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On a camera mode dial, is a setting on some cameras that allows the user to set a specific aperture value.

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The f-stop setting determines how much light is allowed to enter the lens and pass through to the film.

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Control the amount of light reaching the film or image sensor.

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Is the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens.

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The focal length of the lens is the distance between the lens and the image sensor when the subject is in focus, usually stated in millimeters.

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Is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image.

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Is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor.

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Metadata is a set of data that describes and gives information about other data.

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Is an image stabilization technology that minimizes blur caused by camera shake.

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Thumbnail is a term used by graphic designers and photographers for a small image representation of a larger image.

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Main settings on your camera, and it lets you manually control shutter speed, aperture, and ISO.

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Camera calculates both shutter speed and aperture.

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This setting uses exposure compensation to take an underexposed image and is used for taking photos of darker objects.

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A setting on some cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture.

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Auto Mode puts every setting perfect to what your looking at to take a decent photo.

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Something that emits light is known as a light source.

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Process that records the glow or visible light given off by certain substances when they are irradiated by ultraviolet rays.

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Not all cameras have this setting because it sets things as fairly normal white balance settings.

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In Flash WB mode you’ll find it warms up your shots a touch.

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Generally cooler than shooting in direct sunlight so this mode will warm things up a little.

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Warms things up a touch more than daylight mode.

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Camera makes a best guess on a shot by shot basis.

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The squares in the camera when you look in the viewfinder and when you take a photo those squares will beep red.

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Process of taking three photos; one using the camera's recommended settings, one intentionally underexposed, and one intentionally overexposed.

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Viewfinder where the image captured by the lens is projected electronically onto a miniature display.

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Often used to determine the proper exposure for a photograph.

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Is a still camera designed primarily for simple operation.

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The amount of light that reaches the film or image sensor is proportional to the exposure time.

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This means the camera will keep taking a picture until your finger comes off the shutter button.

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The apparent streaking of rapidly moving objects in a still image or a sequence of images such as a movie or animation.

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Unlike a tripod, monopods cannot support a camera independently.

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Technique in which exposures are made by moving a hand held light source while taking a long exposure photograph.

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Three variables that determine the exposure of a photograph: aperture, shutter speed, and ISO.

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Alter exposure from the value selected by the camera, making photographs brighter or darker.

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Several photographs are captured in quick succession by either pressing the shutter button or holding it down.

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Whereby the frequency at which film frames are captured is much lower than that used to view the sequence.

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Image editing in photography. Audio editing software in audio. Differential GPS post-processing, an enhancement to GPS systems that improves accuracy.

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Slow-shutter photography involves using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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Camera resolution is measured in megapixels 1024 by 768 pixels

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Ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image.

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Unintentional slight movement of a camera during photography or filming, liable to cause blurring of the image.

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While rotating a camera on its vertical or horizontal axis in order to keep a moving person or object in view or allow the film to record a panorama.

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Value of each pixel is a single sample representing only an amount of light, that is, it carries only intensity information.

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A brownish tone imparted to a photograph, esp an early one such as a calotype.

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Shadows are the darkest areas of a photograph. A shadow is also devoid of color; it could be the black in a photograph or just the areas that carry little light.

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Highlights are normally created by a bright or intense illumination or by various forms of diffusion or reflection.

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The cross section of a shadow is a two-dimensional silhouette, or a reverse projection of the object blocking the light.