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(a,b,c,d,e&f) States of things   (take 6 images using the camera’s sequential/continuous function in which it shoots several exposures in succession)

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(a,b,c,d,e&f) States of things   (take 6 images using the camera’s sequential/continuous function in which it shoots several exposures in succession)

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(a,b,c,d,e&f) States of things   (take 6 images using the camera’s sequential/continuous function in which it shoots several exposures in succession)

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(a,b,c,d,e&f) States of things   (take 6 images using the camera’s sequential/continuous function in which it shoots several exposures in succession)

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(a,b,c,d,e&f) States of things   (take 6 images using the camera’s sequential/continuous function in which it shoots several exposures in succession)

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(a,b,c,d,e&f) States of things   (take 6 images using the camera’s sequential/continuous function in which it shoots several exposures in succession)

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”the Image”   (shoot a 30 second video clip)

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Symbol (Three shots of the same object from three different distances. Use the zoom to make the object the same size within the frame)

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Symbol (Three shots of the same object from three different distances. Use the zoom to make the object the same size within the frame)

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Symbol (Three shots of the same object from three different distances. Use the zoom to make the object the same size within the frame)

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Symbolic surfaces (take a photograph of something that is as close as possible to the lens whilst still being fully in focus.)

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The sea is vast, deep and mysterious, symbolising the power of nature and the source of life. The body, on the other hand, is tiny and fragile, insignificant compared to the sea, but in this moment, the body and the sea become one, displaying a unique power and beauty.

Bodies play a key role in this image, they may be lonely, they may be fragile, but in the context of the sea, they become powerful and beautiful. The lines of the bodies echo the waves of the sea, creating a harmonious visual effect. In this moment, the body seems to be an extension of the sea, blending and merging with it, and together they form the core of this image.

The sea plays the role of the background in this image, it is timeless and grandiose, contrasting with the body. The azure tones of the sea contrast strongly with the soft colours of the body, highlighting its presence. The waves of the sea intertwine with the silhouette of the body, creating a dynamic visual effect that imbues the entire image with life and vigour.

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Photographer Monaris continues to create a series of photographs of hands.

She believes that each hand represents a unique story of life.

The details and textures represent achievements, struggles, hard work and sacrifices, and the stories are told through differences in clothing, skin colour, and objects held.

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In my final project, I present a landscape filled with seemingly identical spaces, yet each person or family is immersed in their own world with no intersections with each other. This scenario is like the intersection of parallel worlds, or wandering through different layers, presenting a very different yet co-existing reality.

In this space full of homogeneity, we see a variety of life scenes. Perhaps in a high-rise building, each room has a different rhythm of life and emotional atmosphere. Some families may be overflowing with laughter as they share dinner around the dining room table, while another family may be savouring the quiet of solitude in their respective bedrooms. In a park in the same neighbourhood, a group of friends or families may be playing sports and games together, but each group seems to be in a world of its own, with no sign of interaction with others.

The project presents an intricate social landscape in which each individual or family is pursuing their own happiness and fulfilment. They may have different values, dreams and pursuits, making their life trajectories each run in a different direction. Although they are in the same space, they seem to live in their own worlds, constructing an invisible barrier that makes communication difficult and blurred.

I hope that this group of works can provoke us to think deeply about individualism, social division and interpersonal relationships. In today's fast-paced and highly competitive society, the emphasis on individualism and self-worth makes people pay more attention to their personal needs and desires, while neglecting to connect and share with others. In the process, people may choose to enclose themselves in their own world, seeking their own fulfilment and peace of mind, while ignoring the existence and needs of others.

However, it also reminds us that although each person is an individual, we also co-exist in the same space. In this process of coexistence, perhaps we can understand and respect each other's differences more, and seek ways to establish real connections, thus creating a more harmonious and inclusive social environment. Perhaps through photography, we can arouse people's awareness of coexistence and mutual support, so that everyone can find their own place and value in this busy world.

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In this collection of photographs, I not only explored the loneliness that exists in each person alone, but also observed the gaps and divisions between people. Despite being in the same space, their lives, interests and emotional worlds may be very different. This gap may be the result of culture, social status, or even personal experience.

