. Pina saw the commercial breaks as responsible, as they disrupted the narrative flow of the series that otherwise played almost in real time, even though the breaks were factored in during writing. La Vanguardia saw the interest only waning among the conventional audience, as the plot unfolded too slowly at the rate of one episode per week. Writer Javier Gómez Santander regarded the series' run on Antena 3 as a "failure" in 2019, as the ratings declined to "nothing special", but commended Antena 3 for making a series that did not rely on typical stand-alone episodes.

Part 1 was made available on Netflix Spain on 1 July 2017, like other series belonging to Antena 3's parent media group Atresmedia. In December 2017, Netflix acquired the exclusive global streaming rights for the series. Netflix re-cut the series into 22 episodes of around 50 minutes length. Cliffhangers and scenes had to be divided and moved to other episodes, but this proved less drastic than expected because of the series' perpetual plot twists. Netflix dubbed the series and renamed it from La casa de papel to Money Heist for distribution in the English-speaking world, releasing the first part on 20 December 2017 without any promotion. The second part was made available for streaming on 6 April 2018. Pina assessed the viewer experience on Antena 3 versus Netflix as "very different", although the essence of the series remained the same.

-Writer Javier Gómez Santander, September 2019

Without a dedicated Netflix marketing campaign, the series became the most-watched non-English language series on Netflix in early 2018, within four months of being added to the platform, to the creators' surprise. This prompted Netflix to sign a global exclusive overall deal with Pina shortly afterwards. Diego Ávalos, director of original content for Netflix in Europe, noted that the series was atypical in being watched across many different profile groups. Common explanations for the drastic differences in viewership between Antena 3 and Netflix were changed consumption habits of series viewers, and the binge-watching potential of streaming. Pina and Sonia Martínez of Antena 3 would later say that the series, with its high demand of viewer attention, unknowingly followed the video-on-demand format from the beginning. Meanwhile, people in Spain would discover the series on Netflix, unaware of its original Antena 3 broadcast.

In October 2017, Álex Pina said that part 2 had remote but intentional spin-off possibilities, and that his team was open to continue the robbers' story in the form of movies or a Netflix renewal. Following the show's success on the streaming platform, Netflix approached Pina and Atresmedia to produce new chapters for the originally self-contained story. The writers withdrew themselves for more than two months to decide on a direction, creating a bible with central ideas for new episodes in the process. The crucial factors in accepting Netflix' deal were the creators recognising that characters still had things to say, and having the opportunity to deviate from the perfectly orchestrated heist of the first two parts. Adamant that the story should be set in Spain again, the producers wanted to make it a sequel rather than a direct continuation, and expand on the familiarity and affection between the characters instead of the former group of strangers. Rio's capture was chosen as the catalyst to get the gang back together because he as the narrator's boyfriend represented the necessary emotional factor for the renewal not to be "suicide."

Netflix officially renewed the series for the third part with a considerably increased budget on 18 April 2018, which might make part 3 the most expensive series per episode in Spanish television history, according to . As writing was in progress, Pina stated in July 2018 that he appreciated Netflix' decision to make the episodes 45 to 50 minutes of length, as the narrative could be more compressed and international viewers would have more freedom to consume the story in smaller parts. With Netflix' new push to improve the quality and appeal of its English-language versions of foreign shows, and over 70 percent of viewers in the United States choosing dubs over subtitles for the series, Netflix hired a new dubbing crew for part 3 and re-dubbed the first two parts accordingly. Part 3, consisting of eight episodes, was released on 19 July 2019; the first two episodes of part 3 also had a limited theatrical release in Spain one day before.

In August 2019, Netflix announced that part 3 was streamed by 34 million household accounts within its first week of release, of which 24 million finished the series within this period, thereby making it one of the most-watched productions on Netflix of all time, regardless of language. Netflix had an estimated 148 million subscribers world-wide in mid-2019. In October 2019, Netflix ranked Money Heist as their third most-watched TV series for the past twelve months, and named it as the most-watched series across several European markets in 2019, including France, Spain and Italy, though not the UK. Twitter ranked the show fourth in its "Top TV shows worldwide" of 2019.

