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Hello, my name is Francisco Santos, I'm 16 years old and I'm from Trofa, Portugal.

I'm taking part in the short film project on domestic violence because I believe that this is a very important topic that needs to be talked about. I want to give a voice to the victims and show, through cinema, the real impact that domestic violence has on people's lives. This is a way of raising awareness in society and contributing to change.

What's more, this experience represents a unique opportunity for personal and cultural growth. The fact that we can take this project to Turkey is very special to me. It will allow me to represent my country, get to know other cultures and learn from different perspectives.

Thank you!

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ROTEIRO – “ECOS DO SILÊNCIO”

Género: Drama Social
⸻

Cena 1 – As Aparências Iludem (Introdução)

Local: Apartamento de Mafalda e André. Jantar informal com Marta, Sara e Henrique.

(A cena começa com André a servir vinho aos convidados. Mafalda traz um prato para a mesa, forçando um sorriso.)

ANDRÉ
(sorridente) Espero que estejam com fome! A Mafalda passou a tarde a preparar isto.

MAFALDA
(baixa o olhar) Só quis fazer algo especial.

MARTA
(sorrindo) Parece delicioso!

(Durante o jantar, André mantém uma postura afetuosa. Ele toca na mão de Mafalda, acaricia-lhe o rosto. Todos riem de uma piada do Henrique, mas Mafalda parece deslocada.)

(Ela tenta pegar num copo de vinho e deixa-o cair. O vidro estilhaça. André segura-lhe o pulso rapidamente, apertando com força.)

ANDRÉ
(baixo e ríspido) Olha o que fizeste… Sempre tão distraída.

(Os outros percebem. Mafalda recua. Marta troca um olhar preocupado com Sara, que finge não ver.)

HENRIQUE
(tentando aliviar o ambiente) Acontece, André. Relaxa, a gente ajuda a limpar.

ANDRÉ
(largando Mafalda, forçando um sorriso) Claro… só foi um acidente.

(O jantar continua, mas o ambiente já mudou.)

⸻

Cena 2 – O Reflexo da Verdade (Construção de Tensão)

Local 1: Escritório onde Mafalda e Sara trabalham.

(Sara observa Mafalda a puxar as mangas da blusa, cobrindo os pulsos.)

SARA
(brincalhona, mas observadora) Está um calor hoje, hein? E tu de manga comprida?

MAFALDA
(rápida) Ah… ar condicionado. Sabes como é.

SARA
(baixando o tom) Andas diferente, Mafalda. Se precisares de falar…

MAFALDA
(cortando) Está tudo bem, Sara. Obrigada.

(Sara observa enquanto Mafalda se afasta, claramente desconfortável.)

Local 2: Entrada do prédio de Mafalda e Marta.

(Marta encontra Mafalda a chegar a casa. Ao abraçá-la, Mafalda encolhe-se subtilmente.)

MARTA
(baixo, preocupada) Está tudo bem?

MAFALDA
(afastando-se, forçando um sorriso) Claro. Só estou cansada.

(Marta assente, mas percebe a verdade.)

Local 3: Bar, André e Henrique a beberem cerveja.

ANDRÉ
(rindo) Uma mulher tem de saber o seu lugar. Se não, ensinamos-lhe.

(Henrique hesita, incomodado.)

HENRIQUE
(nervoso) A Mafalda é boa pessoa, pá… Estás a falar como se…

ANDRÉ
(interrompendo, rindo) Relaxa, Henrique! Só conversa de homens.

(Henrique bebe em silêncio, mas parece pensativo.)

⸻

Cena 4 – Estalo (Irritado)

Local: Sala da Mafalda e do André.

(André bate em mafalda por estar irritado)

⸻

Mensagem Final na Tela:

"não há fim feliz o silêncio mantém a dor viva"

(Inserir contactos de apoio e ajuda nacionais.)

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Hello, my name is Duarte Soares, I'm 18 years old and I'm from Rio Tinto in Portugal.

I'm taking part in this short film project about domestic violence because I believe it's a very important topic that needs to be talked about and fought against. Through this project, I want to help raise awareness among other people and show that art, such as cinema, can be a powerful way of conveying messages and bringing about change.

In addition, this participation is also a unique opportunity for me, as it will allow me to grow personally and culturally, meet new people and represent my country in Turkey.

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Hello, my name is Leonor Barbosa, I'm 17 years old and I'm from Matosinhos, Portugal. I'm very excited to be part of this short film project about domestic violence, a topic that I think is extremely important and topical.

I decided to take part in this project because I believe that art, especially cinema, has enormous power to raise awareness and inform people. Domestic violence continues to be a reality for many victims in silence, and I feel that by giving voice to these stories, we are contributing to change.

In addition, this experience will allow me to grow on a personal and cultural level, especially with the opportunity to travel to Turkey, where I will be able to get to know other realities and share ideas with young people from different countries. I'm very grateful for this opportunity and motivated to do my best.

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My name is Joana Silva, I'm 18 years old and I live in Porto, more precisely in Carolina Michaelis. Together with my group, I'm creating a short film about domestic violence, an important topic that we want to address in a conscious and impactful way. This project is part of an Erasmus initiative that will take us to Turkey, where we will share our work with young people from other countries.

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Hi, I'm Clara Carvalho, I'm 17 and I'm from Vila do Conde. I'm creating a short film about domestic violence, a topic that I think is urgent and important. This project will take me to Turkey, where I'll have the opportunity to present it and share ideas with young people from other countries.

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Domestic violence is an open wound within four walls. It's the contained scream, the lowered gaze, the fear that hides behind locked doors. It often leaves no visible marks, but it leaves deep scars on the soul.