On a crowded city street, we may see a businessman in designer clothes hurrying past and a homeless man looking at him, but their life paths may be far apart. In a busy cafe, there may be a pair of lovers snuggling intimately, but the lonely person next to them may be silently immersed in their own world, with no interaction with those around them. And in a quiet library, everyone is focused on the book in their hands, but their choices and interests can be vastly different, making the distance between them even more pronounced.

This gap and disconnect has become more pronounced in modern society, partly due to increased individualism and social divisions. Despite the fact that we live in a highly interconnected world, the social circles and groups in which each person lives can be completely different, leading to disconnection and difficulties in understanding each other. However, it is this gap and disconnection that deepens each person's sense of isolation and creates a unique state of coexistence in between.

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Main Theme Confirmation is an exploration of scenarios within a space that appears to be the same, but where everyone is immersed in their own worlds that do not intersect with each other. These scenes may include crowded city streets, busy cafes, or quiet libraries. However, despite being in the same space, the people present themselves as separate entities.

Some of the photographs present a unique sense of solitude, capturing people's deepest emotions and thoughts. Perhaps someone is contemplating over a cup of coffee, another is entranced while listening to music, and still another is immersed in a sea of knowledge while leafing through a book. Their eyes may be lost. And some photos reflect the unique atmosphere between families.

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After tutorial with Jacob, he helped me choose two very representative images.

This gave me direction and gave me more clarity on my subject and what I was going to do next.

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I photographed a lot of cosy moments in Barcelona and a lot of people who were focused on themselves. I didn't have too clear a goal, just an initial inspiration. So I took a lot of photos with different feelings, but they didn't make up a topic.

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Paris syndrome, first coined by Japanese psychiatrist Hiroaki Ota in the 1980s and later elaborated upon in his 1991 book, gained attention after a case reported by Katada Tamami of Nissei Hospital in 1998 involving a Japanese patient with manic-depression. Youcef Mahmoudia, a physician at Hôtel-Dieu de Paris, suggested that Paris syndrome is more accurately described as a psychopathology related to travel rather than a specific syndrome of the traveler. He theorized that the excitement of visiting Paris could lead to physical symptoms such as an accelerated heart rate, giddiness, and shortness of breath, potentially causing hallucinations similar to those described in the Stendhal syndrome by Italian psychiatrist Graziella Magherini.

Despite initial reports of a 24-hour hotline for those experiencing severe culture shock provided by the Japanese embassy in Paris, the embassy has denied the existence of such a hotline. Reports vary on the frequency and severity of Paris syndrome cases, with the Japanese embassy in Paris acknowledging around 20 cases per year in 2006. However, in 2011, the embassy refuted claims of repatriating Japanese nationals due to Paris syndrome, suggesting conflicting information regarding the syndrome's prevalence and management.

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The second city I chose was Paris because it's the city I've been fantasising about since I was a kid. Most people come to Paris with a filter. (Paris Syndrome). This wasn't my first time in Paris, but my last impression of Paris shattered my illusions. It wasn't very glamorous. The layout of the city looks a lot like London. I chose to come to Paris again because I wanted to find ordinary moments in Paris.

Also, relevant to my topic. I want to break the illusion and just focus on what I see in front of me.

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Paris syndrome is often defined as a “state of severe culture shock”. Physical and psychological symptoms when Paris fails to live up to expectations have been known to include hallucinations, a rapid heart rate, dizziness and nausea.

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This photo is very similar to one of the photos from my final project, both show people walking in a line. The difference is that what I photographed was at a zebra crossing. You can see that there is a purpose in going from this side of the road to that side of the road. Whereas Haas' couldn't see where they were going from where they were going. I also don't know how long the queue is, it feels endless.

Not only that, but my image can be seen to have a city street in the background, whereas Haas's is a much more free-form environment in a less definable place.