Filming of an initially unannounced fourth part of eight episodes ended in August 2019. Álex Pina and writer Javier Gómez Santander stated that unlike part 3, where the intention was to re-attract the audience with high-energy drama after the move to Netflix, the story of part 4 would unfold slower and be more character-driven. At another occasion, Pina and executive producer Esther Martínez Lobato teased part 4 as the "most traumatic [part] of all" because "this much tension has to explode somewhere". Alba Flores (Nairobi) said the scriptwriters had previously made many concessions to fans in part 3, but would go against audience wishes in part 4 and that "anyone who loves Nairobi will suffer". According to Pedro Alonso (Berlin), the focus of part 4 would be on saving Nairobi's life and standing by each other to survive. Part 4 was released on 3 April 2020; a documentary involving the producers and the cast premiered on Netflix the same day, titled Money Heist: The Phenomenon.

In October 2019, the online editions of Spanish newspapers and La Vanguardia re-reported claims by the Spanish website formulatv.com that Netflix had renewed the series for a fifth part, and that pre-production had already begun. In November 2019, La Vanguardia quoted director Jesús Colmenar's statement "That there is going to be a fifth [part] can be said", and that the new part would be filmed after Vancouver Media's new project . Colmenar also stated that there have been discussions with Netflix about creating a spin-off of the series, as well as Pina. In an interview in December 2019, Pina and Martínez Lobato would not discuss the possibility of a fifth part because of confidentiality contracts, and only said that "Someone knows there will be [a part 5], but we don't."

After the move to Netflix, the series remained the most-followed series on Netflix for six consecutive weeks and became one of the most popular series on IMDb. It regularly trended on Twitter world-wide, largely because celebrities commented on it, such as football players Neymar and Marc Bartra, American singer Romeo Santos, and author Stephen King. While users flooded social networks with media of themselves wearing the robbers' outfit, the robbers' costumes were worn at the Rio Carnival, and Dalí icons were shown on huge banners in Saudi Arabia football stadiums. Real footage of these events would later be shown in part 3 as a tribute to the show's international success. The Musée Grévin in Paris added statues of the robbers to its wax museum in summer 2018. The show's iconography was used prominently by third parties for advertising, sports presentations, and in porn.

There have also been negative responses to the influence of the show. In numerous incidents, real heist men wore the show's red costumes and Dalì masks in their attacks or copied the fictional robbers' infiltration plans. The robbers' costumes were banned at the 2019 Limassol Carnival Festival as a security measure as a result. The series was used in an attack on YouTube, when hackers removed the most-played song in the platform's history, " Despacito", and left an image of the show instead. In unrelated reports, a journalist from the Turkish state channel AkitTV and an Ankaran politician have both warned against the show for supposedly encouraging terrorism and being "a dangerous symbol of rebellion".

Spanish newspaper saw the public response as a reflection of the "climate of global disenchantment" where the robbers represent the "perfect antiheroes", and The New Statesman explained the show's resonance with international audiences as coming from the "social and economic tensions it depicts, and because of the utopian escape it offers." Viewer response was especially high in Mediterranean Europe and the Latin world, in particular Spain, Italy, France, Portugal, Brazil, Chile and Argentina, so Spanish as a common language did not appear to be a unifying reason for the show's success. Writer Javier Gómez Santander and actor Pedro Alonso (Berlin) rather argued that the Latin world used to feel at the periphery of global importance, but a new sentiment was coming that Spain could compete with the global players in terms of media production levels and give the rest of the world a voice.