This evil doesn't choose a face, age or social status. It's in the houses next to us, in the hushed voices we meet on the street, in the bodies that learn to shrink to fit into a routine of terror. It can be physical, psychological, emotional, sexual or financial. And in all its forms, it is an abuse of power, an attempt to control, a slow destruction of someone's dignity.

When we presented this topic to the class, we felt the weight and responsibility of giving voice to a subject that is so often kept silent. It was important not only to raise awareness, but also to invite reflection, empathy and action. Sharing this topic in a classroom context helped us realize how present and ignored domestic violence can be, and how essential it is to talk about it openly, especially among young people. The discussion allowed different perspectives to emerge and made it clear that change starts with education and awareness.

In this short film, we look inside this invisible world. Not to romanticize it, but to expose it. To give a voice to those who have been silenced. To show that love doesn't hurt, humiliate or kill.

It's a call to concistent, a mirror of reality and, above all, an invitation to change. Because reporting is an act of courage. Because listening can save a life. Because no one should suffer where they should feel safe.

Domestic violence is a crime. And as long as there is silence, it will continue to grow. May this film be a cry - for those who need help, for those who can help, and for those who can no longer remain silent.

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ROTEIRO - “ECOS DO SILÊNCIO”

Genre: Social Drama

⸻

Scene 1 - Appearances can be deceiving (Introduction)

Location: Mafalda and André's apartment. Informal dinner with Marta, Sara and Henrique.

(The scene begins with André serving wine to the guests. Mafalda brings a plate to the table, forcing a smile).

ANDRÉ

(smiling) I hope you're hungry! Mafalda spent the afternoon preparing this.

MAFALDA

(lowers her gaze) I just wanted to do something special.

MARTA

(smiling) It looks delicious!

(During dinner, André maintains an affectionate posture. He touches Mafalda's hand and strokes her cheek. Everyone laughs at Henrique's joke, but Mafalda looks out of place.)

(She tries to pick up a wine glass and drops it. The glass shatters. André quickly grabs her wrist, squeezing hard).

ANDRÉ

(low and harsh) Look what you've done... You're always so distracted.

(The others notice.) Mafalda steps back. Marta exchanges a worried glance with Sara, who pretends not to see).

HENRIQUE

(trying to lighten the mood) It happens, André. Relax, we'll help you clean up.

ANDRÉ

(letting go of Mafalda, forcing a smile) Of course... it was just an accident.

(Dinner continues, but the atmosphere has changed.)

⸻

Scene 2 - The Reflection of Truth (Building Tension)

Location 1: Office where Mafalda and Sara work.

(Sara observes Mafalda pulling up the sleeves of her blouse, covering her wrists.)

SARA

(playful, but observant) It's hot today, huh? And you're wearing long sleeves?

MAFALDA

(quick) Ah... air conditioning. You know how it is.

SARA

(lowering her tone) You're different, Mafalda. If you need to talk...

MAFALDA

(cutting in) It's all right, Sara. Thank you.

(Sara watches as Mafalda walks away, clearly uncomfortable.)

Location 2: Entrance to Mafalda and Marta's building.

(Marta meets Mafalda coming home. As she hugs her, Mafalda subtly shrinks away).

MARTA

(low, worried) Is everything all right?

MAFALDA

(pulling away, forcing a smile) Of course. I'm just tired.

(Marta nods, but realizes the truth.)

Location 3: Bar, André and Henrique drinking beer.

ANDRÉ

(laughing) A woman has to know her place. If not, we'll teach her.

(Henrique hesitates, annoyed.)

HENRIQUE

(nervous) Mafalda's a good person, man... You're talking as if...

ANDRÉ

(interrupting, laughing) Relax, Henrique! It's just men talking.

(Henrique drinks in silence, but looks thoughtful.)

⸻

Scene 4 - Snap (Annoyed)

Location: Mafalda and André's room.

(André hits Mafalda because he's annoyed)

⸻

Final Message on Screen:

"there's no happy ending silence keeps the pain alive"

(Insert national support and help contacts.)

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This short film was much more than just a school assignment - it was a challenging, emotional and learning-filled journey. Right from the start, we knew we were dealing with a sensitive and delicate subject: domestic violence. That's why the biggest challenge was to find a way to approach this reality with the respect and seriousness it deserves.

We had difficulties at various stages of the project. At the beginning, we didn't all know how to turn the idea into a script. It took a lot of group discussions, attempts and restarts to find the right tone - realistic, but without exaggeration; strong, but without falling into unnecessary drama. There were also times when we didn't know how to represent certain emotions or record certain scenes without getting affected. Creating something that touches on such a heavy subject ended up messing with us emotionally, and that was a big hurdle we had to overcome together.

The technical side also brought us challenges: recording in suitable locations, dealing with the sound, repeating scenes several times, controlling the light. All this required patience, teamwork and a lot of dedication.

Using the Insta360 camera for the first time was a great challenge, but also a very enriching experience. We had to learn to deal with a new way of filming, where everything around is captured, which required more planning and attention to detail.

The most striking thing was realizing that the video will be viewed with virtual reality glasses. This makes the experience much more immersive and those watching feel like they are inside the scene, which gives even more strength to the message we want to convey. In the end, it was an incredible opportunity to explore new technologies and give our work more impact

In the end, this project taught us more than any class could. We learned to work as a team, to listen to others, to deal with pressure and, above all, to use our creativity to give a voice to those who are so often silenced. Talking about domestic violence wasn't easy, but it was necessary and today we are proud to have had the courage to do it.

We hope that this short film is not just a story. Let it be a warning, a mirror and, perhaps, a starting point for change.

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Violência Doméstica Grupo 1 - Silent Screams .pdf

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Insta 360 video

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EPROMAT Escola Profissional de Matosinhos