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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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The standard photographic film format for analog single lens reflex (SLR) still cameras and motion picture cameras.

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a type of camera with two objective lenses of the same focal length.

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a darkened box with a convex lens or aperture for projecting the image of an external object onto a screen inside. It is important historically in the development of photography.

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The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography.

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a keeper or custodian of a museum or other collection.

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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a room or building for the display or sale of works of art.

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a building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.

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A photographic studio is often a business owned and represented by one or more photographers

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A line is a mark with more length than width. Lines can be horizontal, vertical, and diagonal.

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a flat area of enclosed space

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an element consisting of hues, of which there are three properties: hue, chroma or intensity, and value

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any area an artist creates for a specific purpose

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the way an object feels to the touch or looks as it may feel if it were touched

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deals with the lightness or darkness of a color

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the three-dimensional version of a shape

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the distribution of the visual weight of objects, colors, texture, and space

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a repetition of more than one design element working in concert with each other

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how artists and designers add complexity to their work using visual elements

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the relationship between one part of a design and another part or to the whole design

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the path the viewer's eye takes through the work of art, often to focal areas

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the principle that pulls together all the other elements of the design

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the part of the design that catches the viewer's attention

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symmetry where the body can be divided into two equal halves in any plane passing through the centre of the axis.

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a balanced and proportionate similarity that is found in two halves of an object

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lack of equality or equivalence between parts or aspects of something; lack of symmetry.

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the fact of two things being seen or placed close together with contrasting effect.

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images created using photography materials and equipment that don't have an immediate association with the physical world

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any color that is calm or soothing in nature

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any color that is vivid or bold in nature

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muted shades that appear to lack color but often have underlying hues that change with different lighting

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one of two colors (such as red and green) that are very different from each other and produce a dull color (such as brown or gray) when they are mixed together.

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Monochromatic colors are all the colors of a single hue.

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the rate of change with respect to distance of a variable quantity, as temperature or pressure, in the direction of maximum change

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focuses on providing constructive feedback, supported by specific examples, to help you improve in some area.

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the practice of taking someone else's work or ideas and passing them off as one's own.

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relating to moral principles or the branch of knowledge dealing with these

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Based on or influenced by personal feelings, tastes, or opinions. Objective: (of a person or their judgement) not influenced by personal feelings or opinions in considering and representing facts

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Copyrights primarily protect the rights of people who create literary, dramatic, musical, artistic, and certain other intellectual works (like history tests, and software code). Trademarks protect the use of a company's name and its product names, brand identity (like logos) and slogans

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a type of composition in which an image is divided evenly into thirds, both horizontally and vertically

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a compositional technique where human-made or natural lines lead the viewer's eyes through a photograph to the subject or the heart of the image

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a composition guide

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emphasizes not just the subject, but the empty space around the subject

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positive space is the actual subject

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backlighting is the process of illuminating the subject from the back.

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a soft light with neither the intensity nor the glare of direct light. It is scattered and comes from all directions

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A soft light that is reflected off the ceiling

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an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something

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the dark shape and outline of someone or something visible against a lighter background, especially in dim light

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a set of two photos you can use to tell a story and emphasise contrast

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a common style used in modern commercial artwork

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an aerial photograph or satellite imagery geometrically corrected ("orthorectified") such that the scale is uniform

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created by the curved shape of the lens

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causes straight lines to curve outwards from the center of the image

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your camera's sensitivity to light as it pertains to either film or a digital sensor

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an arbitrary rating of film speed

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a device that allows the camera to convert photons – that is, light – into electrical signals that can be interpreted by the device

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the visible silver crystals in a film negative's emulsion

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a certain type of visual distortion

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the opening of a lens's diaphragm through which light passes

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the term used to denote aperture measurements on your camera.

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determined when the lens is focused at infinity

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the distance between the nearest and furthest elements in a scene that appear to be "acceptably sharp" in an image

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the way the lens renders out-of-focus points of light

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when the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot

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the camera selects and sets both the shutter speed and the aperture

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requires the photographer to make all the decisions that determine an image's exposure

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a semi-automatic camera mode that allows you to set the shutter speed and ISO, while your camera sets the aperture

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the photographer selects a specific aperture value and the camera autoselects the proper shutter speed based on how much light it detects.

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the speed at which the shutter of the camera closes

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an exposure setting that is used when seeking to use a shutter speed of more than 30 seconds

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the purposeful streaking or blurring of an object in motion in a photo for visual effect

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accessories designed to support a camera

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the technique in which the camera's shutter is left open during a somewhat lengthy period of time

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used to capture change or movement that occurs over a long period time

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a photographic technique where light is “painted” or “drawn” into the photograph using a hand held light source during a long exposure

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freezes objects in motion in a still frame

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a shooting mode in still cameras where several photos are captured in quick succession by either pressing the shutter button or holding it down.

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allows the camera to measure the light reflected from the person's face and expose properly for that, instead of adjusting exposure for the much brighter light around the hairline.

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covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject

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evaluates the light in the middle of the frame and its surroundings and ignores the corners

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the default metering mode on most cameras

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mid-point between black and white on a logarithmic or exponential curve