The series' beginning on Antena 3 was received well by Spanish media. Nayín Costas of El Confidencial named the premiere a promising start that captivated viewers with "adrenaline, well-dosed touches of humor and a lot of tension," but considered it a challenge to maintain the dramatic tension for the remainder of the series. While considering the pilot's voice-over narration unnecessary and the sound editing and dialogs lacking, Natalia Marcos of enjoyed the show's ensemble cast and the ambition, saying "It is daring, brazen and entertaining, at least when it starts. Now we want more, which is not little." Reviewing the full first part, Marcos lauded the series for its outstanding direction, the musical selection and for trying to innovate Spanish television, but criticized the length and ebbing tension. At the end of the series' original run, Nayín Costas of El Confidencial commended the series for its "high quality closure" that may make the finale "one of the best episodes of the Spanish season", but regretted that it aimed to satisfy viewers with a predictable happy ending rather than risk to "do something different, original, ambitious", and that the show was unable to follow in the footsteps of Pina's .

After the show's move to Netflix for its international release, Adrian Hennigan of the Israeli said the series was "more of a twisty thriller than soapy telenovela, driven by its ingenious plot, engaging characters, tense flash points, pulsating score and occasional moments of humor", but taunted the English title "Money Heist" as bland. In a scathing review, Pauline Bock of the British magazine New Statesman questioned the global hype of the series, saying that it was "full of plot holes, clichéd slow-motions, corny love stories and gratuitous sex scenes", before continuing to add that "the music is pompous, the voice-over irritating, and it's terribly edited". John Doyle of The Globe and Mail praised parts 1 and 2 for the heist genre subversions; he also said that the series could be "deliciously melodramatic at times" with "outrageous twists and much passion" like a telenovela. Jennifer Keishin Armstrong of the BBC saw the series' true appeal in the interpersonal dramas emerging through the heist between "the beautiful robbers, their beautiful hostages, and the beautiful authorities trying to negotiate with them." David Hugendick of found the series "sometimes a bit sentimental, a little cartoonesque," and the drama sometimes too telenovela-like, but "all with a good sense for timing and spectacle."

Review aggregator website Rotten Tomatoes gave part 3 an approval rating of 100% based on 12 reviews, with an average rating of 7/10. The site's critical consensus reads, "An audacious plan told in a non-linear fashion keeps the third installment moving as Money Heist refocuses on the relations between its beloved characters." While lauding the technical achievements, Javier Zurro of described the third part as "first-class entertainment" that was unable to transcend its roots and lacked novelty. He felt unaffected by the internal drama between the characters and specifically, disliked Tokyo's narration for its hollowness. Alex Jiménez of Spanish newspaper found part 3 mostly succeeding in its attempts to reinvent the show and stay fresh. Euan Ferguson of The Guardian recommended watching part 3, as "it's still a glorious Peaky Blinders, just with tapas and subtitles," while Pere Solà Gimferrer of La Vanguardia found that the number of plot holes in part 3 could only be endured with constant suspension of disbelief. Though entertained, Alfonso Rivadeneyra García of Peruvian newspaper El Comercio said the show does "what it does best: pretend to be the smartest boy in class when, in fact, it is only the most alive."

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Money Heist ( Spanish: La casa de papel , "The House of Paper") is a Spanish heist crime drama television series created by Álex Pina. The series traces two long-prepared heists led by the Professor ( Álvaro Morte), one on the Royal Mint of Spain, and one on the Bank of Spain.

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Estella is a young and clever grifter who's determined to make a name for herself in the fashion world. She soon meets a pair of thieves who appreciate her appetite for mischief, and together they build a life for themselves on the streets of London. However, when Estella befriends fashion legend Baroness von Hellman, she embraces her wicked side to become the raucous and revenge-bent Cruella.

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Videos1

Ely and Mia (Daniel Padilla and Kathryn Bernardo) find each other on their individual journeys in finding redemption. After the unfortunate passing of Ely's girlfriend, Ely moves to Barcelona, Spain to fulfill his wishes when he meets a girl who reminds him of her. He tries to ignore the thought of her, but fate would always bring them together. Both struggle at first: but as they get know each other, things begin to feel lighter. Soon, Mia finds herself falling for Ely, who is not yet done loving someone else. With a strong voice of today's youth, this romantic-drama movie shows two people who are faced with the truth about themselves and about the past so that they can have a future together.

