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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge.

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A twin-lens reflex camera is a type of camera with two objective lenses of the same focal length. One of the lenses is the photographic objective or "taking lens", while the other is used for the viewfinder system, which is usually viewed from above at waist level.

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a darkened box with a convex lens or aperture for projecting the image of an external object onto a screen inside. It is important historically in the development of photography.

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The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography. As such, films and printing papers available for analog photography rarely rely on any other chemical process to record an image.

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a keeper or custodian of a museum or other collection.

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Museums of History NSW is changing the way our past is understood and our future will be experienced.

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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a room or building for the display or sale of works of art.

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a building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.

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A photographic studio is often a business owned and represented by one or more photographers, possibly accompanied by assistants and pupils, who create and sell their own and sometimes others’ photographs.

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An element of art defined by a point moving in space. Line
may be two-or three-dimensional, descriptive, implied, or
abstract.

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An element of art that is two-dimensional, flat, or limited to
height and width.

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An element of art that is three-dimensional and encloses
volume; includes height, width AND depth (as in a cube, a
sphere, a pyramid, or a cylinder). Form may also be free
flowing.

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The lightness or darkness of tones or colors. White is the
lightest value; black is the darkest. The value halfway
between these extremes is called middle gray.

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An element of art by which positive and negative areas are
defined or a sense of depth achieved in a work of art

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An element of art made up of three properties: hue, value,
and intensity.
• Hue: name of color
• Value: hue’s lightness and darkness (a color’s value
changes when white or black is added)
• Intensity: quality of brightness and purity (high
intensity= color is strong and bright; low intensity=
color is faint and dull)

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An element of art that refers to the way things feel, or look
as if they might feel if touched.

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the distribution of the visual weight of objects, colors, texture, and space.

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how artists and designers add complexity and visual interest to their work

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the Repetition of: LINES; FORMS; TEXTURES; COLOUR.

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the relationship between one part of a design and another part or to the whole design.

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portrays the act or process of changing place or direction, orientation, and/or position through the visual illustration of starting or stopping points, blurring of action, etc.

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the principle that pulls together all the other elements of the design.

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when the artist creates an area of the composition that is visually dominant and commands the viewer's attention

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a form of symmetrical balance where elements within an image radiate outwards from a central point.

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achieved when both sides of the image hold equal weight.

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unequal visual weight on either side.

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combining two or more elements in the same picture, highlighting the interesting contrast between them, to create an eye-catching and thought-provoking image

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images created using photography materials and equipment that don't have an immediate association with the physical world

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any color that is calm or soothing in nature.

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convey emotions from simple optimism to strong violence.

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a color without much intensity or saturation

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a color that combined with a given color makes white or black.

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Monochromatic colors are all the colors of a single hue. Monochromatic color schemes are derived from a single base hue and extended using its shades, tones and tints. Tints are achieved by adding white and shades and tones are achieved by adding a darker color, grey or black

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a critique which is constructive– it informs the photographer how to improve.

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when someone takes/uses another person's work or part of someone's work and makes it appear to be his/her own.

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applying concepts like responsibility, power, and dignity to how we we take and share photographs

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Subjective photography is the creative or artistic process.  an impersonal image not influenced by feelings, interpretations or prejudice

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you own an image you created is copyright. a word, phrase, symbol or image unique enough to register as a business' exclusive brand is trademark

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a composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open

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a compositional technique where human-made or natural lines lead the viewer's eyes through a photograph to the subject or the heart of the image,”

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a composition guide.

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emphasizes not just the subject, but the empty space around the subject.

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the actual subject

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positioning the main light source for a photograph behind the primary subject

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light that's filtered by something

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any light a photographer or cinematographer did not bring to the shoot.

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a renaissance painting technique which literally means “light-dark” in Italian.

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a solid, dark image of a subject against a brighter background.

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a set of two photos you can use to tell a story and emphasise contrast

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a common style used in modern commercial artwork.

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a way of representing a 3D object by using several 2D views of the object

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created by the curved shape of the lens

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causes straight lines to curve outwards from the center of the image.

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your camera's sensitivity to light as it pertains to either film or a digital sensor.

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an arbitrary rating of film speed;

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a device that allows the camera to convert photons – that is, light – into electrical signals that can be interpreted by the device.

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the visible silver crystals in a film negative's emulsion.

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visual distortion.

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The Camera makes all of the dicisions for you

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the camera selects and sets both the shutter speed and the aperture.

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You control everything on the camera

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a setting on cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure

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a mode on some cameras that allows the user to set a specific aperture value while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions as measured by the camera's light meter.

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shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light when taking a photograph. The amount of light that reaches the film or image sensor is proportional to the exposure time.

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A shutter speed that holds open for the amount of time you hold down the capture button

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The blur in an image when there is movement and the shutter is open for a certain amount of time

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ccessories designed to support a camera

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the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images

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When the shutter speed is long and lets lots of light in

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A shortened video of a long period of time

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When using a long exposure to make motion blur with lights

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freezes objects in motion in a still frame

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a shooting mode in still cameras where several photos are captured in quick succession by either pressing the shutter button or holding it down.

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allows the camera to measure the light reflected from the person's face and expose properly for that, instead of adjusting exposure for the much brighter light around the hairline.

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covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject.

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evaluates the light in the middle of the frame and its surroundings and ignores the corners

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the default metering mode on most cameras

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“mid-point between black and white on a logarithmic or exponential curve.”

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Any photo that uses shadows as a prominent part of the composition — to enhance the contrast of a subject or as the subject itself

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A medium tone, one that is neither very dark nor very light.

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the lightest elements in an image,

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a darker border - sometimes as a blur or a shadow - at the periphery of photos

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a chemical process that converts the metallic silver in the emulsion of a photographic print into a silver sulfide compound.

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a specific part of the frame where the camera is able to focus on something.

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a specific part of the frame where the camera is able to focus on something.

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a number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV (for any fixed scene luminance).

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helps you override automatic exposure adjustments your camera makes in situations with uneven light distribution, filters, non-standard processing, or underexposure or overexposure.

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the process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo.

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a preset layout for the various elements that make up Photoshop's interface.

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On the left side where all of your tools will be

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the entire range of colors that can be rendered by a digital device such as a camera LCD or a computer monitor.

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the part of a browser or application window, typically at the top left side, that houses drop-down menus that allow the user to interact with the content or application in various ways.

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used to choose settings for each tool

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taking a part of a picture put

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the proportional relationship between an image's width and height.

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the level of detail contained in an image.

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PPI describes the resolution in pixels of a digital image whereas DPI describes the amount of ink dots on a printed image

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“Straight Out Of Camera”

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a file format for a digital image.