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Tamati waka Nene was a supreme chief of a Maori Iwi (Clan).He was

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The supreme chief was at the top of the Maori social structure. We know he was very special because it can be seen in source A that he could wear the feathers of a kiwi bird and has tattoo on his face

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The supreme chief was the top leader aof his tribe due to the many victory's his tribe has had. the supreme chief had many responsibility to conker the other tribes. one of the many consequence was that if the supreme chief had failed any war with other tribes, he would be eaten by his own tribe.

figure 1 show the strong chief with his many different tattoos attached to his face. that describes the many victory's and ranks he has made.

the supreme chief hass courage, bravery, strengths
and that every liitle thing that happens is all his fault with mana and life time.

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The supreme chief was the top leader of his village. The way the Supreme chief earns his spot is

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Tamati Waka Nene was now became the highest ranking chief among his own people and one of the three primary chiefs of the area. At baptism, he added "Tāmati Wāka" (Thomas Walker) to his name.

In Source A the chief is seen to look like he’s high up in the mountains and that represents that he’s powerful than others. He’s also seen to be holding a stick also known as a Taiahaias. The significance of that stick is the feathers of a Moa. The tattoo on the chief’s face shows how brave he was to get a tattoo on his face. The tattoo also signifies how much power he has as a supreme chief. The Maori belief is that when getting a tattoo for the supreme chief, it has to be used with a shark tooth, herbs and ink. The shark tooth represents the water, the herbs represents the land and the ink represents the animal/sacrifice to the gods.

Tamati Waka Nene had power and control in the tribe. He was the one who made the most rules/restrictions in his tribe and made peace with others.

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The Maori supreme chief was at the top of the Maori structure. His face tattoos represented his bravery and power. Nene wears a kahu kiwi, a fine cloak covered in kiwi feathers, (as shown in sources A) and an earring of green stone. Both of these are treasures. He is holding a hand weapon known as a tewhatewha, which has feathers adorning its blade and a finely carved hand grip with an abalone, this showing utterly over his nation and represents his position in the Maori structure, as Nene is the supreme chief of the Maori he would be respected by his people. This is important to encounter, If Nene was not a successful leader, and he would pass the position to the next heir.

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Tamaiti Waka was the rangatira (maori chief) of his tribe, his ta moko (tattoos) represented his this  he created most of the tapu (rules/restrictions).

As the supreme chief Tamati had a lot of ta mokos (as seen in source A) different tattoos have different meanings and is a symbol of bravery and that he had a great correlation with the tapu, traditions, the land and the people. Because Tamaiti the supreme chief he created most of the tapu or rules, he could gather the other people and decided what he wanted them to do.

When Tamaiti was made chief he was either born into the ruole or gained enough mana (power) so he could be in charge, when Tamaiti was made chief he had to have ta moko to be put on to his face so the people could recognise him. To get the tattoos on his face the priests would combine ink and herbs, and grabbed a shark tooth and banged the shark tooth on to his face. When this was finished he received a taiaha (spear with moa feathers), it would've been given to Tamaiti during this transaction (SOURCE A). Tapu was decided by the Tamaiti, to either protect the land, the people, the culutre or the wild life.

Tamaiti was very important and vital in the Maori social structure, he set the standards, protected his people and made sure everything was in order.

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Tamati Waka Nene was the second son of Tapua, leader and tohunga of Ngati Hao of Hokianga, and the younger brother of Patuone, the inheritor of their fathers mana.
In source A Tamati was a war leader, went with the expedition which travelled the length of the North Island in 1819 and 1820. His coat fur coat that he wears to represent that he is a true leader to his people and his country. His feathers on his stick represents the kiwi a flightless New Zealand bird that is very sensitive and fragile. The tattoos on his face represents Tā moko which is the permanent body and face marking by Maori, the indigenous people of New Zealand. Later that day Tamati Waka Nene died on 4 August 1871 and was buried, at his own request, in the churchyard in the Bay of Islands.
Tamati was the at the top of the hierarchy and was making sure people were doing the right thing because he was the chief and it is his job to keep people safe and make sure everything is in order.