By what name was Barcelona: A Love Untold (2016) officially released in Canada in English?

Answer

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Barcelona: A Love Untold: Directed by Olivia M. Lamasan. With Kathryn Bernardo, Daniel Padilla, Aiko Melendez, Joshua Garcia. A young man Elly, still trying to get over his past relationship, meets a young woman Mia in Barcelona trying to run away from her past.

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When precocious Alice enters her kingdom, the Queen gets guillotines and rolling heads in her eyes, just like bullies the world over. But one of the most important lessons for any young person to learn is not to let bullies get you down and always stand up for yourself.

Throughout the course of Alice's Adventures in Wonderland, Alice goes through a variety of absurd physical changes. The discomfort she feels at never being the right size acts as a symbol for the changes that occur during puberty.

Escaping your everyday life and tumbling into a whimsical world of nonsense and mockery has universal appeal. Wonderland is a world of discovery where normal rules do not apply. Despite being a child, Alice is more logical and well-mannered than many of the adults, turning reality on its head.

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The top series takes on the theme of forbidden love and crafts it into a modern Romeo and Juliet. However, instead of the Montagues and Capulets, it depicts the lives of a South Korean billionaire and CEO, Yoon Se-Ri, and North Korean Special Forces Unit Captain, Ri Jeong-Hyeok.

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One night per year, the government sanctions a 12-hour period in which citizens can commit any crime they wish -- including murder -- without fear of punishment or imprisonment. Leo, a sergeant who lost his son, plans a vigilante mission of revenge during the mayhem. However, instead of a death-dealing avenger, he becomes the unexpected protector of four innocent strangers who desperately need his help if they are to survive the night.

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The movie was about a family with different magic/Gift (or should I say Encanto). But one member, Mirabel, didn't get any gift. And this frightened and disappointed their Abuela. So to make up for it Mirabel had always tried to help the family in her own way. But it became the reason for their family to break. Her Uncle Bruno leaving, Mirabel and her sister Isabela not working out, and more family misunderstanding. But as we go on the story the family starts to mend and tries to understand each other.

Encanto if more of a interpersonal family story. The relationships, traditions, and beliefs are quite similar to people, thus they understand and relate more to the story.

The movie is great as it is. But if there is one change I could make that is for the family Madrigal to have always understood and and cared and have not down each other.

The lessons I have picked in the movie is that everyone is equally special as the other despite who and what they have done. We are all special in our own ways. And to not let this differences be the reason for one to have misunderstandings. That we are all to be loved not because of what we can do but because of who we are.

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It's been five years since Hiccup and Toothless successfully united dragons and vikings on the island of Berk. While Astrid, Snotlout and the rest of the gang are challenging each other to dragon races (the island's new favorite contact sport), the now inseparable pair journey through the skies, charting unmapped territories and exploring new worlds. When one of their adventures leads to the discovery of a secret ice cave that is home to hundreds of new wild dragons and the mysterious Dragon Rider, the two friends find themselves at the center of a battle to protect the peace. Now, Hiccup and Toothless must unite to stand up for what they believe while recognizing that only together do they have the power to change the future of both men and dragons.
Five years after Hiccup unified dragons and Vikings, they all face a new enemy - Drago, a man starting a war with dragons to rule the whole world once and for all. While Stoick would rather lock up and stay away from him, Hiccup wants to reason with him like he did with his dad. Traveling away from Berk, Hiccup comes across his long lost mother, who has been riding dragons way before he has. Does Hiccup have what it takes to take on Drago and his army of dragons?

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Because I love loves, maybe I've watched some happy endings, so I chose him because there is a mixture of trembling or crying in my heart, so I wonder if you're in the movie or maybe you're the actor in the movie.

