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The racist one, does not like black people, but is black

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The “white” black man, claims to be caramel colored, than black

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The Oblivious one,  wants to fit in with the white people

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The ghetto one, ignorant, Thug

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The level headed black boy, black activist

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Want to know more interesting facts about the show, look at the clip provided below.

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107 Boondocks Facts YOU Should Know - (ToonedUp #114) @ChannelFred

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In 1996, the first Boondocks comic strip premiered on HitList.com, and after 4 seasons, spread throughout the course of 9 years, it's no wonder the fans are still left wanting more. Never shying away from controversy and satire, the show itself wasn't afraid to tackle some serious issues head on through the main characters of Huey, Riley, and Grandad.

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Toy Story Land at Disney's Hollywood Studios "unboxed" on June 30, 2018. My friend and I decided to brave the crowds on opening day. We got to the park around 7 AM only to find out that the park opened around 6 AM. Upon some more scrolling through multiple Disney Annual Passholder Facebook groups, we discovered that people were waiting outside the park as early as 1 AM.

We knew we'd be waiting in line for the bulk of the Toy Story Land unboxing day. There were four main lines in the new land: the line to enter the land; the line for Slinky Dog Dash, the new roller coaster; the line for Alien Spinning Saucers, the easier of the new rides in the land; Toy Story Mania, the (now old news) arcade-type ride; and the new quick-service restaurant, Woody's Lunchbox (complete with grilled cheese and "grown-up drinks").

Because we were so early, we did not have to wait in line to get into the land. We decided to ride Alien Spinning Saucers first. The posted wait time was 150 minutes, but my friend timed the line and we only waited for 50 minutes. Next, we tried to find the line for Slinky Dog Dash. After receiving conflicting answers, the runaround, and even an, "I don't know, good luck," from multiple Cast Members, we exited the land to find the beginning of the Slinky line. We were then told that there was only one line to enter the park that eventually broke off into the Slinky line. We were not about to wait to get back into the area we just left, so we got a Fastpass for Toy Story Mania that we didn't plan on using in order to be let into the land sooner. We still had to wait for our time, so we decided to get the exclusive Little Green Man alien popcorn bin-this took an entire hour. We then used our Fastpass to enter the land, found the Slinky line, and proceeded to wait for two and a half hours only for the ride to shut down due to rain. But we've come this far and rain was not about to stop us. We waited an hour, still in line and under a covered area, for the rain to stop. Then, we waited another hour and a half to get on the ride from there once it reopened (mainly because they prioritized people who missed their Fastpass time due to the rain). After that, we used the mobile order feature on the My Disney Experience app to skip part of the line at Woody's Lunchbox.

Did you know that there is actually a psychological science to waiting? In the hospitality industry, this science is the difference between "perceived wait" and "actual wait." A perceived wait is how long you feel like you are waiting, while the actual wait is, of course, the real and factual time you wait. There are eight things that affect the perceived wait time: unoccupied time feels longer than occupied time, pre-process waits feel longer than in-process waits, anxiety makes waits feel longer, uncertain waits are longer than certain waits, unexplained waits are longer than explained waits, unfair waits are longer than equitable waits, people will wait longer for more valuable service and solo waiting feels longer than group waiting.

Our perceived wait time for Alien Spinning Saucers was short because we expected it to be longer. Our wait for the popcorn seemed longer because it was unoccupied and unexplained. Our wait for the rain to stop so the ride could reopen seemed shorter because it was explained. Our wait between the ride reopening and getting on the coaster seemed longer because it felt unfair for Disney to let so many Fastpass holders through while more people waited through the rain. Our entire wait for Slinky Dog Dash seemed longer because we were not told the wait time in the beginning. Our wait for our food after placing a mobile order seemed shorter because it was an in-process wait. We also didn't mind wait long wait times for any of these experiences because they were new and we placed more value on them than other rides or restaurants at Disney. The people who arrived at 1 AM just added five hours to their perceived wait

Some non-theme park examples of this science of waiting in the hospitality industry would be waiting at a restaurant, movie theater, hotel, performance or even grocery store. When I went to see "Jurassic World: Fallen Kingdom," the power went out in the theater right as we arrived. Not only did we have to wait for it to come back and for them to reset the projectors, I had to wait in a bit of anxiety because the power outage spooked me. It was only a 30-minute wait but felt so much longer. At the quick-service restaurant where I work, we track the time from when the guest places their order to the time they receive their food. Guests in the drive-thru will complain about 10 or more minute waits, when our screens tell us they have only been waiting four or five minutes. Their actual wait was the four or five minutes that we track because this is when they first request our service, but their perceived wait begins the moment they pull into the parking lot and join the line because this is when they begin interacting with our business. While in line, they are experiencing pre-process wait times; after placing the order, they experience in-process wait times.

Establishments in the hospitality industry do what they can to cut down on guests' wait times. For example, theme parks offer services like Disney's Fastpass or Universal's Express pass in order to cut down the time waiting in lines so guests have more time to buy food and merchandise. Stores like Target or Wal-Mart offer self-checkout to give guests that in-process wait time. Movie theaters allow you to check in and get tickets on a mobile app and some quick-service restaurants let you place mobile or online orders. So why do people still get so bent out of shape about being forced to wait?