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Ernst Haas' work is characterized by his innovative use of color, composition, and light to capture the essence of his subjects。 Haas was one of the early adopters and pioneers of color photography at a time when black and white photography was predominant. His mastery of Kodachrome color film allowed him to create vivid and striking images that were groundbreaking in their time. Haas had a remarkable ability to convey emotion through his photographs. Whether capturing the hustle and bustle of city life or the serenity of nature, his images often evoke a sense of mood and atmosphere, drawing viewers into the scene. He frequently incorporated elements of motion and movement in his compositions. His use of techniques such as panning and blurring created dynamic and kinetic images that captured the energy and rhythm of his subjects, whether it be dancers in motion or city streets bustling with activity. Haas had a keen eye for composition, often experimenting with unconventional angles and framing to create visually arresting images. He was known for his use of abstract patterns, bold lines, and geometric shapes to compose his photographs in a way that was both visually stimulating and thought-provoking.

Throughout his career, Haas traveled extensively, capturing scenes from around the world. His photographs reflect a deep appreciation for cultural diversity and a fascination with the human experience in all its forms, from the streets of New York City to the remote landscapes of the Himalayas.

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Ernst Haas (1921–1986) was a highly influential photographer renowned for his pioneering work in color photography. Born in Vienna, he began his career after World War II, gaining attention for his photographs of returning prisoners of war in Austria. Although offered a staff photographer position at LIFE magazine, he chose to maintain his independence. Joining Magnum Photos in 1949 at the invitation of Robert Capa, Haas formed close relationships with prominent photographers such as Capa, Henri Cartier-Bresson, and Werner Bischof.

In 1951, Haas relocated to the United States, where he started experimenting with Kodachrome color film. He quickly became known as the leading color photographer of the 1950s. His groundbreaking 24-page color photo essay on New York City, published by LIFE magazine in 1953, marked a significant milestone in color photography. In 1962, Haas's work was showcased in the first-ever color photography exhibition at the Museum of Modern Art in New York.

Throughout his career, Haas extensively traveled and contributed to numerous influential publications like LIFE, Vogue, and Look. He authored several books, including "The Creation" (1971), "In America" (1975), "In Germany" (1976), and "Himalayan Pilgrimage" (1978).

In 1986, Haas posthumously received the prestigious Hasselblad Award. His legacy continues to be celebrated through museum exhibitions and publications, such as "Ernst Haas, Color Photography" (1989), "Ernst Haas in Black and White" (1992), and "Color Correction" (2011). The Ernst Haas Studio, based in New York, manages his estate, supporting research and overseeing projects related to his work.

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This photo was taken on the streets of Barcelona. By chance on a street corner, I saw them eating ice cream in what looked like a big family.

It was a large family, mum and dad with six children. They were very focused on enjoying their ice cream. Their family was resting together in this public place. Even if I didn't know them I knew they were a family. Some of them were focused on eating their ice cream and the dad was watching the kids. One of the kids was watching the mum.

Coincidentally there were six cartoon people on the wall behind them, corresponding to the six children. The blue of the background echoes the blue of the main colour of the photo. Mum's hat is also blue. The main colour of this image also corresponds to the blue part of the main picture.

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This photo was taken in front of the Musée de l'Orangerie in Paris. I was in the queue waiting to get into the gallery and next to the queue this family of four was standing. Their movement is a concise contrast to the stationary queue.

They just came out of the museum, and since they are also Chinese, I could faintly hear them planning where to go next. The two adults were making plans. Children always look around and are curious about everything.

The interesting thing about this photo is that to the others, they are a family, as a whole. But if you look at them individually they are divided into two parts, high and low. The adults on the high side are conversing again. The children in the lower part are playing. They are under two umbrellas. These two umbrellas envelop the family, but their attention is not in the same place. Whichever way you read it, it echoes the theme. Depending on the interpretation of the space in the natural space or the man-made space under the umbrellas.

It was raining when this photo was taken and the grey scale was very high. I toned the image slightly purple based on the clothes on the children and the colour of their umbrellas.

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This photo was taken on the streets of Paris. It was on my way to visit the Louvre. I was on this side of the road when I suddenly spotted a family of three across the road. Originally there were two other people in the picture, but I used Photoshop to remove those two people, even though it makes sense. But I wanted to be able to echo the family with the umbrella next to them to reflect the family.