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The Bollywood film, My Name Is Khan (2010) is the story of an Indian Muslim man, Rizwan Khan, with Asberger’s Syndrome, living in the San Francisco area and married to an Indian Hindu woman, who, post 9/11, sets off on a journey across the United States to tell the President, “My name is Khan, and I’m not a terrorist.” Filmed in lush settings in both India and the U.S., this high-budget production was a blockbuster both in India and abroad. For director Karan Johar, known for his highly successful glossy romantic dramas, such as Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabbi Gam (2001), it was a significant departure, both in terms of theme and cinematography. Six months before the release of My Name Is Khan, the star of the film, Shah Rukh Khan, while on a trip to the U.S., was detained by Homeland Security in the Newark airport and questioned for about two hours, because his name, Khan, had triggered a security alert. In Mumbai, demonstrators from the militant Hindu party, Shiv Sena, threatened the opening of the film. These two incidents, while external to the content of the film itself, relate directly to the intended audiences and to the message of the film. My Name is Khan, a love story set in pre and post-9/11 U.S., is an attempt to dispel stereotypes about Muslims for a Western, primarily North American, audience. Equally important is the message for the Indian audience of national unity, interreligious harmony and cooperation, in the wake of the Mumbai bombings of 26/11 (Nov. 26, 2008), while at the same time celebrating distinctive Muslim, as well as Hindu, religious identities. This paper explores ways in which Muslim images, practices, and beliefs—such as recitation of Bismillah, daily public prayer and wearing of prayer caps, hijab for women, giving of alms, the story of Abraham and Ishmael, and the pervasive Sufiana musical score—along with selected Hindu and American (especially African-American) motifs, are highlighted, reinterpreted, and re-contextualized. My Name is Khan, while navigating a minefield of problematic representations and cultural stereotypes, presents an identity that is at once both Muslim and Indian, while at the same time promoting a vision of universal humanity.

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MY ID IS GANGNAM BEAUTY

It looks at the life of a young timid woman, Kang Mi-Rae, who was bullied in school for being 'ugly'. Before she begins life anew in the university, she undergoes plastic surgery, in the hope of looking like a 'regular student. While in a middle school , there is a guy , who is very well known at their school , Do Kyung Seok . He and Kang Mi Rae was school mate during their middle school years and the they met again at their college life . We can say that there are many ladies in their school , i mean natural beauty but at the end of the story , it is still Kang Mi Rae that Do Kyung Seok wants .

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Miss Peregrine's Home for Peculiar Children

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Miss Peregrine's Home for Peculiar Children  is a 2016 fantasy film directed by Tim Burton and written by Jane Goldman based on the 2011 novel. Miss Peregrine's Home for Peculiar Children (Book) by Ransom Riggs. The film is an adaptation of the book. The film stars are Eva Green , Asa Butterfield, Chris O'Dowd, Allison Janney, Rupert Everett, Terence Stamp, Ella Purnell, Judi Dench and Samuel L. Jackson. When his beloved grandfather leaves Jake clues to a mystery that spans different worlds and times, he finds a magical place known as Miss Peregrine’s Home for Peculiar Children. But the mystery and danger deepen as he gets to know the residents and learns about their special powers and their powerful enemies.

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The film is about a mentally challenged man wrongfully imprisoned for murder, who builds friendships with the hardened criminals in his cell, who in return help him see his daughter again by smuggling her into the prison.

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In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.

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A Dog's Purpose is a 2017 American comedy-drama adventure film directed by Lasse Hallström and written by W. Bruce Cameron, Cathryn Michon, Audrey Wells, Maya Forbes, and Wally Wolodarsky, based on the 2010 novel of the same name by W. Bruce Cameron. The film stars Britt Robertson, KJ Apa, Juliet Rylance, John Ortiz, Kirby Howell-Baptiste, Peggy Lipton, Dennis Quaid, and Josh Gad. Based on the beloved bestselling novel by W. Bruce Cameron, A Dog’s Purpose, from director Lasse Hallström shares the soulful and surprising story of one devoted dog (voiced by Josh Gad) who finds the meaning of his own existence through the lives of the humans he teaches to laugh and love.

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Jassen Nicanor FBS-C
This is my fave movie because the characters are just awesome and it has a lots of plot twists.