On Toy Story Land unboxing day, I witnessed a woman make a small scene about being forced to wait to exit the new land. Cast Members were regulating the flow of traffic in and out of the land due to the large crowd and the line that was in place to enter the land. Those exiting the land needed to wait while those entering moved forward from the line. Looking from the outside of the situation as I was, this all makes sense. However, the woman I saw may have felt that her wait was unfair or unexplained. She switched between her hands on her hips and her arms crossed, communicated with her body language that she was not happy. Her face was in a nasty scowl at those entering the land and the Cast Members in the area. She kept shaking her head at those in her group and when allowed to proceed out of the land, I could tell she was making snide comments about the wait.

At work, we sometimes run a double drive-thru in which team members with iPads will take orders outside and a sequencer will direct cars so that they stay in the correct order moving toward the window. In my experience as the sequencer, I will inform the drivers which car to follow, they will acknowledge me and then still proceed to dart in front of other cars just so they make it to the window maybe a whole minute sooner. Not only is this rude, but it puts this car and the cars around them at risk of receiving the wrong food because they are now out of order. We catch these instances more often than not, but it still adds stress and makes the other guests upset. Perhaps these guests feel like their wait is also unfair or unexplained, but if they look at the situation from the outside or from the restaurant's perspective, they would understand why they need to follow the blue Toyota.

The truth of the matter is that your perceived wait time is always going to be longer than your actual wait time if you can't take a minute to focus on something other than yourself. We all want instant gratification, I get it. But in reality, we have to wait for some things. It takes time to prepare a meal. It takes time to experience a ride at a theme park that everyone else wants to go on. It takes time to ring up groceries. It takes patience to live in this world.

So next time you find yourself waiting, take a minute to remember the difference between perceived and actual wait times. Think about the eight aspects of waiting that affect your perceived wait. Do what you can to realize why you are waiting or keep yourself occupied in this wait. Don't be impatient. That's no way to live your life.

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Black Culture Portrayed Through The Boondocks?

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The other day I was watching a rerun of one my favorite shows ever "The Boondocks" created by Aaron McGruder. If you don't know what the "Boondocks" is, it's about a black family known as the Freemans who move from their urban neighborhood in Chicago and settle into a white suburb known as Woodcrest...

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Here are 5 common black stereotypes in TV and Film.

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Blacks may be scoring more substantial parts in film and television, but many continue to play roles that fuel stereotypes, such as thugs and maids. The prevalence of these parts reveals the importance of #OscarsSoWhite and how African Americans continue to struggle for quality roles on both the small and big screens, despite having won Academy Awards in acting, screenwriting, music production and other categories.

"Magical Negro" characters have long played key roles in films and television programs. These characters tend to be African American men with special powers who make appearances solely to help white characters out of jams, seemingly unconcerned about their own lives.

The late Michael Clarke Duncan famously played such a character in " The Green Mile." Moviefone wrote of Duncan's character, John Coffey, "He's more an allegorical symbol than a person: His initials are J.C., he has miraculous healing powers, and he voluntarily submits to execution by the state as a way of doing penance for the sins of others. ... A 'Magical Negro' character is often the sign of lazy writing at best, or of patronizing cynicism at worst."

Magical Negroes are also problematic because they have no inner lives or desires of their own. Instead, they exist solely as a support system to the white characters, reinforcing the idea that African Americans aren't as valuable or as human as their white counterparts. They don't require unique storylines of their own because the lives of blacks simply don't matter as much.

In addition to Duncan, Morgan Freeman has played in a number of such roles and Will Smith played a Magical Negro in " The Legend of Bagger Vance ".

Black best friends typically don't have special powers like Magical Negroes do, but they largely function in films and television shows to guide white characters out of a crisis. Usually female, the black best friend functions "to support the heroine, often with sass, attitude and a keen insight into relationships and life," critic Greg Braxton noted in the Los Angeles Times.

Like Magical Negroes, black best friends appear not to have much going on in their own lives but turn up at exactly the right moment to coach white characters through life. In the film " The Devil Wears Prada," for example, actress Tracie Thoms plays friend to star Anne Hathaway, reminding Hathaway's character that she's losing touch with her values. In addition, actress Aisha Tyler played friend to Jennifer Love Hewitt on "The Ghost Whisperer" and Lisa Nicole Carson played friend to Calista Flockhart on "Ally McBeal."

Television executive Rose Catherine Pinkney told the Times that there is a long tradition of black best friends in Hollywood. "Historically, people of color have had to play nurturing, rational caretakers of the white lead characters. And studios are just not willing to reverse that role."

There's no shortage of black male actors playing drug dealers, pimps, con-artists and other forms of criminals in television shows and films such as " The Wire" and " Training Day." The disproportionate amount of African Americans playing criminals in Hollywood fuels the racial stereotype that black men are dangerous and drawn to illicit activities. Often these films and television shows provide little social context for why more black men than others are likely to end up in the criminal justice system.

