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HORATIAN SATIRE: light mockery, mostly for entertainment.

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HORATIAN SATIRE: light mockery, mostly for entertainment.

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In this panel, Marji is recalling the time her and her classmates knit winter hoods for soldiers. We can see how her and her classmates, like any kids, were fooling around with their crafts. We can see by how they are wearing the hoods and the girls laughing and sticking their tongues out, they are joking. But they aren't purposefully trying to make fun of the military.

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The teacher complained about the kids to the parents and then dad responded with 'if the teacher wants them to follow the rules (ie. cover hair and wear veils), then she should shave her mustache.' The author made the father have a shaved mustache which represents modernized standing as he called out the teacher for forcing the children to follow the rules, the teacher looked surprised supposed to be treated with respect, father looked angry bc he was sticking up for Marji and doesn't believe that they should be treated so harshly as they're kids and children were laughing.

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MENIPPEAN SATIRE: satirizes individual character flaws, personality traits, and mental attitudes like racism, homophobia...

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MENIPPEAN SATIRE: satirizes individual character flaws, personality traits, and mental attitudes like racism, homophobia...

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This belongs in Menippean Satire since it is dealing with a very devastating event (the bombing of Tehran), but is poking fun at Marji's reaction to the news. Her father absorbs the news are reacts in a much more calm way whereas Marji jumps up and screams "Those A**holes!" Her father is just standing behind her with his arms by his side staring at her reaction. This satirizes Marji's reactionary personality by juxtaposing her next to her father's reaction.

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In this panel it shows a contrast between how the refugees are perceived by others versus how they are in reality. We can see the 2 women in the background of the store discussing how refugees are taking food and are whores, when Marji and her family are just laughing and joking about flatuance.

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The irony/satire is shown in this panel with the author's choice to have Marji relaxed with her mouth and body language comically drawn, and that is so at odds with what she is discussing: bombing a very populated city and likely killing hundreds of people. This satire is also shown in the mother's reaction to Marji's outburst, which is not criticizing the horrible act she is proposing, but her posture and respectful body language, which seems insignificant compared to the act of taking lives by bombing Baghdad.

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JUVINELIAN SATIRE--DARK SATIRE: attacks individuals, organizations, and governments to expose hypocrisy and moral transgressions.

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JUVINELIAN SATIRE--DARK SATIRE: attacks individuals, organizations, and governments to expose hypocrisy and moral transgressions.

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There is plenty of dark irony in the sentiment of Marjane and Marjane's father towards the Iranian state, as well as its rivalry with Saddam Hussein's Iraq. Whilst Marjane and her family handle a significant amount of criticism towards the Iranian government, all of their criticism of the state disappear once a longtime rival of the state in Iraq invades. Marjane and her father do not view Iraq as a society of people oppressed by its government in the same way the Iranians are; they view the Iraqis as a singular entity behind the evils of the regime of Saddam Hussein, just as the Iraqis more than likely view the Iranians as a singular entity behind the evils of the regime of Khomeini.

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These two panels show dark satire. In the first panel, the kids are arriving at the war base and their hands are up and waving to show that they are just kids trying to have fun. But in the second panel, their hands are up in support for Iran and the war, showing how their innocence and childhood is being taken away and how they are being indoctrinated. Another way that Satrapi criticizes the use of children in war is through graphic weight. In the first panel the children are wearing all white, showing how they are innocent. In the second panel they are wearing all black, showing how Iran and the war has taken away their innocence by manipulating them into believing violent ideals.

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In this panel Marji is mocking those who are very serious about honoring the dead, to the point where they are committing self harm. She says that their justification that it is a very "macho thing". The way the man is drawn is very mockingly sad as he is in a pool of his own blood.

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This belongs in menippean satire because it is showing Marji, her mom, and her mom's friend making jokes about beans while next to them there are two women talking about how you cannot get food anymore. Them making fun of the situation that is still ongoing seems much more dark even though they are just making a joke. The image also draws the main characters in the foreground and with very exaggerated features to emphasize this. The women in the background are very small in comparison.