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The Haka is a traditional war cry from the Maori
people performed by a group. As we can see in source B, a group has set up a
traditional act holding up traditional weapons of wood and stone and    wearing ceremonial clothing chanting for good
luck. This shows their appeal to their gods. In addition to my point Haka to Maori
people shows their strength and prowess in order to intimidate the opposition.
But Haka can also be performed for other various things like ceremonies special
occasions and funerals. These days Haka is performed before international
matches because of this the Haka is more widely known around the world. To
conclude with,  The Haka is a
traditional genre of the Maori dance. 

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The Haka is a traditional war cry from the Maori
people performed by a group. As we can see in source B, a group has set up a
traditional act holding up traditional weapons of wood and stone and    wearing ceremonial clothing chanting for good
luck. This shows their appeal to their gods. In addition to my point Haka to Maori
people shows their strength and prowess in order to intimidate the opposition.
But Haka can also be performed for other various things like ceremonies special
occasions and funerals. These days Haka is performed before international
matches because of this the Haka is more widely known around the world. To
conclude with,  The Haka is a
traditional genre of the Maori dance. 

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SESAIT LIBANOS

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The supreme chief was the top leader of his village due the many victory's there tribe has made, and also the Maori social structure. The tattoos on the males faces mean of his ranking, bravery and any other mana. The supreme chief has to make the best choice they can make, if any war agencies other tribes has failed or has been (defeated) they  will face the consequence to tribe cannibalism.

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The Haka is a traditional war cry from the maori people pefrmed by a group. As we can see in source B The Haka is a traditional genre of the Maori dance.

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The famous chief of a Maori clan

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The Supreme chief was the top leader of his village.

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At the top of the Maori social structure was the Supreme chief. To represent that he was at the top of the structure he wore feathers on his body from a kiwi.

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the supreme chief was at the top of the

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The haka is a traditional Maori dance from Zew Zealand. although it is used by the all blacks it yseem to be a purley a war dance , this is not the case . Different haka are performed

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the supreme chief was at the top off the maori social structure. we know he was very special because it can be seen in source A that he could wear the feathers of the kiwi bird and everyone would know he he is. this shows that he had great strength and power.

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The supreme chief was at the top of the Maori social structure. We know he was very special because it can be seen in source A that he could wear the feathers of a kiwi bird and has tattoo on his face.

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tattoos represented the chiefs mana and is known as power

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In 1767 the Polynesians believed that it was a universal custom to get their buttocks and the back of their thighs painted in thin black lines representing different shapes and signs. the traditional tattooing tool is a comb with needles carved from bone or tortoise shell attached to a wooden handel. the comb pierces the skin and inserts a type of soot, made from burnt candlenut mixed with water or oil

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Tamati Waka nenewas the supreme chief of his tribe, his tattoos represented his mana also known as power, he created most of the tapu ( rules/restriction ).Waka exemplified the types of changes that were occurring when he converted to the Wesleyan faith and was baptised in 1839, choosing to be named Tamati Waka after Thomas Walker, who was an English merchant patron of the Church Missionary Society. (This sources from khan academy) In his portrait, Nene wears a kahu kiwi, a fine cloak covered in kiwi feathers, and an earring of greenstone or pounamu. Both of these are prestigious taonga or treasures. He is holding a hand weapon known as a tewhatewha, which has feathers adorning its blade and a finely carved hand grip with an abalone or paua eye (from source A ). All of these mark him as man of mana or personal efficacy and status.

As important spiritual of the Maori culture the supreme chief is very important to the people of the land, without the chief there will be no leader to lead the society of the Maori.

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The hierarchy has multiple levels of class from a wealthy person at the top and poor or unwealthy person at the bottom.  The supreme chief is at the top of the hierarchy triangle then the chief, then the priest and so on and so fourth down to the poor or normal tribal people. the supreme chief was at the top of the hierarchy because, he has a full face of tatua (tattoos) which represents strength. The chief had tapu(sacred wisdom), mana).(authority), ihi(excellence) and wehi(power that's been inherited from the gods or the ancestor). Also the feathers of Maori are shown in source 1which only the supreme chief can have.

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Tamaiti Waka was the rangatira (maori chief) of his tribe, his ta moko (tattoos) represented his this  he created most of the tapu (rules/restrictions).