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Essential    (Take the photo in tungsten lighting with the camera’s lighting mode set to tungsten.)

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Redundant   (Take the photo in tungsten lighting with the camera’s lighting mode set to daylight.)

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This photo was taken at the Sagrada Familia（Basílica i Temple Expiatori de la Sagrada Família）in Barcelona. The Sagrada Familia is an iconic building in Barcelona, the largest unfinished Catholic church in the world and the architect The central hall of the Sagrada Familia is an open space. There is plenty of seating here for visitors to rest, or when there is an event. This is the most colourful place in the whole church. The sun shines through the stained glass windows and makes the whole interior colourful.

Visitors usually sit here to take in the stunning grandeur of the building and hear about its design. Some rest here, some take photos, some learn about the church, and some talk to fellow travellers. Just like the people in this photo.

All in the same space, but doing separate things. They don't bother each other, creating a harmonious atmosphere.

The colours in this photo are the richest in my set. I made this photo the largest primary image also because of its colours. The glass flower windows are made up of different small pieces of glass, and the light passing through each individual small piece of glass is refracted to different places with different colours. Each group of people concentrating on doing their own thing is illuminated by a different colour. A single colour is a layer and each of these people have separate layers that combine to make this image. It's like they exist in parallel worlds but appear in this photo at the same time, or the different layers are superimposed on each other but not merged.

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This photo was taken at the Musée de l'Orangerie in Paris. In front of the world famous Monet's Les Nymphéas (The Water Lilies).There are two groups ofThere are two groups of peopleTwo groups of people are observingTwo groups of people are observing this huge painting.

One of them is a man admiring it alone. The other group is a man taking a picture of a woman. Both groups are in the picture at the same time, but their eyes are looking in different directions. The man alone is more focused on the painting itself. It seems as if the people in front of him who are taking pictures to commemorate the occasion don't exist, and his line of sight seems to pass through them to reach the painting directly. The group that is taking pictures is more focused on taking pictures to record the tour. They are not aware of the presence of the man next to them.

The colours in this image are tinted green by the large painting in the room. I have retained this colour. It feels like the people in the photograph are in the painting.

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I chose Barcelona because it is my favourite city. The sunshine, and the atmosphere here makes me feel like it's a free, energetic city. I would be at home here, happy and relaxed. It makes me feel like this is my second home.

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This firmed up my idea of wanting to do documentary and street photography. I started planning to travel to other cities and observe how different people living in different countries are.

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After the first idea didn't work out, I thought of many possibilities. Until, by chance, I came across a collection of essays by the Chinese writer Yu Hua, 'We Live in a Huge Gap'.

After reading this book, it triggered a lot of thoughts in me. The author uses literary techniques to reflect social issues. Using words to dissect the surface of life, taking China as an example. This is the author's insight and reflection. While reading this book I felt like I was having a dialogue with an elder, or perhaps learning about life.

From this perspective, disparity can be understood in many ways. Gaps between people, such as: gender differences, income gaps, status differences and so on. These 'definitions' label people. I cannot resist these gaps that life brings to people. I am just a bystander, a recorder. But is there a moment when there are no such material labels , there is just the most simple and ordinary identity. That is, 'themselves' or 'their family'.

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From time to time, since I was about 14 years old, I would step out of my own body and look at my life from the perspective of a bystander. Gradually I began to observe others as well. From those around me, my family, classmates and teachers to strangers. I began to habitually observe people's lives wherever they were, guessing their age, identity, occupation and even personality. But all these were my guesses and there was no chance to get confirmation.

I think this is why I am interested in documentary and street photography. I think the meaning of life is to discover, to find out what life has to offer. Your discoveries can be wonderful and surprising. Or they can be disappointments. But all are real. Photography can record everyone I meet, even if we have only met once. But Buddha said '500 times of looking back in the previous life for a single brush with the shoulder in this life. As long as we can meet, it's fate.