They overlook how racial and economic injustice makes it more difficult for young black men to evade a prison term or how policies such as stop-and-frisk and racial profiling make black men targets of the authorities. They fail to ask whether black men are inherently more likely to be criminals than anyone else or if society plays a role in creating the cradle-to-prison pipeline for African American men.

Black women are routinely portrayed in television and film as sassy, neck-rolling harpies with major attitude problems. The popularity of reality television shows adds fuel to the fire of this stereotype. To ensure that programs such as "Basketball Wives" maintain plenty of drama, often the loudest and most aggressive black women are featured on these shows.

Black women say these depictions have real-world consequences in their love lives and careers. When Bravo debuted the reality show "Married to Medicine" in 2013, black female physicians unsuccessfully petitioned the network to pull the plug on the program.

"For the sake of integrity and character of black female physicians, we must ask that Bravo immediately remove and cancel 'Married to Medicine' from its channel, website, and any other media," the physicians demanded. "Black female physicians only compose 1 percent of the American workforce of physicians. Due to our small numbers, the depiction of black female doctors in media, on any scale, highly affects the public's view of the character of all future and current African American female doctors."

The show ultimately aired and black women continue to complain that depictions of African American womanhood in the media fail to live up to reality.

Because blacks were forced into servitude for hundreds of years in the United States, it's no surprise that one of the earliest stereotypes about African Americans to emerge in television and film is that of the domestic worker or mammy. Television shows and movies such as " Beulah" and " Gone With The Wind" capitalized on the mammy stereotype in the early 20th century. But more recently, movies such as " Driving Miss Daisy" and " The Help " featured African Americans as domestics as well.

While Latinos are arguably the group most likely to be typecast as domestic workers today, the controversy over the portrayal of black domestics in Hollywood hasn't gone away. The 2011 film "The Help" faced intense criticism because the black maids helped catapult the white protagonist to a new stage in life while their lives remained static.

Like the Magical Negro and the black best friend, black domestics in film function mostly to nurture and guide white characters.

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The Most Common African-American Stereotypes in TV and Film

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Blacks may be scoring more substantial parts in film and television, but many continue to play roles that fuel stereotypes, such as thugs and maids. The prevalence of these parts reveals the importance of #OscarsSoWhite and how African Americans continue to struggle for quality roles on both the small and big screens, despite having won Academy Awards in acting, screenwriting, music production and other categories.

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Here are more deeper descriptions of the chracters within the television show.

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Like The Game, which set ratings records when revived by BET, another comedy series targeting black audiences came back roaring after a lengthy break from television. Last night's Season 4 bow of the Sony Pictures TV-produced animated series The Boondocks on Adult Swim set series highs across all key demos, including adults 18-34 (1.40 million) and adults 18-49 (1.9 million), up 50% from the show's previous season averages. It was Adult Swim's most-watched primetime telecast among key adult demographics in at least five years. The Boondocks premiere was the No. 1 TV program in all of television last night - broadcast or cable - among Adult Swim's target 18-34 demographic, topping NBC's The Voice (1.36 million) and TNT's NBA Playoffs coverage (1.16 million).

Related: Adult Swim Greenlights Live-Action Comedy Series 'Black Jesus'

Based on Aaron McGruder's comic strip, The Boondocks premiered on Adult Swim in 2005. Four years after the 2010 third-season finale, Adult Swim last month announced the series' return for a fourth and final season without McGruder, who had served as showrunner on the first three seasons. Neither the four-year hiatus nor McGruder's statement distancing himself from the new season seems to have deterred fans from coming back in droves.

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Adult Swim's 'The Boondocks' Big In Return

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Like The Game, which set ratings records when revived by BET, another comedy series targeting black audiences came back roaring after a lengthy break from television. Last night's Season 4 bow of the Sony Pictures TV-produced animated series The Boondocks on Adult Swim set series highs across all key demos, including adults 18-34 (1.40 million) and adults 18-49 (1.9 million), up 50% from the show's previous season averages.

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Listen to the poetic vibes! along with imagery.

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I DO NOT OWN THE MATERIALS USED FOR THIS VIDEO. From 1st Season! ok, you want it that way..mofo's visit: http://myspace.com/asheru1

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See the explanation on why one show is better than the other.

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Author, Aaron McGruder, mocks the representation of Gay men within rap.

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Look at some of these hilarious tweets, people who have #Niggaitis

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Look at how the show is able to turn a serious subject into such a joke, in the script on the R. Kelly episode

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The Boondocks (Ft. Aaron McGruder, Anthony Bell & Rodney Barnes) - The Trial of R. Kelly

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Living Room Scene. / Huey: Here's something black people have know for a couple hundred years, niggas are crazy. Now black people don't like to talk about crazy niggas in public

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Created by Aaron McGruder. With Regina King, John Witherspoon, Gary Anthony Williams, Cedric Yarbrough. Based on the comic strip, Huey and Riley move away from the city and out to the suburbs with their irascible grandfather. Biting socio-political commentary ensues.

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A look into the stereotypes of the black male, within Television.