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The Bastion of the Porta al Parlascio was again very reflective of Brunelleschi's renaissance style. He used his gift for solving engineering problems and love for classical Roman architecture that inspired the rebirth period.

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Renaissance values are found in the Palazzo di Parte Guelfa because of its resurrected classical corinthian styled pillars. Brunelleschi valued the classical roman and greak structures and was influenced by them in many of his architetural designs including this one.

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The tombs in the Basilica di Santa Croce were designed by Brunelleschi, and to this days his remains also lie there. This basilica represents renaissance values because it is filled with art work and sculptures from renaissance era artists. It also has the Pazzi chapel attached which was described above and one of the Brunelleschi's most important rebirth period designs.

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The Capponi Chapel was shaped like a semi-shperical dome which was Brunelleschi's known renaissance style. It also used double Ionic semicolumns, instead of the traditional Gothic pilasters, again breaking into a more modern for of architecture.

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The perspective drawing for the church of santo spirito was a stepping stone into the new ideas of the renaissance period. Brunelleschi began his technique of linear perspective and once down on paper his vision for the later building became clear.

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The Church of San Lorenzo, also referred to as the Basilica of San Lorenzo, was built containing a chapel for each family. This alone represented the humanism ideals of that time since each chapel was designed specifically for the living to represent their current life. It was inspired by ancient roman style and its geometric shapes that the renaissance period strived on.

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The Cathedral of Santa Maria de Fiore was built due to renaissance competition. Florence wanted the biggest church so they would out shine challenging cities in Italy. It mimics the Tuscan Romanesque style that influenced the rebirth period, and was also seen on other churches. Brunelleschi of course incorporated his great mind in cracking the code and designing the modern dome shape.

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The Palazzo dello Strozzino was a significant representation of renaissance architecture. It was originally made before the rebirth, but was more modernly renovated by Brunelleschi which represents the demand for new things in the renaissance. It was renovated with new stone that seemed to take after other renaissance buildings.

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The Santo Spirito Cathedral is one of Brunelleschi's best pieces of architecture. In this cathedral he uses his new form of linear perspective for a modernized look to the pillars and spacing of the room. The renaissance admired this because it was new. It was designed in a gothic style to mystify humanist ideals.

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The Ospedale degli Innocenti marked the renaissance period for Brunelleschi because he started the use of linear perspective in the design of this building. The perspective was new to the current society and therefore a more modern perspective used in art and buildings that were beginning to flourish. The pilasters and second-story windows represented Roman architecture which was also highly used in the the art and buildings during the renaissance.

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The Sagrestia Vecchia portray renaissance era structure. It was designed with pilasters and arches that were more modernly developed and visually pleasing to current human society. It also consisted of Brunelleschi's famous dome shape architecture which represented the new views of the re-birth period

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Several artists worked on The Saint Peter sculpture, including Brunelleschi. It displays the humanist views of the renaissance period because it turns one of the twelve deciples into a 3D figure. It takes into account roman architecture which was also incorporated in renaissance values.

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The Palazzo Pitti represents the humanist values in the renaissance. This is because the palace was home so some of the most famous rulers of renaissance eras, such as the Medici and Pitti. It was built to fit their humanist thoughts, like the open garden and the villa. It was also apart of the renaissance competition, since it was originally built for the Pitti family to compete against the Medici.

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The Chapel of the Pazzi family mirrored ideal renaissance values. During this time greek, roman, and humanist ideals were highly valued and the Pazzi Chapel mimicked just that. Its structure and interior followed classical roman geometric shapes with a modernized twist for current humanity, those being the Pazzi.

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The Sketch of Machine 2 was also revolutionary. This particular sketch used some math that reminisced Archimedes mathematics, but Brunelleschi modernized the style so that it would  benefit the life of current humanity.

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The Sketch of Machine 1 was revolutionary in Renaissance time. Brunelleschi combined math, art, and understanding of machinery to develop ideas that would modernize Florence and help the human and current living world.

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Madonna with Child represents the new humanism thought pattern brought on by the renaissance. Previous paintings of Madonna with Child were flat and 2D. Brunelleschi's 3D sculpture reflects how real humans looked, and how society at that time period was beginning to focus on human life instead of after life.

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The crucifix also stood for the renaissance era's new found love for competition. Originally Donatello showed Brunelleschi a carved sculpture of christ and Brunelleschi said it was bad, so Donatello challenged him. Brunelleschi then created his on christ and Donatello agreed his was far more beautiful. This human competition  brought on by the re-birth period led to the amazing Crucifix sculpture that is still widely admired.

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The Dome of the Florence Cathedral was the creation that led to Brunelleschi's fame and success. It represents the new ideas brought by the renaissance because it was the first building to stand without an iron or wooden support in the center. Brunelleschi proved skeptics wrong and created a new form of architecture brought on by the needs of new and fresh designs of the renaissance.

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The Sacrifice of Isaac was involved in the competition of the east doors in Florence, which people believe stood for the true beginning of the renaissance because of the new reliefs introduced by Brunelleschi. This also conveyed the new idea of natural human competiton in the renaissance era which led to newer and better ideas.

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Perspective drawing for Church of Santo Spirito in Florence

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Perspective drawing for Church of Santo Spirito in Florence

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Filippo Brunelleschi was born in 1377, and died 1446 in Florence Italy. He was an architect and engineer who was one of the pioneers of early Renaissance architecture in Italy.