As the supreme chief Tamati had a lot of ta mokos (as seen in source A) different tattoos have different meanings and is a symbol of bravery and that he had a great correlation with the tapu, traditions, the land and the people. Because Tamaiti the supreme chief he created most of the tapu or rules, he could gather the other people and decided what he wanted them to do.

When Tamaiti was made chief he was either born into the ruole or gained enough mana (power) so he could be in charge, when Tamaiti was made chief he had to have ta moko to be put on to his face so the people could recognise him. To get the tattoos on his face the priests would combine ink and herbs, and grabbed a shark tooth and banged the shark tooth on to his face. When this was finished he received a taiaha (spear with moa feathers),

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The haka is a type of ancient Maori ceremonial war dance traditionally used on the battlefield, as well as when groups came together in peace. The first use of the haka in the natural world was attributed to the chief Tinirau and some of his womenfolk. As seen in SOURCE B haka is a fierce display of a tribe's pride, strength and unity. Overtime, the haka evolved and it came to be used for more than just battles. It became a way for communities to come together and it was a symbol for community and strength. They believed that they were calling upon the god war to help them. The haka gave them courage and strength.

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Tamati Waka Nene was the second son of Tapua, leader and tohunga of Ngati Hao of Hokianga, and the younger brother of Patuone, the inheritor of their fathers mana.
In Source A

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Traditional Maori organised their groups  as a tribal one. We know this because in source C .

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h

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In Maori times tattoos (tatua) were used to show two things; authority and respect (mana). according to source A, Tattoos were a large part of the Maori social structure, you could tell a persons authority by is simply looking at them and their facial tattoos, this was an excellent way for them to show authority and respect Maori times.

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The Haka is a Maori ceremonial war dance involving chanting and imitation to display the tribe's pride, strength and unity. The Haka intends to intimidate the opponent. This particular dance was originally used by warriors before a battle as source B has shown. The evidence displays how The Haka was significant and sacred to the Maori culture. This source also portrays the ancient tradition of The Haka and how the event took place. In conclusion, The Haka is an important part in Maori culture when competiting as it shows the strength and perseverance of Maori competitors.

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Boats and boating--Equipment and supplies

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Tāmati Wāka Nene was a supre chief and was in born  1785 and died in 1871,. He was the second son of Tapua.

By the mid 1830s, Nene had converted to Wesleyan faith and was baptised in 1839,
taking the name Tāmati Wāka, after Thomas Walker.He was a chief that had a tattoo all over his face, to represent that he was brave, strong and had power and was respected by everyone,
Source A is about a chief that is named Tāmati Wāka Nene. He was a Māori rangatira (Māori chief) of the Māori tribe located between the northland regions of New Zealand.
He was on the top of the Hierarchy because he was so powerful, strong and brave. Nene, as a war leader, he went with the expedition which traveled the length
of the North Island in 1819- 1820, plundering and taking captives.He was also a veteran of the Musket wars in the 1820s and fought as an ally of the British in the flagstaff war in 1845-46.

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The Supreme Chief was at the top of the Maori Social Structure. He was special since he had his entire face tattooed, showing bravery and power. He could also wear the feathers of a kiwi bird (as shown in Source A), showing absolute power over his tribe and represents his place in the Maori Social structure. You can see that the supreme chief would be respected by his people and be taken seriously. This would be an important thing to encounter. If the supreme chief was not an effective political leader anymore, then he would pass on his tribe to a more suitable relative as chief.

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The Polynesians used the bracken fern as a food
source. They used bracken fern to catch freshwater crayfish by making the
bracken fern sink to the bottom of the lake. At times they also tied the
bracken fern to a post in the water. They would then pull up and shake the
bracken fern that was left for a period of time in the lake. This would allow
them to collect the crayfish. This information was recorded by Maggie Papakura
who witnessed the Polynesian culture. 

(Liyah Seeto)

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The Polynesians used the bracken fern as a food
source. They used bracken fern to catch freshwater crayfish by making the
bracken fern sink to the bottom of the lake. At times they also tied the
bracken fern to a post in the water. They would then pull up and shake the
bracken fern that was left for a period of time in the lake. This would allow
them to collect the crayfish. This information was recorded by Maggie Papakura
who witnessed the Polynesian culture. 

(Liyah Seeto)

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