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The small ball passing through the hole in the tripod represents will should more good luck.

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People are throwing small balls with red ropes into the tripod, which is a blessing activity.

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People are throwing small balls with red ropes into the tripod, which is a blessing activity.

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In this book, Yu Hua expands his vision from China to the world, and deepens his pen from literature to society, penetrating the foci of the times with a sharp eye, and poking through the surface of life with a playful writing style. Yu Hua records and analyses various phenomena and even oddities in society, reality, literature and culture, reflecting deeply on the times in which people live from the outside to the inside, and presenting a rapidly developing and ever-changing China in the collision and exchange with the world.

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The reason this idea wasn't put into practice was because my family was sick during New Year's, so the New Year's Eve dinner didn't have a full family reunion. Although it was a different experience, it wasn't a traditionally enjoyable New Year's. It also didn't fit with the New Year's atmosphere I was trying to convey.

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Chinese New Year atmosphere and activities

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Chinese New Year atmosphere and activities

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New Year celebrations and customs vary from region to region in China. In the southern city of Guangdong, for example, a tour of the gods is usually organised during the New Year. This is to express the people's hope that the gods can bless them with a smooth new year and a good vision of earning a lot of money.

In addition, there are lion dances, lanterns and temple fairs. All of them reflect the lively atmosphere.

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This photo was taken on the streets of Paris. There is a path in the middle of the lanes in both directions. It separates the whole street symmetrically, and you are standing on this path facing a zebra crossing. At the time I was standing here, the pavement was green. Walkers are crossing the street.

They don't know each other, they are just crossing at the same time. In this moment, on this footpath, the destination of all is the same. But soon, on reaching the opposite side of the road, everyone is going in separate directions. Even though they were all crossing the road at the same time in this short period of time, I believe that in their hearts, they all had different destinations. After crossing the road, they all had their own individual things to do. This road can be said to be a bridge linking their origins and destinations.

Instead of saying that they are crossing the road at the same time, it is better to understand that they are all walking alone. It is as if people from different time and space are in the same place and they are overlapping in the same picture.

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This photo was taken on the metro in Paris. It was a very fortuitous moment. I was waiting for the metro, and when both tracks were empty, I could see people waiting for the metro across the street. They were going in the opposite direction from me. But their destination was the same direction. It wasn't hard to tell that they didn't know each other because there was an empty seat between them. But they were both focused on their mobile phones. The movement echoes the huge mobile phones in the advert on the wall behind them.

It also corresponds to the theme that two people who are focused on their mobile phones seem to be in different worlds even though they are only one seat apart.

The underground station lighting where this photo was taken is a warm colour. The main colour of the advertisement behind the subject is yellow. So this photo is yellow in tone.

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Our group went to Battersea Park in search of scenes that could represent both utopia and anti-utopia. It wasn't easy. It would have been much easier if the two themes had been represented separately. But we needed to represent both elements in the same picture, and they expressed diametrically opposite things.

We have also tried to express utopia and anti-utopia in a set of pictures. But this format doesn't have a strong impact.

We photographed the lake in the park, which was full of birds that would fly up and hover over it from time to time. Birds symbolise freedom, they can fly wherever they want. We photographed the pavilion and the reflection of the pavilion in the ground water, the pavilion contrasted with the reflection, 'a positive and a negative'. We also photographed the Buddha statue, which symbolises a good long-cherished wish。

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This week I started thinking about the theme of my final project. The upcoming Chinese New Year inspired me. In China, every region has its own New Year customs. These unique customs vary, but can be broadly categorised into Southern and Northern according to food habits.

Chinese New Year, the most important holiday in China. At this time of the year, it is a time for family reunions. No matter what you are doing, you will try to go home to your family as much as possible on this holiday. I am no exception, as an international student studying overseas. The only time I can go back to China every year is during the summer holidays, as the holiday schedules don't coincide, and the spring semester has usually started in the UK by the time of Chinese New Year. However, this year's Chinese New Year falls on reading week in the UK, so I had the opportunity to go back to China for Chinese New Year. This inspired me to photograph China during the New Year.